1. Carry On by Rainbow Rowell-
(Fantasy, Witches, Vampires, kind of Harry Potter-y, Romance, TW for mention of suicidal ideation/self-destructiveness, abandonment, foster care, neglect, murder/violence, gun violence and relationship issues in the second book. It has some heavy topics but is written in a pretty light tone.)
2. Red White and Royal Blue by Casey McQuiston-
(enemies to lovers, about the son of the President and the Prince of England getting into a fight, they have to fake a friendship to fix their PR situation, TW for being publicly outed and semi-graphic sex scenes, also often politically charged discussions)
3. Song of Achilles by Madeline Miller-
(Ancient Greece, demigods, exile, TW for war/violence and tragedy, homophobia, bad parenting)
4. The Foxhole Court by Nora Sakavic-
(It’s about the mafia/college sports and happens to have a compelling queer storyline in the process. Demisexual main character and other gay characters. (slow burn, it’s a trilogy and the romance doesn’t happen in the first book) TW for a lot of things, it’s about kids from broken homes and the mafia so there is abuse, self harm, murder, police intervention, organized crime, drug use, assault, rehab, all kinds of weapons, manipulation, slurs, etc. The second book has mentions of r*pe (not extremely graphic but it is mentioned a handful of times and there is one semi graphic scene), and torture. It is a great series but it has heavy content and is not light reading if you go in unprepared.)
5. The House on the Cerulean Sea by TJ Klune -
(fantasy, heartwarming romance, magical creatures)
6. Heartstopper by Alice Oseman-
(MLM, graphic novel, slow burn, coming out TW for anorexia and homophobia)
7. The Raven Cycle by Maggie Stiefvater-
(Fantasy, about a secret private school, slow burn)
8. They Both Die at the End by Adam Silvera-
(Bisexual Latino characters, whole story takes place in 24 hours because at about midnight- aka the start of the book- they get a phone call saying they’re gonna die, TW for death, family in hospital, violence, police intervention, and foster care)
9. Six of Crows by Leigh Bardugo-
(queer characters (but no romance in the first book)
10. The Gentleman’s Guide to Vice and Virtue by Mackenzi Lee (Historical Fiction Romance, Travel/Journey, Best Friends to lovers, MLM characters)
11. In Deeper Waters by FT Lukens-
(Royalty, kidnapping, MLM characters not being released until April but it looks great)
12. Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz-
(coming of age story, MLM, TW for violence/injury, surgery, transmisogyny, homophobic violence)
14. We Contain Multitudes by Sarah Henstra-
(coming of age, friendship and romance)
15. Love and Other Curses by Michael Thomas Ford-
(magical realism, a curse about falling in love)
16. More Happy than Not by Adam Silvera-
(MLM main character, YA, “it's about a boy who is considering a memory-alteration procedure to forget he's gay because leading a life as a straight teen would probably be way easier for him. It's about science versus nature, friendship, sexuality, and a quest for happiness.” About the happy ending and how even bad moments lead to good. Hopeful but despairing. TW for medical procedure to erase sexuality, internalized homophobia, homophobia from others, depression)
17. I Wish You All the Best by Mason Deaver-
(Nonbinary main character, nonbinary muslim side character, romance/love and building a family out of people you care about. About finding your voice. TW for coming out and misgendering, family rejection/struggle)
18. We Are Okay by Nina LaCour-
(WLW, moving out and coming of age, self-discovery and childhood romance, TW for loss, depression, loneliness)
19. The Rest of Us Just Live Here by Patrick Ness-
(Contemporary, about the normal people’s lives while living among Chosen Ones. Family/coming of age/acceptance story. TW for monsters, apocalypse, violence/explosions, anorexia, anxiety attacks, unrequited romance)
20. Lizard Radio by Pat Schmatz-
(Dystopian story about a teenager struggling with their gender identity, TW for abandonment, oppressive government, outlawed homosexuality)
21. Cemetery Boys by Aiden Thomas-
(trans main character, hispanic characters, paranormal YA mystery with MLM characters)
22. Captive Prince by C.S. Pacat-
(Bisexual main character, TW for kidnapping/stockholm syndrome, abuse, sex scenes)
23. Witch Eyes by Scott Tracey-
(fantasy, MLM, supernatural)
24. Simon vs the Homosapiens Agenda by Becki Albertalli-
(romance, MLM, coming of age, TW for a closeted boy being blackmailed)
25. Fun Home by Alison Bechdel-
(WLW, graphic novel, coming of age, TW for csa, pedophilia, teacher/student relationships, none explicit if my memory serves correct)
26. George by Alex Gino-
(Trans girl, slice of life, coming out story, TW for deadnaming, homophobia, transphobia)
27. Afterworlds by Scott Westerfield-
(WLW, supernatural, fantasy)
28. Witchmark by C.L. Polk-
(MLM, Sci-Fi/Fantasy, mystery, Alternate universe post WW1, TW for murder/war, depression/angst)
29. The Luminous Dead by Caitlin Starling-
(WLW, Sci-Fi Horror, dystopian future, fictional planet, TW for psychological/emotional horror, toxic relationship, death)
30. The Culling by Steven Dos Santos-
(MLM, Dystopian Fantasy under a totalitarian, extremely cruel government. People must undergo ‘the trials’ in order to work for a government task force- if you fail at any of the trials you are forced to participate in the Culling, where the member has to choose a family member of theirs to die. TW for death, extortion, brutal violence, murder, totalitarian government)
31. Deposing Nathan by Zack Smedley-
(MLM, about a court case regarding the main character and his best friend- deals with breaking points in friendships and how people and perception change. TW for biphobia, gay bashing, legal trial, abuse, knives, violence)
32. Ziggy, Stardust, and Me by James Brandon-
(MLM, Gay main character, historical fiction (Vietnam war), about a character dealing with his alcoholic father and family issues who creates a fictional world to cope where he can be out and openly himself. Coming of age. TW for bullying, alcoholism, institutionalized homophobia, familial homophobia, war mentions)
(this list is a WIP and anyone can add to it! If I need to add TWs or further explanations let me know!)
WHAT IN THE ROM COM FANFIC DAYDREAMING ALTERNATE REALITY COMPLETELY PERFECT SCENARIO THAT WE ONLY DREAMED UP IN OUR HEADS AND NEVER THOUGHT WOULD ACTUALLY HAPPEN IN A MILLION YEARS IS GOING ON HERE?!?!
sigh…
Google BetaBooks. Do it now. It’s the best damn thing EVER.
You just upload your manuscript, write out some questions for your beta readers to answer in each chapter, and invite readers to check out your book!
It’s SO easy!
You can even track your readers! It tells you when they last read, and what chapter they read!
Your beta readers can even highlight and react to the text!!!
There’s also this thing where you can search the website for available readers best suited for YOUR book!
Seriously guys, BetaBooks is the most useful website in the whole world when it comes to beta reading, and… IT’S FREE.
Listen, you can’t be partners in crime and also be just “Best Friends”cause there is nothing more gay than planning murder
I have to admit something. Having siblings is a blessing, but it is also cruel. What do you mean I have to live 18 years of my life with them and then just walk away? Go into the world and live as an adult and make plans in order to see them? Live in a house on my own, not having to hide the remote or wake up earlier in the morning in order to use the bathroom first? What kind of fuckery is this? There is a possibility that I won’t even be within driving distance from them? I spend 18 years with them, laughing, crying, arguing, cheering, fighting and making all kinds of memories only to have to walk away from seeing them everyday?
I know that this isn’t always the case, that I can also see my siblings every day once I am an adult too. But to have to make plans in order to do so? To check if they are available to go grab a coffee or watch a movie? It seems so weird and a bit cruel to me. How can we go from seeing each other constantly to living far away from each other? It seems so strange...
The death is a major plot point
It reveals some shocking plot twist
It supports your themes/what you’re trying to say with your book
Your novel explores the afterlife
You are George R.R Martin and the selling point of your work is that everybody dies
It suits the genre/mood of your novel
The character isn’t serving any purpose (this isn’t the Sims)
You want your readers to be shocked for the sake of being shocked
You want to be edgy
You think your MG story needs more gore
You want to romanticise grieving/loss
This really depends on your genre and target audience
If you’re writing something that isn’t intended to be graphic/traumatic, you can stick to the impact the death has on the other characters. If your novel explores illness, focus on that rather than on the disturbing death scene itself. Perhaps you’re writing a drama/tragic romance - you might want to ease up on the gore here. For these genres, I would suggest focusing on the emotional aspect of the death - the sobbing, the last words, the bright white lights (whatever floats your boat). Think of Mufasa in The Lion King - the actions are suspenseful, but we don’t see him being trampled with his guts spilling everywhere. But it’s still one of the most impactful deaths in fictional history.
If you’re writing in a more mature and gritty genre (like thriller, dark fantasy or crime), you can go all out. If there’s blood and guts, you readers probably want to see it in vivid detail to get their violence fix for the day.
Whichever genre your novel falls into, you should also go with what feels comfortable to you. Even if you’re writing adult dark fantasy, you don’t have to write graphic violence to make a character death impactful.
Please don’t let your character have a three-pages-long monologue after they’ve been stabbed in the throat. It’s not realistic and it’s often very boring. Yes, a few well-written last words can have a great impact. Just make sure that your character would realistically be able to speak at that point and that it doesn’t become a cheese fest.
Unless you’re aiming for very dark/nihilistic humour, afford your characters some dignity in the way they kick the bucket. (e.g. don’t use the phrase “kick the bucket”). Having someone slip on a banana peel and then choke on a pretzel is a little ridiculous and will make the entire story seem silly. Once again, this really depends on what you’re going for. If your genre is serious and your character is important and beloved, try for emotion rather than whimsy.
Don’t let your characters die only to be resurrected again and again and again. Look, I love Supernatural (long may they reign), but even I have to admit that the Winchester brothers’ luck with death has become a bit ridiculous. Doing this takes away from the impact of the death - it removes the fear and suspense, and will leave your readers emotionally stunted.
Your only female character in a bid to make the male hero feel something and become a better person
Your only LGBTQIA+ character, who is just too pure to live in this terrible world
Your only character of colour, who dies to save the white hero
Your only disabled character, who can now finally find release from life with disability
The one character who has never experienced a sliver of joy and bears the brunt of the tragedy, right when happiness is finally within their reach
The main character in the middle of the story - unless you have a REALLY good plan for what happens next
Just over here thinking about just how much trust is implied in the way Eddie let loose at the bachelor party. And I know this isn't news, that Eddie trusts Buck implicitly, but there's just something so beautiful in the idea that Eddie Diaz—master of control and compartmentalization and putting everyone else first—was not only willing, but eager to let loose with Buck. Even after the safety of the rest of their group was gone, even after Buck had invited dozens of strangers into their space, Eddie didn't hesitate for a moment to let go with Buck because of course Buck is safe and of course he can trust Buck to let go right beside him without judgment.
And there's just something really beautiful in that.
STREAM TURBULENT
“Sanity laced itself up in the back of your mind.”
Turbulent, Waterparks
like literally smoking from the engine
white and you smell pancakes? it’s the coolant. panic and pull over, but you’ll live
a slight blue tinge? it’s the oil. panic and pull over, but you’ll live
grey, looks like fire smoke? gasoline; the most combustable and dangerous. pull over and leave the vehicle, pray.
sharing because i didn’t know this when my car started smoking white yesterday and i was so afraid for my life.