Well A Whole 2 People Asked For It And Who Am I To Deny The Masses?

Can you imagine how terrifying it must have been to be Hope in Chapter 4? He’s following this chick because he rightfully acknowledges that she is a badass and can probably help him get stronger, but this chick also resents his presence the whole way. She almost abandons him completely.  

He was almost abandoned for real. 

In the most dangerous place still in Cocoon. 

He isn’t yet the Hope he is at the end of the game and nowhere close to the Hope of FFXIII-2 that could convince an entire Academy to follow his lead.  

His story almost ended there in the Hanging Edge.

It hurts my feelings that he begs Lightning to take him with her, that he says “I’ll try harder, I’ll get stronger…” Just don’t leave me. is the silent plea at the end. After all, what reason does he have to believe that she wouldn’t when he has already watched her walk away from Snow, who she is connected with through her sister, without even looking back and then left him once already? 

He knows that this time there is no Sazh and Vanille following after them. They parted ways. Hope knows that no one will find him if she does actually leave him behind. The stakes are so much higher.

So, when Lightning decides to allow him to keep following her, Hope’s relief is so potent and painful. “Oh, thank god, she likes me after all,” is the joke I made at seeing it this go-round but, in reality, he was likely thinking of how he could stay useful to her, how he could prove to her that he could toughen up. 

I don’t believe Lightning would have actually left him considering that Odin came because she was growing desperate. Lightning has already been established as a protector with Serah. She entered herself into the Purge and took on a Pulse fal’cie all for the sake of her sister. Odin targeted Hope the moment he appeared. The Datapad says that she moves without thinking to protect him. There are multiple times when Odin attacks Hope and you, as Lightning, have to heal him; in those moments, Odin’s bar goes up faster. (It takes a significant jump when you use magic. Just attacking him as Commando will not impress him.) 

Anyone else start as a fanfic writer then started writing your own original ideas, and the best way to do it is to write your drafts like fanfiction of your own work? Like that's the only way I get stuff done.

I write a story with the characters I like, write an arc with facts about the world and characters as it becomes relevant, no real point to the scenes except me having fun with a scene I happen to be enjoying. I take a character I wanna have fun with, say "Go do that important thing so we have a plot while you show off how cool you are", then add random ideas that sound generic but fun to act as story beats. They went to a town, they got beat up by monsters, they discovered a super power, they make friends.

I take breaks between writing the story to obsess over other stuff, then come back when I have an epiphany in the shower a month later and quickly resolve the current arc in order to jump them into the next one. Like, there's still continuity, they mention "Hey we just went through something, wanna talk about your feelings?" "Not really man, wanna go on a quest for that Macguffin and uncover our deep-seated issues that way?" "Sure!" But the story follows a barely-connected story beat with side characters and new world building for the new adventure. And then this happens over and over.

Then I come back, one day.

I'm 600 pages into this Sysphian writing style of starting arcs that have barely any organization yet undeniable continuity and I think to myself, "Man, what if I just start the whole thing over now that I know where the story KINDA goes." So I start writing my second draft...like it's a fanfic of my original draft. I can do whatever the hell I want with these quirky facts about the characters, maybe translate one hobby into a backstory, take this tragic fact about the backstory and make it into an actual trait that defines how they react to situations, take these two characters that would TOTALLY get along and make them friends, I can take a character who should be getting introduced way later and just introduce them now!

And then it's...it's good? It's something I would genuinely read without cringing at??

It's got foreshadowing and interpersonal conflict and secret passions and even more secret traumas and it's humorous and the introduction of characters or quests actually seem to...make sense??? Like oh shit there's actually a REASON we want this thing, it's not a Macguffin anymore! Oh crap these two characters who were later revealed to be related can have a really interesting dynamic if I introduce them like they know from the beginning they're related instead of dropping it like the most casual thing ever in an arc 300 pages later??? These two characters are prominent figures so they would likely get along but have SO much sass between their one braincell. Ya know, this guy would be a really great guy for them to talk to in order to solve that weakness they have, but they wouldn't fix it because they don't get along. OH MY GOD I COULD SHIP THESE TWO AND IT WOULD BE PERFECT -

And what I get is a story where a lot of things have changed, mainly plot-wise, but the bare bones of the former story is still there. I think "Would this character know anything about this topic?" and then think "Well I made them an inventor with a backstory like this, so maybe they wouldn't know it directly, but they'd know a famous story about it" or "Yeah, that knowledge works with their backstory. Actually, if I take that thing I can expand it into this whole other thing. Wait, that means they would definitely know this other character. Oh, they would NOT get along with this character, how can I get THEM in the same room?"

Bonus, because my draft is so long, I feel the natural urge to be like "I wanna write the most exciting scene RIGHT NOW, how do I skip over all the fluff to get to the stuff I wanna WORK with" and so I've written a way more interesting hook that feels more natural jumping into the middle of their lives. I don't have to have the long-winded backstory from birth to the present, but now I can have them reference their backstory as more of a mystery to the characters they just meet - who are learning at the same time as the audience. I can think about how this character perceives that backstory and chooses to describe it, how another who was related might see it differently, and make it unclear who had the more accurate recounting since, ya know, I didn't actually write it beat for beat in this version!

The characters sometimes evolve into something completely different from my original telling - and I have NO IDEA how but I'll take it man! I had a shy and nice character get introduced as a more mysterious but knowledgeable and competent character because I had finally figured his personality out later on. He's still a tragic and kind person, but now he's being introduced to someone who doesn't know him and I get to see how yo he would be so much cooler if THIS was the side of him we saw FIRST. This is how he acts to strangers, rather than bearing his heart and true personality on the first go around because in the first draft I just wanted to get to the part where we're already going with his true version.

This is just how I write fanfiction. This character had this thing about them, but what if it was introduced like THIS?!

Basically I'm an AU OC writer at heart. Ask me to pull a story outta my ass and you'll get the equivalent of burnt toast, but ask me to write a fanfic of my own characters and I am a Master Chef in my natural habitat making a buffet. Why does my brain work like this? Am I the only one that does this?

I imagine this is the portrait of him hung in the palace tho

Dion Lesage

these were a hit on twitter so figure i’d share on tumblr dot com. context = everyone was making fun of a book that was marketed with this same format. enjoy the capri versions

Slay the Princess also be like

Yan Wushi in book 3:

homura should have a gun

Buddy I've got some GREAT news for you

The Giggle (2023) + text posts

Hope’s little foot stomp when he is venting at Snow is just adorable. Like this little 14 year old wants to be taken seriously and he stomps his foot, immediately ruining the effect. He is throwing his frustration and grief around–understandably–but he is also kicking a hornet’s nest by saying it is all Serah’s fault that they are l’cie. He’s a kid; he doesn’t have all the pieces of the puzzle, but none of them do. All Hope sees is this dude that got his mother killed, running around talking about saving Serah and all of Cocoon when this buffed up bastard couldn’t even save his mother. 

He’s been in a constant state of fear since getting off the train; then watching his mother walk away to join the resistance, watching his mother die, and then getting kidnapped essentially by Vanille, and talked into going onto a fal’cie vestige. He’s likely never seen half of the animals that he ends up fighting alongside Vanille; and we know that he’s never seen Cie’th or a Fal’Cie. Of course, he is terrified.  It doesn’t help that he is surrounded by strangers who have thus far: 1) failed to save his mother and keeps running around seemingly only consumed with his own self-interest; 2) attempted to help what he (and most of Cocoon even Sazh) believe to be the enemy of Cocoon and has at least once struck another person in front of him for saying something she didn’t agree with and then straight up attacked a Fal’Cie. 

He didn’t feel safe a second into that journey; he hid behind Vanille when things got bad and stuck to her like glue in the vestige. Instead of finding comfort in the adults’ presence, he latched onto someone he had just met that night who acts even younger than him and is the one that talked him into going on the vestige in the first place. Hope is adrift and is searching for any kind of substitute for a lifeboat that he can find.     

It’s not surprising that finding out he is now a l’cie himself is a last straw. He likely hasn’t been able to come to terms with the fact that his mother and he were in the Purge at all, much less dealt with his grief or rage over his mother’s death. It’s a lot for the adults to handle. To expect Hope to handle it the same as his older, non-riddled with hormones companions is completely unfair. Even Sazh asks “why me” about being turned into a fal’cie, even Lightning rages against her sister’s and her own fate. 

In short, Hope is fourteen, dealing with multiple stressors at once, cut the boy some slack.   

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Chapters: 14/24 Fandom: Original Work, Norse Religion & Lore, Prose Edda (Norse), Poetic Edda (Norse), Völsunga saga | Saga of the Volsungs - Anonymous Rating: Teen And Up Audiences Warnings: Graphic Depictions Of Violence Characters: Áslaug (Norse Religion & Lore), Fáfnir | Frænir | Fafnir (Norse Religion & Lore), Svanhild/Svanhildr, Svanhildr Sigurðardóttir, Svanhild Gjúkingar, Brynhildr (Norse Religion & Lore), Sigurðr | Sigurd (Norse Religion & Lore), Heimr of Hlymdalir, Bekkhild of Hlymdalir, Grani - Character, Finnegan Descendus Sliochd, Fionn of the Wild Hunt, Merida Descendus Sliochd, Gwyn ap Nudd, Kayraen of the Wild Hunt, Iian Briar, Elli (Old Age), Frau Gauden, Frau Holle, Fionn Flann, Lorcán the Fierce, Dearil/Renna Kingsdöttær, Kieran, Caelum, cathan, Nuallán, Duibhín, Ai-Laau Series: Part 3 of Saga of the Sigurða (The Völsunga Saga Continued) Summary:

Aslaug is a Volsunga. So far, it has been nothing but a burden. She has had a voice in her head, tempting her to be a monster at every moment and never giving her peace; she has lost her father, then her mother, for reasons she has yet to fully understand; she has no idea what she wants to do or what she is destined for, but she does know she's going to have to figure it out on her own.

When she has a chance encounter with her soulmates, Aslaug's destiny truly begins to unfold, and her journey to discover who she is and what she will do begins. Her first task: locate her father's treasure, the legacy of the great Sigurd Fafnesbane. The only thing standing in her way? Her half-sister, Svanhild Volsunga, who is determined to live a life beyond just a woman doomed to die at the hands of a family curse.

Aslaug must choose where her loyalties lie, what path she wishes to follow when all of them lead to nothing but tragedy, and admit that perhaps she might just be a hero - all while the curse of the Andvaranaut begins to test her ability to lose what little she holds dear.