“I stopped telling myself that I’m lost. I’m not. I’m on a road with no destination, I’m just driving with hope that I’ll find a place that I like and I’ll stay there. I’m not lost, I’m on my way.”
— Ahunnaya
A few days ago, I asked the Levihan community to send me their top 3 favourite LH fanfics of all time. This list is a compilation of the fics sent to me, and each of these fics mean a lot to someone out there 💕
Free Falling by djmarinizela
A Tale of Two Slaves by tundrainafrica
Eat Your Heart Out series by dontatmethanks2
until another thursday evening by pinkweirdsunsets
Outlier by tundrainafrica
Somewhere only we know by someonestolemyshoes
The Titan Tracker by KayEver
Young Monster by FC2000
The Secret Society of the Children of the Forest by redchestnut
At the coastline of memories by fanmoose12
Lovebug by tundrainafrica
Abnormal by absolutebearings
Things You Said At 1 a.m. by ZangeHoe
Catch My Breath by PeculiarVelociraptor
A License to Science (And To Kill) by just_quintessentially_me
Meant to last Forever by LadyEny
Suit Yourself by gaygemtheirs
Worth a Thousand Words by someonestolemyshoes
Aftermath by just_quintessentially_me
yellow by ariadneamare
Ghost of You by jarchetype
Terrible Things by someonestolemyshoes
Give me your hand by jarchetype
peaches and honey by mikasasofficialhandholder
Our True Paradise by glassesandswords
Out of Nowhere by Dontatmethanks2, Hamandcheesebaguette
Swim by bitterbones
Ease our Burden by glassesandswords
Darling I’m right here by Dontatmethanks2
Four Eyes by elmundodeflor
All hands in the dark by djmarinizela
Feels Like Home by halcyonstorm
A Dangerous Game by just_quintessentially_me
The Grief Baton by moonyix
All of Me by MannaTea
Darkling by Nakimochiku
Pristine by MannaTea
Something like destiny by MannaTea
Once Upon A Heichou by MyDoki
City Comma State by ForcedSimile
reverie by orphan_account
The Experiment by KakashiSensei
Hold Me In Your Good Arm by Neighborhood_Nori
Time to Time by Lady Eny
Unintended Consequence(s) by Ella3982
How many colors can you see in the dark? by TundrainAfrica
A Handful of Rejected Proposals by Jarchetype
A brief history of reluctant heroes by rocksaltandroll
Rager Teenager by smallblip
I see rivers by smallblip
—
Wow, this took me a while, but if I’ve missed any of your favourite fics, please feel free to link them in your reblogs or in the comment section below!
Happy reading! 😄💕
When you find a fic on your favourite ship, with an amazing plot and all the tropes you like.
HEARTSTOPPER | Meet (1.01) | Chapter 1-6
comic to screen (3/?)
*acquires a new hyperfixation* great! this should keep me going for the next 2 months or 24 hours
Where are those woke white people at!?
Here's Looking At You Kid by MesserMoon (E, 140k, George/Blaise)
"Of all the gin joints in all the towns in all the world…"
George wanders into a bar. Nothing is ever the same.
I am in love with the characterizations in this fic. I intended to read one chapter and space it out. Instead, I fell immediately for how this fic doesn't shy away from drawing out all the complications, and heartbreak, and Weasley family disapproval from their relationship. Perfect use of flashbacks to draw out the story. There's also a significant secondary Drarry plot. What more could I need?
To a homophobe, even the most chaste kiss on the cheek between gay people is exactly as disgusting and degenerate as a hardcore BDSM orgy hosted in the town square, so you may as well ally with the BDSM orgy enthusiasts to throw bricks at the cops who are going to try and arrest all of you together anyway.
If you’re planning on publishing traditionally, chances are you keep a sharp eye on your word count. Literary agents and publishing houses are on the hunt for the best quality stories that they can print for the cheapest price (using the least paper and ink), so you have a higher chance of gaining representation if you can crank your novel out in the least words possible.
However, filler words and phrases aren’t only the enemies of aspiring traditional authors; every writer—fanfic, novelist, journalist, you name it!—should try to eliminate filler from their stories to assure more concise and high-quality writing. Oftentimes, filler contributes nothing but clutter, and without it, your narrative can flow smoother and in a more sophisticated manner.
But how do you know what’s filler and what’s not? Here are some tips on how to Ctrl+F and kick this narrative botox to the curb!
I compiled these lists with the help of Infusionmedia, BDR Publishing, and ResetEra !
A writer’s worst enemy, and the bane of my manuscripts’ existences. Eliminating all the ‘just’s can cut down your word count by hundreds.
It’s an unnecessary addition to a sentence, which will be more streamlined without it.
Example: “He said that he wouldn’t do it again.”
Revised: “He said he wouldn’t do it again.”
“Now” is essential if you’re talking about the past and present, but when you’re using it to draw attention to a particular statement or point.
Example: “Now, I didn’t think it’d get so out of hand.”
Revised: “I didn’t think it’d get so out of hand.”
These adverbs serve no purpose because the verbs they’re describing already imply the way the action is performed.
Whispering softly
Yelling loudly
Crying sadly
Laughing happily
These words are redundant, especially when using first person, because in describing an event, we can already assume that the characters are experiencing it.
Seeing/saw
Feeling/felt
Hearing/heard
Smelling/smelled
Although these are meant to help out the readers get their bearings on a situation, all they do is come across as wishy-washy! Be concise and sure of yourself!
About
Absolutely
Accordingly
Actually
Almost
Basically
Certainly
Clearly
Completely
Entirely
Even
Exactly
Fairly
Highly
Hopefully
Literally
Maybe
Only
Often
Oftentimes
Perhaps
Possibly
Probably
Quite
Rather
Really
Reasonably
Relatively
Seem
Seriously
Simply
Slightly
Some
Somehow
Sometimes
Totally
Very
Use the verb instead!
Example: “He let out a sigh.”
Revised: “He sighed.”
Passive voice inflates your word count by including various “to be” verbs into the prose. Passive voice involves actions happening to a subject rather than the subject performing an action, and as a result isn’t as riveting to the reader as active voice; even if it wasn’t a matter of word count, you’d still want to get rid of it anyway!
Still don’t know what I’m talking about? Check out this article from Grammarly.
Example: “The boy was bitten by the dog on his arm.”
Revised: “The dog bit the boy on his arm.”
Many writers will be as specific as possible about what “thing” is affected by the event they’re describing, when it’s much simpler to take a step back and write about something more general.
Example: “The level of water rose.”
Revised: “The water rose.”
Phrasal verbs are the combination of two or three words from different grammatical categories—a verb and an adverb or a preposition—to form a single action. Usually, these phrasal verbs can be replaced by a single-word verb.
“Ask for” can be replaced with “request”
“Bring down” can be replaced with “reduce”
“Come across” can be replaced with “find”
Etc.
Same reason as clarifying words. Get to the point!
A bit
A little
A lot
In a sense
Kind of
Sort of
Even if your story takes place in olden times, I can guarantee that if you never use any contractions ever, your story’s gonna be a clunky mess. But sometimes you’re in the moment, consumed by the poetic power of the muses, and forget that this isn’t a soap opera; so make sure you check that you’ve been using your contractions!
It is, it was, it would, she is, would not, should not, is not, does not etc.
These phrases can be replaced with more concise words.
Along the lines of (shorten to: like)
As a matter of fact (in fact)
As to whether (whether)
At all times (always)
At the present (now or currently)
At this point in time (now or currently)
Be able to/would(n’t) be able to (could or couldn’t)
Because of the fact that (because)
By means of (by)
Due to the fact that (because)
Even though (though or although)
For the purpose of (for)
For the reason that (because)
Have the ability to (could)
In light of the fact that (because)
In order to (to)
In regards to (on or about)
In spite of the fact that (though or although)
In the event that (if)
In the nature of (like)
In the neighborhood of (about)
On the occasion of (when)
On one/two separate occasions (Once/twice)
The/A majority of (most)
There is no doubt that (No doubt)
Wasn(n’t) capable of (could or couldn’t)