You’re Telling Me There Are People Who Listen To Music And DON’T Use It As The Soundtrack For The

ROSWELL NEW MEXICO ⇢ 1x10

bonus: happy max (✿◠‿◠)

TW Don’t kill yourself today

Don’t kill yourself today

Because your Netflix trial still has a week left

Don’t kill yourself today

Because no one else will finish off the chicken in the fridge

Don’t kill yourself today

Because I know for a fact that Starbucks is releasing a new Frappuccino sometime next month

Yes, your mother will miss you

Yes your bully will make a sappy Facebook post about how what a a wonderful person you were

And yes

Suicide is a permanent solution to a temporary problem

You know that

You’ve known that

Everyone and anyone has been shoving that down your throat since they first learned what the word suicide meant

So don’t kill yourself

Until you finish your shampoo and conditioner at the same time

Don’t kill yourself

Until Doctor Who is finally cancelled

Don’t kill yourself

Until you tell someone your best pasta recipe 

Don’t kill yourself 

Because I will keep coming up with reasons for you not to

And I need you

To hear all of them

Don’t kill yourself

I love you

You’re important

It’s a bad day

Not a bad life

There is more to this

The world will keep spinning on its axis without you

But

Think of all the sunrises you’d miss

I know this sounds pointless

But when you’re sitting in front of everything deadly you own

Revising your goodbyes

There will be too much darkness 

To see anything else

But this is not about seeing anything else

This is about turning off the lights

This is about finding the bed instead of the noose

This is about giving yourself one more day

Even if it takes ten thousand of those

One more morning’s

Until

“I can’t wait for tomorrow”

This is about staying alive

Because there’s gonna be a new Marvel movie

No one should miss that

This is about staying alive

Because the future is coming 

And it’s ready for you

I don’ t need you to see it

I just need you to believe you can make it 

Until then

- Hannah Dains

I was rewatching Nailed It on Netflix, which is a baking competition show except instead of competent bakers it’s just normal people trying to make highly detailed and complicated cakes with not enough time and it’s hilarious

And now I’m just thinking of Stephen and Tony as a couple team

Stephen is trying to take control, but he doesn’t actually know what he’s doing and his hands don’t allow him to do detail work well, so he’s just yelling at Tony trying to get him to do it right, but Tony is even more incompetent

Stephen- “WE’VE WATCHED THIS ENTIRE SHOW TWICE, HOW ARE WE MESSING SO MUCH UP?!”

The other teams are Thor & Bruce and Bucky & Sam

Give yourself an extra big hug today!

Artwork by Maeril

Hii :) do you have headcanons for the Bichie Instagram edit?

babe you know i do!!!

this ask is referencing this bichie edit i made a few days ago

So I’m gonna start with their bios which come from this quote that I posted a few days ago.The context is that Bill is breaking down about Georgie and Richie is (in his own way) comforting Bill. It’s sort of implied that this is the first time Bill has shared his feelings with anyone about this.

For me this sort of sets the tone that Richie is the one who can be there for Bill while Bill is there for everyone else. Like, he’s the Losers’ leader and he takes that responsibility seriously so he’s strong for them.

But sometimes he can’t be and for that he has Richie.

So ever since that conversation “you would?” “’course.” has become kind of a thing for them, like a secret code in both serious and light situations.

for example:

When Bill is feeling super frustrated by his stutter he vents to Richie about how he technically got strategies from his speech therapist but his parents won’t give him time to practice with them. “Well shit, I could practice with you Big Bill.” “You would?” “Course.”

When Richie gets it pretty bad from the Bowers gang and he’s closest to Bill’s house so he heads over for some PEACE and Bill puts bandaids on his cuts (returning the favor from when Richie bandaged up Bill’s hand in the novel). “Jesus Rich, if I c-could get my h-hands on Bowers, I’d kill him.” “Oh, you would? All sixty pounds of you Big Bill? “C-course Richie, I’d just take em out with that slingshot you’re so sure could kill someone,” they crack up laughing.

When Richie is nervously crying in Bill’s room and kinda gasping but not getting words out (Bill tries to lighten the mood with an ironic ”s-spit it out, Richie” but it doesn’t really work). Finally Richie just manages “What if sometimes i think i like boys? Not always, but sometimes.” “Then you’ll b-be my b-best friend who likes b-boys, not always but s-sometimes.” “I would?” “Course.”

When this conversation is repeated when Bill starts to think the same thing.

When they ditch the school dance because they’d rather be listening to their music anyways so they head out to the park and turn up Richie’s walkman as loud as it will go, pressing their faces together to share the headphones between them. Restless, Richie stands up during a slow song and makes a big joke of asking Bill if he would like to dance. “Yeah, okay.” “You…you would?” (eyes wide, because Richie definitely didn’t think that would actually work) “Course.”

When Richie drops Bill off after a movie night with the Losers and Bill hesitates instead of getting out of the truck because recently something is just ~different and he thinks they should talk about it. It’s Richie that finally says “Hey, Bill?” “Yeah, Rich?” “What would you think if i kissed you?” “I think I w-would like that.” “You would?” “Course.”

When a few weeks later they’re laying in the bed of the same truck out by the quarry and Bill asks “Richie, would you wanna be my b-boyfriend?” Richie laces their fingers with a smile. “Course.” and to anyone else that might seem like a not-enough answer but…you guys get it by now.

when will i find my emotional support white man

thanks for the tag @originaleggsdreamerbonk :D

Rules: Share your lock screen, home screen, and the last song you listened to.

I was tagged by @aknymph ❤️

Happy Friday 😚 I'm tagging @aelin-myfireheart-queen @22emmmmmm

99 legal sites to download literature

The Classics

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Keep reading

Writing a First Draft

I’ve seen a lot of advice posts that encourage writing a “bad” first draft, or saying that the point of the first draft isn’t to be “good” just to be done, but I have yet to see any examples of what that actually means (which is unfortunate because for a lot of first-time writers that may just mean that their best effort on a first draft isn’t “good enough”), so that’s what I’m here for! The ultimate advocate of ugly writing, babey! Let’s write some “bad” first drafts!!

Forewarning that this is going to be difficult for you perfectionists out there (same hat tho!!!), but really, if you’re looking to finish a first draft within a reasonable time frame (and not continue to rewrite the beginning 50 times to get there, only to be disappointed when the next scenes aren’t as “good” as the beginning), then this really is the way to go. Perfectionism comes in super handy in later drafts, but it’s a real burden in the first draft, and I really really relate to that. What I find that helps keep my perfectionism in check while I’m drafting is to keep a separate Word doc open (or a notebook and pen at hand) to jot down new ideas or things that have changed throughout the draft. Putting a page number down next to the notation will save your life as well. Your future self will thank you!

Okay, so let’s get into it! You have an idea, and you need to get that first draft out before you lose motivation or move on to a shiny new WIP idea. What’s that first draft going to look like?

Write the scenes you’re excited about first. If you’re someone who, like myself, needs to write things in chronological order, then write these scenes in chronological order - but! if you have the conclusion figured out, then write it now, yes, even before that one bit in the middle you’re not sure about. Is it likely that some details in these scenes will change as you keep writing different parts of the book? Yes! Do it anyway! Anything you write will be helpful for later drafts, so write those scenes!!! Plus, if you start with what you’re excited about, you’ll want to keep writing even after they’re finished, because your brain will just keep generating other super cool ideas for those in-between scenes. And yeah, there will definitely be filler scenes to write, but you can probably worry about those in the next draft.

If you’re on a roll, don’t worry about punctuation, grammar, or spelling. I mean it! If those red squiggles in Word bother you, turn them off (they’re really only semi-helpful for editing, and we’re not doing that right now). If you write faster and think better using “internet grammar” (minimal/excessive punctuation, no capitalization, weird spelling, etc.), then do that! If it helps you get words on the page, it’s worth doing.

If you’re not on a roll, try putting some space between what you’ve written and what you need to write. For me, that frequently means hitting enter (even mid-sentence if I suddenly get stuck), typing “monkey,” and then hitting enter again, as many times as it takes for my brain to reboot and remember what the hell I was going for. If that means I have a chain of 20 monkeys in the middle of a paragraph, so be it. They get to hang out there until I come back in draft two and delete them. 

I’ve also written “uhhhhhh” and “oh fuck now what” several times in a first draft. It happens. It’s easier to write in a way that mirrors your thought process, so just do what works. Use memes in your prose to keep it moving - it’ll make future you laugh when you go back through on draft two!

Don’t be afraid to change major pieces of plot - but don’t you dare go back and rewrite earlier pieces to match! Let’s say you’re at the end of act one and you revealed some tragic detail about your MC’s backstory, but now you’re in the middle of act two and you’ve realized that it no longer fits your idea of MC and you no longer want it to be true. Simply make a brief note of it and keep writing like that scene in act one never happened. Deleting, rewriting, and repurposing are all for later drafts! The goal on the first draft is literally just to reach the end - and it’s inevitable that you’ll find and change the story along the way.

Forget about foreshadowing. No matter how detailed of an outliner you are, the fact is that in the first draft you really don’t actually know what’s going to happen yet in your book (see point 5). So forget about trying to foreshadow. Spell out what’s happening plain as day - because the first draft is just one long exposition dump to aide you in future drafts. If you get halfway through and a sudden twist or weird piece of backstory jumps out at you, write it in as if you had foreshadowed, even though you haven’t yet. Make a note of it, and maybe even note where you could foreshadow this in the next few drafts, but keep moving forward. 

Changing perspectives is fine even if it goes against how you know you want your final draft to be. If you have a scene in mind that you know you need to include, but you have no idea how MC would react during it, but you know how your side character would react, write the scene from the side character’s perspective. You can think about MC’s POV in that scene later - again, the point is just to get it written, so if switching POVs gets you through the scene, do it.

Ultimately, this is what people mean when they say your first draft is going to be “ugly.” It’s going to be a little (or a lot) messy. But that’s okay. The struggle of the beginning writer is realizing that your first draft is not going to look like anything you’ve read before - because those are final drafts. And to the gifted writers who breezed through school (like I did) by submitting their first draft essays for grading - that’s not going to work here. Every time you rewrite a piece, it gets better. If you try to make your first draft perfect, you will just end up frustrated and disappointed at the time you wasted, because you’ll end up reworking 80% of it or more in the subsequent drafts. Your writing style will change and improve, and your knowledge will grow, and every time you revisit a draft, that will be reflected.

So write that ugly draft. Insert so many author’s notes mid-paragraph that you look like an early 2000s fanfic writer. Contradict previous scenes like you’re constructing the most elaborate Winchester Mystery House -esque draft the world has ever seen, complete with paragraphs that lead to nowhere and mysterious monkey chains cutting sentences in half. 

And then, in the second draft, make it look as though the first draft never happened.