For Any Relocated TikTok Users

I have just learned that Mountain Goats are NOT, in fact, actual Goats.

The Woolly mice

I had to draw them

In some parts of the range, basket makers began to observe a decline in the numbers of black ash. They worried that overharvesting might be to blame, a decline caused by too much attention for the baskets in the marketplace and too little for their sources in the woods. My graduate student Tom Touchet and I decided to investigate. We began by analyzing the population structure of black ashes around us in New York State, to understand where in the trees’ life cycle the difficulty might lie. In every swamp we visited, we counted all the black ash we could find and wrapped a tape around them to get their size. Tom cored a few in every site to check their ages. In stand after stand, Tom found that there were old trees and seedlings, but hardly any trees in between. There was a big hole in the demographic census. He found plenty of seeds, plenty of young seedlings, but most of the next age class—the saplings, the future of the forest—were dead or missing.

There were only two places where he found an abundance of adolescent trees. One was in gaps in the forest canopy, where disease or a windstorm had brought down a few old trees, letting light through. Curiously enough, he found that where Dutch elm disease had killed off elms, black ash was replacing them in a balance between loss of one species and gain of another. To make the transition from seedling to tree, the young black ash needed an opening. If they remained in full shade they would die.

The other place where saplings were thriving was near communities of basket makers. Where the tradition of black ash basketry was alive and well, so were the trees. We hypothesized that the apparent decline in ash trees might be due not to overharvesting but to underharvesting. When communities echoed with Doonk, doonk, doonk, there were plenty of basket makers in the woods, creating gaps where the light would reach the seedlings and the young trees could shoot to the canopy and become adults.

In places where the basket makers disappeared, or were few, the forest didn’t get opened up enough for black ash to flourish. Black ash and basket makers are partners in a symbiosis between harvesters and harvested: ash relies on people as the people rely on ash. Their fates are linked.

"Braiding Sweetgrass" by Robin Wall Kimmerer

A reminder that humans are, in fact, an important part of the ecosystems we inhabit. We *can* be a benefit to the ecosystems that support us, and that our absence *can* be detrimental to the other organisms that we evolved with and lived alongside for thousands of years.

Characters co-owned w @_magic.stardust_ on IG 😌✨ (a couple more comics abt this on my account already)

I'm not a very positive person, i have a LOT of doomer tendencies. I feel everything like it's cranked up to the max, and as you can imagine it doesn't feel great. Every day throws more atrocious things in my face, and i can't ignore it 🥲

I see other people feeling the same way. We dissociate and numb ourselves by watching, playing, buying stuff. Hateful movements are gaining traction and climate change has its foot in the door

And it's all happening either way, to some degree. I feel like shit, and i'm sick of that. I might as well have a little bit of hope, otherwise i'll go bonkers 😭 Do we continue doomering our way through life or ignoring things altogether, or do we choose to hope a little?

That's why i'm looking into Solarpunk and am thinking of taking any readers (and myself) on a little journey through a better world, and how it might work, through a series of mini-comics I'm posting here. I don't have all the answers (no one person ever does), and i don't hold any pretenses that this kind of world is going to be our future. But i often hear "You love critiquing the status quo, but what do you propose instead?" I'd like to find out too. Here's to something we can hope for, no matter how slim the chances are! Because as I said, i might just lose my mind otherwise ☠️

P.S for new peeps: this is an AU with me and my friend's OCs, so all characters are genderless and go by they/them. It's not identical to our world in that regard, but other than this fact we try to keep it more or less realistic 🤙

I spent a thousand krillion hours on this and the other Solarpunk comics, consider throwing 2$ at me on Buy Me A Coffee to raise my spirits :] I'm not doing well mentally these days, but people's appreciation helps a lot. Thank you very much!

Surprisingly, this is not a Hitchhiker’s Guide to the Galaxy reference, but an actual fact. From Burnout: Solve Your Stress Cycle, by Emily and Amelia Nagoski

Daily reminder that we do not actually live in a dystopian movie put the apocalypse down and back away slowly. You know when your cleaning a room and you pull everything out of it's draws to sort through it and you're like "what the fuck have I done I'm never going to be able to tidy all of this" I think that's the stage we're at in the world. Thanks to social media we've pulled out all the messed up shit from the cupboards of the world, it was always there but now we can see it and we're going to have to sort it all out we made this mess and we can fix it. Falling to the floor sobbing will not clean a crusty room. A group of people working systematically (preferably with music in the background) will.

There are four types of fish scales!

Cycloid scales are thin, overlap, and flexible. They're found on primitive teleosts (like minnows and carp).

Ctenoid scales have small, backwards pointed scales (known as cterns) make the fish more hydrodynamic and faster. They're found on Advanced Ctenoids (like perch and sunfish).

Ganoid scales are thick, diamond-shaped, and mostly non-overlapping. They're found on Chondrostei (like sturgeons and paddlefish).

Placoid scales are spikey and tooth-like with nerves. These are found on Chondrichthyes (like sharks and rays).

Ichthyology Notes 3/?

my trick for getting through grad school is learning to navigate the quadrants with all their nuances

(source)