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More Posts from Tomriddleslovergirl and Others

9 months ago

I also block people if they're rude! You're based/gen

-tendergraphite

Thank you! I literally just don't want any drama on my account


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10 months ago

Aegon ii didn’t actually lose much hair but in an evil far beyond kinslaying Aemond has been shaving his hairline like Viserys’ every night to destroy his real source of strength (Alicent’s impeccable hair genes)


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9 months ago
Look At Him. Three Apples Tall And Sauntering Across The Red Keep Yard All Coquettishly

Look at him. Three apples tall and sauntering across the Red Keep yard all coquettishly


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5 months ago

Show, don’t tell

"Show, don’t tell" means letting readers experience a story through actions, senses, and dialogue instead of outright explaining things. Here are some practical tips to achieve that:

1. Use Sensory Details

Tell: "The room was cold."

Show: "Her breath puffed in faint clouds, and she shivered as frost clung to the edges of the window."

Tell: "He was scared."

Show: "His hands trembled, and his heart thudded so loudly he was sure they could hear it too."

2. Focus on Actions

Tell: "She was angry."

Show: "She slammed the mug onto the counter, coffee sloshing over the rim as her jaw clenched."

Tell: "He was exhausted."

Show: "He stumbled through the door, collapsing onto the couch without even bothering to remove his shoes."

3. Use Dialogue

What characters say and how they say it can reveal their emotions, intentions, or traits.

Tell: "She was worried about the storm."

Show: "Do you think it'll reach us?" she asked, her voice tight, her fingers twisting the hem of her shirt.

4. Show Internal Conflict Through Thoughts or Reactions

Tell: "He was jealous of his friend."

Show: "As his friend held up the trophy, he forced a smile, swallowing the bitter lump rising in his throat."

5. Describe the Environment to Reflect Mood

Use the setting to mirror or hint at emotions or themes.

Tell: "The town was eerie."

Show: "Empty streets stretched into the mist, and the only sound was the faint creak of a weathered sign swinging in the wind."

6. Let Readers Infer Through Context

Give enough clues for the reader to piece things together without spelling it out.

Tell: "The man was a thief."

Show: "He moved through the crowd, fingers brushing pockets, his hand darting away with a glint of gold."

7. Use Subtext in Interactions

What’s left unsaid can reveal as much as what’s spoken.

Tell: "They were uncomfortable around each other."

Show: "He avoided her eyes, pretending to study the painting on the wall. She smoothed her dress for the third time, her fingers fumbling with the hem."

8. Compare to Relatable Experiences

Use metaphors, similes, or comparisons to make an emotion or situation vivid.

Tell: "The mountain was huge."

Show: "The mountain loomed above them, its peak disappearing into the clouds, as if it pierced the heavens."

Practice Example:

Tell: "The village had been destroyed by the fire."

Show: "Charred beams jutted from the rubble like broken ribs, the acrid smell of ash lingering in the air. A child's shoe lay half-buried in the soot, its leather curled from the heat."


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1 year ago

Hcs about how Aemond and Aegon(separate) would react to the reader running away and getting pretty far from Kings Landing? I really love your works btw.

Aemond and Aegon ii Targaryen’s reaction to You running away

Warnings: spoilers, possessiveness, murder

Word count: 1.3k

Aegon ii Targaryen:

Hcs About How Aemond And Aegon(separate) Would React To The Reader Running Away And Getting Pretty Far

Being a seamstress’s daughter, you helped your mother create dresses for Princess Rhaenyra and Queen Alicent.

Your mother had been young when you both moved to King's Landing, having just given birth to you. She’d been close to Princess Rhaenyra, having conversations with each other when she was taking the Princess’s measurements.

As you got older, you helped your mother make dresses for the royal family.

When Rhaenyra moved to Driftmark with the rest of her family, you both were stuck making clothing for Queen Alicent and at times, the other royals.

Prince Aegon & you hadn’t met until it was around the time of his nameday.

Queen Alicent had chosen you and your mother to create a suit for Aegon, for him to wear on his nameday celebration.

Your mother put you on the job of taking the prince’s measurements.

Though Aegon was a bit drunk, he still found it in himself to flirt with you. You, of course, had politely tried to shut down Aegon’s advances, but you soon found yourself taken with him.

Your affair had begun from then on.

When King Viserys died, Aemond found Aegon in your bedroom, begging you to run away with him.

After Aegon was crowned king, your mother had forced you to quickly pack a bag with the items you needed before leaving the castle, saying she wouldn’t support and usurper as a king.

Hours after you left, Aegon had come to visit you.

Your door was open, which hadn’t alarmed Aegon until he walked into your room.

It was a mess.

Clothes were strewn on the floor, various fabrics and sewing supplies were left on chairs or tables.

The drunk prince sobered up when he realized quite a few of your personal items were missing.

Aegon called for his guards to go looking for you as he went to Alicent’s chambers.

When Aegon realized that you were missing, his mind jumped to two possibilities. One, that you had been taken as hostage by the blacks, since Aegon had never been quiet about his relationship with you. Or two, that his mother had something to do with you leaving.

Alicent had tried talking to Aegon before about ending his affair with you. Calling the relationship a disgrace and asking if he had no respect for his sister-wife. Saying that she was using him for his wealth.

Aegon had argued against her and in the end didn’t end his affair with you.

Now, Aegon thought that she may have paid you off to leave King's Landing.

Once he had gotten to her chambers, it was clear to Alicent that something was wrong with Aegon. His cheeks were red and he looked to be in a rush.

When Aegon asked if she had anything to do with your disappearance, she denied it, but said it was good that you were gone. That you would have been nothing but trouble.

Aegon believed her, though defended you when she insulted you.

Over the next couple of days Aegon had been drinking more since your disappearance. When you were still here, he would help him with his drinking problems, but now that you were gone, he had fallen back into his hole of depression.

Since you were gone, Aegon found himself missing you more and more. He got out of bed and walked —or more like stumbled —to your room.

Guards followed him. There were more of them since the war between the blacks and the greens.

He lay down on your bed and breathed it in. It still smelt like you.

Aegon was about to cry over you, when he noticed a small paper half covered by one of the pillows on your bed.

He grabbed it and read through it.

The letter was written in an obvious hurry, the writing messy & jumbled.

In the letter it said that your mother was making you leave King’s Landing in support of his half sister Rhaenyra. And — perhaps stupidly— you wrote that your mother was taking you to Essos.

He clenched the note in his hand. This meant you didn’t actually want to leave him right?

He felt anger towards your mother. She was the one who took you away from him

Aegon decided that he was going to get you back. It wasn’t going to be up for debate. 

Aemond Targaryen:

Hcs About How Aemond And Aegon(separate) Would React To The Reader Running Away And Getting Pretty Far

Before the war with the Greens and the Blacks, your father had taken you to King’s Landing to meet Aemond Targaryen.

King Viserys had sent a letter, hoping that he would agree to betroth you to Aemond.

Your father, of course, had jumped at the chance to accept.

To marry a Targaryen would be an honor, he had told you.

You had found yourself upset that you would be forced to marry, but he convinced you to stay on your best behavior.

A celebration was thrown for you & your father.

Your house was quite respectable and wealthy, as you were known for your silk.

You met Aemond at the dinner party, and were surprised by how respectable he was. And you weren't going to lie, he was nice to look at.

You had heard stories about how unattractive the prince was, but you disagreed.

And as much as you didn’t want to admit it, you felt your cheeks heat up when the prince kissed your hand.

During the whole celebration, Aemond was respectful and seemed kind. And you thought that you both seemed to get along just fine.

There was no doubt in your head that you were going to get betrothed after that night.

For the rest of the time you were to spend in King’s Landing, Aemond had courted you.

You both would have tea together while being supervised, and spend time in the library.

Aemond was intelligent. That much was obvious.

You would watch as he trained using his sword & Aemond himself found that he was taken by you.

You didn’t shy away from his gaze like the other ladies-in-court have.

You were intelligent yourself & were eager for him to teach you High Valyrian.

 You both got married not long after.

Once the war Between The Blacks & The Greens had begun, you had begun to worry quite a bit over Aemond.

The war had truly begun when Aemond had killed Lucerys Velaryon.

He had claimed it was an accident, while Alicent & Otto had reprimanded him.

Though conflicted, you had decided to believe Aemond when he said it was an accident.

Later on into the war, Aemond was sent to retake Harrenhal.

Once word got back to you that Aemond had ordered the executions of The Strongs, you felt disgusted.

He ordered the death of innocent women & children.

You began to question if the murder of Lucerys was truly an accident.

The more you thought about Aemond, the more you were disgusted by him.

War had changed him. Or had he always been like that?

You decided you were going to leave. You couldn’t share a bed with a man who didn’t think twice about ordering the deaths of children.

It wasn’t as difficult as one would think to leave the castle.

Aemond had taught you about the hidden passages & the layout of them.

You packed a bag and stuffed a pouch with as much gold and diamonds that would fit in it. You put on some of your valuable  jewelry as well, in case of an emergency and you need to sell them.

You put on a cloak and grabbed your bag and left, taking a ship to Dorne.

Once Aemond had heard about your disappearance, he returned to King’s Landing as fast as he could, putting Ser Criston Cole in charge of Harrenhal.

Once he had returned to King’s Landing, he hurried to your shared chambers to make sure that what he had heard was true. And it was. You wear no longer in your chambers.

Had someone snuck into the castle and taken you hostage? It was possible.

He soon noticed that some of your jewelry and dresses were gone.

Had you left? To go where? It wouldn’t be to visit your parents. You were far too smart for that.

Aemond Targaryen’s wife was missing and he was going to find you.

And once he does, he was going to make sure you weren’t going to leave him again.


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2 years ago

Batfam x reader incorrect quotes:

Damian: And I’d love to be sorry for that, but we all know I’ve done much, much worse.

Bruce, in a meeting: My policy is if you see something, say something. You: I saw a squirrel in a tree today! Bruce, with the tone of someone who is used to You: Outstanding. You: This is what I’m talking about people.

Tim: You're the love of my life and my best friend, I would do anything for you. You: I want you to eat three meals a day and have a decent sleep schedule. Tim: Absolutely not.

You: Do you have any skeletons in your closet? Damian: You mean literally or figuratively? You: Honestly, the fact that I have to specify...

Damian: God, give me patience. Tim: I think you mean 'give me strength'. Damian: If God gave me strength, you'd be dead.

You: I've already sent good vibes your way… they’re coming. There’s nothing you can do to stop them. Jason: This is the most threatening way I’ve ever been cheered up.

You: What if the 'g' in 'gif' is silent? Damian: Go the fuck to sleep You: What gif I don't want to? Damian: Fuck You

Bruce: I actually have a black belt. You: In what, karate? Bruce: No, from Gucci.

You: Date someone who will drag you outside at 3am to look at the stars. Damian: If anyone, and I mean anyone, wakes me up at 3am to go look at the damn sky they will be removed indefinitely from my life.

You: That’s one of my biggest fears. Like, if I ever woke up as a donut... Dick: You would eat yourself? You: I wouldn’t even question it.

Tim: Do you think you’d actually notice if someone didn’t cast a shadow? Or if their limbs were just slightly too long? Or if they had just a little too many teeth? like how many times have you passed Something on the street and you just didn’t Notice It? You: Stay woke monsterfuckers ur love is out there!!!!! Tim: Yknow what? Not my point at all in any way whatsoever, but I’m glad I could be an inspiration.


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6 months ago

ℭ𝔯𝔶 𝔏𝔦𝔱𝔱𝔩𝔢 𝔖𝔦𝔰𝔱𝔢𝔯; III

{poly!lost boys x fem!reader}

♱ 𝔯𝔞𝔱𝔦𝔫𝔤: explicit

♱ 𝔰𝔲𝔪𝔪𝔞𝔯𝔶: Michael's sudden change is unwelcome in the Emerson household. After an apparent prank that scares you and your brothers, you take matters into your own hands and confront David's gang head on.

♱ 𝔴𝔞𝔯𝔫𝔦𝔫𝔤𝔰: emerson!reader, fem!reader, reader is 18-19 (middle child), reader wears glasses, foul language, sibling dynamics, mentions of divorce, stuck-up?reader (she's prissy at times), teasing, temptation at its finest, mentions of stalking, flirting????? at the music store???? get your act together girl,

♱ 𝔞/𝔫: there are a few new scenes in this chapter because I wanted the reader to have more interaction with the boys before giving in. Side note, but I hate when I find a good song and it's released after '87, because it would be perfect for this series. So, the unofficial song for this chapter is Give In to Me by Michael Jackson. Also, if this were a movie, Runaway would start playing as soon as the reader storms out of the house to confront the boys on the boardwalk. OG word count: 2432, revamped word count: 4250

[1] [2] ... [4] ... [8] [9]

ℭ𝔯𝔶 𝔏𝔦𝔱𝔱𝔩𝔢 𝔖𝔦𝔰𝔱𝔢𝔯; III

Michael is acting weird.

Okay. To be fair, your brother is always weird, but this is different. He's mean. He sleeps all day and wakes up at sunset, then hops on his bike and drives off to God knows where.

At first, you thought he was avoiding Mom after the boardwalk incident. Pissed was not an accurate rage descriptor for how upset she had been when she learned what he did. At first, you defended Michael. You did tell him it would be okay. But when he started acting like an ass, you became less sympathetic.

The night after that, David's gang came to the house. They didn't come inside—but they did tear up the driveway. They revved their engines, jeering Michael's name, goading him to go outside. 

Mom had caught Mike on his way out and encouraged him to bring them in.

"They might like a nice, home cooked meal." she said, peering at them through the curtains.

"Maybe next time," was his reply.

There was no next time. 

Another notable incident occurred when Sam forgot to untie Nanook and bring him inside. 

You chased Michael to the front door, fuming. "What? You're too cool to let the dog in in front of your friends?"

"He's not my dog," said Michael.

"But Mom asked you to do this."

"I don't have to do everything she says. Neither do you, you're an adult."

"And you're being an asshole."

Michael stepped outside, and, of course, David's gang was waiting. 

Michael rolled his eyes, "Why can't you get the dog, four-eyes?"

"Because you're already outside!"

Michael narrowed his eyes like he gained the power to see through your bullshit and laughed cruelly: "You're scared of them."

And, for the first time that night, you spared a glance behind him toward the boys. They said nothing, but you're sure they heard every word, considering they watched your squabble unfold like a soap opera. 

For the record, you're not scared of them. 

You're annoyed. Disgusted. (A little scared of how they make you feel, but that's neither here nor there.) 

And you could tell Mike this, but instead you said, "Oh, fuck off." before storming into the lawn. 

Nanook, who had been barking at the boys, calmed when you approached; however, you were too distracted to give the dog more than a head-pat. You were conscious of your every movement as soon as you stepped outside—your walk, the sway of your hips, your posture, hell, even your clothes. You liked your clothes, but you almost resented how dowdy they were. Why hadn't you worn something more revealing? You usually hate having people leer at your body but with these guys ...

Michael said something to them, and they laughed. It could have been nothing, but you swore they were talking about you, so you rushed inside and didn't look back. 

After that, you did everything you could to avoid seeing them when they came around. 

You lie and say these weird feelings began after that dream, but you know that's not true. Those boys have been burrowing in your brain since the beginning. The sound of their bikes roaring up the driveway makes your heart skip a beat. 

Sometimes—and you're reluctant to admit this—but sometimes you place yourself where they can see you. The upstairs window, the garage, the doorway—places far enough that they can't call out to you but close enough for them to look. 

It's stupid. You don't understand why you do it. These guys are strange and probably dangerous. You shouldn't want anything to do with them.

But that doesn't stop you.

Weirdly, you like being watched. It's like being under a microscope, but you've put yourself on the slide and control the outcome. A shrink would tell you that you're acting out because of your parents' divorce. That's the savory answer, so you refuse to believe there's another reason. 

ℭ𝔯𝔶 𝔏𝔦𝔱𝔱𝔩𝔢 𝔖𝔦𝔰𝔱𝔢𝔯; III

A bird keeps leaving you gifts on your windowsill.

You haven't seen the bird in action, but you know it has to be one. It leaves you items at night. Random things.

The first one you find is a shell. It's beautiful—one of those shells you can't find on the beach, only in tourist shops. It's as big as your palm and bone-white. You assume the bird had placed it there after deciding it was unfit for its nest, so you brought it inside.

Two fluffy yellow dandelions were placed in the same spot the next day. The day after that, a flat stone with a hole in the center. Then, a feather.

On and on the little gifts came. You're not sure what you did to befriend this bird, but you're grateful. In the midst of so much turmoil with Mike, David, and Mom, the gifts never fail to make you smile.

ℭ𝔯𝔶 𝔏𝔦𝔱𝔱𝔩𝔢 𝔖𝔦𝔰𝔱𝔢𝔯; III

"Honey?"

"Yeah, Mom?"

She quietly thanks the customer for coming and passes the plastic bag across the counter. When they're gone, she turns to you again. 

"Why don't you grab a bite to eat?"

"I'm not hungry."

"Oh, please!" Mom shakes her head, giving you that knowing smile. "You've been with me all day. Go and get yourself something to eat. Better yet, stretch your legs."

You flash your 'new' (secondhand) paperback at her. "I already did."

She says your name in warning, but there's no bite to it. You know she's just looking out for you. With a sigh, you tuck the book into your bag and kiss her cheek goodbye.

If this was any other day, you wouldn't have bothered to come with your mom to work, but Max had called and asked if she could work a double because Maria was sick, meaning she would be here until dark. You know she's a big girl and grew up on the mean streets of Santa Carla without you, but today was also her and dad's wedding anniversary, and well...

Mom won't admit it, but you know she's struggling. It's the big reason she took the extra shift; it helps her not think about her failed marriage.

The door swings open, and you barely glimpse who is in your periphery before you swear. 

"Shit."

"What is it, honey?" She greets the new group with a big smile. "Hello! If you have any questions, don't hesitate to ask ..." She pauses. Squints her eyes, looking, really looking, at the group. "Have we met before?"

"We're frequent flyers," says an all-too familiar voice.

David.

"Oh, alright," Mom cheers.

"Bye," you mutter. You turn fast and nearly collide with Marko, but you dodge at the last second. "Excuse me."

You exit the store and thrust yourself into the night crowd. Of course, the one night they take off from terrorizing Michael, they come after you. 

Actually—you glance at the nearest clock—it's too early for them to be at Grandpa's house. (Yes, you have their schedule memorized. No, that's not weird.)

And, no, you don't have an inflated sense of self-importance because one glance over your shoulder told you the four of them left the video store as soon as they came in. You don't know if they're following you or if this is their childish idea of a prank, but you refuse to find out.

You duck into the nearest store before they see you—a music shop. The walls are lined with albums, cassettes, and CDs. Band posters cover what little space is left; somewhere in the corner, a rock song wafts from its boombox. 

You don't frequent music shops; you might if you're with Michael or Sammy, but most of your cassettes are inherited from Mom. Still, you wander toward the folk-rock section and figure you have a few moments to kill before you seek out food. 

But good things never last.

The door opens, and you don't have to look this time to know. 

"So, you're stalking me now?" you ask.

Paul snatches the tape from your hand. "Midnight Voyage? C'mon, girl, you gotta get with the times."

You grab it back. "I like the Mamas and the Papas."

"That song's as old as you."

You cross your arms. "I thought you, of all people, understood good music doesn't have an expiration date?"

Marko, Dwayne, and David snicker, and Paul has the decency to look sheepish. You rest your hip against the display and raise your chin.

"What do you guys want?"

"We're here to look at music," says David.

"Uh-huh. Videos, too?"

He challenges you with a sarcastic look. "It's Friday night."

"Whatever."

You snake around them and move to a different display, but they follow. 

"You have to like some rock," Paul tries again.

You fight a smile. He's ... almost charming. "I didn't say I didn't."

Marko joins in, "Who?"

You flip through the singles, not paying them any mind as they throw out different band names.

Aerosmith, Bon Jovi, Depeche Mode, Van Halen - tell me you like Van Halen, baby?

You find what you're looking for and flash it to the boys with a grin. "Iggy Pop, The Passenger."

Marko frowns, but it's more appreciative than judgemental.

Dwayne nods in agreement. "Not bad."

Your answer pacifies Paul, but he's not satisfied. "We need to find you some music that you can dance to, baby."

"I don't dance," you say. "Especially in front of other people."

"Are you always this serious?" David asks. 

For some reason, that hits you where it hurts. You glare at him, dropping the single back in its slot. "Do you always stick your nose into other people's business?"

David has the audacity to smirk. "It's just an observation, princess."

You scoff and try to shoulder past him, but David is fast. He catches your bicep. His grip is barely there, but it stops you in your tracks. You hold your breath, all too aware that you're sandwiched between him and Dwayne. 

"If you keep running off like this, you're gonna make us think you don't like us," David teases.

"I don't," you lie. 

He cocks his head. "You sure?"

You swear he can see through you, but you're unwilling to give in. Not yet.

You step closer, looking him dead in the eye. "I've never been more certain."

Jerking away, you make a b-line for the door. David can't let you have the last word, though. 

"Tell Michael we'll see him later," he calls out.

You shove the door open and shout back, "Bite me!"

ℭ𝔯𝔶 𝔏𝔦𝔱𝔱𝔩𝔢 𝔖𝔦𝔰𝔱𝔢𝔯; III

You're in the kitchen helping Mom with dinner when Michael stomps down the stairs, sunglasses tucked in the neck of his t-shirt.

Mom rushes to meet him. (Even she's aware she only has a finite amount of time before she loses him again.)

"Michael, do you want to take the night off and have dinner with your family?" She reaches for him, but Michael keeps walking. "We haven't eaten together in a while. It would be nice."

He snorts. "Yeah, right."

Michael opens the door without another word, and the roaring of motorcycle engines fills the house.

Mom shrivels the tiniest bit. Had you not been watching her, you wouldn't have noticed, but you did, and it pisses you off.

You sit the bowl down a little too hard and chase after him.

"Michael." He ignores you. "Michael!" You latch onto his stupid leather jacket and yank him back."Look, I don't know what's gotten into you, but it doesn't give you the right to be an ass to Mom."

He smiles, "But I can to you, right?"

Michael tries to walk away, but you hold firm.

"Why are you acting like this?"

"Listen." Michael faces you head-on. "Unlike you, I've got friends waiting for me. So, why don't you run back inside, little sister? Hm?"

Tears burn the back of your eyes, but your anger burns brighter. You release him with a push.

"Well, at least I'm not pretending to be something I'm not."

Michael frowns. For a moment, you think your words hit their mark, and you see the faintest glimmer of the old Michael in his eyes. He opens his mouth to speak.

"Michael!"

"C'mon, Michael!"

"Mikey boy!"

You flinch as they rev their bikes. It works its charm because all traces of remorse are gone from Michael's face.

He looks at you coldly. "I gotta go."

"Michael, you're making a mistake," you say.

He rolls his eyes. "Don't wait up."

"Hey, baby!" Paul shouts. "Don't you wanna come party with us?!"

You flip them off, and they erupt into a chorus of laughter.

ℭ𝔯𝔶 𝔏𝔦𝔱𝔱𝔩𝔢 𝔖𝔦𝔰𝔱𝔢𝔯; III

You toss the phone onto Michael's chest, startling him from his mid-day nap.

"... What the hell?"

"Mom's on the phone. She wants to talk to you."

Michael cracks his eyes open, wincing. "What time is it?"

"Two o'clock. You slept all day. Again." You don't even try to mask your rage. If he's going to be a jerk, you'll give it right back.

Michael motions for the sunglasses on his bedside table. "Hand me those, will you?"

You scoff but throw them at him, too. "You need sunglasses to talk on the phone? Are you high?"

"Fuck off," he mutters, and picks up the phone. "Hi, Mom..."

You faintly hear her voice drifting from the receiver. "Michael are you still in bed?"

"No. I'm up."

"Can you do me a favor this evening? Will you stay home with Sam tonight? I'm meeting Max for dinner."

"I watch him all the time, Mom," he says unsympathetically. "The only time I have for myself is the evening." He locks eyes with you from behind his sunglasses. "Can't you have her watch him? Or Grandpa? They stay home all the time, anyway."

"I want you to do this," Mom says. "You come home late, sleep all day—Sammy's always alone."

"No, he's not!"

"Michael, please! Your sister should not have to do everything all the time. Now, you always do whatever you want, and I don't stop you ... tonight, I want to do what I want for a change. Do you know how long it's been since someone has asked me out to dinner?"

Michael works his jaw and says nothing.

"Please, Michael?"

He presses his lips into a thin line. "Okay. Fine. I'll watch Sammy."

He hangs up with a groan, rubbing his eyes. You tsk, yanking the phone off his chest. 

"I guess it sucks to be you," you say.

"Get out of my room," Michael grumbles, drifting back to sleep. 

You leave, but you don't close the door. Sometimes, being petty is better than a middle finger.

ℭ𝔯𝔶 𝔏𝔦𝔱𝔱𝔩𝔢 𝔖𝔦𝔰𝔱𝔢𝔯; III

Grandpa strolls into the kitchen wearing a khaki-colored jacket and a loud bowtie. He has a pep in his step and another one of his furry creations tucked under his arm. 

"Look at you, Gramps!" you coo. "Lookin' all spiffy. What's the occasion?"

"Can't an old fart like me dress up for fun?" He playfully adjusts his bowtie, and his eyes twinkle with mischief. "Anything in here that might pass for aftershave?"

Sammy hops out of his chair and plucks a bottle off the windowsill. "How about this Windex, Grandpa?"

"Ah!" The old man gratefully accepts the bottle, squirts some in his hands, and pats it on his cheeks. Sam exchanges a knowing look with you. "Thanks."

Unfortunately, Michael chooses this time to come in. (And he's still wearing those stupid sunglasses.) He appraises Grandpa, his mouth twisting cruelly. "Big date, Grandpa?"

Grandpa wiggles his eyebrows, smiling slyly. "Just dropping off some of my handiwork to the 'Widow' Johnson."

He holds up a taxidermy dog. Its beady marble eyes stare into your soul. You repress a shudder. Stuffed animals (the kind that used to be alive) aren't the way to your heart, but if this woman likes it, who are you to judge?

You pat him on the back. "Good for you, Grandpa."

Michael peers over the rim of his sunglasses. "Oh, yeah? What did you stuff for her? Mr. Johnson?"

Grandpa's smile falters, then fades away altogether. He grips the stuffed dog a little tighter. "I'll see you kids later."

As soon as he's out of sight, you smack the back of Michael's head.

"Hey!"

But Sammy's on your side. "That wasn't funny, Michael."

Grandpa honks his horn, and an off-key version of La Cucaracha plays as he peels out of the driveway. Sam resumes his task: dinner duty.

"I'm making you a sandwitch," your little brother grumbles.

"Don't bother."

Michael moves, and you catch sight of something shiny. There's a dangly chain piercing his earlobe, and you know for a fact that it wasn't there last night. You wrinkle your nose. "Lose the earring, Michael, it's not happening."

He crosses his arms. "Piss off."

Sam's eyebrows shoot all the way up. "Wow—you have a great personality, Mike! You should open your own charm school."

Michael starts to go in on Sammy, ready, aching, to deliver his retort when the house shakes. A harsh, howling wind rips through the windows. The curtains flap like frantic bird wings; the ground shakes. Outside, motorcycles roar up the driveway and circle the house. Headlights burn through the windows so bright that it's like sunrise. 

You grip the table to keep from falling over. Dishes and cutlery fall from their cabinets and smash into the floor, shattering into hundreds of pieces. 

"What the hell is going on?!" You can hardly hear your own voice over the noise.

From outside, you hear their voices, shouting, clamoring over one another, melding into a horrific symphony of Michael, Michael, Michael!

Steadily, the noise grows louder. You know it's impossible, but you swear the motorcycles are climbing the walls. 

Michael rushes to the front door, and Sam is hot on his heels.

"Don't open it!" Sam cries.

Michael! Michael! Michael!

Michael throws the front door open, and ... it stops. 

Everything stops.

All that remains is a faint breeze rustling through the trees and the dainty jingle of wind chimes. 

You grab Sam's hand to ground yourself, and he squeezes back, utterly petrified. 

No one is outside. 

You exchange a look with Sam. "That was real, right?"

He nods, but he doesn't look sure.

You trust your judgment, and Sammy's for that matter, but as you peer into the night, you can't help but doubt yourself.

Was it a shared hallucination? An earthquake? But what were those voices?

Grimly, you realize there's only one answer, and it wasn't a natural phenomenon. You know who's behind it. 

Michael shuts the door and locks it, resting his back against it like he alone could prevent them from coming in.

You clench your jaw and storm up to Michael, poking his chest. "Look—I don't know what kind of game you and your friends are trying to play, but it's not funny."

Michael dares to look offended. "I didn't do this."

"The hell you didn't!" Rage boils your blood, and you see red. "I have had it, Michael. This is the last straw."

You shove past him and throw open the door. The night is calm, but you are not. You've played the passive role for too long. No. Fucking. More. 

Those four morons could mess with you all they wanted, but not your family. Not their home. 

Your brothers call after you, but it's Sammy who asks, "Where are you going?!"

"Out!"

ℭ𝔯𝔶 𝔏𝔦𝔱𝔱𝔩𝔢 𝔖𝔦𝔰𝔱𝔢𝔯; III

Your anger leads you to the boardwalk.

People laugh, their conversations overlapping until it's nothing but white noise buzzing in your ears. Overhead, Runaway by Bon Jovi crackles through the boardwalk's sound system, but the music is distorted as if filtered through a tunnel.

You find David and his gang easily, almost like you have a homing beacon guiding you straight to them. You don't overthink it. Really, you don't think about it at all. All you know is that you're past your limit for bullshit, and tonight, you'll make it stop one way or another.

Paul is the first one to notice you. He greets you with a cocky grin. "Hey, baby—"

You punch Paul in his stupid, pretty face. It wasn't hard—and the odds are, he's taken worse—but sheer surprise knocks him off his feet into Dwayne. 

You only realize what you did when the pain kicks in.

"Sunova—!" You bite back a scream, cradling your fist against your chest. You wish someone would have warned you: punching hurts.

"What is with you Emerson's and punching without provocation?" muses David.

You glare, filling it with as much hate as you can muster. David isn't affected in the least. In fact, he's amused. He grins like he's watching a newborn puppy learn to snarl. He pushes off the railing and invades your personal space.

"Let me see your hand." David reaches for it, but you step back.

"Don't touch me," you snap.

The boys laugh.

Marko throws his arm over your shoulder and nuzzles your hair. "Baby's got teeth, huh?"

You try to shrug him off, but he hangs on. "Stay away from Michael." They murmur his name like it's a private joke. It makes you angrier. "He's a good guy, and he doesn't deserve to be dragged down by a group of dirty degenerates like you."

David bends at the waist so he's eye-level with you. "Did big brother send you here?"

"No," you say, "I came myself."

"So you can go down on dirty degenerates like us?"

"To get you to fuck off," you sneer.

You shove David back for good measure, but he captures your wrist—your injured hand—without blinking an eye. 

Gingerly, he looks it over, paying close attention to your knuckles. His leather gloves are soft and worn. They must be thick, too, because you can't feel his body heat through them.

What the fuck. No, you're not thinking about that.

He grazes his thumb over the hills and valleys of your knuckles; he turns your hand over, coaxing you to spread your fingers. 

"It's not broken," David says. "You're lucky."

… Huh?

He manipulates your hand into a fist again. "Next time, don't tuck your thumb under your fingers, or you will break it. See?"

"Stop it," you stammer.

"Stop what?"

"Being—" Nice "—weird!"

David releases your hand, and you bring it back to your chest. 

"I think you better apologize to Paul," David continues. "You hurt him real bad, and, well, we don't want him to pout all night, right?"

You glance at Paul, who is indeed pouting theatrically. "Can you kiss it better?" He taps his cheek.

You sneer. "Look—just leave Michael and my family alone. That shit you pulled tonight was not cool, and Mike hasn't been acting like himself since you came along, so I know you're the cause. So, back off, okay?"

David smiles. "Okay."

You pause. Then blink. You wait for the punchline, another witty remark that David has locked and loaded, but it never comes.

"Wait, seriously?"

"Sure." David shrugs, "But you've gotta take his place."

"Excuse me?"

David doesn't repeat himself. He gives you a look similar to the one he gave you over a week ago. Daring you, begging you with those unfathomable blue eyes. Paul leans against your other shoulder.

"C'mon," Paul purs. "Join us."

Marko and Dwayne pile on, chanting with Paul, "Join us. Join us. Join us."

David only stares, his hypnotic gaze locked on yours as the chant grew louder. People are starting to stare. 

"You know you want to," David says. "Stop lying to yourself."

Marko giggles, "We promise we'll be good."

From behind, Dwayne mutters, "Extra good."

"Don't leave us hanging, baby," Paul whines.

This isn't what you came here to do. All you wanted was to get them to back off before someone—like Sam or Mom—got hurt. 

But that teeny-tiny part of you, the one you've been trying to smother since you arrived in Santa Carla, pipes up. You didn't have to come. You could have let Michael handle this. You could have ignored them instead of walking into the lion's den. You knew, deep down, that this would happen. You wanted it to.

Your rage evaporates with every passing second and is replaced with that familiar fuzzy feeling in your abdomen. They're so close. 

They pet you—your arms, your hands, your neck. David is content to watch like he knows they're steadily chipping away at your resolve. Dwayne's hands migrate to your hair, toying with the ends. Cool breath fans over your neck. Leather kisses your exposed skin.

You remember too late that you're not wearing your usual maxiskirts but instead a pair of cut-offs that reveal far more skin than you typically like to show. But ... you don't care. If anything, it makes that fuzzy feeling more intense. You want them to look.

"I..." Your breath catches. You don't know what to say, and even if you did, you don't think you can admit it out loud.

David sees this. He knows you. So, he offers his hand instead. Open. Ready. Accepting. You don't need words with him.

Your fingers twitch. It was only a matter of time before they wore you down and coaxed that yes from you.

Slowly, painfully slow, you place your hand in David's. He curls his fingers over yours, sealing the deal.

The boys erupt into cheers, and that hazy bubble of something bursts like fireworks, an explosion of euphoria. Your skin tingles, and you grin. Dwayne wraps his arms around your middle and spins you around, eliciting a surprised shriek from you. 

"C'mon, boys." David tosses his cigarette to the ground and stomps it out. "Let's go." 

ℭ𝔯𝔶 𝔏𝔦𝔱𝔱𝔩𝔢 𝔖𝔦𝔰𝔱𝔢𝔯; III

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8 months ago
The Woman Dies.
The Woman Dies.
The Woman Dies.
The Woman Dies.
The Woman Dies.
The Woman Dies.
The Woman Dies.
The Woman Dies.
The Woman Dies.
The Woman Dies.

the woman dies.


Tags
10 months ago

Who’s your fav character, but you have to choose one and one only!

I remember asking you this! This is such a tough question cause I'm so indecisive but I'm gonna go with Tom Riddle this time (literally named my account after him lol).

@dracoswhorexx


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She/her. Requests are OPEN for Tom Riddle and Aemond Targaryen! Rude=Blocked.FREE PALESTINEReality shifter, writer, and reader.

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