Obsessed with Isshin:
Isshin knows about The Horrors.
He lives for fighting. He killed a tyrant, won a country, but his only real goal in life is to perfect his fighting style.
Yet, he is so full of life and joy, even in his old age.
He will see a young person, ask "Is anybody else gonna mentor that?" and then not wait for an answer.
He will make the same joke twice and laugh about it.
He used to throw legendary parties.
He outdrank Owl.
He will drink with Wolf even though Wolf kicked his grandson out of his own castle.
He will drink with Wolf, make his jokes, help him on his quest in what ways he can – and in the same breath he tells Wolf that he can see the shadow of Shura in his eyes and promises that he won't hesitate to cut him down should he give in to his violent urges.
If Wolf does betray him, Isshin will get up from what is essentially his deathbed to kick his ass.
He once cut off Orangutan's arm to stop him from going down that same path.
He allows Orangutan to stay in the dilapidated temple near the castle and hang out with his doctor.
He taught Emma swordsmanship because she wants to be able to kill a demon.
Isshin is known as the Sword Saint and has developed and perfected multiple fighting styles.
He is deathly ill.
He dresses up as a character from folklore to hunt down enemy spies and assassins and his grandson's allies. While he's deathly ill.
Emma and Wolf know that he's the Tengu, but they never bring it up. Let the feudal Japanese Batman have his hobby.
Isshin knows they know and he lets Emma tease him about it.
Isshin loves his grandson.
He also told his grandson's very important hostage about a secret escape tunnel at the reservoir. And then he let that hostage stay near that tunnel in a tower with half a wall missing.
He told Emma to rescue that hostage's bodyguard from a well.
The way he talks about Genichiro's plan to use the black mortal blade makes it's clear that Isshin has no interest in self-sacrifice, even for immortality, even for Ashina, and he is greatly disturbed that that's what Genichiro has in mind.
He tried to help Kuro escape for Genichiro's sake more than anything else.
Again, he hunts down Genichiro's allies – who happen to herald from a corrupt buddhist temple that has experimented on and killed countless children in their quest for immortality.
In a story about (im)mortality, Isshin's opinion of immortality is a clear "hell, no!"
In a story about things ending, Isshin is firmly on the side of letting those things die that must die.
He goes behind Genichiro's back to prevent him from using the Dragon's Blood or the forces of Senpou temple and their corrupted immortality. He holds no ill will towards Wolf for defeating Genichiro. But he WILL fight Wolf to the death, despite having no beef with him, not because he cares about Ashina or the invasion or being rescued from the underworld, but simply because it was his grandson's last wish.
When Kuro first formulates his plan to sever immortality, his first instinct is to ask Isshin for advice.
When the besieging forces draw nearer, Kuro tells Wolf not to worry about him, because Isshin visits frequently. Isshin frequently checks on Kuro to make sure he feels safe.
When Isshin finally succumbs to his sickness, you find him lying dead in Kuro's room, sword in hand. He was gonna go out fighting, defending this child his grandson had kidnapped.
Emma stays with him to the end, and remains at the castle, watching over his body.
The way Isshin mirrors this gesture in the Shura ending, gently holding Emma's dead body.
The fact that Emma gets away with teasing Isshin about his exploits as the Tengu.
The fondness between them.
The faith Isshin puts in Emma, when he asks her to go behind Genichiro's back - who happens to be her childhood friend, on top of being the de facto leader of Ashina.
Isshin.
IT LOOKS SO FUCKING GOOD TOO DUAL PROTAGONIST SYSTEM WITH SHAREED INVENTORY AND SEPARATE THOUGHT CABINETS AND SKILLS CHAIN THOUGHTS THAT GO BACK AND FORTH FROM CUNO TO CUNOESSE AND VICE-VERSA VIA DISCUSSION DIFFERENT VOICE ACTING FOR CUNO AND CUNOESSE'S SKILLS AS WELL AS THE SWARM OF LOCUSTS (hi limbic system and ARB hows it going) DIFFERENT SOUND EFFECTS/DIALOGUE/THOUGHT ORBS DEPENDING ON WHETHER YOURE CUNOESSE OR CUNO AT ANY GIVEN TIME THE FUCKING LOCUST CITY BEING A REFLECTION OF CUNO'S JOURNEY/MENTAL STATE, POLITICAL ALIGNMENT AND CUNOESSE'S INFLUENCE ON HIM ALL AT THE SAME TIME CUNOS CGHARACTER BEING CENTERED ON THE LOCUSTS WHILE CUNOESSE HAS A WATER MOTIF, BOTH SERVING AS A PARALLEL TO HARRY IN A WAY (PHASMID/CRYPTID OBSESSION FOR CUNO, SEA MONSTER ALLEGORY FOR CUNOESSE) THE FUCKING SKILL AND THOUGHT NAMES A VARIABLE DISTANCE BETWEEN CUNO AND CUNOESSE WHEN WALKING DEPENDINGH ON THE CURRENT STATE OF THEIR RELATIONSHIP ALL OF THAT AND IT GOT FUCKING CANCELLED ?!?
we were robbed
the original got flagged with no way to appeal it when every contributor is deactivated but I will never let this post die. it's monday and we are getting on it cunts
Rinsha Fana’s character is summarized in a couple facts thrown here and there. Because she worries for him, she follows Kabru to help his cause and protect him, and to nag him. She’s a grumpy angry tsundere, but it seems not only rooted in her attitude but on a deep rooted physical level, to the point where any intense emotion she feels will make her frown and scowl even if it’s genuine joy. Her childhood was half spent ostracized in the tallman community her family lived in and half with the elves, where she’s said to have been treated like an animal.
We don’t know how she was raised exactly or who it even was, but knowing she was "treated like an animal" by the elves taking care of her…
Elves are shown to have a highly hierarchical society, not only with their concern with status such as nobility and the purity of bloodlines but also reflected by its social culture imo. They have high society and etiquette, upmost devotion to the queen, very role-oriented, like cogs in a machine, and as such, it’s a bit skewed since most of what we see of the elves is in a military context with military people but they seem to value having emotions under lock and key to be efficient and not bring dishonor, Flamela is an interesting character on this. Don’t be a bother and do your job until you’re called on, fulfill your role, everything else is extra at best inconvenient at worst.
Personally I do think the canaries kept Rin, it’d make sense that whichever canaries got stuck with the job at the headquarters would be barebones with her and treat her like an ‘impounded article’, they couldn’t find another place for her and this way they can get her report on the events whenever she can speak again in however many years, and this way it makes sense that she could keep in touch with Kabru too. They’re used to prisoners, not kids. Being raised in a military context rather than at some orphanage would shape her further.
All of this to say…
She’d already seen the world’s harshness to those who don’t conform in her hometown, but with the elves? Her disdain for those who had formal education at a magic school?
Wouldn’t she become very concerned with proving she is not an animal, proving that she’s smart and skilled in her own right on her own merit, even without schooling. And to do this she nitpicks and nitpicks, because even being pristine isn’t enough to be respected, but at least it’s not giving others reasons to disrespect and dehumanize her. Learning to school her emotions, to scowl as a defense mechanism because anything else makes her vulnerable, because they don’t care about her as a person with feelings, because showing other expressions was dangerous or punished in some way: because it was fit in or don’t fit in and that’s the difference between having your house burnt down and being tolerated, between getting her food or having her questions answered and being yelled at to shut up… Because all her life she’s been surviving in hostile social environments and at the mercy of others, but unlike Kabru she doesn’t become a people pleaser but becomes very self-reliant and wary of socializing.
So she nitpicks and nitpicks and nags, because she’s worried. Because flaws are dangerous. So she has a hard time smiling and laughing, because it’s dangerous to allow yourself to feel safe in being authentic.
It would be nice…
Is my red, red enough? I'm waiting for your teeth at my throat. It’s only good manners. -Stephanie Valente
Also, sorry more Leda posting, the line "Have you been taken in by the plight of the hornsent? Foolish… But hardly unexpected. Man is a compassionate animal, for better or worse." fascinates me so... there's no justification there, if anything she acknowledges that what she's doing in attempting to kill the hornsent is the bad, the non-compassionate thing to do. And from other lines we know she feels empathy, respect, regret, the "weight of one’s deeds"... She may be overly paranoid and violent and murderous, but it's not that she's without emotion, she's just capable of entirely steeling herself against those emotions. She'll carry those burdens willingly, Miquella's dogged blade, so he needn't sully his hands.
Although at the same time... she's so arrogant about all of it, to presume she knows Miquella's will better than anyone else! She has the authority to say who is or isn't undeserving of serving under him, and she has the power to execute the ones she judges dangerous. When I honestly can't imagine that Miquella, at least previously to shedding everything that made him himself, would've approved of any of that. She would never betray him, true, but there's a reason he still put a charm on her as well (and I kinda have to wonder what the reason he kept her around at all was...)
can you reblog a two-part post in the correct order?
I have returned from my abyss of "im too lazy to post", despite this hellsite's unwillingness to let me, and i am back to ledaposting (kinda ? Ig shes technically in the post)
Anyways, i have made the shocking realization that i own a pen and paper and decided to try my hand at sketching leda's armor. I drew the helmet but didnt finish the full armor, i switched to drawing it digitally on my phone like halfway through.
It was fun figuring out how close helms work for this
As a side note, how often do you think characters in souls games remove their armor ? Logically they should do it once in a while to keep it in good condition but some of the armors look a bit too complex to put on / remove by yourself so idk. Also theres never really a good place to do so.
When you show up to the clinic to get a new blood vial after killing Gascoigne and Iosefka's voice sounds different
Sanji and Baby five should have met. They lock eyes and it's over, everything's over. Sai got lucky because Sanji and Baby 5 would have matched each other's freak on an insane level. They'd have married each other on the spot. 10/10 no notes, instantaneous shotgun wedding. It's halfway into dressrosa, everyone is bumming along and then Sanji sees Baby 5 and now everybody is suddenly working together to get these two married in the eyes of the law. Weren't they fighting a moment ago? Not anymore. They all got hit by Sanji and Baby 5's insane bitch beam. It's wedding time. Doflamingo is giving away the bride, Luffy is the ringbearer, Giolla is putting up decorations, Nami is working out a pre-nup with Trebol. Fujitora's blind old ass is officiating. The tontatta's get to make the dress a la the mice in disney's cinderella (the animated film) Zoro is working the open bar. Law is doing whatever the fuck and Sabo is just along for the ride and Sanji and Baby 5 are married before sundown. I sound insane but that's literally what would happen.
hi there i dont really have anything to say im just kinda here
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