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Turan, Goddess of Love

Alluring, pure, fascinating and bold, Turan is the love, fertility and femininity goddess of the Etruscan pantheon and also the protector of the ancient city of Velch. The Gallo-Roman Museum in Tongeren, Belgium states that her name in Etruscan means “dove”, while other linguists came to the conclusion that it shares the same indoeuropean of the Ancient Greek word “τύραννος”, standing for “lord”. Nonetheless, two other theories exist: the first one recalls the dominant nuance of Turan’s persona, as the Ancient Greek word for “matron” is the similar sounding noun “δρούνα”; the latter instead focuses more on the Etruscan word “Tan” meaning “moon”, and its nexus with the goddess’ name, as female deities in numerous religions are believed to be bearers of the lunar energy, opposed to the male solar energy. The goddess shares a vast number of similarities with her Roman equivalent, Venus, such as the romantic relationship with the charming Adonis (in Etruscan “Atunis”), and a presumable bonding with the god of war Acun (where the “c” implies an aspiration). Her maidens were called “Lasas” and her spirit animals are pigeons and black swans. The importance given to such goddess is a clear hint to the matriarchal society on which archaic Etruria planted its roots, as even later women will have freedom and privileges (such as the right of landowning and having personal accessories of any type). She is also known as “Turan ati”, meaning “Mother Turan”, similarly to Cybele in Anatolia and Ashtoreth in abrahamic cults.

The song which I think incarnates at best the fascinating, tense, seductive and virginal nature of Turan is “Lovesick” by BANKS, as the rhythm carries a nostalgic and frustrating, yet mystifying and almost monumental verve. It reminds me of a heavenly garden with sakura trees dotted all over, under a menacing crimson sky.

I hope with all my heart you experience the music’s aura.

Even apart from the "complementary" provision, Gramm quietly added another time bomb to the law, a grandfather clause, which said that any company that became a bank holding company after the passage of Gramm-Leach-Bliley in 1999 could engage in (or control shares of a company engaged in) commodities trading – but only if it was already doing so before a seemingly arbitrary date in September 1997. This was nuts. It was a little like passing a law that ordered you to leave the Army if you were gay in November 1999 – but if you were a heterosexual soldier as of September 1997 and then somehow became gay after 1999, you could stay in the Army. For nearly a decade, this obscure provision of Gramm-Leach-Bliley effectively applied to nobody. Then, in the third week of September 2008, while the economy was imploding after the collapses of Lehman and AIG, two of America's biggest investment banks, Goldman Sachs and Morgan Stanley, found themselves in desperate need of emergency financing. So late on a Sunday night, on September 21st, to be exact, the two banks announced they had applied to the Federal Reserve to become bank holding companies, which would give them lifesaving access to emergency cash from the Fed's discount window. The Fed granted the requests overnight. The move saved the bacon of both firms, and it had one additional benefit: It made Goldman and Morgan Stanley, which both had significant commodity-trading operations prior to 1997, the first and last two companies to qualify for the grandfather exemption of the Gramm-Leach-Bliley Act. "Kind of convenient, isn't it?" says one congressional aide. "It's almost like the law was written specifically for them." The irony was incredible. After fucking up so badly that the government had to give them federal bank charters and bottomless wells of free cash to save their necks, the feds gave Goldman Sachs and Morgan Stanley hall passes to become cross-species monopolistic powers with almost limitless reach into any sectors of the economy.

Matt Taibbi 'The Vampire Squid Strikes Again'

I'm waiting for you, ok? ):

Capítulo VI

Aceptar que lo mismo que me hace bien también me está destruyendo, tú.

jenna burgess, photographed by sophie nélisse

yellowjackets season 3 🐝🧢