Your Leafeon is still stunning, all these months later.
@violetdawn001 and I are both huge pokémon fans, so we did a collab where we designed Leafeon for other seasons. We decided the normal Leafeon was the springtime one, and summer will be covered in flowers! But we actually only designed 2, and she chose autumn and I did winter. I didn't want to do an all brown, dead looking Leafeon though 😂
Check out this cool artist!
Pokemon Challenge 2024! Faunber family.
Find the rest of the Te'Roa set in my master post!
i'm sorry , this is so cute! 🥰
Odysseus, disguised as a beggar: alright ody, you’re about to see your beautiful wife for the first time in twenty years but you CAN’T break character - no matter how gorgeous she is. You got this, after years of marriage, you’ve learned how to handle your wife’s hotness.
[Penelope walks into the room]
Odysseus: oh no she got hotter with age
Happy Birthday @kanayamaryam999!
Here is a present for you! I hope you enjoy the ship and the crossover!
Guys, help. This Tumblr User is on to something. Look at this pic of Lord Shen from Kung Fu Panda 2.
There are no hearts anywhere on his tail feathers.
The Chameleon is canonically a Lord Shen fangirl.
THAT why the Chameleon nabbed Lord Shen from the Spirit World despite not being a kung fu master. She isn't just obsessed with Po, she's also obsessed with him!
Context below the cut
Hallo !
I've started to notice a pattern in the hk community.
When people (not all but most) draw pk ,in bug or gijinka, they tend to hide his pretty wings or not draw them at all.
So I've decided to ask bloggers if they could show or describe the king's wings, just out of curiosity (and for my own amusement)
(Btw if you are not taking requests please forgive me, I did not wish to annoy you with my silly babbles)
Well, the pattern seems to arise from the game itself as we never see the Pale King with his wings. (Unless you believe the theory that the PK's robe ARE his wings) The only time we see the PK with wings would be in Origm's dreams as the White Defender...and the PK is far away as a light silhouette.
If artists were to draw the PK, they would not have good canon references for the PK's wings. They would be forced to rely on the dream sequence (again, a silhouette), the Hallownestian crest/seals, and the Monarch wings when Little Knight uses them. If the artist wants any references or inspiration for drawing the PK with wings, they will need to look at other fanart.
How do I know this? Only had to go through the whole process myself while creating this.
I had an idea to make Lurien a Blue Morpho Butterfly, so it was fun to draw him and the PK together with their wings. If you want to see more Lurien as a butterfly, click on the link.
I must say that I've come a long way since December with this photo. Thank you for giving me the chance to practice my drawing and editing skills!
(No need for forgiveness. I am quite honored that you asked me to do this as I mostly draw Lurien the Watcher, not the Pale King. I think this was the first time I ever drew the PK as a "bug", so it was quite the experience on top of practicing hands and lighting. Thank you!)
(from a writer of ten years)
So you’re back in the writing trenches. You’re staring at your computer, or your phone, or your tablet, or your journal, and trying not to lose your mind. Because what comes after the first quotation mark? Nothing feels good.
Don’t worry, friend. I’m your friendly tumblr writing guide and I’m here to help you climb out of the pit of writing despair.
I’ve created a character specifically for this exercise. His name is Amos Alejandro III, but for now we’ll just call him Amos. He’s a thirty-something construction worker with a cat who hates him, and he’s just found out he has to go on a quest across the world to save his mother’s diner.
One of the biggest struggles writers face when writing dialogue is keeping characters’ dialogue “in-character”.
You’re probably thinking, “but Sparrow, I’m the creator! None of the dialogue I write can be out of character because they’re my original characters!”
WRONG. (I’m hitting the very loud ‘incorrect’ buzzer in your head right now).
Yes, you created your characters. But you created them with specific characteristics and attitudes. For example, Amos lives alone, doesn’t enjoy talking too much, and isn’t a very scholarly person. So he’s probably not going to say something like “I suggest that we pursue the path of least resistance for this upcoming quest.” He’d most likely say, “I mean, I think the easiest route is pretty self-explanatory.”
Another example is a six-year-old girl saying, “Hi, Mr. Ice Cream Man, do you have chocolate sundaes?” instead of “Hewwo, Ice Cweam Man— Chocowate Sundaes?”
Please don’t put ‘w’s in the middle of your dialogue unless you have a very good and very specific reason. I will cry.
Yes, the girl is young, but she’s not going to talk like that. Most children know how to ask questions correctly, and the ‘w’ sound, while sometimes found in a young child’s speech, does not need to be written out. Children are human.
So, consider the attitude, characteristics, and age of your character when writing dialogue!
If I’m reading a novel and I see an entire page of dialogue without any breaks, I’m sobbing. You’re not a 17th century author with endless punctuation. You’re in the 21st century and people don’t read in the same way they used to.
Break up your dialogue. Use long sentences. Use one word. Use commas, use paragraph breaks. Show a character throwing a chair out a window in between sentences.
For example:
“So, you’re telling me the only way to save my Ma’s diner is to travel across five different continents, find the only remaining secret receipt card, and bring it back before she goes out of business? She didn’t have any other copies? Do I have to leave my cat behind?”
vs.
Amos ran a hand over his face. “So, you’re telling me the only way to save my Ma’s diner is to travel across five different continents, find the only remaining secret recipe card, and bring it back before she goes out of business?”
He couldn’t believe his luck. That was sarcastic, of course. This was ironically horrible.
“She didn’t have any other copies?” He leaned forward over the table and frowned. “Do I have to leave my cat behind?”
The second version is easier to digest, and I got to add some fun description of thought and action into the scene! Readers get a taste of Amos’ character in the second scene, whereas in the first scene they only got what felt like a million words of dialogue.
DON’T OVERUSE DIALOGUE TAGS. DON’T. DON’T DON’T DON’T.
If you don’t know what a dialogue tag is, it’s a word after a sentence of dialogue that attributes that dialogue to a specific character.
For example:
“Orange juice and chicken ramen are good,” he said.
‘Said’ functions as the dialogue tag in this sentence.
Dialogue tags are good. You don’t want to completely avoid them. (I used to pride myself on how I could write stories without any dialogue tags. Don’t do that.) Readers need to know who’s speaking. But overusing them, or overusing weird or unique tags, should be avoided.
Examples:
“I’m gonna have to close my diner,” Amos’ mother said.
“Why?” Amos growled. “It’s been in the family forever.”
“I’ve lost the secret recipe card, and I can’t keep the diner open without it!” She cried.
“The Bacon Burger Extreme recipe card?” Amos questioned.
“Yes!” Amos’ mother screamed.
“Well, that’s not good,” Amos complained.
vs.
“I’m gonna have to close my diner,” Amos’ mother said, taking her son’s hand and leading him over to one of the old, grease-stained tabletops with the ripped-fabric booths.
Amos simply stared at her, frozen in place. “Why? It’s been in the family forever.”
“I’ve—” she looked away for a moment, then took in a breath. “I’ve lost the secret recipe card. And I can’t keep the diner open without it.”
“The Bacon Burger Extreme recipe card?”
“Yes!” She still wouldn’t meet his eyes, and her shoulders were shaking. “Yes.”
Amos sat down heavily in the booth. “Well, that’s not good.”
The first scene only gives character names and dialogue tags. There are no actions and no descriptions. The second scene, however, gives these things. They give the reader descriptions of the diner, the characters’ actions, and attitudes. Overusing dialogue tags gets boring fast, so add interest into your writing!
So! When you’re writing, consider the attitude of your character, vary dialogue length, and don’t overuse dialogue tags.
Now climb out of the pit of writing despair. Pick up your pen or computer. And write some good dialogue!
Best,
Sparrow
This is now my head canon and you can't stop me.
My sisters and I call this the princess tram because it takes passengers to Deepnest- Basin- Hive, all the places Hornet would have been raised. We headcanon the king had it constructed specifically for her transportation.
Well...that's a surprise.
What would you do in this situation?
No words for the script, but that's because no words are said. Also, I hate clouds. How to draw colors that are orange. Ugh!!
Below is a link to the original idea: Here
Link to Follow-Up Page: Here