(This isn't reactionary I promise, it's been on my mind for a couple of days đ )
Idk really how helpful this will be, but if you're a beginner who is confused by a lot of apparently contradicting information, here are some thoughts/ideas that are too basic to have been this hard earned, but I'm not called Fool for no reason.
[All of the following are just my beliefs and aren't universal or applicable to everyone]
You can find apparent contradictions in almost any magical action. For example:
Light a candle to charge a crystal with energy
Light a candle to burn away an energy and dwindle it down to nothing
When you light the candle, is it going to fill the crystal with energy?
Or, is it going to burn away energy until nothing is left?
When you perform a magical action, "setting intent" can be a vital first step that should not be skipped.
If you are aware that the fire could either charge or burn away, then it is very literally up to you what it does. As the agent of control and/or chaos, it is the witch who determines which facets of power come out to play.
Setting intent can be done inside of your head. Or, speak, sign, or write intent.
Rules about how you totally have to write intent can, for the most part, be ignored (e.g., "your intent must be present progressive tense or the Universe will never let you manifest your goals." Nah, the Universe doesn't even speak human language tbh.)
Setting intent is not the only step to working magic, and sometimes literally doesn't matter. ("It's my intent to honor the spirit of this lake with an offering! *Dumps cigarette butts and beer cans into the water* "The lake is honored because that was my intent đ")
Having a limited set of beliefs about what a certain power can do is like automatically setting intent. ("It's only possible that candles burn away energy, so when I light it, of course it will have a banishing effect.")
Setting intent in this manner only works to the extent that the power you are working with could already do the thing. If you've got a freezer with an ice dispenser on the door you can intend to store food inside it to chill, or, you can intend to get water out of the door, but it doesn't matter how much you intend to fry a chicken. The fridge does not do that action.
Tradition in and of itself can advise how to resolve contradictions of magical meaning. This includes religious, magical, and cultural traditions.
What's important to remember is that just because one group does it one way, it doesn't mean that their way is universally correct.
A lot of people enter into the world of witchcraft with the concept that there is one universally correct set of methods and rules by which to perform magic. These methods are secret, but written down somewhere, and the key to learning magic is to just find the truest set of rules to magic. Magical truth is mutually exclusive, and contradictory information must either replace current truth, or be rejected as falsehood.
And fortunately for everyone, none of that is true!
This is why someone in one school of magic can make a certain claim ("letting spell vessels touch the earth immediately robs them of their power and the magic becomes inert,") and someone else can make a totally contradictory claim ("bury spell vessels for three days to supercharge them with the power of Nature,") and both people can be equally right.
Which set of rules might be true for you?
Well, whichever tradition you're a part of.
This is why it's really important to understand where your beliefs come from, and also to engage in self-examination about what you believe about the cosmos, our planet, and your role within it.
Entering into a tradition has a curious effect - you tend to be bound to those rules and assumptions, whether you like it or not.
Reflect on whether or not your current traditions and beliefs can resolve conflicting information.
Ask yourself what beliefs must be inherent before an assumption about magical 'rules' can be true.
(P.S. you can learn multiple contradictory systems of magic and flip between them depending on needs)
One witch may be able to charge excellently by burning candles and using intent to direct the burning energy.
A second witch may discover that they really can't charge jack shit with a candle. The energy seems to slip between their fingertips. When they direct it at something, it seems to have a consuming effect - not an invigorating one.
Setting magical intent is like choosing which path to walk down. But, the paths are unique for each of us. For the first witch, the path of "Charging Through Candleflame" is wide and open, a beautiful paved boulevard they can stroll down.
For the second witch, the path of "Charging Through Candleflame" is like hiking up a steep hill littered with boulders, and also the hill is on fire.
Many magical contradictions can be explained by practitioners simply having different personal experiences, and incorrectly assuming that their experiences must be universal.
One excellent way to learn not only about magic as a whole, but also how magic works for you, is to earnestly experiment with contradictory meanings and discover which ones A) make sense to you, but more importantly, B) actually work for you.
Whether or not you can use a candle to charge, banish, or both; and whether or not that's more or less effective for you than using water, or the sun, or pop culture icons, is something that you'll only be able to discover for yourself through experimentation.
If setting intent is choosing what path to walk down, then on the course of walking down that path, there is a chance you trip and fall flat (see: "I'm honoring the lake by dumping trash in it!").
Tripping and falling flat doesn't mean that path of magic is impossible for you, or shouldn't be further explored.
It can really just mean that you need some hiking boots and a trail guide.
Or, in other words: setting intent can be insufficient to actually access and manifest certain types/aspects of power.
I have personal beliefs about sorcerous power that dictate that various powers can be more or less difficult to access depending on a variety of factors. And, a witch must learn techniques to access the power. The more remote or hidden that power is, the more capable or attuned a witch must be to access that power.
That is to say, someone intensely aligned with underworld powers may be able to easily access the facets of death and decay that exist within many natural forces. But, someone without that alignment might instead need capable techniques gained through learning and practice in order to access those same powers.
And someone with neither of those things, who only tries to set intent and starts on a difficult path filled with roadblocks, may falsely assume that something "just doesn't work for me," when in reality, it's just more difficult to access.
This is why one witch can say, "roosters are a powerful source of connection to the underworld," another witch can say, "roosters only connect to the underworld if you use their feathers in a certain ritual," and a third witch can say, "roosters don't connect to the underworld," and all three are speaking from valid personal experience.
Experimenting with different techniques means learning a wide variety of ways to perform magic, including different paradigms, rituals, techniques, and methodologies.
Many systems of witchcraft contain concepts of when power is more or less available (the easiest example is the types of power more freely available due to the phases of the moon). Learning these systems can assist in discovering the accessibility of various powers.
Research is your friend.
There are many reasons why witches have different lived experiences with magic (the topic of which would be enough to fill a book or two). As a witch-practitioner, your role in the creation of magic can't be ignored.
It's through your own culture and traditions, your own intent, and your own sorcerous techniques and education, through which you will be able to determine what aspects of magic are true to you - and which do not apply.
Hello! I've taken a peek at the witch craft book library you've put together, but I'm a bit confused how it works. I can't find books it says have been uploaded and I was wondering if you could help me figure out what I'm doing wrong. Thank you for uploading such a large amount of readings in one place âĄ
I completely forgot to update here! So due to the large amount, (and I refuse to give google my money for storage) I've been moving them to MEGA. I'm still slowly moving things over from the Google Drive, it's a work in progress and I haven't had much time lately. If you can't find what you are looking for then please don't hesitate to ask. âș I'll update the Masterlist to include the MEGA link as well so it's easier to fine. âș
Thanks everyone for being patient while things get moved around!
MEGA Library:
https://mega.nz/folder/gWM2VLqQ#WJogJj3_w3ysb0RxoX-igQ
Library Masterlist:
https://docs.google.com/spreadsheets/d/1-NC7wToVh0_hpNbuvhBEI2BUdWPbkpLlM2G15P76tiA/edit?usp=drivesdk
(Still Cleaning Out) Google Drive:
https://drive.google.com/drive/folders/10mkrjBylnr59A6lWrJQ7R7SNgbZTu8d4
Lately I have been very fascinated with fire cooking, and the potential for spellwork using the fire, pan and food itself. The advantage here is the consumption of the spell; you can put people under your control, empower them, weaken them, heal them, by having them literally put the magic inside them and carry it around with them so you dont have to snoop around hunting for taglocks for malefic curses or have the disadvantage of somebody needing to carry a protective charm on them which they may be likely to lose.
I was heavily inspired by a post made by @/qedavathegrey detailing the practical similarities between witchery and cooking. I cook frequently over a fire so I was wondering if I could lay a trick over bread or pastries using fire. So anyway:
First you need to know how to cook over a fire. I dont fuck with charcoal briquettes! And a lot of potency from the spell can come from the type of wood you use. For example:
Apple or sugar maple wood for love workings
Mulberry wood for spells intended to make others obey you
Cedar wood for ancestor work
Oak wood for jovian and abundance work
Pine wood for protection and empowerment/healing anxiety
And so on. In these types of spells I would use fires from materials that are as natural as possible. In some places "living fire" or fire that you started by rubbing two sticks together is very powerful in spellwork. I don't know about you but I am absolutely not able to start a fire by doing that, so if you cannot start the fire like so I would at least breath on it to stoke the fire. While making the fire you can also raise a lot of energy -- it's a pain in the ass so making a fire while pissed off can't hurt for a curse.
Also if you don't have a bunch of different types of firewood at your disposal, you can also add things to the existing fire to help it power the spell. For example, herbs, objects and things such as written psalms, sigils, tarot cards and playing cards can be thrown in. One possible method for herbs close with water could be to gather the herbs, wet them, and put them into tinfoil with holes poked in it so that it is constantly steaming as the fire is burning. (this also keeps bugs away. :) Around the area that you are starting the fire, you could also draw a circle in the dirt for extra protection during the spell. The whole idea is to enchant the fire so that whatever you cook with it will also be tricked.
When you're actually cooking the food, it takes a little while to adjust to using a fire so i would give it a few tries. I always use my cast iron cauldron, and you ALWAYS cook over the coals unless you're like boiling water or something. Don't fall for the cute little larpy pictures of people cooking over the high flames! You'll end up with half of your food burnt to shit, half of it ice cold and ALL of your pan completely black and charred.
Also you don't really want the coals to touch the bottom. Because it will burn. It just gets way too hot. My cauldron has little legs to keep it high up but if yours doesn't you'll want to suspend it from a chain or prop it up between 3 rocks, maybe a little metal grill.
If you're cooking soup or frying something you just need coals on the bottom, but if you're making bread or cake you'll want to actually preheat the cauldron like it's an oven, and shovel coals on the lid too. My bread keeps getting burnt on the bottom so maybe put more coals on the top. Bread holds up pretty well to cooking over a fire actually, in my opinion because it's wild and temperamental just like that fire.
And, once you're done cooking, if you laid a malefic curse over the food you can also save the salt used to clean the cast iron for future curses. :)
Anyway here are a few possibilities!
Blessing/Protection Strawberry Pie (for safety and ease at sea)
Start a fire from pine wood. Into the fire, put herbs St John's Wort, Angelica root, Hawthorn, Blackberry thorns etc you favorite combination of empowerment and luck herbs with "fuck off" herbs. To tailor it for protection at sea i will also be adding psalm 64 and swallow feathers.
It's for one person so we'd be making a mini tart, let's say strawberry rhubarb because of strawberries being sweet and lucky. You could also use blackberry for its protection. Or any medley of berries. Into the tart you can also slip some powdered/tinctured st johns wort, chamomile, etc lucky or soothing EDIBLE herbs. maybe not too much to change the flavor? but funny tasting witch tarts seem to be part of the charm LOL
So to cook a small tart you'll need a small pie tin, and you'd need to preheat the oven itself to about 350 fahrenheit. Maybe lift it off the bottom so it won't burn. You can blind bake the pie crust if you want. Its small so i would put the pie crust in with the filling, brush with egg and sprinkle some sugar, and cook for 15 minutes.
When it's done, you can whisper psalm 64 over it or what corresponds with your intention, and whoever eats it will be protected.
Otnovo --
Good Old Fashioned Love Spell Bread
This one is folksy and not a hundred percent ethical but it's just for educational purposes and I'm not your mom so. Make a fire from apple wood or maple wood. To this fire add sunflower petals, apple peels, orange peels, rose petals and ferns.
In the bread, if you can, mash in a (whole, fresh) mole heart in the liquid, maybe make it a beer bread to mask the meat flavor, or maybe make it stuffed bread and mix the mole heart with spiced pork or chicken, it's all up to you! If you don't have mole meat just lying around you can add coriander to the bread and similar love herbs and spices (take care that it doesnt taste like shit)
Preheat the oven by shoveling coals underneath but mostly on the lid and let it be for 15 minutes. It should be about 400 degrees Fahrenheit. Put the bread in, cook it for 20 minutes, and give to the person you are interested in.
Those two were examples so let me know how they work if you do them, obviously this method heavily depends on what you have accessible to you so just use what you got! Happy spellwork :)
There are some spirits and gods in the worlds that really must be approached with the correct offering, or will be very offended if you bring the wrong one. This post is not about them.
Thanks goes to @river-in-the-woods for help proofreading and providing additional perspectives
Spirit and deity work is a huge part of my deal, and therefore so are offerings. When I help people with various spirit issues or perform divination that suggests a spirit wants to contact them, I usually recommend giving offerings as a first step.
This usually creates a lot of questions, like:
I donât want to worship them, so Iâm not comfortable with offerings.
I only want to work with spirits I donât need to pay.
What kind of offerings are OK? I can't afford to buy extra stuff right now.
I canât have a shrine or leave food sitting out so itâs not possible for me to make offerings.
The reasons why offerings are given change from culture to culture, and situation to situation. I personally see offerings as being one of two things: good manners, or equivalent exchange.
How to do so comes after the saucy radio dialogue and the fairy tale.
Your grandma comes over. She was just on a 5 hour flight to come visit you. She comes in through the front door. You offer her some water and a snack.
Offering grandma water and a snack isnât a form of worship or payment. Itâs polite and respectful. It took her a lot of energy and effort to come and see you. Her well-being and comfort are important to you (in this hypothetical, of course).
When I drive 10 minutes to see my best friend, she always offers me tea. Sheâs not paying me for my friendship â sheâs happy I came, she wants me to be comfortable, and itâs a sign of mutual respect. âI value your presence; Iâll offer you some tea.â
If my friend stopped offering me tea, Iâd wonder if our relationship was doing OK â and if she explained to me she was out of money, or sheâs doing a no-tea challenge, weâd be perfectly good.
But if you greet grandma empty-handed and say you donât think itâs your job to provide her meals, the situation feels a little different. It feels to me as if grandma might not be as interested in making the trip to see you next time.
âHey, what are you doing here?â
âIâm going to bury some stuff. I just did ritual and an important part is burying the remnants at the crossroad.â
âRight on, weâre the spirits of the crossroad, so you came to the right place.â
âYeah, so youâll be opening the gates of the four directions and delivering my spell to manifestation, right?â
âSure, we can do that.â
ââŠâ
ââŠâ
âAre you going to, uh⊠pay us for that service?â
âI donât see why I should.â
âBut you need us to open the gates for you. We have to spend our own energy to do this work. I mean itâs not terribly difficult, but still.â
âYeah, but I donât see why that should be on me.â
âNot even a tip? Have you got some change in your pocket?â
âTo be honest, I donât think itâs fair to me to have to pay.â
âSo you want us to work for free?â
âYes.â
âYou donât care what it costs us to do this work for you, you just want to take the fruits of our services without regard for us?â
âYes.â
âAnd we should do it because you feel it's unfair to have to pay us for our work?â
âYou got it.â
âAnd if others told you that you must donate your labor to give them what they want because it's unfair to give you a wage, this would beâŠâ
âA huge injustice. This is actually a major problem in my country right now. We are so underpaid for what is demanded of us that it really is hurting my mental health and wellbeing. You have no idea how hard it is to be exploited for someone elseâs prosperity. I kind of feel like one day I might just go off grid and refuse to be a part of their system.â
The fairy queen Medb was curious about the humans beyond the Greenwood, so she decided to meet them all, from the wealthiest noble to the poorest villager, and to give a gold coin to the kindest one. Before she left, she cloaked herself in a human disguise and dressed as if she were a hardworking seamstress.
First she went to the house of a rich farmer who owned herds of cattle. She knocked on the door and was greeted by the mistress of the house, Frau Hilda.
Medb said, âI am a traveler and the road has been long, may I have some water?â
Frau Hilda kindly invited Medb inside. She sat the queen down at her large, clean table in her warm and cozy kitchen. Frau Hilda went to the larder. Medb could see that her larder was overflowing enough with fine wine, cheeses, and sausages to serve an army. Frau and fetched two jugs of milk and two loaves of bread. One of the jugs of milk was thin, and the loaf of bread was dry. The second jug of milk was thick, as if it was pure cream, and the loaf of bread was hot and fresh.
âHere, have some milk and bread,â Frau Hilda said. âIt is much better than water, and will restore you from your travels.â Frau Hilda poured a glass of each milk, and handed the queen the thin milk and old loaf. Frau Hilda herself drank the rich, delicious milk and ate the hot bread.
âThis is much better than water, and I thank you for your kind generosity,â agreed Medb.
The two women spoke kindly and politely to each other. Medb learned about the wealth and prosperity of the farmer and his household. They spoke until Medb finished her thin milk and old bread. As she left, Medb thought to herself that the thin milk and old bread, although better than water, were the poorest things in the larder. She kept her gold coin to herself, and walked down the road.
The next day, Medb came upon the hovel of a poor woodcutter and his wife. She knocked on the door and was greeted by Frau Brunhild.
Medb said, âI am a traveler and the road has been long, may I have some water?â
Just like Frau Hilda, Frau Brunhild kindly invited Medb inside. Frau Brunhildâs kitchen was small and cramped. She went to her larder and Medb could see it was almost empty. It only held a bag of flour, a scrap of bread, and a jug of water.
Frau Brunhild brought out the water and bread. âI am sorry I donât have any milk for you,â Frau Brunhild said. âBut let us share in what little we have.â
Frau Brunhild poured Medb some water and gave her one-third of the bread. âWe must save some for Mister Brunhild,â she explained.
âI thank you for your generosity,â said Medb. âYou show kindness in sharing what you have.â The two women spoke kindly and politely to each other until they had eaten the bread and drank the water. As she left, Medb thought to herself that although it was only water and a little slice of bread, Frau Brunhild had truly offered the best in her larder.
Medb was so moved by this generosity that she returned to the hovel that night, and hid the gold coin in one of Frau Brunhildâs shoes, and after that the Brunhilds always had better prosperity and fortune.
No matter what you have, your best is your best. You do not need to over-spend, give away too much, or sacrifice your wellbeing to give respectful offerings to spirits. If the best you have is a glass of tap water, that is good enough.
Iâm copying this over from my neighborly protection post.
Food and Drink: Good offerings include things with strong tastes and smells, foods high in caloric value, milk, honey, all nuts, eggs, and seeds (things which contain the potential for life are very good offerings), all home cooked/baked foods, fresh water (an especially good offering), coffee, tea, alcohol, tobacco, and juices all make very fine offerings.
Perhaps tellingly, the finest or most necessary offering is simply a glass of fresh water (yes, it can be tap water).
Consumables: Incense and candles both make good offerings. Both should be burned. I am actually more wary of using real resins and herbal powders for spirit offerings, since the natural powers of these plants are released and may affect what Iâm trying to do (or make it easier or harder for spirits to speak to me, or drive away spirits Iâm trying to talk to, or draw in ones I donât want to talk to). For these reasons I like to use stick or cone incense for offerings. It is the light and warmth from the candle which is enjoyed by spirits so it can be any type or color of candle.
Artwork, fake paper money, origami, and other burnable stuff can be dedicated (another way to think about this is to gift it to them) and then burned. The point is not destruction; the astral essence of these things is released so the spirits can possess them in their world.
Non-consumables: Coins are very common offerings. Small, delightful objects (especially shiny ones), like shells, little figurines, or toys often make good offerings. The act of devoting a ritual tool or vessel to a spirit can be an offering. Things which can be consumed (like cigars or paper art) donât have to be burned and can be given as regular offerings also.
Energy: Your personal energy is a great offering. You donât have to give a ton of it away. Try making an energy ball and sending it upwards and away, intending that it reach the spirit you want to give it to. I often like to pattern these gifts into an object, like an energy coin or energy apple.
Lay out the offerings on a clean surface. It doesnât have to be an altar or a shrine, although I suspect such consecrated places can make it easier for spirits to access and enjoy your offerings. It can be just like setting out a glass of water and half a sandwich for grandma.
Do something which indicates the offering is for the spirits or a specific being. My friend can make me a cup of tea, but if she just sets some tea down on the table and walks away, Iâm not going to be sure itâs OK for me to drink it until she says, âthis is your tea!â
What you do can be as simple as standing before the offering and saying or thinking, âThis is for [names of spirits, or âthe household spiritsâ, etc], please enjoy! Iâll come clean it up by noon, enjoy it before then.â
At a minimum I recommend leaving non-consumable offerings out for fifteen or thirty minutes. If itâs a candle or incense, they burn out when they burn out (you do not have to let large candles burn completely, but be careful of promising a candle as a gift to spirits, then going back on that promise and using it for something else). Energy offerings are given instantaneously and no waiting period is necessary.
Whenever you return to clean up the offering, itâs polite to say something like, âthank you for coming by, and I hope you enjoyed! Itâs time for me to clean up now. Please return to your abodes; as you came in peace, leave as friends.â I personally like to affirm the purpose of giving an offering - that itâs because I want to be a good neighbor, I want to have solid relationships with the spirits around me, and that I hope weâre all going to be friends. I also like to affirm that although I invited them all to the offering, they should go home now - I wanted you for the BBQ but itâs like 9pm now and weâre going to bed, so you need to go home too.
I throw out food. I compost it if I can. Whether or not you can eat food already offered to spirits is a whole discussion and beliefs vary. My belief is that you shouldnât eat it after itâs offered.
Other non-consumable objects can be buried if theyâre nontoxic to the environment. They can be left on an altar or shrine, and cleared out on a regular basis (like once a full moon, or on holidays).
I mentioned briefly above that I donât believe you should eat offerings after theyâve been offered. This is a pretty complex topic that does merit discussion.
For example, I sometimes eat the offerings while theyâre being offered. I have a close relationship with various spirits, and sometimes I invite them into my body to taste and experience the food and drink I eat.
The reason I donât prefer to eat offerings after theyâve been offered is that my belief is that the metaphysical substance which supports us as living creatures has been removed and taken away from the spirits. I donât believe the food would be harmful, but that it also wouldnât be helpful. To me, throwing the food away isn't a waste because it already fulfilled its purpose.
However, tons of people believe that you should eat food and beverage offerings. This is in order to avoid waste (because after all, even if I say metaphysically the food served its purpose, Iâm still throwing away totally edible food). I am advised that in Buddhism, offerings given to ancestors, buddhas, and bodhisattvas arenât degraded at all, and you can safely eat and drink offerings afterwards (and not doing so would be wasteful). For buddhas and bodhisattvas offerings are just a sincere gesture; the ancestors do get nourishment from food offerings and they greatly benefit from it. Even so, food offered to ancestors is still perfectly wonderful to eat.
In other belief systems, some people think that eating offered food can actually make you sick, especially if itâs offered to the dead. This may be due to a metaphysical change in the food, or because the spirits donât want to share.
Sometimes, whether or not food is eaten after being offered depends on the type of spirit or god itâs given to; chthonic entities often seem to frown upon their offerings being eaten or shared.
Some believe that food offerings shouldnât be eaten but neither should they be trashed; they should be burned or buried.
Sometimes, dedicating a food or drink offering to a spirit is a way to bless it under their power. If I dedicate a glass of water to the Indweller of the Sun, itâs understood to be imbued with the virtues of the Sun. If I drink it, it becomes a form of equivalent exchange - I gave something to the Sun, it gave something to me, and this ritual action is completed when I consume the offering.
Given all these varieties of belief, itâs safe to say that you probably canât go wrong. If you canât or donât want to waste food, or it isnât counter-indicated by your path, eat food offerings.
If youâre especially nervous or worried about what might happen to you if you do eat them, then donât. Or, avoid the problem altogether by just giving energy or incense offerings.
2013
As an intuitive witch, I strongly believe in working with the plants that grow in your natural environment. It's a covenant that I have made with my spirits and the spirits of the land - it's invasive, I should use it all up or if it's native, I should help it to flourish and grow.
Enter jewelweed aka Impatiens capensis, Balsam Weed, Slipper Weed, "Touch Me Not"
Jewelweed is native to the American Northeast but is not often a gardenerâs friend.
I donât blame the intrepid gardener who, appalled at the HUNDREDS (literally) of jewelweed plants that spring up in their yard, pulls them all up in a haste to do be done with the voracious spreader (jewelweed is known as âtouch me notâ because its seed pods go off like a BOMB when touched, spreading its seed voraciously â one misstep with this and you will guarantee yourself months of weeding jewelweed out of every space you have).
Yes, almost every single plant in this following photograph is jewelweed! Dora has recently moved into her ancestral home and is trying to reclaim her gardens back from the mess that her Grandmother made of them to âfit inâ with the popular gardening trends of the â90s.
As often happens when you start to clear out a wild space, the first thing to move in are the âweedsâ â in this case â jewelweed!
Still, as a green witch, I know that even the most âobnoxiousâ plants have fabulous magical, edible, and/or medicinal properties. Jewelweed is a perfect example of this.
Jewelweed is both anti-inflammatory and an anti-histamine and can be used topically to treat eczema, bug bites, stinging nettles, and fungal rashes. It is best known for its ability to neutralize the urushiol compound in poison ivy that causes many people to have that horrible itchy rash. This can be done in one of two ways. Firstly, by applying the raw sap of the jewelweed plant directly to the area that you want to treat. For longer-term use, jewelweed can be made into a salve or tinctured (I am going to put mine into a Thatcherâs Witch Hazel toner because I know that my skin tolerates that well).
Magically, there is less information on the properties of jewelweed. Like many of the native plants to the Americas, there is a dearth of information due to the continued reliance on âold worldâ herbs in our modern crafts. Due to its healing properties and the wet environment in which it grows, the obvious elemental association is Water. The bright orange color of its trumpet flowers speaks to happiness and joy. I might simplify that plus its healing properties to a sense of âreliefâ.
My intention is to pick and dry some of the flowers and play around to see how it works out magically. Iâll update you with the results.
I am pleased with the medicinal applications of jewelweed. My partner has both realized their love of gardening and developed quite an intense contact dermatitis to something in my garden, so a jewelweed concoction is right on time. I intend to make both a salve and infuse into Witchhazel â they will ultimately be my guinea pig as to which is better.
In any case, Iâm very excited to be making a new plant acquaintance.
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this post is OC based on my personal tarot practice; the examples given are hypothetical for the sake of this post.
Well-meaning guy: "If you think that event was a bad omen, why not read tarot to clarify?"
Person who learned tarot from popular online resources and introspection-focused art decks: "I drew the 6/Cups, so I guess my ward falling off the wall is about my inner child?"
Tarot meanings change and evolve over time. Historical meanings are often not the same, or even contrary to, modern meanings. (Consider, 6/Pentacles: the French present moment was misinterpreted to mean presents, gifts).
By acknowledging that many modern meanings available for tarot cards are modern interpretations for modern concerns, many of which have fuckall to do with witchcraft, we can also acknowledge that we can apply our own sets of meanings to tarot to achieve personal interpretations in pursuit of personal goals.
I call this concept symbol sets, and you can apply your own symbol sets to certain tarot readings in order to rapidly obtain information about magical events in your life.
Symbol sets can be swapped out for each reading. You can intend to operate on your "normal meanings" for a typical reading, and then intend to operate with "magical omen meanings" for another reading.
There are no such things as universal tarot card meanings; there are some traditional meanings, some historical meanings, and many modern meanings. Adjust what each card means to you to your heart's delight.
The more symbol sets I've developed and practiced with, the more versatile and accurate my tarot reading has become. Working with custom symbol sets might be the single biggest leap in my reading ability in 16 years of practice. At least, it feels that way!
Here is one set that could be suitable to troubleshooting potentially magic events:
Swords, or Air: Misfortune, betrayal, malefica, ill-intent, adversity, due to harmful (even if unintentional) spirit action, pointless or wasted effort. Sometimes, banishing, binding and hexes.
Wands, or Fire: A lot of power, excessive power, due to your own actions, uncontained energy, something you did was very much overdone. Sometimes, protection and empowerment.
Pentacles, or Earth: Mundane, physical and normal reasons, an everyday occurrence, mundane but natural growth and change. Sometimes, unlocking and unblocking.
Cups, or Water: Blessings, magic working as intended (even if unexpectedly), the normal course of magical events, magical growth and change. Sometimes, cleansing and purifying.
Major Arcana: Guiding spirits and gods; their behaviors, guidance, or messages.
A spirit worker might like to add an additional layer of complexity, which modifies the prior set:
Court Cards: The actions of another being, such as a practitioner, god, or spirit, whether they acted intentionally to bring about the event or not.
(Further breakdown, as an example: Swords courts are beings intentionally acting badly; Wands courts are the most important spirits of your path; Pentacles courts are mundane folk or spirits unrelated to your path; Water courts are other practitioners, or spirits related to your path without being in your "inner court.")
Interpret any card drawn within these principles. Here are a few random examples. Let's say, a money spell has failed to produce results, and we'd like to know why.
5/Cups [disappointment, failure]: This is the normal course of magical events; the spell wasn't cast well, and so nothing is happening.
9/Wands [determination, boundaries]: A lot of energy was raised, but incorrectly targeted or released; the energy is cooped up.
Judgment [judgment]: An important spirit in your path wants you to deal with what you have been avoiding, and will interfere with your magic until you face them.
Card 1: The source or cause
Card 2: The current state of affairs
Card 3: Suggested action
Example; the money jar doesn't work: Card 1, King/Swords: The source of failure was the person in the discord server who promised to curse you for not feeling the same way about Destiel as they did. Card 2, Page/Pentacles: The current state of affairs is that as a symptom of the curse, an unaware person or spirit is blocking the prosperity you seek. Card 3, Queen/Cups: Ask a benevolent spirit or helpful practitioner friend to assist you in unblocking the situation.
Card 1: Why this thing happened
Card 2: Why it didn't happen; one thing that wasn't the cause at all
Example; the ward fell off the wall: Card 1, 10/Pentacles: This happened because of random happenstance in the home; it was not a magical event. Card 2, Ace/Swords: This action was unrelated to malefica or bad spirits or things like that.
Card 1: The current state of affairs
Card 2: The outcome of your intended plan of action
Card 3: Recommended plan of action
Card 4: The outcome of the recommended plan
Example; the spirits did not seem to appear during a spirit petition spell: Card 1, 3/Wands: Sufficient energy was raised to attract the attention of spirits, but they may not have been properly called to action. Card 2, 6/Swords: Your plan to call the spirits back and re-cast the spell is a fruitless attempt at a transition into a new plan. Card 3, Empress: Communicate with your primary goddess or powerful spirit of the earth and obtain input and guidance. Card 4, Magician: This plan will result in obtaining important magical information about this type of summoning spell you are trying to achieve.
Do you have any advice for how to strengthen ones spirit hearing, or is it just something you're born with/given?
I was not born with it. I did not have magical experiences until I was in my 20s.
I hope this doesn't sound pedantic, but the best way to improve is to practice and learn about it.
Learning about all different types of spiritual communication from many faiths is important because it provides a more stable and well-rounded foundation. Knowing what others believe can give us insight into what we're doing and how to strengthen our own practices.
And you just gotta practice. I've put in hundreds of hours of active practice (at least). I don't just mean like, trying psychic techniques. I mean just talking to spirits.
Currently everything is expensive. like by a lot. so if you have money support the writers but if you dont you can check out mini libray i'm trying to sort
Witch Books - Google Drive
Have fun!
Ancestor Veneration
In the occult discords I frequent I periodically see questions from new practitioners who want to start spirit work and have been directed to start with their ancestors, but theyâre in a bind because like many young folk today they donât have such a great relationship with their family. For their own reasons they donât know their family history and either feel disconnected from previous generations or donât want to connect to their bloodline. Over the years my personal ancestor veneration has taken shape in a way that I think might be helpful or of interest to people who want to strike up a relationship with their ancestors, but donât have a great one with their living or recently deceased family.
Beloved Dead: These are my known/recently deceased spirits, people I have known in life who have passed on. Not always technically ancestors, because these spirits arenât arenât necessarily related to me, or in my direct line of descent. The only requirement is that I knew them in life, as well as in death.
Ancestors: My actual forebearers, the people Iâm directly descended from. I know many of their names because my family tree is very well researched, but I never met them in life. This also includes the ancestors whose names I donât know but are still in that familial line, those spirits I refer to as âunnamed ancestorsâ or âunnamed forbearersâ.
Cultural Ancestors: This by far the largest category, because there is no upper limit to the number of sub categories I can squeeze in there, none of which rely on actual blood ties. It has my ethno-cultural ancestors, the Irish people who came before me, the Italian people who came before me, the Norwegian people who came before me⊠etc. But it also has the ancestors of the things I choose to identify my self as: The disabled people who have come before me, the witches who have come before me, the Sailors, the Dancers, the Musicians, the Storytellers, etc. Everyone in this category connects me to some kind of cultural history that exists outside of my bloodline.
For me calling on my ancestors is a lot like calling on a deity. I petion them/ dedicate my actions to them, when Iâm doing something thatâs in their realm of influence. For instance: Say Iâm cooking a traditional Italian meal, I would call on my Italian cultural ancestors, and they would get some of the meal as an offering in repayment. I would also probably call on the individual spirit of my grandmother, one of my beloved dead, since she was the one who taught me Italian cooking, and itâs quite likely her recipe Iâm using.
I also have specific days set aside for my most frequently called upon groups Christmas Eve was always big with the Italian side of the family, and I still celebrate it the traditional way, so thatâs become a day for my Italian cultural ancestors. St Patricks Day is for my Irish cultural ancestors. St. Lucia Day is for my Norwegian ancestors. Iâve set aside Talk Like a Pirate Day to venerate all of the sailors, fishermen, and wayfinders who have gone before me, and
I feel like this approach gives me, and perhaps others, the most flexibility and the most options to approach ancestor work on terms that work for me. Have a great relationship with the family youâve interacted with, but uncomfortable with the actions of your ancestors a few generations back? Interact only with your Beloved Dead and your Cultural Ancestors. Want nothing to do with your biological family, but still want to do ancestor work? Create a spiritual found family by working only with Cultural Ancestors. This way of thinking about those who loved what we love before us could be applied to any interest or personal identity that a person holds dear. However you choose to define yourself you can can use to draw a connection to people who also defined themselves that way in the past.
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