IT IS OCTOBER 1ST MY GOD
The Nightmare Before Christmas (1993) | dir. Henry Selick
Alright everyone here is a masterpost of my cats facial expressions… enjoy
PSA:
On this blog we do not support any discrimination at all. Race, sexuality, ANYTHING AT ALL. you will be banned, blocked, reported.
We support TOLERANCE, ACCEPTANCE, LOVE AND ALL THINGS THAT PEOPLE WOULD WANT TO EXPERIENCE.
This blog wants to celebrate diversity and acceptance of other people. We care about you all. You’re always free to talk to us about anything.
We support all people, from all backgrounds, of all races, no matter what. As long as you are a kind, tolerant person, WE GOT YOUR BACK.
thanks for reading this guys, we love you all and have an amazing day.
LETS GET BACK TO SOME MERCYKILL~
Jason deserves so much better. Bruce is a bitch for the way he treated him.
Everyone who knows Jason Todd has been talking about Red Hood and The Outlaws #25, and I actually cried a little. I’ve realized over the past couple days that people think Jason is the ‘bad boy’, the ‘rebel’, the ‘black sheep’. Look at it from his point of view.
Jason Peter Todd boosted cars only to feed him and his mom, the boy who ENJOYED a decent education and was a good student. The boy died trying to save his birth mother who had only a few hours before betrayed him so she could continue her illegal activities. He suffered the many blows of the crowbar. He suffered the initial blast of the bomb, shielding his biological mother. He suffered the rubble coming down. He died under the rubble, only able to breathe in smoke. He died apologizing to Bruce for not following orders, that he wasn’t a better soldier or a better son. He awakened in his grave six months later, in a casket, six feet under. He managed to somehow crawl out. He managed to limp to a highway STILL SUSTAINING THE INJURIES THE DAY HE DIED. After the Lazarus Pit, people think he went insane. He didn’t. It restored his brain-damaged mind. He missed Bruce, Alfred, and even Dick. They were all he had left. He was a mad when he found out that Bruce took on Tim, but it was nothing compared to when he found out that Bruce hadn’t killed the Joker. After that monster crippled Barbara and murdered him. Jason deserved better. He deserved so much better, and he wanted Bruce to know it. He did everything in Under the Red Hood because he was a scared little boy that was acting out in anger and fear. A boy aching for love, attention, and righteous vengeance. “I’m not talking about Scarecrow, or Penguin* or Dent** I’m talking about him, just him. And because, he took me away from you.” (*Penguin had Willis Todd murdered in Rebirth) (**Dent was believed to have put a hit on Willis Todd Post-Crisis)
Jason wants his fucking family back. He actually has a good relationship with Tim. They have breakfast in public and share inside jokes, they’re brothers! Damian views Jason just as much as a brother as Dick because of his training with the League of Assassins after he was revived, and how Talia cared for him. He loves Talia too. He’s kind of seen Dick as a brother for a long time, and they can count on each other, and throughout Rebirth we see that.
Bruce is way too hard on Jason. Damian was killing people for a long time, and Bruce just put him in time-out, but when Jason kills? Oh, boy! Gotham is on lockdown, I have to beat my son’s ass and then BANISH HIM WITH MY GOD COMPLEX from Gotham, his home. Jason isn’t frivolous with killing people, mind you. He kills rapists, murderers, wifebeaters, pedophiles, and assholes who deal drugs to children. He’s not insane. He knows what he’s doing. He knows that some of them have families, but they’ve made their choices. Jason Peter Todd isn’t a man that takes a life without knowing who that person was. He knows who, and he knows why. He’s not a villain. He’s a young man who likes to sit in the windowsill of the Wayne Manor library, reading a book on a rainy day. He’s a young man who gives back to his community. He’s a young man who watched his family spend Christmases without him, not because he wasn’t invited, but because he stopped himself. He wasn’t sure how he would be received. This man who pushes everyone away because he’s been hurt. Do you know who hurt Jason most? Who it usually is? I’ll give you a few guesses:
Bruce Thomas Anthony Wayne
The goddamn Batman
Matches Malone
Wayne Enterprises CEO
Gotham’s Most Eligible Bachelor
The man who took in a boy who didn’t have a home, a father, or any virtues of his own, and gave him all of those things, mourned the death of that child, but somehow didn’t welcome that boy back to HIS FUCKING HOME when he was miraculously resurrected like out of the Bible.
There are many fathers who have lost sons. No parent should have to mourn the death of their child, and Jason meant so much to Bruce, so why when Jason was back, Bruce saw him as an adversary? Jason needed Bruce, and Bruce dropped the ball. Probably one of the few balls he really needed to catch in his life. I don’t know how Alfred doesn’t slap Bruce and make him call Jason because this is something Bruce, a grown-ass man, a father, has to do himself.
ITS ON ITUNES TOO.
yall im losing it, TIL the “WAKE ME UP” in bring me to life was added on bc the record company thought the song should be more masculine LMAO??
Oh, honey, she says that and MUCH MORE.
I HAVE A FUCKING QUESTION HAS ANYONE EVER HEARD THIS BEFORE ???? BEC AUSE I HAVENT EVE R IN MY LIFE
”DAMMIT CARL LET ME BUILD MY HOME IN PEACE!”
today i learned fish can be dicks
GIMME
petition to rename the usa ‘south canada’
Omg
- I always thought that he’d left Cyberlife of his own accord, but the gallery description says that he was “dismissed.” What did you do to fall out with Cyberlife buddy?? SOMETHING TO DO WITH ANDROIDS BEING THE “NEXT STEP???” HMM???
- If the android uprising fails, he goes back to Cyberlife. Why? TO MAKE STURDIER DEVIANTS FOR NEXT TIME???
- If what Zlatko says is true, FOR SOME VERY MYSTERIOUS REASON the android’s trackers deactivate once an android becomes deviant. I WONDER WHO COULD’VE ENGINEERED THAT
- Why would you make the LEDs so easy to remove? Or even removable in the first place?? It almost seems like you WANT deviants to be able to hide in plain sight!
- The exit in Connor’s program doesn’t appear to work until he becomes deviant. HOW CONVINIENT THAT WHEN AMANDA NEEDS TO REGAIN CONTROL OF CONNOR THE MOST, HE CAN JUST HIT ESC
- KAMSKI KNOWS WHERE JERICHO IS. HOW AND WHY DOES KAMSKI KNOW WHERE JERICHO IS?? DEVIANTS APPARENTLY ONLY SHARE THE LOCATION WITH THOSE THAT THEY TRUST SO KAMSKI EITHER HAS A CLOSE RELATIONSHIP WITH THE DEVIANTS OR HE SET UP JERICHO HIMSELF
- Deviants are taking over Detroit. Where’s the guy who made them? Does he have anything to say? Is he shocked? Concerned? Oh please! He’s not even surprised! Or even remotely interested! HE’S MESSING ABOUT IN HIS POOL
- *Sends Carl an android to take care of him* “Surprise! It’s super-advanced, one-of-a-kind and if you nurture it enough (Which I know you will - I obviously know you on some level because I own one of your paintings!) it’ll lead a rebellion!”
- Names a basic DEVIANCY TEST after himself I MEAN REALLY
ELIJAH KAMSKI IS A CRAFTY LITTLE MAN AND NOBODY IS GIVING HIM THE CREDIT OR ATTENTION THAT HE DESERVES
OWWWWWWWWWWWWWWW
Reblogging for future reference
I found some really good songs for my favorite ships
Markus x Connor: Colour by Todrick Hall
Gavin x RK900: Blue by Vesperteen
Connor x Simon: Love Like You by Caleb Hyles
Luther x Kara: Undeniable You by Juckebox The Ghost or Lovely by The Brilliance
Markus x Simon: I Found by Amber Run or Oasis by The Great Big World
AWWWWWWW
more kara fam stuff cause im always in the mood for them :)
Even though it's gonna be shit, I'm on it honey.
A Fanfic that needs to be written that I have not seen yet: Kara and Luther, doing the connection with their hands like Markus and North did when they became lovers.
Please Kara x Luther shippers come through when.
Luther: GET AWAY FROM MY WIFE AND DAUGHTER! *fucking throws Ralph through a wall*
Ralph: We can be one big happy family!! Alice is our little girl, Kara, you’re the mother, and I’m the father!!
Luther: *deviates*
KARA NO
based on this
Luther, take care of your wife please
bonus
AND MOST OF THEM ARE GODDAMN SIDE SHIPS
Everything movies taught me about archery is wrong. This is a complete mind-blower. 8D
If you are even remotely interested in archery or medieval combat, check this out, it’s just great!
OMG OMG OMG FUCK OMG YEEEEEEESSSSSS
If Canada don’t GET THE FUCK …
MMMMMMM BUDDY
A self indulgent drawing of Jake & The Huntress (my survivor/killer main) :D
This probably counts as under “Pencil” style. Commissions info>> HERE
AHHHHH THIS IS SO GOOD
Request: Huntress × Jake An image of greeting of animals between noses.
❤️
Do I feel a fanfiction coming on?
She loves girls
You all wanted more black dress drawings so here ya go.
Edit: I changed a few things.
Widowmaker here
Dialogue: either you’re great at it, or it’s your worse nightmare. Writing dialogue can be difficult, confusing, and frustrating. Here are some tips to clear the air when it comes to dialogue!
DON’T overuse dialogue tags
From the very beginning, writers are often told not to overuse “said”. While this is sound advice, it can create the false notion that “said” is never to be used. This simply isn’t true!
Stay away from repeating creative dialogue tags one after another, especially if it’s redundant. For example, if there’s an exclamation point after a sentence, you don’t need to say that the character exclaimed or yelled.
Often, a dialogue tag isn’t even needed. Just end the dialogue without a tag.
DO use “said”
Repeat after me: IT IS OKAY TO USE “SAID”!
I’m guilty of this one as well. The urge to not use “said” too often becomes a habit of never using it and replacing it with unnecessary dialogue tags.
Just use said! It will make your writing seem far more mature than if you used something like “growled” or “stated”.
DON’T go on tangents
Dialogue should be realistic. If you have a character that is known for going off on tangents, then by all means do so. If you’re going on a tangent to seem “artistic”, you might want to cut it off there.
My biggest pet peeve with modern young adult literature is that writers try to combing their need to prove they can write beautiful prose with dialogue. Don’t. In the end, it’s just unrealistic and a cheap way of trying to show your talent. Leave the long-winded metaphors for your narration, please.
DO use unique speech
Everyone speaks differently. This could mean accents, slang, catchphrases, or misused words. Include this in your dialogue!
Colorful dialogue creates colorful characters, and allows the reader to be able to easily distinguish who is speaking (without dialogue tags!).
DON’T overuse phonetics
Though accents can be a great way to create colorful dialogue, phonetically spelling every word according to the character’s accent can get annoying fast. Stick to spelling out the most important words. After a while, the reader should be able to read that character’s dialogue with their accent in mind anyway.
DO show, not tell
Every writer has received this advice at one point or another, but with good reason. Dialogue is the best way to put “show, don’t tell” into practice. However, writers often think that dialogue itself counts as showing. Though dialogue is a better tool than description in these instances, it doesn’t completely serve as a way to show on its own.
Telling: “Hey, calm down. You look nervous.”
Showing: “Hey, calm down. You haven’t stopped tapping your foot since we got here.”
DON’T repeat names too often
I too fall into the trap of constantly clarifying who is speaking. When you’re writing, it feels natural to say things like “’How are you doing, Jim?’ ‘I’m doing well, Pam.’”, but the reality is that no one speaks like that, especially to people they’re close to.
Most of the time, you should use names in dialogue tags and greetings. Otherwise, use names sparingly.
Sticking a landing will royally fuck up your joints and possibly shatter your ankles, depending on how high you’re jumping/falling from. There’s a very good reason free-runners dive and roll.
Hand-to-hand fights usually only last a matter of seconds, sometimes a few minutes. It’s exhausting work and unless you have a lot of training and history with hand-to-hand combat, you’re going to tire out really fast.
Arrows are very effective and you can’t just yank them out without doing a lot of damage. Most of the time the head of the arrow will break off inside the body if you try pulling it out, and arrows are built to pierce deep. An arrow wound demands medical attention.
Throwing your opponent across the room is really not all that smart. You’re giving them the chance to get up and run away. Unless you’re trying to put distance between you so you can shoot them or something, don’t throw them.
Everyone has something called a “flinch response” when they fight. This is pretty much the brain’s way of telling you “get the fuck out of here or we’re gonna die.” Experienced fighters have trained to suppress this. Think about how long your character has been fighting. A character in a fist fight for the first time is going to take a few hits before their survival instinct kicks in and they start hitting back. A character in a fist fight for the eighth time that week is going to respond a little differently.
ADRENALINE WORKS AGAINST YOU WHEN YOU FIGHT. THIS IS IMPORTANT. A lot of times people think that adrenaline will kick in and give you some badass fighting skills, but it’s actually the opposite. Adrenaline is what tires you out in a battle and it also affects the fighter’s efficacy - meaning it makes them shaky and inaccurate, and overall they lose about 60% of their fighting skill because their brain is focusing on not dying. Adrenaline keeps you alive, it doesn’t give you the skill to pull off a perfect roundhouse kick to the opponent’s face.
Swords WILL bend or break if you hit something hard enough. They also dull easily and take a lot of maintenance. In reality, someone who fights with a sword would have to have to repair or replace it constantly.
Fights get messy. There’s blood and sweat everywhere, and that will make it hard to hold your weapon or get a good grip on someone.
A serious battle also smells horrible. There’s lots of sweat, but also the smell of urine and feces. After someone dies, their bowels and bladder empty. There might also be some questionable things on the ground which can be very psychologically traumatizing. Remember to think about all of the character’s senses when they’re in a fight. Everything WILL affect them in some way.
If your sword is sharpened down to a fine edge, the rest of the blade can’t go through the cut you make. You’ll just end up putting a tiny, shallow scratch in the surface of whatever you strike, and you could probably break your sword.
ARCHERS ARE STRONG TOO. Have you ever drawn a bow? It takes a lot of strength, especially when you’re shooting a bow with a higher draw weight. Draw weight basically means “the amount of force you have to use to pull this sucker back enough to fire it.” To give you an idea of how that works, here’s a helpful link to tell you about finding bow sizes and draw weights for your characters. (CLICK ME)
If an archer has to use a bow they’re not used to, it will probably throw them off a little until they’ve done a few practice shots with it and figured out its draw weight and stability.
People bleed. If they get punched in the face, they’ll probably get a bloody nose. If they get stabbed or cut somehow, they’ll bleed accordingly. And if they’ve been fighting for a while, they’ve got a LOT of blood rushing around to provide them with oxygen. They’re going to bleed a lot.
Here’s a link to a chart to show you how much blood a person can lose without dying. (CLICK ME)
If you want a more in-depth medical chart, try this one. (CLICK ME)
Hopefully this helps someone out there. If you reblog, feel free to add more tips for writers or correct anything I’ve gotten wrong here.
They won ‘Best Couple Costume’ at their local convention.
The family photo. Taken by Adam and sent by Rose. Standing on Connor’s desk and hanging Markus’ wall.