Mana And Kami, Capturing Precious Memories With Their Adorable Photos From Years Ago Such As Posing In

Moi dix Mois

Welcome to the Strange Year End Party

Moi dix Mois' annual grand year end party, sandwiched between their signature dark live performances with a spectacular ending! This year as well Seth (Vo) appeared as the character "Umezawa Sesuo" performing the song "Yume Shibai," while Mana (G) displayed his brilliant drum and bass playing.

The evening's feast began with a comedic opening hosted by K (G, Voice) and included highlights such as the anime "Martin Theater," which evoked shouts of "kawaii!" from the audience. Of course when Moi dix Mois performed they swiftly shifted from the fun atmosphere to their signature coolness, impressing as always.

Now witness an entertainment show infused with the dark aesthetics that define Supreme Commander Mana.

Dis inferno Vol. IV LAST YEAR PARTY 2006.12.26, Shibuya O-East

The venue dimmed and the host K appeared on a small stage on the right side of the floor, announcing today's opening act. The band was called MANALEY CRUE (a play on the name Mötley Crüe). As the curtain opened to "Red Hot," Mana appeared first, wearing tight slim pants decorated with mesh and handcuffs in a very Mötley Crüe like outfit. For a moment, you could almost think you were witnessing the LA metal scene of the early '80s. As the other members appeared, their resemblance to the original band was quite impressive, especially Sugiya (G), whose appearance was strikingly similar to Mick Mars. It seemed like Mana's choice for sure.

After playing drums in the past, Mana took the double bass drum kit for this show, setting the tone for this two-year comeback event, Moi dix Mois' Last Year Party under the name Dis inferno. Though usually known for their serious live performances, on this night, it was all about fun, giving fans a rare glimpse into the band members' hidden talents and unique sides. As always, the central figure was Moi dix Mois' leader, Mana.

The band played "Looks That Kill" with enthusiasm continuing the Mötley Crüe tribute and series of covers. The next act saw a dazzling Seth take the stage as "Umezawa Iku," performing Umezawa Tomio's "Yume Shibai." Seth's performance was remarkable, fully immersing himself in the song's world. Hayato dressed as a stagehand, added manual effects like tossing confetti, making it a full-fledged show.

Following the metal and enka (Japanese ballad) performance, Fukuyama Kenji's "Squall" was performed with an acoustic guitar, not by K, but by Keiny-chan. Although casually dressed in a white shirt and jeans, his face was still decked out in the usual death/gothic makeup, with half of his hair braided and the other half spiked—an extreme look that added an eerie touch to the performance. Despite the visual contrast, his voice resonated powerfully.

Next up was "The King of Knowledge" Sugiya, who appeared as "Sugick" to perform... balloon art! Yes, twisting long balloons into shapes like animals and flowers in a street-performer style. In a short time, he created a parrot, leaving the audience exclaiming, "Amazing!"

Afterward, the atmosphere completely shifted as "Now the other side in blood" began, marked by the intense double bass drumming. The live performance by Moi dix Mois proper started, powerfully leading with "Front et Baiser." The band's signature sound, featuring crushing metal riffs, had the audience headbanging enthusiastically, creating an electric atmosphere.

During the break, an animated short, "Martin Theater," featuring Mana as a chibi character, was shown on the screen. The whole band appeared in super-deformed (SD) style in a cute and comical story, delighting the audience with its adorable depiction.

On this night, the setlist was built around particularly aggressive songs, driving the audience into a frenzy. The combination of metal riffs and fierce melodies, like in the nostalgic track "Lamentful Miss," echoed strongly through the venue. Moi dix Mois’ performances, such as "Ange," highlighted their unique style, combining intensity and a haunting beauty that remains true to their essence.

The visual spectacle also included Mana’s new guitar, "Jeune Fille X Bronze -Cross Ray-," which had a glowing blue cross in the center. He concluded his performance by collapsing dramatically on stage, leaving a lasting impression. This glimpse into the recording of their upcoming album, due in March, hinted that intensity would be a major theme.

After the show closed with a powerful and flawless performance, the grand year-end party concluded with the entire Moi dix Mois band plus K performing a massive singalong to "Can't Take My Eyes Off You," with giant balloons floating through the crowd, bringing the festive night to a spectacular finish.

"Malice Mizer's stage is like a scene from a movie."

Interviewer: Did you have a clear sound concept when you first started Malice Mizer?

MANA: I’ve always loved classical music and European music. So I wanted to create a band that fused the beauty and sorrow of melodies using twin guitars to create a mix of these elements. I wanted to combine a European, misty, beautiful image (in terms of aesthetic beauty) with the speed and energy of rock. As for the vocal lines I aimed to create music that has easy to listen to melodies while still hiding a sense of longing and beauty within them.

MANA: Of course when we perform I don't want people to say we sound like anyone else. I want to create Malice Mizer’s unique new sound. In terms of atmosphere, we are gradually getting closer to that, but right now we’re still in the process of experimenting and trying to carve out our own sound.

Interviewer: You’ve only been active for about half a year but do you feel like your sound is starting to solidify?

KOZI: It’s still in its early stages just starting to take shape.

TETSU: It’s just begun to sprout you could say (laughs).

Interviewer: You mentioned "aesthetic beauty" earlier but does that mean you want to create a sound that’s based on melodies with an emphasis on an aesthetic world?

TETSU: Yes, that’s right. We’re not necessarily a "singing band," but we do want to place importance on the vocals.

MANA: As for the other instruments if you listen closely you’ll hear that we carefully craft the harmonies with the guitars and bass. But when it comes to harmonies the more we think about it, the more ideas come up. We often struggle with figuring out the best place to harmonize and where we should put the emphasis in the song, so we end up debating quite a bit.

Interviewer: The interaction between two guitars is quite challenging, right?

MANA: Exactly. It’s not like heavy metal, where there’s a lead and rhythm guitar, and then when you get to the chorus, you harmonize...

Photos of Mana-sama at the International Nail Expo 1999

All the scanning credits to yurisubtext on twitter

"This action which is almost unthinkable in the norms of rock bands, stirred up mixed reactions. However, this also became a hot topic and further boosted their popularity. You can witness this in performances like "S-CONSCIOUS," where they all wear bondage costumes and deliver digital hard tunes, and in the pop like "Je te veux," where all members except Gackt play percussion instruments while performing. In "Brise," there's even a scene where Mana rides a roller scooter around the stage, showing a playful expression.

Additionally, what deserves special mention is that many of their songs are very "pop" and easy to remember. The songs, crafted under the concept of medieval Europe possessed delicate and melancholic melodies. The meticulous and heavy arrangements, combined with Gackt's sweet and silky voice, polished these melodies into superb pop pieces that left an indelible impression, one that lingered long after you heard them. In fact, every single they released after their debut charted high in the hit rankings. This DVD includes live performances of singles with beautiful melodies such as "ma chériebeloved to you," "Gekka no Yasoukyoku (Moonlight Nocturne)," "Bel Air In the Blank Moment," and "Le ciel." Tracks like "N.P.s N.G.s," "Je te veux," and "Brise" also feature catchy melodies and are fan-favorites at their live shows. Moreover, there are many rare video clips included, such as the solo performance "Hamon/Concerto" where Gackt's piano intertwines with Kami's drums.

The DVD culminates in the final scene at Yokohama Arena, where all the members appear with feathers larger than their height. Among them, Gackt, with black wings reminiscent of a fallen angel, floats in the air and passionately sings "Le Ciel" while bleeding. It is truly a dreamlike scene that embodies the "ultimate visual kei." After watching this, it's easy to understand why, even after MALICE MIZER disbanded, there have been very few follower bands. With such a perfectly realized world, there was no room left for anyone to follow. They are indeed a one of a kind band. This DVD fully captures their appeal, and it's a must-see for anyone who hasn’t yet experienced the sound and visuals of MALICE MIZER.

From SHOXX 179

Mana and Kami, capturing precious memories with their adorable photos from years ago such as posing in front of the Statue of Hachiko or in Shibuya in the Hachiko Family Mural.

Enjoy 💜💙

When and how did you first start playing the guitar? How did you feel at that time?

I was captivated by the heavy distortion sound of 44MAGNUM and Mötley Crüe.

Why did you decide to become a guitarist?

When I strummed the guitar through a beat-up 10W amp with an Arion distortion pedal, the cool sound made me think, "This is it!"

Have you liked music since you were young? How were your grades in music class during your school days?

I liked music, but I hated music classes.

Have you ever played any other instruments besides the guitar? If yes, which ones?

Yes, I’ve played vocals, bass, and drums—just kind of ended up doing it.

If you were to play another part besides guitar, what would it be and why?

Vocals. I'd like to express myself through singing.

Do you think there are any advantages or disadvantages of playing guitar compared to other parts?

None.

Which guitarists have influenced you?

Yngwie Malmsteen, Carcassi, and Sor.

Are there any guitarists you respect or aspire to be like?

I’m a guitarist, but I’m not aiming to be someone else.

Who do you consider your rival guitarist?

Sanzo.

What sets you apart from other guitarists?

I don't limit myself to expressing myself through just the guitar.

What do you always do before going on stage?

Think and imagine.

What do you focus on when it comes to your stage performance?

How to bring the best out of the songs.

What inspires you in your musical activities?

Everything, it’s too hard to sum up in a word.

What's the most important thing for a guitarist?

Feeling. Also, treating the guitar as if it were my lover.

What do you currently need as a guitarist?

More finger technique.

Do you want to keep playing guitar for your entire life?

No, I don’t really feel tied to the guitar.

What does playing guitar mean to you?

It has no specific meaning.

LIVE Schedule: 1/6 ON AIR WEST

Bucket list

Real name: Mana

Date of birth: March 19

Height/Weight: 173 cm, 49 kg

Hobbies/Special skills: Cooking, night walks

Albums I’m listening to lately: None in particular

Recent events/news that caught my attention: —

Things I want as a present: Treatment bags, spring water, toys

Message to the fans: Be afraid.

Mana

MALICE MIZER

KOZI (MALICE MIZER) ASTAN - 2005 Vol.21

Translated by my cousin (corrections are always welcome)

Malice Mizer: MALICE (MALEVOLENCE) AND MIZERE (TRAGEDY)

A comprehensive biography of this band, which is second only to X-Japan in importance within J-Rock or Visual Kei, would be too extensive. Here, we will focus on the period starting with Gackt's entry into the band.

Malice Mizer was founded in August 1992 by Mana and Közi (Kouji). After several line-up changes, the band consisted of: Gackt (vocals, piano), Mana (guitar, keyboards), Közi (guitar, violin), Kami (drums), and Yu-ki (bass) starting in August 1995.

Shortly thereafter, the group released their second album, "Voyage (sans retour)," marking a first step toward superstardom. The musicians' popularity steadily increased, attracting the attention of major record labels. Thus in 1997, MM signed with Columbia in Japan. Their first single, "Bel Air kuhaku no toki no naka de," was released followed by TV appearances and radio shows as well as the famous concert at Nihon Budokan.

In 1998, "Merveilles" was released. Malice Mizer was at the peak of their career, embodying everything associated with superstardom. Fan displays overshadowed anything conceivable, and Gackt could undoubtedly be referred to as the most popular Japanese show star at the time. The concerts were elaborate events, with costumes and staging that surpassed everything seen before. However, the fractures within the band were unmistakable. While Gackt seemed to thrive in the J-Pop Olympus the remaining members were striving for artistic quality. Disputes ensued, resulting in Gackt leaving the band in January 1999. As if that weren’t enough, drummer Kami passed away later that year due to an arterial brain hemorrhage. Following Kami's death, on September 21 1999 the band decided to take a hiatus.

Their fourth album, "bara no seidō," was released in August 2000 under an indie label, Midi:NetteM+M which was the newly established label owned by the band. The album "bara no seidō" is an epic work, heavily influenced by German classical music. Choral passages and long instrumental sections elevate this work to classic status. The trio of Mana, Közi, and Yu-ki experimented on this album without a fixed singer or drummer. This is undoubtedly the most impressive and monumental work by MM, although its reception from the audience could have been better. Perhaps under this impression, the band decided to recruit a new singer, Klaha, in August 2000. The sound shifted towards an epic and darker rock sound. With Klaha, MM returned to catchy melodies, though they were far removed from the J-Pop of the Gackt years. In my opinion, this is the best, albeit temporarily concluding, chapter of the group.

A few singles were released afterward. The last tour took place in July 2001, after which the band disbanded. Klaha began his solo career, Közi is currently active as a solo artist and as a member of Eve Of Destiny, while Mana has become a well-known figure in Japan with his own fashion line and Gothic Lolita shops. He continues to be active as a musician in his band MDM. Yu-ki is no longer prominently involved in music.

It’s also essential to look into the successor bands of Malice Mizer. I can't find anything appealing in Gackt and Klaha's solo works. I really enjoy Eve Of Destiny, as well as everything Mana releases to the public. EOD is an industrial goth band; Mana is much heavier but also more classical in orientation. Közi's solo work sounds very relaxed and somewhat French, although he writes in English.

I have met Közi several times and found him to be a somewhat shy and introverted man. However, he is a very nice guy. But that’s just a side note. What fascinates me is the band's fluctuating musical trajectory. By the time Gackt joined, the typical "growing pains" of any group had settled, and a first creative peak was reached with Gackt. The time with Gackt was the commercially most successful period, and the concerts were a dream visual event. The costumes changed multiple times during the show, and the staging would be compared to German theatrical productions.

Part 2

Groups like Rammstein would turn green with envy. Musically i find Gackt quite uninteresting. He knew how to present himself well in the spotlight but that’s about it. Gackt after Malice Mizer is nothing more than slimy, sweet-and-sour J-Pop. A nod to Herr Rohlen. Artistically an MM album like "bara no seido" is much more impressive. Some elements remind me that both Mana and Közi are great admirers of the German composer Bach. This influence is unmistakable. These influences, combined with Közi's and Mana's magnificent guitar playing, elevate "bara no seido" to a masterpiece for this group. The musicality of Malice Mizer is one of the outstanding characteristics of the Japanese band. The range of instruments spans from the standard instruments of a rock band to very European instruments such as clavichord, spinet, violin, or accordion. One might think that nothing catchy could emerge from this, but that is precisely one of the band's strengths.

Each song is assigned a style and a color. Mana represents the color blue, in which his clothing is designed. Mana is an imposing figure who can only be described as beautiful. When I first saw a video by MM, I thought the guitarist looked quite good. Not to mention, the guitarist is a male. In Japanese tradition, it is not so unusual for a man to appear feminine. Mana gives few interviews and hardly speaks in public, yet he is the creative mind behind Malice Mizer. He has perfected the Gothic Lolita style and can be understood as the counterpart to Gackt. Gackt does not wear white makeup and is considered by a large part of the female MM fans to be the quintessential fairy tale prince.

Közi represents the color red. He appears quite androgynous as an MM member. At the same time, he is aloof, reserved, and doll like fragile. Kami represents the color purple and Yu-ki represents yellow and/or orange. Noteworthy about him is his occasionally drawn-on occasionally real beard. Klaha’s color is either black or white. He later takes on Gackt's role but is much more masculine and less boyish than Gackt.

The look of this group. Malice Mizer seems to change costumes like others change underwear. It’s incredible how tastefully and stylishly Malice Mizer dressed and presented themselves. The staging on stage and in the videos is trendsetting and has not been achieved by any group known to me before or since. The transition from a metal band to a VK group and ultimately to a heavily Gothic-influenced act is marked by significant breaks. Yet, one can always recognize Malice Mizer's typical sound. For anyone who is now curious, I strongly recommend checking out the live DVDs or the group’s videos. Personally, I really enjoy the videos and music from the time with Klaha. The videos with Gackt are more colorful, vibrant and playful. I can recommend all DVDs from Malice Mizer.

The End

M (Mana): I really want to wear blue jeans, a T-shirt and no makeup but the other members don’t allow it so i have no choice but to dress like this.

T (Tetsu): That’s awful~ (laughs). But I think it suits the songs. Since we’re playing a European sound you have to dress accordingly. I’m casual but i try to give off a noble vibe...

Y (Yuki): I try to express as much individuality as I can, but there’s a limit to makeup and clothes so that’s my biggest concern right now.

K (Közi): For me it’s divine inspiration.

T: Apparently it arrives in the mail while he’s sleeping. “Wear this today!!” (laughs).

K&T: “From God!!” (laughs).

– Future goals?

T: I want to improve my expressive abilities during live shows. Also, I want to get better and write more songs.

M: Let’s speak seriously! Through the sound we create, I want to bring sorrow to as many people as possible.

T: To all of humanity, with this sound...

M:We’ll move people through music.

K: Feel the craziness of the song and dance with drunkenness! (laughs).

– What is your ideal as Malice Mizer?

M: To pursue music that moves everyone!!

K: And wait for the day we become gods!! (laughs).

– Regarding the fans, what’s the demographic like?

T: A lot of them seem really young, don’t they?

M: As for me, I’d like people from kindergarten to grandmothers to listen widely.

K: Men and women of all ages!!

M: Our music has no age limit, whether you’re young or old, it can move you. That’s the kind of music we aim to create, and I want all kinds of people to come to our shows.

– What do you expect from your fans?

M: Listen to our music!! Right now, come back to this thrilling sound (laughs).

T: Yeah, I’d like them to stick with us and not get tired of the current state because things will keep changing.

M: Ladies, listen with your whole body. Gentlemen, come to our live shows first and listen to our music. And then copy us by ear!

K: Don’t look at the fretboard during the live shows. Don’t copy by sight (laughs).

T: Listen with your ears... You see, we were rock kids ourselves (laughs). When guys come to the shows, I’d like to win them over with sound, not looks.

M: One day, I’d like them to form a cover band.

T: The other day when we went to Osaka, there was a survey where someone said they wanted to start a band like Malice Mizer (laughs).

Y: Fans crushing each other!!

– What do you want fans to stop doing?

K: Ah, it seems like there are cliques.

M: Everyone, please get along.

T: Please stop taking photos during the afterparties. If we’re photographed during the afterparty, we’re done for.

MANA-SAMA.NET

Twelve hours during a part-time job feels so long, especially at night; it’s almost terrifyingly long.

Mana chan kept shouting, “This theme is difficult!” and Kami kun kept asking, “Mana chan, don’t you have anything?” (laughs). It seems these two aren’t very bound by numbers...

Anyway, Mana chan’s part time job era... It’s full of valuable stories!! Hehe ♥

MALICE MIZER

--So, the theme is "The Fear of Numbers."

Mana: Hmm... That's difficult.

Kami: Haven't you ever noticed when the numbers on a clock are all the same? Like when you look at the time and it's 11:11?

--Does that give you an eerie feeling?

Kami: No, I'm actually happy (laughs). Also, when I'm talking on the phone at night and I look at the clock, it's always 2:14 AM (laughs). It's the witching hour (laughs). And it happens almost every day.

--Do you have any thoughts, Mana?

Mana: Hmm... (laughs) This theme is tough... Hmm...

Kami: Also, I have an obsession with lining up the number 7. I used to go to pachinko parlors a lot, so getting 7s was a thrill (laughs). Ah, that's not scary at all (laughs).

Mana, do you have anything?

Mana: Hmm... When I was a boy, I was a bicycle enthusiast. I even had a speedometer, and it only went up to about 60 kilometers, I think. I was obsessed with maxing it out.

Kami: That's the fear of speed.

Mana: Yeah, I was pushing the limits of speed. The bike I had wasn't a Roadman, but it was a sports-type with gears and semi-drop handlebars... You don't see them much nowadays.

Kami: They were popular back then. The ones with the light on the side.

Mana: The more gear shifts, the better. Five-speed was common, but with six-speed, it was like, "One more gear!" (laughs).

Kami: Speaking of numbers, I save 500 yen coins (laughs). Last year, a friend gave me a piggy bank that can hold up to 300,000 yen, and I'm close to reaching the goal. How long did it take you to save?

Kami: One year! When I talked about it, a fan once sent me a 500 yen coin in a letter (laughs).

Mana: Really? Well, I’m saving 10,000 yen bills (laughs).

Kami: So I make sure not to spend any 500 yen coins. Even when I shop, I make sure to get change in 500 yen coins, or I exchange five 100 yen coins for a 500 yen coin at the convenience store (laughs). Mana, do you have anything else?

Mana: Hmm...

--Like the fear of having to wake up in the morning?

Mana: Oh, even if I have work early the next morning, I stay up until around 5 AM, so I do get that "Oh no, it's already this late" feeling, but that’s why I always sleep in the car during travel.

Kami: Because we’re so busy, sleeping in the car becomes something to look forward to.

Mana: Yeah, it's really enjoyable (laughs).

Kami: It's almost like that's what keeps me going (laughs).

Mana: Yeah, but during our indie days, I was the one who drove.

Mana: I was the designated driver (laughs). Back then, mornings were terrifying. I had to wake everyone up by phone.

--Did you wake up all the members?

Mana: Yes, I’d call them to wake them up and then go around picking them up in the car. That was really something. It was like hell; I did it while crying (laughs). There were members who wouldn’t wake up no matter how many times I called (I wonder who?). And there were people whose phones wouldn’t even connect (laughs).

Kami: By the way, I’m never late. Unless I’m stuck in traffic or something, I always arrive on time when we have a meeting. Mana, do you have anything else? (laughs)

Mana: Ah! The fear of numbers! I used to work part-time at a rental video store, but when the sales weren’t great, I’d rent out videos myself.

-- Really? Were you in a position of responsibility?

Mana: There were morning and night shifts, and I was the manager for the morning shift, so if the morning sales were bad, it was my responsibility. When no customers came, I would wander around the front of the store, getting anxious (laughs).

-- Well, you can’t exactly solicit customers at a rental video store (laughs).

Mana: Exactly. You can’t just say, "We’ve got good videos here!" So all I could do was wander around (laughs).

Kami: I just thought of something! The fear of numbers! In the band I was in before Malice Mizer, the current drummer and I were born in the same year and on the same day. It was terrifying (laughs).

Mana: I just thought of something else too (laughs). I used to work a part-time job inspecting cups at a factory. That factory had cups endlessly going around 24/7 (laughs). I worked 12-hour shifts there, but since the cups were constantly moving on the conveyor belt, there was no end to it. It was terrifying. Plus, it had a roof but no doors, so in the winter, the cold north wind would blow in while I just watched the cups… (laughs).

--That sounds like a tough job.

Mana: It was tough. It was torture (laughs). Nowadays, even if your hair is dyed, it’s socially accepted, but back then, if you had a part-time job, it was limited to handing out tissues or working in a factory (laughs).

Kami: Yeah, or working for a delivery service.

Mana: "Yeah, like at those places where the packages come down on conveyor belts (laughs). I was once in charge of handling packages going to Tokyo, and while other people only had a few packages coming their way and were taking it easy, I was getting a constant stream of packages (laughs)."

Kami: "Even now, when I see the baggage counter at the airport, it reminds me of those days (laughs). Those 12-hour shifts felt so long, especially the night shifts—they were terrifyingly long."

Mana: "Yeah, yeah, and for 12 hours, the cups kept coming endlessly. By the end, I was even seeing hallucinations (laughs)."

The end // From Vicious Magazine

Yukari Ōba

Yukari Ōba is the exclusive fashion designer for MALICE MIZER. All of their costumes are her work.

People with titles like "planner," "editor," or "writer" often like to separate their jobs into small roles. As a result, some people end up with two or three titles and end up saying how busy they are. Among them i think the profession of designer is currently being broken down into the most minute distinctions. It’s not just about people who create design sketches, cut fabrics, or shape the garments—there are specialists in hats, accessories, knitwear, and so on. I can understand if someone with a foot fetish only wants to make things related to feet, but recently, something’s been bothering me. It starts with the question of whether it's okay to refer to Ōba-san simply as a "costume designer."

She’s responsible for the image of MALICE MIZER after their revival. Under the name of costumes, accessories, and hairstyling, she handles everything from patchwork to welding (pay attention to KAMI's hands this time) to even the stage props. Can we really call her a "designer" or "costume person" in just one second?

However, as I was agonizing over this, Ōba-san spoke enthusiastically, saying, "This part was really difficult, look at it! Oh, and here too..." She talked joyfully about how she changed the fabrics little by little and factored in lighting effects. She said with a laugh, "People often tell me, 'No one will notice you went that far,' but I love doing it." Through her words, I understood one thing: Ōba-san doesn't care what she's called, as long as she can create costumes. It’s her passion. That's why such lively, remarkable costumes are born from her work.

Mana

Mana had told me, "I imagine the feathers gently falling off!" (laughs). It wasn’t meant to change that much, but after making it, I thought, "I want to make it cuter," partly because too much of the legs were showing. I used a fabric called washer organza for the feathers, and also incorporated it into the underskirt, creating a tutu-like effect with about four layers to add volume. The pom-poms were something Mana brought in, saying, "I want to attach these somewhere," and when he attached them herself, she said, "It's cute!" (laughs). Actually, he also made the wig and chains with his own hands.

The butterflies on the wings aren’t real, of course (laughs), but I dyed each one individually. Even in places where it seems casual, there’s a lot of effort behind it (laughs). The fabric for the costume was something Mana requested, saying he wanted a luxurious material that looks like beads. I brought various options and he was especially fond of this one fabric because it’s very light. He even said, "It feels like I’m wearing nothing, this is perfect!" (laughs). It was a hit (laughs). As for the accessories, he said he wanted something with the feel of a wedding fountain with light shining inside it (laughs). I remade it several times to create something that bounces back when touched.

We also tore up light blue feathers and embedded them. We worked hard on even the smallest details that might seem like nothing at first glance (laughs). To make sure the guitar strap doesn’t get tangled, I discreetly made the wings detachable with Velcro (laughs).

Közi

Közi is someone who likes to plan everything from the start. When I first saw the design, I thought of a fiery phoenix, so I decided to make it based on that image. The fabric is the same as Mana's but in a different color. He said, "I've worn something like this before." This time, he wanted something that resembled a jumpsuit. Even though it has no elasticity, I went ahead and made it, but when he wore it, he said, "It's tight..." (laughs). Even though it was restrictive, he’s someone who enters the role through appearance.

The feathers on the chest were dyed with a gradient because I wanted to add that effect, but balancing it was tricky. While adjusting during the fitting, I mixed in red, which is his signature color. This jumpsuit also has Velcro to make it easier for the guitar strap to pass through. The accessories ended up looking very different from the design sketches because when we attached them to the sleeves, it made playing the guitar difficult (laughs). So, when we finished one sleeve, we decided to wrap it around his neck, creating a more luxurious design. The wings on his back are made from aurora film, which changes color depending on the light, appearing red or gold. The material is aluminum, making it very heavy, but the overall cohesiveness of the costume is strong, so he managed to play with it as it was. As for the strawberry hat, we added three-dimensionality using feathers, doubling its size at Közi’s request.

By the way, when he wears the costume, he’s 196 cm tall, from his shoes to the top of his head (laughs). All the members end up being around that height, right? So we make the inseam 100 cm. People always ask, "Who on earth is going to wear these?" (laughs).

Yu~ki

He had an image of a "beast" in mind, and even Yu~ki himself said, "This is quite an adventure." The skirt was actually his first try—a dress made of enamel, something we figured out together during the fitting process. It’s a double-layered design, with the back being longer and slits cut into it, creating this eerie look. The bones are designed to resemble human bones, adding shadow to enhance the effect. The back is made of two layers of umbrella-like fabric, with a sheer fabric sandwiched in between to create a shadow effect. At first glance, it looks like a single layer, but there's a lot of depth (laughs). In terms of time, his costume was the fastest to make because once Yu~ki decides on a design, he sticks to it.

Yu~ki, from the start, based his look on the initial image and always strives to get as close to it as possible. The hardest part was dealing with the enamel fabric's texture. Although we wanted it to look big, enamel has this shiny, slick look, so we used a technique like gathering to create a pinched effect, making it appear more three-dimensional, even under lights. This time, it's sleeveless, but the tattoos he recently got give it a good balance. However, it seems it takes quite a long time to paint his arms, which is a challenge (laughs).

Kami

For Bel Air, it seems that the design he envisioned was difficult to realize. This time, I adjusted the shape of the collar slightly upwards to make it easier to take off. Since taking off the costume was a concern, I incorporated his favorite Rurubar lace in two layers and embroidered it with CD sequins to give off a subtle shimmer, ensuring that the fans could see the light reflecting off it. The sequins were also added to the wings, inspired by his recent thematic focus. They create a fantastical effect, with a gradient from blue to purple as the light shines on them. The wings are the largest element, but they’re lightweight, which allowed Kami to say, "I want to perform while wearing them" (laughs).

For the headpiece, i dyed a cup and embedded black feathers as an accent giving it a mysterious shape that he can just throw on. Lately, he’s been wanting to wear a pink wig that he bought himself, but it’s a bit too intense, so I’m thinking of adding some mesh to tone it down (laughs). The overall concept was inspired by looking at an insect encyclopedia, specifically butterflies. Additionally as Kami insisted from the beginning, there’s a tail attached (laughs).

Gackt

This time, all the members wanted to have wings, so that served as the basis for the design. The members had very detailed requests, particularly Gackt, who was inspired by his favorite movie, The Crow. He wanted the outfit to highlight his beautiful body lines, so while the design is simple, it also needed to allow for movement. Ideally, I would have preferred a stretchy material, but I was determined to use cotton velvet, which has a dark and moody atmosphere, while also creating the effect of gold shining through the darkness.

The cotton velvet, combined with cut velvet, made sitting difficult for Gackt, but when the light hits it, the gold stands out clearly against the black backdrop. The wings, which he was very particular about, were designed in three layers. When closed, they fold up slightly, but when fully opened, they span 4 meters. For live performances, Gackt uses strings to control them, allowing the wings to spread open. The construction is sturdy, with hidden mechanisms for the strings, making the wings quite heavy. The wings were made using about four different patterns, and sequins were added so that when the light hits them, they appear three-dimensional. We used an incredible amount of feathers for the wings as well.

The end