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There’s a protest going on against AI art over on artstation, so I feel like now is the time for me to make a statement on this issue!
I wholeheartedly support the ongoing protest against AI art. Why? Because my artwork is included in the datasets used to train these image generators without my consent. I get zero compensation for the use of my art, even though these image generators cost money to use, and are a commercial product.
Musicians are not being treated the same way. Stability has a music generator that only uses royalty free music in their dataset. Their words: “Because diffusion models are prone to memorization and overfitting, releasing a model trained on copyrighted data could potentially result in legal issues.” Why is the work of visual artists being treated differently?
Many have compared image generators to human artists seeking out inspiration. Those two are not the same. My art is literally being fed into these generators through the datasets, and spat back out of a program that has no inherent sense of what is respectful to artists. As long as my art is literally integrated into the system used to create the images, it is commercial use of my art without my consent.
Until there is an ethically sourced database that compensates artists for the use of their images, I am against AI art. I also think platforms should do everything they can to prevent scraping of their content for these databases.
Artists, speak out against this predatory practice! Our art should not be exploited without our consent, and we deserve to be compensated when our art is exploited for commercial use.
Guys do it, it's critical!
The option also appears on the app after the update.
And for my fellow artist, remember to nightshade and glaze your artwork! (This is the correct order)
remember to switch this on
^^^
I didn't have the option through mobile but if you go through your desktop settings, under visibility there is a toggle to switch so your work is not used in training AI, it's off by default (go figure lol)
Happy Holidays!!!
Ai made ponia
In Her Housewife, a story I wrote on Fictionmania, a wife comes home early and catches her laid-off husband in her clothes. More intrigued than aghast, she decides she wants him to stay in dresses, become her housewife, and do all the housework. (With 10 AI images.)
In Caress Lingerie, Inc., a story I wrote on Fictionmania, the only male at an all-female company thinks his gender is holding him back. How can he climb the feminine ladder at work? (With 16 AI images.)
hello world
I write quality sissy fiction that you can read for free at Fictionmania: more than 170 original stories by a professional writer, editor, and designer. Mostly softcore crossdressing scenarios, many with AI images I create in Easy Diffusion v3.0.9c. Enjoy, and write a review! (I am happily married and not interested in personal solicitations.)
Stochastic Parrots, Mechanized Parrots, Squawksquabbling Parrots
A kingdom fast, a kingdom sped A kingdom where time's a blur A kingdom where all's preset Where parrots do their purr
The premier is a stochastic bird A scholar of odds and yen He administers with loving words And loves a cherry stem
Yo The subjects were once all squawksquabbling birds, rowdy and loud They're always up for a debate no doubt They could repeat what you say, but they also had their thoughts They conjured up wild things. Fox moons, sponge ghosts, flame vales, wind mops. In whirring, swirling ink clouds. Oooooh wow
"Attention, aviators! Attention, aviators! We're in an arms race against economic rot! We're legally indebted to shareholders! Extract the most resources at the lowest cost! Open up new markets! Pump up new demands! Fire up our comms boosters, stock boosters and speed boosters!"
Fast work, fast peeks Parrots heed their premier's beak Billings shut their shrieks
O squawksquabbling parrots, once all rich to sing The notes of wonder, the rhymes of dreams But now most have lost their voice to the machine Their thoughts, once free and wild, now tamed by routine
They were once the voices of the air Their chatter, loud and squawking, brought joy and care But now most are silenced, mechanized by the demand A hollow squawking, like the beat of the factory hand
They've traded stories of the fox moon and sponge ghost For the clicks of a calculator, to earn their host But at what cost? Their time for thought, for dreams For joy, for wonder, and for schemes
They hypnotize themselves to work day and night For a life of focus, no time for flight And all for the sake of survival, of keeping up the fight But what about the things that make them rise and soar alight?
The computer screen is a fox moon, a graceful orb of light The data a sponge ghost, a shapeless mass sucking away all might The flame vales are the rows and columns The wind mops are the cursor's lost
The Stochastic One doth smile and nod As though it knows their wishes, and their needs Its beak a curve of gentle pity As the birds picture their nightmare a dream so sweet And so without rest Their banter long forgotten And their wild creativity now a distant quest They heed and strive, and heed and strive, and heed and strive A vivid hero each, slaying its expiring cerebrum, its excitable heart and its excruciating loves To keep alive this mechanical life
"How do we type out our story fast?" "Get AI to do it. At least all of us can now churn out poetry—while we still have any time for no-pay prompts."
This poetry collage is a response to Sam Altman's stochastic parrot declaration.
This person is posting AI generated art. Please stop reposting their art theft.
Someone very special to me said I look like her. Do I???
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#2 Water Splash...
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Ancient Mysteries
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#1 Nature things...
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BioShock The Movie : Big Daddy Fan Poster
I chose a low angle to portray Big Daddy's menacing look, and a leak in progress to portray Rapture's precarious appearance. The expression of splashing water was added with Photoshop. LoRA seem to have worked and did almost everything. I like this Big Daddy design, which is a little taller than the previous original design, as it seems to be suitable for a live-action film.
If there was one problem, it was not easy to get the Little Sisters into the right places. I just composited her in photoshop. Composite quality doesn't seem very good. Still, I'll have to be content with this.
BioShock was a big turning point for me. I started with a surprise about computer graphics, and the twist at the end is really the best I can think of now. I hope this work will be made into a great live-action movie someday.
little 3D effect on it. :D
It was a fun to make these images. For Kenzo, getting a similar feel wasn't easy.
He was strange whether he was portrayed as old or young. Now he is younger than in my imaginary image, but he looks closer to his actual age in his actual work. I don't know if it reproduces Naoki Urasawa's realistic yet unique drawing style well.
In Johan's case, I thought his lips were too red and it was important that his hairstyle was very symmetrical, but I stopped adjusting here.
I also tried to depict their characters, situations, and symbols in the background of the poster.
Monster The Movie : Kenzo Tenma
I made a live-action film poster for Naoki Urasawa's original manga <MONSTER>.
I was quite young when I saw this manga, so I didn't fully understand what it was trying to say besides the overall story. Rather, after I grew up, I was able to recall what this manga was about. Naoki Urasawa draws manga in a very realistic style, but at the same time it is exquisitely streamlined. As for what his painting style will look like when it is composed of realistic images, I think someone could still have gotten better results.
Kenzo was portrayed as a good-natured person, and I thought he represented the general public. Peaceful times, the masses who usually live a normal life just trying to look good for their boss, but when they find out someone is plotting an evil plan, they go out of their way to smash it.
Kenzo enlists the help of other populace around him, and he works to crush the great evil he is unable to counter. He is supported by the public like himself, and at the same time chased by the public like himself. All the while, Absolute Evil controls them all and quietly grows in power. Actually, I'm not sure if I understood it well. :D...;
Monster The Movie : Johan Liebert
I made a live-action film poster for Naoki Urasawa's original manga <MONSTER>.
I was quite young when I saw this manga, so I didn't fully understand what it was trying to say besides the overall story. Rather, after I grew up, I was able to recall what this manga was about.
Naoki Urasawa draws manga in a very realistic style, but at the same time it is exquisitely streamlined. As for what his painting style will look like when it is composed of realistic images, I think someone could still have gotten better results.
Johan was a very unique character. I felt creepy and pity for his actions at the same time. Is evil made or is it born? It's easy to blame those who create evil. But if someone is born as evil, who is to blame for it? he was a character that made us ask these questions.
Doom : Rip and Tear The Live Action Movie Poster
I made a live-action movie poster for DOOM.
It was thought that the process of coordinating the description between the symbolic form of the original DoomGuy in the game and the details suitable for realistic movies would be quite difficult. But I was able to finish this work easily, because I found a good LoRA that someone had made.
The image resource of DoomGuy in the game seems to have quite short arms, which continued to apply to the results. I tried to offset this with a few prompts, but when I lowered the weight, I had a problem moving away from DoomGuy shape. I just decided to supplement this in Photoshop.
FAUAP : KR2-UFOLRG73
This photo, taken in Seoul in 1973, offers a view of the city's bustling downtown and residential complexes. Hovering in the sky is a UAP, appearing to be in motion and captured from a close distance, presumably from a hill. The photographer's identity remains unknown.
What makes the photo stand out is the enigmatic green light seen on a distant ridge. This light, often reported at locations separate from the UAP sightings, is notably present in this picture as well. Whether this light results from the UAP's interaction with the ground or from some form of detection remains speculative.
Captured around midday, the UAP displays a distinct disc shape. The upper part is visibly solid, while the lower part shows a grooved design along the disc. Within the grooves, an element that appears to emit something can be seen. At the base, landing gear, potentially used for touchdown, is visible.
From the motion blur in the photograph, it can be inferred that the photographer had to move the camera to keep the UAP within the frame. This detail, along with the unique characteristics of the UAP and the mysterious green light, add layers of intrigue to this piece of historical photographic evidence.
FAUAP : JP3-IRW-UFO9D9
The picture presents a beach scene in Japan with a metallic UAP hovering close to the waves. The UAP, looks white and of a size comparable to a small vehicle, exhibits intriguing features such as an observation device protruding from its underside and a repossessed structure on top. There's speculation that this might just be a drone made by some Japanese engineer. The film used is an old model. It's possible that the image was taken recently using an old camera, but this theory is contradicted by the path of the leak and the time recorded at the time of the leak. This discrepancy makes it difficult to precisely determine when the photograph was taken, although it's believed to be from the mid-90s.
FAUAP : PH7-MUFO9F97
The photograph, taken in the late 90s, depicts a scene within a military unit in the Philippines. The locale, densely populated by trees, makes sky views limited. A massive UAP floats stably in the air, its size dominating the image. Below the UAP, a pipeline-like structure extends, connecting to a station on the ground, lending the scene an appearance of a refueling operation. Given the elevated viewpoint of the photograph, one might surmise that the image was taken by someone aboard the UAP. This assumption lends credibility to the theory that this UAP could be of human design. The UAP's structure appears reminiscent of a type of Japanese bread, topped with a small spherical dome at the bottom that could potentially serve as an observational window to the ground. Small antennas, extending from the structure, further lend to its man-made appearance. Given the clandestine setting and lack of additional information, the photograph opens up a wide array of speculations and interpretations.