These questions can be used as an Ask Game or just answering them all for fun character development!
(Tav edition here)
What circumstances led to your Dark Urge becoming their Class/Subclass?
Did your Dark Urge have any romantic and/or sexual relationships prior to their illithid adventure? If yes, who was it with and what was it like? If no, how did they feel about being single?
What would your Dark Urge consider to be their greatest skill? Is this accurate?
What would your Dark Urge consider to be their greatest flaw? Is this accurate?
What opinion does your Dark Urge have about the Gods?
How does your Dark Urge react to waking up with memory loss?
Did your Dark Urge recall any childhood memories? If yes, how do they feel about the revelations? If no, was it by choice or lack of options?
How does your Dark Urge feel about the wilderness?
How does your Dark Urge feel about the city?
What motivates your Dark Urge to either embrace or resist the tadpole?
What motivates your Dark Urge to either embrace or resist the Urge?
How does your Dark Urge feel about being a bhaalspawn?
How does your Dark Urge feel about killing?
How good of a liar is your Dark Urge? How do they feel about lying?
What is your Dark Urge’s greatest fear?
What is your Dark Urge’s greatest desire?
What is your Dark Urge’s greatest regret?
How does your Dark Urge feel about love?
Has your Dark Urge become particularly close to anyone romantically and/or platonically in their journey? If so, who, and what is the relationship like? If no, why not?
Is your Dark Urge open about their Urge or do they try to hide it? Why?
What are 2-3 songs that your Dark Urge would relate to?
What first impression does your Dark Urge give off to strangers?
How does your Dark Urge feel about what others think of them?
Does your Dark Urge have a treasured item with them? If yes, what is it and why is it special? If no, how do they feel about item sentimentality in general?
How does your Dark Urge feel about Sceleritas Fel?
How does your Dark Urge feel about Bhaal?
How does your Dark Urge feel about giving and receiving orders?
How well does your Dark Urge function under pressure?
What advice would you give to your Dark Urge?
What are your Dark Urge’s intentions/goals after the end of the game?
As a writer, understanding and incorporating body language into your storytelling can greatly enhance your characters and their interactions. Here's a cheat sheet to help you describe body language effectively:
* Raised eyebrows: Surprise, disbelief, or curiosity.
* Furrowed brow: Concentration, confusion, or frustration.
* Smiling: Happiness, amusement, or friendliness.
* Frowning: Disapproval, sadness, or concern.
* Lip biting: Nervousness, anticipation, or tension.
* Eye contact: Confidence, interest, or honesty.
* Avoiding eye contact: Shyness, guilt, or deception.
* Narrowed eyes: Suspicion, skepticism, or concentration.
* Wide eyes: Shock, fear, or surprise.
* Rolling eyes: Exasperation, annoyance, or disbelief.
* Crossing arms: Defensiveness, disagreement, or discomfort.
* Nervous fidgeting: Anxiety, restlessness, or impatience.
* Pointing: Assertiveness, emphasis, or accusation.
* Open palms: Honesty, openness, or sincerity.
* Hand on chin: Deep thought, contemplation, or evaluation.
* Slumped shoulders: Defeat, sadness, or fatigue.
* Upright posture: Confidence, attentiveness, or authority.
* Pacing: Restlessness, agitation, or contemplation.
* Tapping foot: Impatience, annoyance, or frustration.
* Leaning in: Interest, engagement, or curiosity.
* Hugging: Affection, comfort, or warmth.
* Handshake: Greeting, introduction, or agreement.
* Patting on the back: Encouragement, praise, or camaraderie.
* Clenched fists: Anger, determination, or frustration.
* Brushing hair behind the ear: Nervousness, coyness, or flirtation.
* When two characters unconsciously mimic each other's body language, it indicates rapport, connection, or empathy.
* A subtle nod can convey agreement, understanding, or encouragement.
* Crossed legs can indicate relaxation or a casual, nonchalant attitude.
* Impatience, anticipation, or nervousness can be expressed through rhythmic finger tapping.
* Placing a hand on the chest can convey sincerity, empathy, or a heartfelt emotion.
- Tilting the head:
* Tilting the head to the side can suggest curiosity, attentiveness, or interest.
* Rubbing the temples can indicate stress, fatigue, or a headache.
* Stroking the chin while in thought can portray contemplation, decision-making, or intellectual curiosity.
* This posture can indicate authority, confidence, or a composed demeanor.
* Leaning slightly towards someone can suggest interest, attraction, or engagement in a conversation.
* Nail-biting can reveal anxiety, nervousness, or tension.
* Rapid or impatient foot tapping can show agitation, restlessness, or eagerness.
* Squinting the eyes can signal suspicion, doubt, or an attempt to focus on something.
* Shifting weight can imply discomfort, unease, or anticipation.
* This gesture can indicate hesitation, embarrassment, or the desire to hide something.
Remember that body language can vary across different cultures and individuals, so consider your character's background and personality while describing their movements. Additionally, body language is best used in combination with dialogue and internal thoughts to create a more nuanced portrayal of your characters.
Happy writing!
FIVE TIPS FOR WRITING BETTER ROLEPLAY REPLIES struggling to get interactions? try incorporating these tips into your replies!
use the five senses. sight, smell, touch, hearing, taste. where are your muses currently standing? what does the air smell like? are there birds chirping or people walking by? is there a battle in the distance? does the wooden floor beneath them creak when they walk? is the other muse wearing cologne or perfume? describe the world around them in vivid detail and paint a picture of their environment. this will help your writing partner envision the space.
don't keep everything internal. your muse's internal commentary is important, of course, but when an entire reply is only their inner thoughts, it doesn't give your writing partner anything to go on (unless their character can read minds). make sure you add action, story progression, or character movement in a reply, or provide enough dialogue for the other muse to respond to.
end your reply with a question. at the very end of your reply, have your muse ask the other character a question, or pepper a few questions throughout the reply. this gives the other writer a perfect jumping off point for their response.
incorporate npcs and other things happening nearby. maybe your muses are in a library, and the librarian won't stop shushing them. maybe your muse gets a call from their best friend in the middle of the conversation with horrible news. maybe your muses are in a hotel room, and they hear a noisy party in the room next door. your muses aren't the only two people in the universe - expand upon it with details and breathe further life into this world. it makes things so much more fun.
don't forget the other muse. i think we all struggle with this one the most. we get so caught up describing our own muse and their own thoughts and actions that we forget they're interacting with someone else. try describing the other character's stance or facial expression, the way they cross their arms. maybe their makeup is really beautiful. maybe their hair is nice. maybe they smell really bad. maybe the last time your muses interacted, they had a big fight. don't take up your entire reply talking about your muse only; talk about the other character. give the other writer something to smile about and comment on - "i loved what your muse noticed about mine! i loved their observations! they were so right!" make the other writer feel seen. this is a great way to show them you're reading their replies, loving their writing, and noticing little details about their muse.
The following examples have been taken from the book The Emotion Thesaurus: A Writer's Guide To Character Expression by Angela Ackerman & Becca Puglisi - make sure to get the book!
Definition: having faith in one’s own influence and ability
Physical signals: Strong posture (shoulders back, chest out, chin high) Walking with wide steps Strong hygiene and personal grooming Holding the hands loosely behind the back Touching one’s fingertips together (tapping, forming a steeple) A gleam in one’s eye, an inner light Smiling, a playful grin Winking or giving someone an easy nod Keeping one’s hands out of the pockets Appearing relaxed (drumming fingers against a leg, humming) Taking up space (legs spread wide, arms loose at the sides) Approaching people with ease Looking others directly in the eye Arms swinging while walking Choosing the middle, not the sides (be it a couch or a room) Using exaggerated movements to draw attention to oneself A booming laugh Showing comfort in the close proximity of others Initiating contact Telling jokes, adding to or steering a conversation Hosting events (getting the guys together for a football game) Openness when dealing with people Appearing unbothered by what others may think Leaning in to talk or listen Increased physical contact, becoming touchy-feely Running hands through one’s hair or flipping the hair back Assuming a pose that draws attention to one’s best attributes Wearing clothes that are flashy or dramatic
Internal sensations: Relaxed muscles Easy breaths Lightness in the chest
Cues of acute or long-term confidence: Doing or saying things outside of the norm without anxiety or concern Obsessively talking about an achievement or material object Reacting with anger or jealousy if one’s reputation is impugned Bragging, showing off
Cues of suppressed confidence: Minimizing compliments Modesty Changing the topic to bring others into the spotlight Downplaying one’s own comfort level to make others feel better Asking for opinions or advice
ᴡʀɪᴛɪɴɢ ʙᴏᴅʏ ʟᴀɴɢᴜᴀɢᴇ
Anger
Anger is one expression of fight-or-flight mode — an automatic, instinctive reaction to a threat. In many cases, there is an underlying fear of being harmed. Thanks to autonomic nervous system arousal, the heart rate increases, pupils dilate, and the face may flush. Other signs of anger
Balling the fists
Crossing the arms tightly
Clenching the fists once arms are crossed
Tight-lipped smile
Clenched teeth
Shaking a finger like a club
Stabbing a finger at someone
Attraction
Pupils dilate
Women will cross and uncross legs to draw attention to them
Mirroring – (usually unconsciously) mimicking the other person’s body language
Closed to Conversation
Keeping the hands in the pockets (esp. men)
Arms and legs crossed
Sitting back
Folding the hands together on a table (creates a barrier)
The “figure-four” leg cross (setting the ankle of one leg on the knee of the other) and then grabbing the lower half of the top leg with both hands.
Openness and Honesty
Exposure of the palms
Arms and legs unfolded
Leaning forward
Submissive Signals
Smiling – that’s why some people smile when they’re upset or afraid
Slumping the shoulders
Doing anything to appear smaller
Distress
Men in particular have a tendency to stroke or rub the nape of the neck when they’re upset. It acts as a self-soothing gesture to deal with a “pain in the neck.”
Crossed arms – arms act like a protective barrier
Self-hugging – arms are crossed, hands gripping upper arms
One-arm cross – one arm crosses the body to hold or touch the other arm – women keep a hand on a purse or bag strap to make this look more natural
Clutching a purse, briefcase, or bag with both arms
Adjusting cuffs or cuff-links (men’s version of the purse-strap grab)
Folding the hands together in front of the crotch (men)
Lying
Lying causes a subtle tingling in the face and neck, so the gestures below are attempts to eliminate that feeling
Covering the mouth – can be like a shh gesture, or they may cover the mouth completely – some people try to cover it by coughing
Touching or rubbing the nose or just below the nose – often a quick, small gesture, not a scratch
Rubbing the eyes (especially men)
Scratching the neck with the index finger
Superiority, Confidence, Power, Dominance
Steepling the fingers (aka setting the tips of the fingers together)
Folding the hands behind the back
Thumbs sticking out from pockets when hands are in pockets (can be front or back pockets)
Hands on hips
Straddling a chair
Hands folded behind the head while sitting up (in men)
[source]
This is something that happens every day in your life. A shift of your eyebrow in skepticism, or the way your lip may twitch to a half smile cause you’re trying not to laugh. These behaviors are vital for writing in character, because not only do the allow you to visually see what is happening but it is also reaffirming whatever emotion your character is showing.
Much of human communication is non-verbal which means you need to also translate this non-verbal reaction in a post. It allows you to greatly enhance the emotions of another character and always another person to ‘visually’ see how they feel in a post. Most of all, this will add depth and volume to your post to make it feel more real. IT will make your character feel like a human instead of just another fictional person you look at from above.
Below you will find a list different type of emotions and what sort of body language can be exhibited to them.
When writing about emotions, there are different ways to verbally write them out. Each one is unique in their own way, allowing you to show more about the emotion.
Emphasize the Emotion. But doing this, you are expressing both the emotion and the body language. We’ll use a simple example. It’s short and simple yet you can sense he is happy. John felt so happy that he was humming a tune while walking down the hall.
Complicate the Emotion. Sometimes, even when you are feeling one emotion, deep down rooted underneath the facade of it all, there is actually an underlining emotion they feel. This is something you have to truly express otherwise no one will know. John felt so happy that he was humming a tune while walking down the hall. However, it was obvious by the way his nose crinkled that he was disgusted by the actions beforehand. Instead, John covered it up by appearing pleased today.
Contradict the Emotion. This is a little different than complicate. Contradicting means that you are claiming one thing when in fact its the other. In many ways, this has a variety of uses, from inner depth of the truth to what you see in person, or someone creating a wall. It could be considered a lie, but when is anything that easy? John felt so happy that he was humming a tune while walking down the hall. In truth, once he was in the classroom, his shoulders slumped and a pout crossed his lips when no one was around, showing just how displeased he was with the situation.
Remember that you do not always have to contradict or complicate anything. Sometimes all you need to do is emphasize and that will be just fine. You don’t always have to have an underlining complicated for an emotion to make it more enhanced.
Do be afraid to use the Thesaurus to also improve an emotion. Such things as “happy” is a nice emotional word, but think of how much more powerful it is when you heard some is “overjoyed” or “content.” She how these emotions matched up with a body language can give two different styles of happiness? Mix and match to find what works best for your character at the time.
What I’ve stated above is more of a simplistic overview. IF you truly want to improve yourself, go to this
LINK HERE
To see just how much body language can reveal about a person. You will find things such as how a person lies, how the eyes reaction, the positioning of a person in personal space, mouth, and head body language and so much more.
Use these resources to greatly increase the reactions of your character to another and create a more life-like world.
As a writer, understanding and incorporating body language into your storytelling can greatly enhance your characters and their interactions. Here's a cheat sheet to help you describe body language effectively:
* Raised eyebrows: Surprise, disbelief, or curiosity.
* Furrowed brow: Concentration, confusion, or frustration.
* Smiling: Happiness, amusement, or friendliness.
* Frowning: Disapproval, sadness, or concern.
* Lip biting: Nervousness, anticipation, or tension.
* Eye contact: Confidence, interest, or honesty.
* Avoiding eye contact: Shyness, guilt, or deception.
* Narrowed eyes: Suspicion, skepticism, or concentration.
* Wide eyes: Shock, fear, or surprise.
* Rolling eyes: Exasperation, annoyance, or disbelief.
* Crossing arms: Defensiveness, disagreement, or discomfort.
* Nervous fidgeting: Anxiety, restlessness, or impatience.
* Pointing: Assertiveness, emphasis, or accusation.
* Open palms: Honesty, openness, or sincerity.
* Hand on chin: Deep thought, contemplation, or evaluation.
* Slumped shoulders: Defeat, sadness, or fatigue.
* Upright posture: Confidence, attentiveness, or authority.
* Pacing: Restlessness, agitation, or contemplation.
* Tapping foot: Impatience, annoyance, or frustration.
* Leaning in: Interest, engagement, or curiosity.
* Hugging: Affection, comfort, or warmth.
* Handshake: Greeting, introduction, or agreement.
* Patting on the back: Encouragement, praise, or camaraderie.
* Clenched fists: Anger, determination, or frustration.
* Brushing hair behind the ear: Nervousness, coyness, or flirtation.
* When two characters unconsciously mimic each other's body language, it indicates rapport, connection, or empathy.
* A subtle nod can convey agreement, understanding, or encouragement.
* Crossed legs can indicate relaxation or a casual, nonchalant attitude.
* Impatience, anticipation, or nervousness can be expressed through rhythmic finger tapping.
* Placing a hand on the chest can convey sincerity, empathy, or a heartfelt emotion.
- Tilting the head:
* Tilting the head to the side can suggest curiosity, attentiveness, or interest.
* Rubbing the temples can indicate stress, fatigue, or a headache.
* Stroking the chin while in thought can portray contemplation, decision-making, or intellectual curiosity.
* This posture can indicate authority, confidence, or a composed demeanor.
* Leaning slightly towards someone can suggest interest, attraction, or engagement in a conversation.
* Nail-biting can reveal anxiety, nervousness, or tension.
* Rapid or impatient foot tapping can show agitation, restlessness, or eagerness.
* Squinting the eyes can signal suspicion, doubt, or an attempt to focus on something.
* Shifting weight can imply discomfort, unease, or anticipation.
* This gesture can indicate hesitation, embarrassment, or the desire to hide something.
Remember that body language can vary across different cultures and individuals, so consider your character's background and personality while describing their movements. Additionally, body language is best used in combination with dialogue and internal thoughts to create a more nuanced portrayal of your characters.
Happy writing!
While I have I’ve written fiction about werewolves and studied werewolf folklore and pop culture for my entire life both passionately and professionally, they are not the only monsters I study. I also study all other kinds of mythology and folklore, and vampires take perhaps second place only to werewolves. All my sources are thoroughly checked by myself and others, and I take very seriously sharing only accurate information about any and all folklore and myth, as well as from popular culture.
I also do vampire facts! Currently, werewolf/vampire/other folklore facts are on hold from their regular schedule while I compile and publish a fully coherent, fully sourced book entitled Werewolf Facts: A Guidebook to Folklore vs Pop Culture! Give me a follow to stay up to date with all the latest news. There may also be a book on vampire facts in the future!
Still, every now and then, I post a new bit of info about the folklore of vampires. You’ll find those under both the Folklore tag and the Vampire Fact tag. You can also check my Vampires tag for other vampire-related things, including asks and reblogs.
The following is a convenient database of all the vampire facts I’ve written, for easy reference.
Etymology - The history and meaning behind the word “vampire.”
What IS a vampire? - What exactly is a vampire, anyway, and how do you define one? How does folklore define one? Are there different kinds?
Fangs - Did vampires have fangs in folklore? Where did the fang thing even come from? The answer might surprise you.
Animal Associations - Are vampires really associated with things like bats or wolves - or anything else?
Sunlight - Did vampires in folklore actually burn up in the sunlight?
Weaknesses - Vampire weaknesses in folklore and how that stacks up to the most commonly seen ones in pop culture.
Becoming a Vampire - A comparison of how people “became” vampires in pop culture versus how that happens in folklore - all the most common ones, at least.
Intelligence - How smart are vampires in folklore, anyway?
Can vampirism be cured? - Is it possible in folklore to actually cure someone of being a vampire?
Vampire Hunters - Was there such a thing as “vampire hunters” in folklore?
Physical Appearance - What did vampires look like in folklore?
How to Identify a Vampire - How could you tell if someone was a vampire, anyway?
The Importance of Dracula - How important was Dracula to all vampire concepts?
Association with Disease - Were vampires in folklore actually associated with disease?
Please note I will continually be updating this list as more vampire facts are posted, so be sure to come visit my page again for any new additions!
(coming soon!)
I also write fiction, and much of it includes or focuses on various kind of folklore and mythology and monsters, especially my medieval fantasy universe, Wulfgard. For more info, take a look at my Writing List!
I also have a Patreon, where I would love your support (and you get goodies for it!). I also have a Twitter.
1. Hidden Identity: The character is living under an assumed name and concealing their true identity for personal or safety reasons.
2. Past Trauma: The character has experienced a significant traumatic event in their past that they have kept secret, shaping their behavior and motivations.
3. Forbidden Love: The character is involved in a romantic relationship that goes against societal norms or has complications, forcing them to keep it hidden.
4. Hidden Talent: The character possesses a remarkable talent or skill that they have kept hidden from others, fearing judgment or exploitation.
5. Criminal Past: The character has a history of involvement in criminal activities, either as a former offender or as an undercover agent, which they keep concealed from their current life.
6. Family Secret: The character comes from a family with a dark or scandalous secret that they are determined to keep hidden, even if it means sacrificing their own happiness.
7. Betrayal: The character has betrayed someone close to them in the past, and they carry the guilt and shame of their actions as a closely guarded secret.
8. Hidden Agenda: The character is harboring a hidden agenda or ulterior motive, manipulating events and people to serve their own interests.
9. Hidden Wealth: The character possesses significant wealth or resources that they keep hidden to maintain a humble or low-profile existence.
10. Supernatural Abilities: The character possesses supernatural abilities, such as telekinesis or mind-reading, which they keep concealed for fear of persecution or exploitation.
11. Lost Memories: The character has gaps in their memory or a forgotten past that they are desperate to uncover, unsure of what they might discover.
12. Hidden Agenda: The character is working undercover or as a double agent, keeping their true intentions and loyalties hidden from those around them.
13. Terminal Illness: The character has been diagnosed with a serious illness but chooses to keep it a secret, not wanting to burden others or alter their relationships.
14. Stolen Identity: The character has assumed someone else's identity, perhaps due to a troubled past or to escape a dangerous situation.
15. Secret Society: The character is a member of a secretive organization or society with its own rules, rituals, and agenda, which they keep hidden from the outside world.
16. Guilty Pleasure: The character has a guilty pleasure or indulges in a secret hobby that is incongruent with their public image or perceived personality.
17. Hidden Fear: The character has a deep-rooted fear or phobia that they go to great lengths to hide from others, fearing it will make them appear weak or vulnerable.
18. Lost Love: The character had a past love or relationship that ended tragically or abruptly, and they keep their feelings and memories associated with it concealed from others.
19. Hidden Enemy: The character is secretly being targeted or pursued by an unknown enemy or antagonist, and they must keep their guard up to protect themselves and those around them.
20. Unfulfilled Dreams: The character harbors dreams and aspirations that they have never shared with anyone, feeling uncertain or afraid of pursuing them.
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Giving personality to a character is an essential part of character development in storytelling, whether you're writing a novel, screenplay, or creating a character for a role-playing game. Here are some steps and considerations to help you give personality to your character:
Understand Their Backstory:
Start by creating a detailed backstory for your character. Where were they born? What were their childhood experiences like? What significant events have shaped their life? Understanding their past can help you determine their motivations, fears, and desires.
2. Define Their Goals and Motivations:
Characters often become more interesting when they have clear goals and motivations. What does your character want? It could be something tangible like a job or a romantic relationship, or it could be an abstract desire like happiness or freedom.
3. Determine Their Strengths and Weaknesses:
No one is perfect, and characters should reflect this. Identify your character's strengths and weaknesses. This can include physical abilities, intellectual skills, and personality traits. Flaws can make characters relatable and three-dimensional.
4. Consider Their Personality Traits:
Think about your character's personality traits. Are they introverted or extroverted? Shy or outgoing? Kind or selfish? Create a list of traits that describe their character. You can use personality frameworks like the Myers-Briggs Type Indicator or the Big Five Personality Traits as a starting point.
5. Give Them Quirks and Habits:
Quirks and habits can make a character memorable. Do they have a specific way of speaking, a unique fashion style, or an unusual hobby? These details can help bring your character to life.
6. Explore Their Relationships:
Characters don't exist in isolation. Consider how your character interacts with others. What are their relationships like with family, friends, and enemies? These relationships can reveal a lot about their personality.
7. Show, Don't Tell:
Instead of explicitly telling the audience about your character's personality, show it through their actions, dialogue, and decisions. Let the reader or viewer infer their traits based on their behavior.
8. Create Internal Conflict:
Characters with internal conflicts are often more engaging. What inner struggles does your character face? These can be related to their goals, values, or past experiences.
9. Use Character Arcs:
Consider how your character will change or grow throughout the story. Character development is often about how a character evolves in response to the events and challenges they face.
10. Seek Inspiration:
Draw inspiration from real people, other fictional characters, or even historical figures. Study how people with similar traits and backgrounds behave to inform your character's actions and reactions.
11. Write Dialogue and Inner Monologues:
Writing dialogue and inner monologues from your character's perspective can help you get inside their head and understand their thought processes and emotions.
12. Consider the Setting:
The setting of your story can influence your character's personality. For example, a character who grows up in a war-torn environment may have a different personality than one raised in a peaceful, affluent society.
13. Revise and Refine:
Don't be afraid to revise and refine your character as you write and develop your story. Characters can evolve and change as the narrative unfolds.
Remember that well-developed characters are dynamic and multi-faceted. They should feel like real people with strengths, weaknesses, and complexities. As you write and develop your character, put yourself in their shoes and think about how they would react to various situations. This will help you create a compelling and believable personality for your character.