I Wonder If X Is So Different From Everyone Else In The Hero Industry Is Because He Has 0 Affiliation

the most annoying people are people who don't understand storytelling. they be like "oooo how convenient that this thing happened to the main character in the very beginning". yeah no shit. that's why the story begins here

Dehumanizing bigots is bad, not because I want to be nice to them, but because they are human beings and they serve as a reminder that anyone is capable of evil ideation and action. Violent bigots are not fundamentally different beings from you. They are human beings, who have developed a reactionary and destructive belief system due to their circumstances combined with their biases. In a different timeline, that could've been you. Anyone can be radicalized. Nobody is immune to propaganda, not even the person reading this.

Passionfruit

'Hazbin Hotel' Animators Expected a ‘Passion Project’ But Got a Helluva Time

We spoke to a dozen employees about the work culture at SpindleHorse Toons, the studio behind Amazon and A24's 'Hazbin Hotel.'

A recent article came out about the mistreatment and pay of Spindlehorse employees, please spread this around.

Heyo! Thank you for responding, I appreciate it when people do!

I should've pointed it out better but I am not saying light and dark are unable to coexist, I'm saying they exist, but on opposite sides. I'll use an example,

when you shine a flashlight at an object, the shadow appears opposite to the light. It cannot exist on the same side as the light, but opposite to it. But both need each other in order to exist.

Which is what I'm trying to say about SatoSugu, they need each other, yet they will exist on opposite ends like light and dark but still are, meaningless without each other.

I'm a Buddhist, although I'm not very religious. And I haven't read my texts in so long, JJK is genuinely making me want to get back to studying it again, I've forgotten almost all the prayers, gosh darn!

I do believe there will be differences however as JJK is mostly a combination of Shintoism and Buddhism, if I remember correctly. I'm a Theravada Buddhist.

Enlightenment, from my understanding, is breaking away from the Cycle of Suffering, and Nirvana can be summarised as nothingness. In our belief, as long as you have life, you will grow old, suffer and die. Which is three of the four major things Gautama Buddha saw before becoming Buddha, the fourth being monkhood.

When Buddha achieved enlightenment, it was after an attack from the demon, Mara. For Satoru's enlightenment…well I'm not exactly sure how to feel about it. I mean, Satoru oofed a man right after his "enlightenment" and killing is a HUGE no-no for Buddhism. It is actually one of the first things we have to avoid. We must not take a life. Killing is a straight ticket to hell.

If we're being completely accurate, few of the JJK cast would even end up in Heaven, they'd suffer in hell for years until they reincarnate into another life. Satoru killed, Toji killed, Sukuna is definitely suffering hundreds of years in hell for his atrocities, Maki would also have to suffer there for massacring her clan, it's just how karma works in Buddhism and it is NOT generous.

I'd have to begin reading books again to fully analyse Buddhism in JJK, but I think this would do for now. Looking forward to more discussions!

Akuji out! :)

live, laugh, love Satoru

AKUJI'S SATOSUGU ANALYSIS (PT.1)

!longassrant

In part one, I'll discuss a few things regarding symbolism and metaphors surrounding the two and how they complement each other. As much as I loathe Akutami, I do admire their symbolism surrounding the cast of JJK.

BLACK AND WHITE, LIGHT AND DARK

I feel like this is a prominent thing in the SatoSugu shippers to associate SatoSugu with black and white, myself included. Whenever I see black and white, I get SatoSugu PTSD. This is really what my life has come to, LOL.

Let's put Satoru as the Light and Suguru as the Dark. ( This is something I love because of how light and dark exist. One cannot be without the other, yet when light is present — dark cannot be. And when dark is present, light cannot be. Sound familiar? Yep, it's them.

We know they both probably wanted to be together but their ideals set them apart. Dark will always exist opposite to Light, and Light would always exist opposite to Dark. But they cannot be defined without each other.

And it does align with what they do become because Satoru became the Light of Jujutsu Society, they had hope because of him. When Satoru enters the scene to save the day, sorcerers are relieved, sorcerer feel safe. When he got sealed, everything fell apart, it just shows how much Jujutsu Society relied on him and trusted him to resolve everything. He taught the new generation of sorcerers, he guided them towards a new future, like a sort of guiding light.

Suguru on the other hand, he consumed the worst in the world, curses. He was confronted by the vile taste of curses every time he consumes one and after Riko Amanai's death, he was faced with the cruelty of the system, the darkness of the world. He despised the likes of people like Toji who are willing to assassinate an innocent teenage girl purely just for money. And, Toji didn't even need to kill Riko, he heard them talk, Riko wasn't even going to become Tengen's new vessel.

The whole experience with Toji changed the duo, but for Suguru, it hurt that he fought with everything he had to avenge Satoru but was left there barely living as a failure only to find his best friend completely changed to the point where he was going to kill all of the humans who were applauding them. Although he convinced Satoru they should be spared, I don't think Suguru himself thinks they deserve to live. The applauds haunted him, I'm sure he was utterly disgusted a room of adults were celebrating the death of an innocent, young girl.

The scene with depressed Suguru, we hear rain outside but if you listen carefully, they sound more like claps, like the ones he has heard back with the Cult. (also, it's funny to me that he started his own cult after being traumatised by one.)

Suguru genuinely wanted to create a world for the weak but after what happened, it's safe to say he stopped considering non-sorcerers as the weak. He already had a theory that sorcerers weren't the problem but non-sorcerers and that mindset drove Suguru mad, paired with the curses he consumes which are manifestations of the negative parts of humanity. The only way for Suguru to move forward with his life is to eradicate all non-sorcerers. He refused the other path because to him to choose non-sorcerers at this point would be to accept more people like Toji, the people in Star Religious Group and the people in the village who threatened Mimiko and Nanako.

Wow, there's a lot for Suguru's part, haha.

Black and White, Light and Dark— or whatever similar. They fit. I could compare them to Yin and Yang, but I don't fully understand its meaning so, I won't.

CURSED TECHNIQUES

I also love what their cursed techniques represent in each other. And how it ties into the story.

Suguru's cursed technique manipulates cursed spirits after consuming them. Consume, which is the first thing we see him doing in the opening of Hidden Inventory. He's a consumptive force, because he consumes the responsibility of protecting the weak.

Satoru on the other hand, repels. He's an outward force, extending out a physical barrier that creates distance between his body and the world. The Infinity and Reversal Red that repels and disconnects him from the people around him. Satoru repelled the idea of protecting the weak, actively discarding them during HI's basketball scene.

Can I point out how the scene after Star Religious group makes sense now? Blue attracts, it's a consumptive force, Suguru leaned into it. Red repels, Satoru stepped into red. It just really enhances their characters further…ah, remind me how much I love this animanga.

Satoru focused on becoming the Strongest and rejected everything else. Suguru consumed the negative emotions and trauma, leading him to go mad to the point killing all non-sorcerers could be the only way he could live with himself.

They're really meant to be together because consumption can only exist if there's a repellant force pushing back. They're not opposites, I will say. Both Satoru and Suguru contain parts of each other within each other. Sort of like Yin and Yang, but again I don't fully understand Yin and Yang enough to do a full analysis of them associating with Yin and Yang.

I think I will conclude the cursed technique analysis here because trying to understand cursed techniques in JJK…it burns my brain. Especially with those powerscalers.

"You're Late, ..."

This was done multiple time for them, and ugh it pains me.

Yup, this one right here, this motif foreshadows the tragedy of Satoru and Suguru's love story. 

We see Suguru running through the rain urgently. He so desperately needs an umbrella. Satoru? Well, you can see he's wasting time looking at a cat...he's not hurrying at all. But he has what Suguru needs, an umbrella. Well, Satoru didn't even need an umbrella.

Suguru is waiting impatiently in the rain, and he's not using his bag to cover up his head anymore. He knows Satoru is coming; that's why he's impatient.

Suguru needs him, but Satoru doesn’t pick up the pace.

By the time he finally shows up, the sun has come out. By then Suguru has accepted the fact that Satoru took too long. They can’t share the umbrella any more because they missed their chance to use it.

“You’re late, Satoru.”

And you all know what follows up...

Also a little bonus:

Those are osmanthuses.

The name Osmanthus comes from the Greek language, Osma(fragrant) and Anthos(flower), literally meaning Fragrant Flower. Osmanthus flowers are a symbol of love and romance, blooming for only a few days in the Spring, and are celebrated during wedding ceremonies and the Chinese Moon Festival in August

The animators shipped them, you cannot convince me otherwise.

This was supposed to be longer, and I do want to continue it but again, I'm tired to continue. Kind of lost motivation and my initial ideas poofed already.

Akuji out!

live, laugh, love Satoru

(tagging @everythingseasoning as she requested. Awaiting your response!)

IDK HOW OLD THIS IS BUT

YES YES YES YES YES YES!!

all this drawing atla as cats made me think of this [ids in alt]

+bonus

I know I'm a bit late to saying this but frankly if I found out a secret society of magic-users were just playing nonsense sports and making up slurs for the rest of us instead of helping us out with famines or leukemia I think I'd apply for a job with my local witch hunters

why are people pretending that sex is the only axis upon which some people willingly enjoy things that hurt/scare them

angry post

i have a personal problem with this kind of attitude. it's not a petty thing i am unreasonably angry about. there is a politics of translation and it affects one's understanding of art and popular culture/cultural geopolitics.

yes, tbhx has an unprecedented world wide release for a donghua/Chinese media and it's vital for its popularity, especially among transnational fandom spaces. Transcreated works are important for easier access. BUT, my gripe with the Japanese dub of a Chinese media WILL never be resolved. I am not talking about the quality, the issue lies in the very creation of the Japanese dub of a donghua itself. Let me give you an example.

Last year, we had an optional course called translation studies and one of the first things our professor asked was : who are the writers of A Doll's House and Waiting for Godot? He told those few of us who had read these texts closely to shut our mouth and let others take a guess. Most people answered : British writers. The texts are English texts. Because it's so famous among literature enthusiasts and when a piece of literature has a 'classic' tag attached to it, we tend to generalize and oversimplify it. So, a Norwegian playwright's original Norwegian play or an Irish playwright's play originally written in French- both get labelled as British literature. Get my point?

The anime industry is justifiably dominated by Japanese productions but when we forget to accommodate the nuances, the origin culture decays. It is, in many senses, a form of subtle cultural imperialism brought by ignorance.

People complain about Link Click's 'poor marketing' but I think Haolin was clever doing so. Even in the reviews by Indian anime bros™ I see them trying to pronounce 'donghua'. People RECOGNIZE that Link Click is a Chinese media, it's NOT an anime. You may laugh at those link click related youtube video titles saying stuff like : China is taking over anime, this Chinese anime is better than your favourite anime, PEAK Chinese anime, the best anime of 2021 is NOT Japanese?!, Link Click is taking over anime, China's hidden gem, China might have created the best anime of the year- CHINA IS IMPORTANT.

Whenever people talk about Chinese donghua- Link Click, Heaven Official's Blessing, Master of Diabolism etc are mentioned and people KNOW that it looks like anime but not really anime. It's... something... something else. This distinction is critical and essential.

Now, thanks to censorship (the Chinese version is not available on any official platform), many people think (not all people dig that deep while watching things, like come on) Spiritpact is a JAPANESE anime. Who the heck is Tanmouki or whatever. They are are Duanmu Xi and Yang Jinghua.

Reading up to this part if you think I am a Japanese anime hater then...*sighs*. Please read the whole thing again.

I like the Japanese dub of Link Click but there was a c*** in the comments who said "uwu it's not in japanese so I won't watch it" b**** doesn't even understand Japanese. B just wants an 'authentic Japanese anime experience.'

I feared that tbhx would face this issue.

And if you find those people who go : Ahhh, Japanese or Chinese- same thing, even their script look similar- fuck you, fuck you, you loser-fuckrr sinophobe i hope your phone battery dies your charger malfunctions your phone your laptop restarts with all data erased I hope you reek of wet socks and your taste sand all the time fuck you

i havent caught up on dr yet. but heres what i understand wildlife shipping is from what ive seen

ras got arin in the divorce. apparently.

Thinking about the Blue-Red symbolism surrounding SatoSugu

I've been thinking about this shot for a while. At first it didn't make sense to me, why Gojo was in the red and Geto was in the blue, I thought it should've been the opposite but after seeing some others talk about it, I think it makes a lot of sense.

Because of Gojo's powers and how it directly relates into this. At the near end of Hidden Inventory, Gojo and Geto are spending less time together, Gojo is going out on missions alone, he is training and refining his techniques multiple times over and is leaving little to no room for friends. He's essentially isolating himself from others to be able to become strong enough to go on as many missions as possible. He's pushing people away, like how his ability Red repels. Thus, Gojo is in red, like his ability, pushing away those around him.

Geto on the other hand is in the blue, by the near end of Hidden Inventory, he is depressed and consistently consuming curses. I think Gege was great at showing his depression, Geto’s got heavy eye bags, like he either can’t sleep or sleeps too much. He hunches over, resting on his knees like sitting up straight is just too much work. When someone talks to him, he blinks slowly and takes a beat too long to respond, like even that takes more energy than he has. And like Gojo said, he was losing weight, meaning he was eating less. Like Gojo's ability blue, which attracts, he is absorbing curses, wallowing in his negative thoughts and feelings to the point he developed a hatred for most of humanity. He's pulling in all the negativity into himself just as how blue attracts.

And it also fits in nicely with the openings of season 2. Ao no Sumika (Where Our Blue is) is imo showing that they were together and happy. Where Our Blue is, in this case would also translate to Where Our Attraction is because Gojo's blue is pulling and attracting. The title to me means "Where we're together" for them. The rest of the opening is mostly blue as well, emphasizing it further. The second opening of season 2, is mostly red, and akin to reversal red presents a push. Gojo and Geto are no longer united anymore, they stand against each other.

Also these two frames put that nicely.