Dive Deep into Creativity: Discover, Share, Inspire
Pairing Ë˰â˘*â⡠Arthur Morgan x fem!reader
Next Part - Hell Hath No Fury Series
A/N: Sexually mature themes, no graphic or explicitly detailed smut
Summary: Even as a socialite, you've never had the honor of attending a mobster's party. Now, you get to say you've done it all. Tensions seem to ease with Arthur as you both relax into your roles. But things can never stay easy for long, can they?
Arthur had a fence in the city that could loan him a carriage in exchange for a favor down the road. You didnât ask what the favor was and you werenât interested in knowing. Youâd offered to ride in the front with him but heâd just made a vague excuse of not wanting to dirty your new dress.Â
He was lying, it was clear as day that he didnât give a damn about the state of your dress, but you werenât going to push him. If he didnât want to speak, then fine. The entire ride back to camp could be spent in silence for all you care. Though, it seems like heâs purposely trying to hit every damn rock he can. Youâve never had such a horribly bumpy ride as this one.
You can tell when you get closer to camp as the wheels struggle to slough through all the mud. A moment later the carriage comes to a halt and Seanâs muffled voice slinks through the thick wood of the walls. âArthur,â the H slips through the vowels of his accent and it sounds like heâs saying Artur. âWhat the hell is that?âÂ
âDonât worry about it,â Arthurâs low voice calls back. The carriage rocks as Arthur climbs off the front bench and you slip forward, reaching for the door. It swings open before you can grab the handle. Arthur doesnât look at you as he holds his hand out for you, just waits expectantly.Â
You roll your eyes at his stubbornness but take the help anyway. This dress is far too tight for you to shuffle down the steps on your own. Arthur guides you out and releases you the moment youâre standing on steady feet.Â
âOh, be still my flutterinâ heart,â Sean calls out as he eyes you up in the dress.Â
Arthur grimaces, lip curling in distaste. âShuddup, Sean.â
âWhat?â He asks, voice full of all the innocence in the world as he sends you a brief wink. âIâm not allowed to compliment the lady? Youâd have to be one sour bastard not to tell the lady how beautiful she looks.âÂ
The carriage being driven into camp has drawn the attention of a few others. They slowly move towards you and Arthur, eyeing you both with curiosity in their gazes. The door to Shady Belle flies open and Dutch stands in the doorway. âNow, what is this?â
He, fortunately, doesnât make you walk to him. Youâre standing on a slat of wood now, but one step forward and youâll be ankle-deep in muck. âI think I might have gotten a lead while we were in the city. An Italian man invited me to a party tonight full of âinfluentialâ people as he put it.â
Dutchâs brows raise in surprise, as though he hadnât expected anything useful to come out of your trip. Youâre not sure if he was just doubting you or the possibility of ever finding Jack, but you take his astonishment in offense.Â
âItalian?â Dutch questions and his eyes dart toward Arthur. You and Sadie have been on the receiving end of that look quite a lot these past few weeks. The both of you arguing for more involvement in the gangâs activities. And every time youâd receive placating words and a dismissive glance that meant you really shouldnât bring it up again.
Arthur nods at Dutch, he barely spares you a glance as they both walk back into the house. You feel like a fool, standing in the middle of camp all dolled up and terrified of dirtying the hem of your dress with mud. You donât feel like the woman youâve become over the past few months, itâs as though youâve turned into that cowering girl once more.Â
 âYou look pretty,â a deep voice interrupts your spiraling thoughts. Glancing over your shoulder, you see Charles approaching you. He looks you up and down, not admiring, simply observing.Â
âOh,â you say, caught off guard. He said it so bluntly. There was no smooth delivery of a line. Instead, it felt like he was stating a cold hard fact rather than a sugary compliment . You were pretty, and he wasnât trying to earn anything from you by saying that. âThank you-â
âBut this doesnât suit you.â You clamp your mouth shut, lips thinning as your eyes narrow into slits.Â
âWhat is that supposed to mean?â You grit out, arms crossed tightly across your chest. His lips curl up slightly, laughing at your soured expression.Â
âIt just doesnât look like you. Itâs like trying to force a bison into a herd of doe.â
Your jaw drops and you gape, stamping your foot at him, âI am in a corset! â Youâre halfway to outraged and itâs only making you angrier that he looks like heâs trying not to laugh.Â
His nose scrunches slightly but he just shrugs. âThere might have been a kinder way to put it, but that doesnât change that itâs the truth.â
âWhat?â You snap, âThat Iâm a giant lumbering beast?â You throw your arms out, irritated by his insistence on this ridiculous metaphor.Â
âThat youâre trying to fit into a role you donât belong in. Youâre not a lady anymore, and youâre no outlaw. You canât force yourself to be either of those things.â You hadnât expected Charles, of all the people in this damn camp, to be the one to point out how you donât belong. Not just among them, but in society in general. Thereâs no place anywhere for you anymore, not even here.Â
âWell then, whatâs a bison supposed to do?â You snap, looking away as you wipe away the warmth trickling down your cheeks.Â
âI donât know,â he says simply, his voice softer when he sees the glassiness in your eyes. You look back at him and he reaches forward, surprisingly gentle as he brushes away a tear. âThatâs for you to figure out. But youâll never be happy stuck standing between two worlds, especially when you donât like either of them.â He smiles at you and places his hand on your shoulder, squeezing slightly. âBut you look pretty,â he amends, as though that will undo the hurt heâs just caused.
âThank you,â you scoff, rolling your eyes. He shrugs, eyes drifting over your shoulder. You turn, following his gaze, and smile as you see Mary-Beth and Tilly approaching. Charles walks off, not looking to get caught up in whatever it is the girls look so excited about. You canât say you blame him, if you werenât stuck in the only mudless spot here, you might try and make a run for it too.Â
They look far too eager for you not to be suspicious. âAre you really goinâ to a party?â Tilly rushes out, cornering you against the carriage alongside Mary-Beth.Â
âI donât really have a choice, Iâm the one who got the invitation.â
Mary-Beth gasps dramatically and swats at your shoulder. âOh, Iâm so jealous. What I would give to be able to look like a lady for once and get the hell out of this camp.â Youâd switch places with her if you could. The laces of this dress are so tight youâre starting to feel lightheaded.Â
âYou have to let us do your hair,â Tilly suddenly blurts out, hands already darting towards the leather strap tying your hair up. You duck out of the way of her wandering hands and she shoots you a firm glare.Â
âWell, I donât know-â
âNo arguing,â Mary-Beth snaps. She loops her arm through yours and Tilly takes the other. âWeâll get you looking prim and proper in no time,â you really donât have the heart to argue when you see the dreamy smile on her face. You know itâs not often any of the women get to escape camp. Especially not for something as glamorous as a party in the city.Â
If they want to live vicariously through you for a night, who are you to deny them the pleasure?
âAlright, fine,â you acquiesce with a reluctant smile. âBut youâre gonna have to help me through all this mud.â Tilly and Mary-Beth shoot each other giddy smiles, dragging you along behind them towards the womenâs tent.Â
âOh, Tilly, we should do her makeup too.â
Your eyes widen and you grimace. Thereâs a limited cache of rouge and lipstick hidden somewhere in camp. You know itâs only dragged out for special occasions. But itâs been so long since youâve worn any that youâve forgotten just how much you hate it. Youâre remembering now, as you look upon their mischievous faces.Â
âHold on now-â
âIâll get the vanity case of it from Mrs. Grimshaw,â Tilly interrupts, rushing off before you can stop her. You sink into Mary-Bethâs side, letting out a heavy sigh as you relinquish yourself into her care for the next hour. You pass by Charles and glare at the slight smirk on his lips as he shakes his head at you. Smug bastard.Â
Arthur and Dutch finish up their talk while Mary-Beth and Tilly are still fussing over you. You manage to peek an eye open as Mary-Beth is slapping your cheeks with a powder puff. Arthur walks up to Hosea, sparing you a slight glance as he places his hand on the old manâs shoulder. He leans in close and you narrow your eyes, trying to decipher what heâs whispering to him.Â
âStraighten up,â Tilly snaps, the hot tongs in her hand getting dangerously close to the nape of your neck. The smell of smoke drifts around you and your nose scrunches in distaste.Â
âYouâre not burning my hair off, are you?â You try to turn your head slightly to get a good look at her, but she nudges your face back around to a disgruntled Mary-Beth. Lipstick hovers over your face as Mary-Beth scrubs roughly at the smudged red on your cheek.Â
âRelax, I know how to use these better than any of the other women in camp,â Tilly assures you. Thereâs a release of tension as she lets the strand of hair out of the tongs and pins it up. The last time you had your hair curled like this, it had been a much gentler experience. You feel as though youâre being punished for your reluctance to get dolled up.Â
Here you sit, the opportunity theyâve always wanted landing right in your lap, and you want nothing to do with it. You suppose they might be bitter. The only times theyâve been allowed out of camp theyâve had to pose as whores or damsels in distress. You just get to be a lady. Letting out a heavy sigh, you force yourself to relax in their hold.Â
âAlright,â Mary-Bethâs tongue pokes from the corner of her lips as she tilts her head, examining your face. You try not to have your nose scrunch so you donât wrinkle the powder. âIâm done,â she says, stepping back from you like an artist scrutinizing their latest painting. âIt would help if you didnât have that sour expression.â
You roll your eyes but Tilly releases you before you can say anything rude. She places one last pin in your hair and rounds the chair you sit on. âOh, some of my finest work, if you donât mind me sayinâ.â Mary-Beth nods her approval and they both share a smile as they ogle down at you.Â
âWeâre done?â You grouse, tired from sitting under their nagging hands for so long.Â
Tilly throws her hands up and narrows her eyes at you, âA thank you would be lovely. Ainât they teach you manners in that fancy school of yours?âÂ
You suppose you could be a bit more gracious. Swallowing your pride you nod in appreciation, âThank you, ladies.â Mary-Beth rushes off and digs around in one of the crates beside the tent. She returns and thrusts a rusted silver mirror in your hand. The glass is slightly cracked but you can still see your reflection well enough.Â
Mary-Beth certainly doesnât hold as heavy a hand as your old maids. You donât despise the way your face looks with makeup, but it doesnât feel natural. And you can already start to feel the powder itching on your skin. Still, you force a smile, pretending to be awed by your appearance.Â
Tilly certainly did better with your hair than you would have. You honestly hadnât thought about attempting hair or makeup tonight. Itâs been so long since youâve been in polite society that youâve forgotten all the work that goes into presenting yourself. Still, the updo looks pretty and the curled ringlets draped over your shoulder are a nice touch.Â
You canât help the disappointment festering in your stomach. It feels as though you should be more excited to see yourself all prettied up. Itâs been months since youâve been in a dress or put any thought into how you look. In your old estates, you were surrounded by mirrors and scrutinizing faces. The only thing you could think about was your presentation and how others viewed you. Youâve grown so used to not giving it any thought that it weighs heavier on your shoulders than youâd expected.Â
âIt looks wonderful,â you tell them with a strained smile, placing the mirror down by your side. Tilly and Mary-Beth nod, looking properly excited as they whisper to themselves about all the handsome men youâll see at the party. You chuckle a little, they donât know that you wonât meet any decent men where youâre going. Mary-Bethâs tales of whirlwind romance and being swept off your feet have ingrained themselves into the less jaded minds of camp. Thereâs no need to ruin their rose-tinted view of fine society.Â
You get to your feet, taking light steps as you skirt around the deeper piles of mud. You just manage to stay on the firmer parts of the land, dress lifted above your ankles. Someone whistles and you grimace, prepared for Micah to be shouting something nasty out to you.Â
Instead, a husky feminine voice calls out, âLookinâ mighty fine, Lady Rowe.â You chuckle, turning to glare at Sadie. She stands a few feet away, lingering by the door of Shady Belle, likely trying to eavesdrop on the menâs conversation as she normally does. Her hand lingers on the revolver by her hip and she sends you a wink.Â
âYouâre ridiculous, Sadie,â you admonish.Â
She shrugs and walks towards you, âJust the truth.â
âWell, did you have to tell it like a man?â You grouch, tugging the neckline of your dress up.Â
She smiles at you, walking with you towards the carriage. âMen always seem to have more fun.â You suppose thatâs true. They donât have to spend an hour and a half primping and prepping for something as ridiculous as a party. All they need to do is lick their hands, slick back their hair, and throw on a suit. Lucky bastards.Â
âI feel like a clown under all this makeup,â you resist the urge to claw at the skin of your face. It feels as though ants crawl under your flesh, it makes you antsy to just strip everything off.Â
She narrows her eyes at you, smile giving way to something more calculating. âIt is odd, seeing you like this again. I remember when you used to leave for dinners or parties all dolled up. You never really looked happy then, you were always fussinâ.â
âIâm still fussinâ,â you admit, tugging at one of the ringlets draped over your shoulder. She swats your hand away and laughs at your aggrieved expression.Â
âItâs only one night. Then you can get back to pants and shootinâ at any bastard that pisses you off.â You relax slightly and send her a grateful smile. Itâs nice that at least one of the women here recognizes just how constricting this role is.Â
Sadie used to have to take orders from you. Sheâd even had to stomach you cutting her pay when your husband gambled too much. You were the face telling her she was gonna have to scrape for extra money and figure out a new way to feed herself and her husband. Still, she remains the only one who understands just how unfulfilling the life of the rich is.
The front door of Shady Belle swings open and Dutch comes striding out in a suit, Hosea, Arthur, and one very angry-looking Bill not far behind. âDonât you look fancy?â Sadie calls out, scoffing as she takes in the men.Â
âWhy, thank you, Mrs. Adler,â Dutch bows his head towards her and she rolls her eyes. You share a brief glance before she walks off. Dutch comes to stand beside you at the carriage, the rest of the men following suit. Arthur opens up the door for you and gives you a hand up the steps. You squeeze his palm once, holding your breath until you feel him return it. Letting go of his hand, you settle yourself on the bench, smoothing out the wrinkles of your dress.Â
Dutch has nearly made it inside when Abigail comes rushing up to you all, John not far behind. Letting out a weary sigh, Dutch holds his hands up, shaking his head before Abigail even has a chance to say anything.Â
âI already told you, Abigail, itâs too much of a risk having you come with us. I canât trust youâll be able to keep your temper.â
Abigail shakes her head and glares at him, lips curled back like she wants to lunge at him. âIt is my son that you are lookinâ for, Dutch. Iâm not leavinâ him.â
âNo,â Dutch assures her, voice calm and gentle in a way youâve heard so many times before. Youâre unsure where heâs learned the skills he has. But the way he puppeteers these people is near magic. âYouâre trusting us,â he nods towards the men, âto take care of him for you. That boy is like family to me, Abigail, Iâm not going to let anything happen to him.â
Every ounce of restraint is used not to mutter, you already have. Still, you know that wonât do anything but make Abigail fret even more. A little bit of petty satisfaction isnât worth putting an already nervous mother on edge.Â
She takes a step back from him and John reaches for her but she skirts out of his grasp. Things were already tense between them, youâre not sure theyâre going to be able to recover from this. Everyone can plainly see that she blames him for her child going missing. Even though you all know there was nothing he could have done to stop it.Â
John looks at her, face pinched with concern. He turns towards Dutch, something determined settling along his shoulders. âIâll ride behind you.â He cuts Dutch off before the man can weasel his way out of anything. âI ainât goinâ into the party, but if youâre going to be lookinâ for my son, then Iâm goinâ to be there.âÂ
Dutch lets out a heavy sigh, you know he wants to argue, but thereâs no point. Johnâs been butting heads with him more and more, heâs beginning to lose faith in Dutch just as much as you are. âFine,â Dutch relents. âBut youâre not to get involved in any way.â
John nods, already heading towards his horse. Abigail follows along behind him, something stunned painted across her face. Dutch finally makes it into the carriage, taking a seat beside you as Hosea sits across from you both. Arthur closes the door and climbs atop the carriage with Bill.Â
âItâs gonna be suspicious,â you tell Dutch and Hosea as the horses start moving. âWalking in surrounded by so many men,â you clarify. Hosea nods and Dutch looks like heâs thinking about it as you continue. âSuppose you ought to be my father,â you tell Dutch.Â
He scoffs, shaking his head, âI ainât that much older than you, sweetheart.â Your skin crawls at the pet name. It sounds so much sweeter when Arthur says it. You just feel like an idiot child when Dutch calls you sweetheart.Â
âYou had me young,â you snap, glaring at him. His brows raise at the attitude and you suck in a deep breath, trying to keep your tone in check. âLook, the man weâre going to meet invited me to be his date. The fastest way to get to him is you present yourself as my father and ask for a meeting with him.â
Dutch sucks on his teeth, looking towards Hosea. âSheâs got a good point,â the old man agrees, sending you a brief smile.
Dutch shrugs, âAlright then. Iâm honored to escort my darling daughter,â he pats your hand and you screw your face up, jerking your arm away from him. Petulantly, you turn towards the window of the carriage, not wanting to be so close to him. He chuckles under his breath, talking to Hosea like youâre not even there.Â
Heâs already doing such a wonderful job playing the part of your father.Â
Dutch files out of the carriage, Hosea following behind him. Arthur peers his head around the door, helping you out. You struggle a bit in the heels the girlâs had loaned you that are just a size too small. He places a steadying hand on your lower back and leads you around the side of the carriage to where the otherâs wait.Â
You feel a little of the tension from before ease as he doesnât immediately pull his hand away from you. The whole argument feels ridiculous, but now isnât the time to dwell on it.Â
Still, you canât shake how he'd made you feel when you were so vulnerable in front of him at the tailorâs, and the worry that the two of you might be too different to make this work.Â
Heâs an outlaw through and through, and you know itâs why his last relationship fell apart. But youâre not trying to change who he isâyou just want him to be safe. And he, ever stubborn, just wants to keep you far away from the gangâs dangerous business.
âMrs. Rowe, Mr. Willamison, Mr. Morgan, and Mr. Matthews, donât you all just look fine,â Dutch admires as you all stand before him.Â
âAlmost look like weâve got the same stick up our ass as the rest of them,â Bill snorts, tugging at the neck of his suit.Â
Dutch shoots Bill a sharp look before addressing the rest of you. âRemember, weâre here for information on Jack. But,â he adds with a smile, âlet us take advantage of the wonderful opportunity the lady provided for us.â He nods at you and you offer him a pinched look. âMingle, see if you canât find something to get us to Tahiti,â he instructs with insincere cheer. Â
You shake your head at the mention of Tahiti. Dutch couldnât point it out on a map if he tried. Thereâs never going to be an escape for these people, heâll make sure of it. As Dutch is talking, Arthur slowly slips away from you, moving to stand beside Bill.Â
Hosea notices, eyes narrowing in on the space between the both of you. âArthur,â he calls out, stopping Dutch from spewing any more half-baked lies. Arthur turns towards him and Hosea nods to your side. âTake the lady's arm,â he instructs.Â
Arthurâs brows furrow and he shakes his head. âThe man in there thinks Iâm just a half-wit chauffeur. Ainât no fool holdinâ a ladyâs arm,â he grouses, glancing over at you.Â
âArthur,â you snap, narrowing your eyes at him. âYou know I didnât mean it like that.â
âWhat did you-â
âArthur,â Hosea interrupts, voice firm as he nods once more at you. âTake the lady's arm, I wonât say it again.â Arthur sighs but his face remains infuriatingly neutral as he comes to stand at your side. He slips his arm into yours without a word and it makes your chest clench. âWell,â Hosea prompts, âarenât you gonna tell her she looks pretty?â
âHosea, really-â you start, but Arthur cuts you off.Â
âYou look pretty.â You snap your mouth shut, eyes narrowing as Hosea gives a satisfied nod and saunters off after Dutch, probably grinning to himself. You glance up at Arthur, analyzing his face for any signs of deception or reluctance. Heâs being genuine, you can tell that much. Leave it to Hosea to wring a compliment out of the man.Â
Arthur starts walking you both forward, following Dutch and Hosea. Two armed guards stand before the entrance of the estate. They each step forward, holding their hands up and stopping you all from progressing any further.Â
âNo weapons, by request of Mr. Bronte.â Bill opens his mouth to protest but Dutch holds up a silencing hand.Â
âNot a problem, gentlemen.â You step to the side, letting them empty their holsters. One of the guards glances towards you and the beaded purse on your arm. He eyes you warily and you scoff with feigned offense.Â
âYou think a lady like myself carries weapons? Really?â You shake your head and do your best to look outraged. âI suppose next youâll be asking to look up my skirt too!â You can see the other's faces blanche but the guard backs off, hands raised as he lets you through. âI never,â you huff, glaring at him as you pass by.Â
Dutch is the first to catch up to you. He steals Arthuirâs spot by your side and takes your elbow in his hand. He guides you up the front porch stairs and you resist the urge to jerk your arm out of his grip. âYou play your role quite well,â he compliments.
You give him an appreciative smile and open the clasp of your purse for him. âIâve got a conveniently sized companion in my purse if you get too familiar, Father,â you bite out, showing him the small gun hidden within the fabric. He only chuckles, tucking you back into his hold.Â
The sounds of the party outside begin to leak through the extravagantly decorated halls of the estate and you feel your heart kick up. Itâs been a long while since youâve had to entertain one of these functions. You havenât had the time to worry about your hair, or makeup, or how scandalous your dress was, in so long. Youâve forgotten how nerve-wracking it can be.Â
You find yourself squeezing Dutchâs arm, desperate for something to ground you and finding no comfort in him. Your hand fists itself in the silk of your dress, wrinkling it and staining it with your sweaty palm.Â
You step out onto the back terrace and stride towards the railing overlooking the vast garden. Below, a sea of socialites, businessmen, and politicians mills about, their laughter and pleasantries drowning out the quartet playing. Each of them mingles and laughs at each otherâs jokes. But you know better, you see through the charade. Theyâre predators cloaked in silk, circling one another, each waiting for the faintest scent of weakness before they strike. There is no true friendship or kindness between people like this.Â
âAlrightââ Dutch begins, turning to address the group behind him, but a thick Italian accent cuts him off.
âAh, my guest of honor.â
The man from the bar strides past Arthur, his attention fixed on you and Dutch.
Dutchâs face splits into a wide, practiced smile as he steps forward, extending his hand for a shake. âSir, this is my father-â you begin to introduce but the man interrupts.Â
He takes Dutchâs hand with a grin. âDutch Van der Linde. And you,â he says, turning toward you with a gleam in his eye that makes your stomach twist, âthe beautiful Mrs. Rowe.â
Arthur and Bill exchange a tense glance, their hands twitching instinctively for the guns they were forced to leave behind.
The man bursts into laughter, clapping his hands together at the sight of their wary expressions. âPlease, gentlemen, do not insult me. I am no fool.â His gaze slides back to you, his grin widening. âBut I do enjoy pretty thingsâlike your charming companion hereâputting on such delightful performances for me.â
You should have known better. Information shouldnât have come so easily. Your grip on Dutchâs arm slackens, and without hesitation, you step toward Arthur.Â
âWell, you seem to know us, sir,â Dutch interjects smoothly, attempting to reclaim control of the conversation. âI canât say we share the honor.â
âAngelo Bronte,â he introduces himself smoothly, shaking Hoseaâs hand before moving through the men one by one. Finally, he reaches you. With a practiced elegance, he takes your hand, his touch light as he bends to press a kiss to your knuckles.
His eyes lift to meet yours, dark and calculating, as his lips brush against your gloved fingers. âA pleasure,â he murmurs, his voice rich with charm. âI do hope youâll save a dance for me.â
Your face screws up in distaste before you mask it with a practiced smile. Words fail you as youâre overcome with the urge to put as much distance between yourself and Angelo as possible.Â
He lingers, his presence making your stomach twist with discomfort, for another moment before finally stepping back and releasing you. He turns towards Dutch and gives him a greasy smile. âI believe we have business to discuss,â he says smoothly, nodding toward Hosea. âIf you and your companion would join me in my study.â Â
Itâs a demand, not an invitation, as Bronte steps back through the grand doors of the estate. His men move swiftly to escort Hosea and Dutch inside. Dutch pauses, turning to the rest of you. âTalk to everyone you can,â he instructs, his tone clipped and focused.
You scoff under your breath. Even faced with an Italian mobster, Dutchâs mind is fixed firmly on profit.
âIâm headinâ to the bar,â Bill grumbles, brushing past you and Arthur without a second glance.
You turn to your partner, offering him a faint, hesitant smile but avoiding his gaze. âFeel like dancing?â You fear the same cruel rejection heâd given you earlier.Â
Arthur glances at you with a shrug, already heading for the stairs. âOh, I donât know,â he says, his tone teasing, dry. âI might be a bit too dull-witted for a dance.â
You roll your eyes, trailing after him, his jab lingering between you like an unspoken challenge. You take his arm and he begins shouldering through all the nicely dressed people. They send him affronted looks but he pays no mind, heading toward the bar Bill isnât standing at. âDonât keep pretending I intentionally hurt your feelings,â you taunt.
He pauses at the bar, gently pushing you in front of him to create a buffer between you and the throng of people. His presence shields you like a wall. It doesnât help the way the air feels more suffocating with every passing moment. Youâre unsure if itâs the corset or the amount of people swarming you that makes it hard to breathe.
ââCourse my feelings ainât hurt,â he mutters, flashing a brief grin before waving down the bartender. Without needing to say much, the man places a glass of whiskey in front of him and moves on to the next person. âI know you had to lie,â Arthur continues, voice quieter now. âI just donât like you being mixed up in all this, alright? You could-â
âWhat?â You interrupt, turning to face him, your chest pressing against his. The sight you make must be quite a spectacle for polite society- two people so intimately entwined, neither of you wearing rings. You take his hand in yours, âI could get hurt?â
You let out a self-deprecating laugh and shake your head. âI already have been hurt, Arthur. The O'Driscolls were what dragged me into this, not you. Just being in that camp puts me in danger.â
His brows furrow, something that looks startling like hurt playing across his face. âI canât be responsible,â he utters, voice low and heavy, âfor someone else I care about dyinâ.â
You sigh, heart aching for him. âArthur,â you say softly, hand drifting up to cup his jaw. He leans into your touch, and you practically melt at the sight. You wish you could just keep him locked away. Away from all his troubles and the pain he carries, but you know you canât.Â
âYou canât be responsible for everyone,â you tell him, voice low. âI make my own choices, Iâm my own woman. If I choose to put myself in danger thatâs my fault, not yours. Youâre always gonna be worrying if you keep shouldering all this weight. Let some of it go. Please.â
He sighs heavily, and you know deep down he wonât listen to you, not about this. Heâll always blame himself for the gangâs troubles, and it eats you up inside. You wish he could see himself the way you see him, the way Hosea or Tilly or Sean sees him, not as the man Dutch created.
âAlright,â he whispers, an empty promise, and pulls your hand from his face, lacing his fingers through yours. Your throat tightens as you swallow hard. Heâll never let go. Heâd give his dying breath to save someone else.
You blink rapidly, looking away from him as your gaze drifts toward the partygoers. Women in extravagant dresses pass by, on the arms of powerful men, nothing more than accessories to them. You find yourself reaching for the ring on your left hand, only to remember it's long gone.
You had hoped youâd never return to a place like this, to a life full of bad memories. But you shouldâve known. No matter what, you always end up back here. Itâs what you were raised for, trained for, to please men like Angelo Bronte.
âCanât believe Hosea had to tell you to compliment me,â you tease, trying to lighten the mood.
He rolls his eyes with a small smile, âYou look gorgeous, sweetheart,â he tells you, wholly earnest in his words. âBut-â
You swear if he's about to call you a bison-
âArthur!â A voice calls from above, cutting through the moment. You both frown and look up to see Dutch bent over the porch railing. He nods toward the door, then disappears back inside the estate.
âAlright,â Arthur mutters, pulling a key from inside his jacket and turning toward you. You raise an eyebrow, leaning against the bar, and giving him a questioning look. âTake this and head to the hotel down the road,â he says, handing you the key. âIâll meet you when this is all done.â
âWhat is it?â You gingerly take the key from his hand and turn it over.Â
âA room key,â he deadpans and you roll your eyes.Â
âI see that, but why did you get it?â You ask, but before he can answer, an impatient voice calls his name from above. You tuck the key into your bag, waving him off. âGo on. I need to get out of here before Bronte collects on that dance.â
He grumbles something under his breath and heads back toward the stairs. Heâs nearly at the landing when he turns back toward you.âIâll be with you soon,â he promises, then rushes the rest of the way up to meet Dutch.
You stare at the key in your purse, then glance back at the women around you. This will be the first party youâve ever left under your own volition. And, without the looming proposal of twenty men youâve never met. This will be the first party youâve ever left by choice. If thatâs the only win you have tonight, youâll be happy.Â
Saint Denis might be the most backward place youâve encountered during your time with the gang. Perhaps not as stifling as Rhodes, but certainly no better.
âIâm sorry, maâam,â the hotel clerk drawls, his tone dripping with false courtesy. âBut we donât allow women of your⌠caliber in our establishment.â
You glance down at your fine dress, the way Mary-Beth had carefully styled your hair, and try to reconcile his words with your polished appearance. For the life of you, you canât fathom how this man sees anything but a proper lady.
âAnd what, exactly, is that supposed to mean?â you ask, your voice sharp.
The man sniffs, his expression folding into something both condescending and disdainful. âWell,â he says, as if speaking to a wayward child, âI happen to remember the gentleman who retained that room. He seems the type to⌠hire someone like you.â
It takes a moment for his words to land, but when they do, the whites of your eyes flash in disbelief. A whore. Thatâs what heâs implying you are. Just some woman off the street Arthur must have paid for companionship.
Your fingers twitch, the weight of the gun in your purse suddenly tempting, but you know better. Causing a scene here would accomplish nothing but attracting the attention of Saint Denisâ finest.
Instead, you step forward, your voice dropping into a low, icy drawl. âMy husband is going to be quite upset by this treatment.â
He nods his head, lips tilted in faux pity, âIâm sure he will be,â he agrees, voice dripping with sarcasm. He doesnât believe for one second that youâre married. And maybe you arenât, but that doesnât matter. You refuse to let him get away with treating you like this.Â
âOh,â you trail off into a bitter chuckle, the sound sharp and humorless as you glare at the smug little man behind the counter. âAlright. I see how it is.â
He has the audacity to feign innocence, shaking his head with wide, exaggerated eyes. âHow what is, maâam?â
You donât answer. Instead, you nod to yourself, your decision made, and storm over to the bench by the entrance. Without hesitation, you plant yourself down, smoothing your dress as you settle in for the long haul. âIâll stay here all damn night if I have to,â you declare, voice loud enough to draw a few curious glances from other patrons. âBut I will not be leaving this spot until you apologize.â
The clerkâs smile widens, smug and condescending. âWell,â he says with mock cheer, âI hope youâre comfortable.â
It takes Arthur an hour and a half to finish whatever Dutch had needed him for. You donât have a clue if it had to do with Jack, Tahiti, or who knows what else. All you know is that your legs are practically numb from the tight heels youâre wearing and the uncomfortable wooden bench beneath you. Still, that doesnât stop you from leaping to your feet the second you see Arthur walk through the hotel door.Â
His eyes narrow in confusion as you stride toward him. âWhatâre you still doinâ waitinâ out here?âÂ
You scoff, grabbing his wrist and storming back toward the little man behind the counter, whose wide eyes have already clocked Arthurâs imposing presence. âThis little-â You bite your tongue, sucking in a deep breath to steady yourself. Arthurâs brows quirk in amusement as he watches you wrestle your temper into submission.Â
âThis man,â you start again, glaring at the clerk with barely restrained anger, ârefused to let me into our room. Says he doesnât think people like us belong in a place like this.â
Arthurâs expression hardens with interest, and the clerk quickly starts bumbling excuses, his words tripping over themselves in a frantic effort to backpedal. You plant a hand on your hip, your smile sharp and smug as you watch him squirm under the weight of Arthurâs silence.
âYou left my wife,â Arthur says, his arm slipping around your waist as he pulls you close, âsittinâ out here. All night?âÂ
The word wife rolls off his tongue so easily it catches you off guard, but you donât have time to dwell on it. The clerk pales, shaking his head as he stammers, âIt was an innocent mistake, sir, I swear. I will happily take you up to your rooms now.â
âNo,â you snap, stopping him before he can step away. His strained smile falters as he turns back to you.Â
âMaâam?â Both men look at you, but youâre too incensed to notice Arthur biting back his laughter.Â
âI want a proper apology,â you demand. âI sat on that bench for near two hours and all it takes is one word from him,â you jab a finger in Arthurâs direction. He makes a noise somewhere between affronted and amused, but stays quiet. âAnd suddenly everythings just fine and dandy?â
The clerk inhales deeply and forces the most half-hearted apologetic look youâve ever seen. âI am truly sorry maâam,â he says, tone clipped and mechanical. âYour dress had me mistaking you for someone of much less standing.â
Your jaw drops, and something between a squeak and a growl escapes you. Arthur swiftly snatches the room key back from the clerk and shoots him a glare.âWeâll find our own way to the room.â He tugs you along before you can lunge at the man, whose smug smirk makes your blood boil. Arthur steers you toward the stairs, pushing you gently ahead of him.
âHe thought I was a whore, Arthur!â He chuckles and you gasp, whipping around and swatting at his arm. âDo I look like a whore to you?â
âWell, youâre pretty enough to be oneââ
âArthur!â you exclaim, smacking him harder as he laughs and ushers you down the hallway.
When you reach the door, your irritation fades. âWhyâd you even get us a hotel room?â
âWell,â he says with a small smile, âI know Shady Belle ainât up to your standards.â
Guilt twists at you and you shake your head. âOh, Arthur, no-â
âItâs alright, sweetheart. It ainât my house.â He takes your hand and leads you inside.
You have to admit, the second you see the clean walls of the room and the freshly-made bed, itâs like weight taken off your shoulders. You hadnât realized just how much youâd been craving the cleanliness of your old life until now. The idea of a proper bath makes your heart ache with longing.
âHow much did this cost you?â
Arthur quirks a brow, slowly sliding your purse off your arm. He frowns slightly at the weight of the gun inside, shooting you an odd look before continuing. âIs that any way to talk to a gentleman?â
âOh,â you tease, grinning as you turn toward him, âI didnât know I was talking to a gentleman.â He sets the purse on the table by the bed and closes the distance between you, his hands finding your waist as you loop your arms around his neck.
The conversation takes a more grave shift as you ask, âWhat did Dutch need?â
Arthur sighs, rolling his eyes. âThat Bronte fella. He was the one who took Jack. Needed me and John to fetch some family heirloom. Still, robbinâ graves for an Italian mobster ainât the oddest job Iâve worked.â
âSo, Jackâs back?â you prod, intrigued by the grave-robbing but saving your questions for later.
He nods, the tension in his shoulders easing. âBack at camp. Theyâre probably celebratinâ by now.â
âAnd you didnât want to celebrate with them?â
He shakes his head, his hands drifting to the laces of your dress. âNowhere Iâd rather be than right here.â
âMr. Morgan,â you scold, your voice low and breathy as he leans closer. âWhat exactly are your intentions tonight?â
âTo get you out of this damn dress,â he murmurs with a chuckle, plucking at a lace and loosening your corset. His eyes meet yours, warm and intent. âFeels like Iâm holdinâ someone elseâs woman. Wanna see you again.â
You canât help but smile at the tenderness in his voice, though the words cut a little deeper than you expected. This dress, this persona, the polished veneer of a proper lady- itâs all a mask. And in Arthurâs arms, it feels like itâs already slipping away.Â
You tilt your head up, eyes fluttering close in invitation. He doesnât waste a second before heâs pressing his lips against yours, eager hands working on pushing the corset the rest of the way off. You stumble towards the bed, your fingers drifting down his neck to tug at the bowtie still knotted too tightly around his collar.Â
Arthur seems to have better luck than you do with shedding your layers. He also seems to have more experience with ladies garments than heâs let on. Youâd laugh at his eagerness if you werenât just as desperate, fumbling at the buttons of his shirt with frustrated huffs.Â
He gives you a gentle push, your legs hit the edge of the bed and you fall back with a soft gasp. You prop yourself on your elbows, looking up at him with a coy smile as your fingers toy with the neckline of your shift, sliding it a little lower.Â
âWell, Mr. Morgan?â You tease, your voice low and inviting. âYou really gonna keep a lady waiting?â
His lips quirk into a crooked smile, but he doesnât bother with words. Instead, he leans down, his weight pressing into you as he captures your lips again. Your laughter melts into a quiet gasp as his hands find your waist, tugging you closer.Â
The room grows warmer, the world outside fading to nothing as you lose yourself in him, in the way his hands and lips feel against your skin. Your dress slips further, pooling around you like a forgotten memory. Whatever unspoken words linger in the air are stolen away, replaced by breathless laughter and the sweet whispers of a night that belongs to you and Arthur alone.Â
The ride back to camp is slow, neither of you in any rush to return to the chaos. Your conversation is devoid of your usual banter, instead you opt for soft glances and easy smiles. Thoughts of your intimate morning together, the way heâd brushed the hair off your bare shoulder, the two of you splashing out half the water figuring out if that bathtub was big enough for the both of you, it was all so perfect. Neither of you want to shatter the rare, fragile peace. Besides, what more is there to say after last night.Â
Itâs easy to forget why there had ever been tension between you, until you make it back to camp. The noise is overwhelming immediately, loud cheering and shouted questions that you canât make out through the cacophony of voices.Â
Arthur pulls Diablo to a stop, and you follow suit, hitching Lady beside him. He swings down from the saddle first, his eyes narrowing at the commotion around Dutchâs tent. Coming to your side, he offers a hand to help you down, his grip firm and steady. Without letting go, he threads your hand loosely through his, guiding you through the small crowd gathering near Dutch.
You lift up the edge of your skirt and follow along after him. After last night, youâve learned the dress can survive some wear and tear, youâre no longer worried about messing it up. The tight tendrils of the night before are loose waves around your shoulders and the flush on your cheeks can no longer be blamed on rouge. You glance over at Arthur and grin, the bowtie and the jacket abandoned back at the hotel, his hair fussed from your wandering hands.
Sean comes bounding up to you both, hollering a loud, âArthur!â The over-excited redhead practically bounces on Arthurâs shoulders as a broad grin splits his face. Arthur grimaces, swatting Seanâs hands off.
âWhat the hellâs gotten into you?â Arthur snaps, already out of patience for Seanâs antics.
Sean grins even wider, âOh, heâs done it, Arthur! Weâre finally gonna get the hell outta here!â Arthur looks over his shoulder at you, wearing a confused expression that you share, just as lost as he is. Â
âArthur! Finally!â Dutchâs voice cuts through the noise, silencing the crowd. He strides over, smiling at Sean before nudging him aside with casual dismissal. Dutchâs sharp eyes flick to you, narrowing with suspicion. âI was wondering where youâd disappeared to,â he says smoothly, though thereâs a pointed edge to his tone that makes your stomach twist. You stand straighter, unwilling to bend beneath his gaze.
âDutch,â Arthur starts, his tone unsure. âWhatâs got everyone so worked up?â
âMy dear boy, I have finally found our golden ticket out of here and onto a boat to Tahiti!â You canât help but feel a spike of doubt. You rarely trust anything he says, but especially not when it comes to Tahiti. But what catches you off guard is the flicker of hesitation in Arthurâs expression.
âReally?â Arthur asks, his voice laced with skepticism as he eyes Dutch warily. If Dutch is surprised, he doesnât let it show.Â
His grin doesnât falter as he steps closer, resting both hands on Arthurâs shoulders. Thereâs an air of practiced paternal affection about him. âArthur,â he says warmly, his voice almost a purr, âhave I ever given you reason to doubt me?â
You scoff, crossing your arms. âI can think of a few,â you mutter under your breath, your glare sharp as you meet Dutchâs gaze.
Dutch turns to you with a polished smile, laughing as if youâve shared some inside joke. âAh, that tongue of yoursâalways so sharp, my dear.â You roll your eyes at his patronizing tone, your irritation barely contained. Arthur shoots you a warning look, silently asking you to hold your temper. But you canât help it. Every instinct in you rails against Dutch, every polished word and easy charm grating like nails on a chalkboard.
Thereâs no way that whatever Dutch has planned actually works, it never does. In fact, it seems every mission, robbery, or even shopping trip since the mountains has ended up with you being chased by Pinkertons or Cornwall. Itâs almost as though someone is letting them know where youâre going to be. You linger on the thought, swirl it around before dismissing it. Dutchâs power comes from having control over the gang. He wouldnât so foolishly give that away by letting in a rat. Heâs a conman, but heâs no idiot.
âIâve received a tip from our friend Mr. Bronte.â Dutch starts, turning towards the rest of the gang so they can hear him. Arthur watches him with narrowed eyes and a scowl. You observe, face pinched as you try and discern what heâs thinking. âIf we want to finally get out of here,â a few whistles from the group and he grins, âour future lay in trains.â he laughs, clapping his hands together and shaking his head. âI donât know how I never thought of it before, but if there was one place thatâs going to have the most foot traffic and money, itâs going to be the train station.â
You walk up to Arthur, snagging the elbow of his jacket and tugging him towards you. He shoots you a bewildered look but you shake your head, urging him not to say anything. âDo you really think this is smart?â Your voice is hushed, one eye trained on Dutch to make sure heâs busy regaling everyone with his tall tales. âFollowing a tip he got from a mobster sounds risky, even by the gangâs standards.â
Arthur lets out a rough sigh and scrubs a hand down his weary face. You steel yourself for his usual defense of Dutch, instead he just looks like a man beaten down too many times. His shoulders sag in a weary gesture that youâve seen one too many times. âWhat choice do I have?â He asks, already sounding resigned to the mission. âIt doesnât matter what I think, heâll drag everyone else along on his scheme. Someoneâs gotta make sure they donât all get themselves killed.â
âDoes it have to be you?â You snap, biting back your volume as your frustration threatens to boil over. Your eyes narrow into slits as you tilt your head, trying to catch his eye. âWeâve had this conversation before, Arthur. Last time you were nearly dead, I donât much feel like having you come back to me in a casket this time around.â
Arthurâs jaw tightens as he meets your gaze, looking like a rough mix of guilt and anger. âWeâre going to keep having this conversation until you just accept that this is who I am,â he says sharply. âThis is what I have to do, if you canât live with that then this is gonna end just like it did with Mary.â
It almost feels like heâs trying to hurt you, trying to push you away. With a pained scoff, you shake your head, âDammit, Arthur, maybe she had a point,â you shoot back. âThereâs nothing wrong with you being an outlaw, but there is everything wrong with always being the first to throw yourself in front of a bullet.â
He snatches his arm from your grip and your stomach drops to your feet. The emptiness of your hands feels like a physical blow. His expression softens, ever so slightly. âOne last job,â the promise lingers heavy in the air between you. His face is a quiet plea but you can only take a step back from him. Your heart is aching and he isnât even gone yet. âI swear,â he adds.
âYouâve said that before,â you whisper, your voice cracking. âGo, Arthur. It doesnât matter what I say, youâre never going to choose me.â He hesitates, his hand hovering near yours like he wants to reach for you. But before he can say anything, Hoseaâs voice calls his name from the wagon, pulling him away. You watch him go, your chest tight and your vision blurring as the space between you grows. He doesnât look back, and you donât call after him.
This is who he is. And you? Youâll always be the one left behind.
Youâre supposed to be packing Arthurâs things. After all, the miraculous Dutch Van der Linde is about to lead everyone out of the wetlands and onto a boat to paradise. You scoff at the thought, twirling a bottle of whiskey in your hand. The last time you drank this, youâd killed a man. You wonder what youâll do this time.Â
A commotion breaks out at the edge of camp, dragging you away from whatever foolishness you were about to get into. Frowning, you drop the bottle to the ground without a care for the way it shatters. You step over the shards of glass and run towards the horses, dread coiling in your stomach. The job was supposed to be quick, but an hour seems far too fast for you.Â
Mrs. Grimshaw shouts at whoeverâs parking their horse and you narrow your eyes in confusion when you see Charles struggling off Taimaâs saddle, his movements sluggish and pained. Concern gnaws at your already frayed nerves when you realize heâs the only one to return. Your mind immediately follows the worst scenarios, Arthur thrown lifeless over a horse. Or, worse, never returning at all.Â
Charles staggers to a stop in front of you and youâre forced out of your spiraling thoughts. His face is a mottled portrait of bruises, blood still leaking steadily from his nose. This is the first time youâve ever seen him look out of sorts and itâs chilling. âTheyâre gone,â he croaks, hand clenched around his ribs.Â
Your hands dart to his shoulders, steadying him. âWho is?â You ask, though you already have the sinking feeling you know the answer.Â
âHosea and Lenny,â he says, his voice cracking. âDead. Cops got them. Sean and John, were dragged off to prison-â
âArthur,â you interrupt him, voice short as you impatiently wait for his answer. He winces, from pain or the reluctance to tell you, you canât tell. âWhat happened to Arthur?â you ask slowly, voice low and tense. You feel like the string of a bow, taut and pulled back, just waiting to be set free.Â
âGot on a boat with Dutch and the others. A ferry, I donât know where they are, but theyâre gone.â He stumbles back from you, turning towards the rest of camp. The world seems to slip upside down. Your hands fall to your sides, grasping at nothing but empty air.Â
âThey left us,â you whisper, the weight of it sinking in like a blade to the chest. Arthur left you. All the warmth heâd given was stripped away and left you cold.
Your mind races, but it always lands on the same bleak truth: this isnât the first time youâve been abandoned. Youâd been foolish enough to think it might be different with Arthur. Foolish enough to believe he might stay.Â
Charlesâs voice cuts through your haze. âThe Pinkertons will be here soon,â he shouts, turning toward the rest of the camp. âWe need to leave, now!â
You donât move. Your feet are rooted in place, your mind screaming at you to react, but your body refuses to listen. Youâre disgusted with yourself by how much this betrayal is surprising you.
Charles spins back to you, his hands gripping your shoulders with no care for gentleness. âWe need to go,â he snaps, shaking you. âNow.â
His urgency finally breaks through, and you nod stiffly.Â
Next part
end. â I do not own the characters or the game Red Dead Redemption 1/2, but this writing is my own all rights reserved Š not-neverland06 2025. do not copy, repost, translate & recommend elsewhere.
Hell Hath No Fury Taglist: @buckysblondie @littlebirdgot @heloixe @summerdazed @committingcrimes-2047
@m1stea @pokiona @fleouris @soupvender00
Pairing Ë˰â˘*â⡠Arthur Morgan x fem!reader
Next Part - Hell Hath No Fury Series
Summary: Jack's gone missing and there's only one place that's going to have the answers you need. St. Denis may just be one of the dirtiest places you've set foot in. Still, if stomaching a mobster chatting you up, means getting the boy back, then you'll just have to deal.
A few weeks later
Arthurâs shoulder is still sore where heâd been shot. You lay under his left arm rather than his right so you donât irritate it any further. After heâd started moving around on his own again, youâd gone back to sleeping in the womenâs tent.Â
He knows how uncomfortable the cramped tent is now that they have to make room for you and Sadie, so he let you sleep in his tent on days he wasnât in camp. One night, heâd come back earlier than expected after a hunting trip and youâd been asleep on his cot. When youâd woken up, his good arm was wrapped around you and you had been tucked into his chest. Neither of you said anything about it, you just continued sleeping there, even on the nights that he was around. Itâs comforting, having him watch over you again just like when he had first saved you in the mountains. Thereâs a familiarity to it that youâd been missing.Â
Still, as comfortable as you are sleeping beside him, your nights are restless. Youâre plagued with guilt for what youâd said while he was sick. It almost feels like taking advantage of him while he was at his most vulnerable just so you could whisper what Dutch might call âyour poisonâ into his ear. You had a personal agenda, even if it was for his benefit too. You wanted Arthur for yourself, together and away from this life. Mostly, you wanted him out from under the control of Dutch, and safe. Still, you had no right to preach about Dutch being such a conman when youâre doing the same thing.Â
Tonight, youâre awoken by the same nagging thoughts. Your eyes flutter open as your stomach twists with a painfully familiar guilt. Huffing, you adjust yourself higher up Arthurâs chest, trying to force yourself to get comfortable again. His arm flexes around you as he shifts onto his side.Â
You tuck the rough wool of Arthurâs blanket under your chin but it doesnât do anything except irritate you further. Trying to make sure you havenât disturbed him too much, you risk a glance up at Arthurâs face. Heâs the most at ease when heâs sleeping. Itâs the one time youâve seen him look his age, as the stress and tension melt away from him.Â
Heâs healthier now and beginning to look alive once more. His cheeks are filling out, no longer so gaunt and hollow that the bone nearly pokes through. When he greets you in the morning his eyes are warm and bright. They donât carry the flatness of fever and the threat of death. Heâs slowly started to regain his appetite, clothes no longer hanging so loosely off his frame. And he finally shaved that horrendous beard heâd grown while heâd been sleeping. Itâs a relief now that the reason for staying up all night isnât because you're making sure he doesnât stop breathing in his sleep.Â
Sighing, you carefully maneuver your way out from under his arm, sitting up in the cot. His hand drops from your shoulder to your lap as he readjusts himself to your absence. You look back at him and grimace. Just another secret to keep.Â
You killed your husband and no one except Charles and a whore will ever know about that. But that had felt right like youâd done the world a service getting rid of him. And you know, that getting Arthur to see past blind loyalty to the gang and to Dutch is better in the long run. But taking advantage of the fact that he was bed-ridden and couldnât run away from having that conversation was wrong. Youâre feeling like the scum you make Dutch out to be.Â
You brush your hair back and get to your feet, deciding to go sit with Charles while heâs on watch. Itâs usually what you end up doing when you canât sleep. Neither of you will talk but it's comforting just to have his calming presence near you. Your fingers are on the knots of the tent flap when a scream rips through the cold night air.Â
Eyes wide with fear, you stumble back a step. Arthur shoots up in bed and you whip around just in time to see him drag his revolver out from under the pillow. âWhatâs wrong?â He barks out the question as he leaps to his feet, coming to stand in front of you.Â
Your eyes dart between him and the gun. Heâs wide awake like he hadnât been deep asleep only a minute ago. And you didnât even know that gun was there. You forget, sometimes, just how on edge these people have to be to survive. Thinking itâs you who screamed, Arthur snaps your name out when you donât respond.
A shout rings out now, coming from just outside the tent. Itâs a womanâs voice but you donât know which one. Arthur guides you behind him and goes towards the tent flaps. When you try to follow him he barks out a brisk, âStayâ and runs out of the tent, half-dressed, gun in the air, looking crazed.Â
Ignoring Arthur, you push open the canvas just enough to poke your head out. Most everybodyâs been woken up by the commotion. Theyâve all got their guns out, looking for whatever threat has someone hollering like a dying animal. You look past them and towards the fire where Abigail is beating on John with every ounce of strength she has.Â
The fire casts a shadow against her wild eyes, making her seem larger than life, near inhuman. âYou bastard!â She screams, slapping John so hard across the face you can hear it connect from where you are. âHow can you just stand there!âÂ
Arthur gets to them first. He tucks his gun away and grabs Abigailâs wrists, ripping her away from John so sheâs forced to stop hitting him. Heâs muttering something to her and you canât hear it but you imagine heâs trying to calm her down and get her to explain herself.Â
John and Abigail donât get along on the best of days, but this is odd even for them. Youâd thought youâd seen her at her angriest when sheâd found out what Karen and Sean had done in her bed, but this was an entirely different beast.Â
âThey took him!â Choking back tears, she shouts, âThey stole my son!â
 Despite the urgency of Abigailâs situation, the priority remains to keep those still in camp safe. Jackâs kidnapping was a wake-up call. The gang will never have a moment to feel safe again. No matter where you run to or who you partner with, there will always be a threat hanging over your heads. Dutch has Arthur and Charles out looking for a new place to set up while the rest of you remain behind and pack.Â
Before, you would have helped the women pack up their tent and any other miscellaneous items. But your duties have shifted from working with them to what feels like Arthur duties. You take care of his things now, pack up his wagon while heâs gone, and throw your meager belongings in beside his. You feel remarkably wifely as you fold up his clothes and it sends a cold chill through your stomach. This is not a pleasant familiarity.Â
Itâs not like you havenât seen the transition from helping around camp to solely taking care of Arthur. At first, you had assumed it was simply because he was so ill that he needed the aid. But now it seems as though they changed your handler from Mrs. Grimshaw to Arthur. She no longer demanded anything of you or tried to take charge of how you act.Â
You wouldnât say that Arthur has taken advantage of the situation. He never asks anything of you, what you do for him you do of your own free will. But it doesnât ease the sense of dread you feel. You take care of him, his clothes, and his belongings because you donât know what else to do. Never have you had the opportunity to choose another way of life. You had been born as an object to be bought and traded, sent to a finishing school that disciplined you in the arts of being a wife. You donât know any other way and that terrifies you.Â
Thereâs a deep-seated worry that this infatuation with Arthur is only a way for you to survive. By latching onto him, youâve given yourself someone to take care of and someone who will protect you. Thereâs no chance of abandonment now that the two of you are so connected.Â
Itâs shameful, this fear of yours. Still, though, it lingers even when itâs unwanted.Â
Lady grazes lazily in the grass beside you. Her tail flicks with boredom, her head always perking up when she hears another horse huff and thinks Diablo might be coming back. Theyâve grown remarkably attached and you canât say that you havenât noticed sheâs been a lot calmer lately. You think being around him so much helped ease her into her new environment. You wonder if thatâs what happened between you and Arthur, but you just never managed to fully assimilate.Â
Taking Ladyâs reigns you hitch her up to the wagon and jump onto the driverâs seat. Without Arthur, you wonât have anyone else to ride with. Leaning back against the wood, you watch as Molly struggles with some crates. She stumbles, nearly tripping into the mud as she tosses them on the back of the wagon. Dutch doesnât offer her help, heâs too absorbed in his hushed conversation with Hosea.Â
The way Dutch treats her, the dismissive coolness, and then the sudden surge of love every few weeks, frays at her mind. Her patience and sanity have slowly been dwindling and you can see it plainly on her face. Sheâs gone mad and temperamental and is never happy anymore. Is that the fate of any woman who loves an outlaw?Â
Trelawney has a family in the city somewhere. How often does he see his wife or his children?Â
Abigail and John are no great love story. Sheâd been the gangâs favorite whore before John got her pregnant. Then, heâd had no other choice but to take care of her and their child. Their relationship was born out of resentment and necessity. The most affection youâve ever seen between them was her yelling at him for getting clawed up by a wolf.Â
Mrs. Grimshaw watches Molly struggle for a minute or two before coming over and silently offering her aid. They donât speak and the tension is clear between them. Mrs. Grimshaw, Dutch's former lover, and his current jaded woman. Susan had the intelligence to get out before Dutch broke her completely, now she was nothing more than an associate to him. How quickly do the affections of outlaws fade?
But Arthur isnât John and he certainly isnât Dutch. You canât compare him to anyone because youâve never met another man like him. Heâs not your husband. Thereâs no ties keeping you together. No oaths to break or rings to bury. You can leave anytime you want, the only reason youâve stayed so long was because it was your choice.Â
If you keep looking for your old life in every aspect of your new one, youâll never move on. If you keep looking backward, youâll be terrified of everything. You canât allow yourself to live like that again.Â
Grabbing the reins you take a deep breath and close your eyes. You picture your old house, the cracks in the foundation, and the holes in the walls. Still, you hear your husbandâs voice carrying through the halls as he shouts at you. Thereâs nothing like that here, nothing to fear. The memory doesnât carry any of the pain it used to. Itâs like a ghost of a past youâve nearly forgotten. You just have to finish letting it go.Â
Shady Belleâs name carries a certain elegance with it. It sounds like a dignified estate, one you might not find in the city but would certainly find near plantations. In your mind, the name brings about images of your childhood home. The same one that had been taken care of by your family for generations.Â
However, the rotting monstrosity of termite-infested wood and stinking mud is certainly no great estate. When Arthur proudly shows you the new camp he and Charles have found, it is an exercise in control not to grimace in disgust. You know youâre spoiled by the way you grew up. To these people, simply having a roof is a luxury.Â
Arthur looks at you expectantly as he gives you a hand off the wagon. You bite your lip, brows furrowed as you try and think of anything complimentary to say about the house. Itâs difficult to think with the stink of the marsh flooding your senses. âIt is certainly something,â you mutter, narrowing your eyes at the door thatâs not screwed on right.Â
You suppose, in a way, it reminds you of your husbandâs estate. When the coffers were run dry and your husband had scared away the rest of the cleaning staff. Arthur chuckles and helps you around the puddles of mud blocking the entrance to the home.Â
âI know, I know,â he relents, sounding slightly amused by your clear disdain. âIt is pretty ugly. But,â he grabs the doorâs handle and shimmies it roughly a few times before the rusted hinges let out a loud groan and it goes swinging open. âWe do get our own room.â
He motions you towards the stairs and your brows perk with interest. âAnd,â you glance over your shoulder at him and grin, âwhat, pray tell, would we need the privacy of our own room for?â
He rolls his eyes at your question and gives you a not-so-gentle nudge up the stairs. âIâm sorry, when did I start speakinâ to the Lady Rowe?â You turn around intending to playfully swat at his shoulder when he unexpectedly grabs your wrist and pulls you to him giving you a rough kiss. Â
Pulling back breathlessly, your surprised eyes dart toward his lips, âWell, youâre a real charmer, arenât you?â You tease. Taking the lead, he guides you through the winding hallway until you reach the very last door in the house. He seems eager to show you and it almost has you excited.Â
However, from the way the wood floor creaks under your feet and you can feel the house swaying in the wind, you donât have high hopes for the state of the room. Besides, when was the last time Arthur or anyone else in the gang had actually slept in a real house? Youâre sure heâd get excited by anything at this point.Â
He gives you a small smile and throws the door open. You relax your expression, trying to make sure no unkind thoughts show on your face as you step through the door. Your eye twitches slightly and you bite your tongue. This was deplorable.Â
The âwindowâ is a hole in the wall that looks like someone had been thrown through. When you look up you can see the sky through the roof. Itâs about as small as your old closet and the moist smell is nearly unbearable. The humidity out in these parts is going to be the death of you. You go one step further and swear your heel nearly goes through the floor.Â
However, despite all of these issues, there is one very wonderful thing about this room. The bed pushed up against the wall actually looked half-clean and was far larger than Arthurâs tiny cot. âWell, Mr. Morgan, this is something indeed.â He lets out a proud huff and your gaze drifts through the âwindow.â You grimace as you spot a gator clamping down on a deer in the marsh outside.Â
Outlaw life you could handle, but living in the moors was certainly asking a lot.Â
If there were any trails left leading to Jack, they would be found in St. Denis. It was suggested that you use your former connections to try and find information on the boyâs whereabouts. The gang didnât seem to understand that you had no connections of your own. They were either your husbandâs or your fatherâs. And you certainly didnât want to call upon any of your fatherâs old partners, that would lead to nothing but trouble. Though, you wouldnât be surprised if you ran into them. As disgusting and poverty-ridden as the city is, itâs exactly where men like that love to linger.
âIâm still not sure bringinâ you along was a good idea,â Arthur frowns at how you have to ride side-saddle in the skirts youâd donned for this. As much as youâve grown to love pants, that kind of modern-day fashion isnât going to work for what you need to do.Â
After what happened in Valentine, you know Arthur doesnât like dragging you into the gangâs business. But youâre reluctant to let him out of your sight now. You canât trust Dutch to take any care or precautions for Arthurâs safety. Besides, Cornwall and the Pinkertons wouldnât be so desperate as to start shooting at you in the middle of the street. Thereâs too much risk they might hit the wrong congressman and lose themselves their funding.Â
âArthur, might I remind you that Iâm more at home here than I am in camp.â A mangy mutt barks at the horses as you pass by. You can just imagine the fleas crawling through his coat, mud matted into what little fur he has left. A boy not much younger than Jack runs up to him and tosses him a stick. You can see the ribs poking through both of them.Â
Arthur lets out a heavy sigh and sets you with a firm look, âReally? This is home to you?â
Slowly, the run-down huts around you give way to smoking factories and haggling merchants. Smog and filth pollute the air, the fog parts just enough for you to see the high-end estates in the distance. The rich, watching their fortunes grow as their factory workers and servants die a slow death.Â
âPoor choice of words,â you acquiesce. âNo, Iâm much happier out in the wilderness. I only mean this is where I was raised to be born, bred, and die. Thereâs a culture to the sniveling men who live here, and I happen to be quite familiar with it.â
âWell,â Arthur sniffs and you watch him toss a coin into a beggarâs outstretched bowl. âI donât feel like gettinâ comfortable here. Why donât we make this quick?â You want to laugh at his impatience, but you canât deny how your stomach is twisting at all of the decay bordering the city.Â
You nod your head, nudging Lady on a little faster. It doesnât take long for the poverty to fade and make way for the âgrandeurâ of St. Denis. You still see filth, crime, and unseemly business tucked away into the corners of the city. No matter how hard the wealthy try, they canât keep the dirt off their hands. Itâs impossible to turn a blind eye to the murkiness of what you once thought was a black-and-white world.Â
âWhere do we even start?â Arthur asks, nose turned up in disgust at the city. You donât want to make him stay here any longer than you need to. If this is what the future of your country is to look like then you have no qualms becoming a feral mountain woman.Â
âIf thereâs anything rich men love more than making money, itâs losing it.â You nod toward the saloon up ahead and smile. âIf anyone has information theyâll be there. Either at the poker table or watching it.â
Arthur nods and you see him nudging Diablo to go faster but you hold out your hand, stopping him. âWait a moment, Arthur. Weâll need to get our story straight if weâre going to get anything useful out of this.âÂ
âOh, come on,â he huffs impatiently just wanting this to be over and done with. âWe donât need a story for this.â
âWe most certainly do,â you admonish. You click your tongue disapprovingly at him and shake your head. âTheyâre not just going to talk to any hick off the street.â
âHey-â
âYouâre to be the help,â you continue, ignoring his protests. âOr, my escort,â you amend when you see the disgruntled look on his face. âThey donât let women at the betting tables so Iâll leave you to the men there.â
âAnd you?â
âIâll work those at the bar. Theyâll be the most loose-lipped anyway.â You lead the horses to the hitch posts by the side of the saloon. Arthur gets off Diablo and comes to stand by your saddle. He holds a hand up towards you and you swat it away with a rude huff. âMind your place, sir. The help does not touch,â you inform him, nose turned to the air. It takes a herculean effort not to laugh at how easily his face screws up in irritation. You are enjoying this far too much.Â
The annoyed look drops when he sees you struggle to shift your legs to the other side of the saddle. He backs away, hands in the air and a smug look on his face. You peer over the edge of Lady and grimace. You seem to have forgotten just how tall your mare is without Arthurâs usual assistance. âSure you donât need help?â He asks, crossing his arms over his chest and leaning against the post of the saloon.Â
âSarcasm doesnât suit you, Arthur.â You drop from the saddle with a jolt and wince a little at the impact on your ankles. He rolls his eyes as you pass by him.Â
âCome on, this is ridiculous,â his voice is pleading with you to not go in there. You donât know if itâs because he doesnât want you involved or just because he doesnât want to talk to the men waiting for you inside.Â
âThis will work,â you insist. âAs long as youâre not too familiar with me.â
His face drops and his eyes narrow into slits. âFamiliar?â He grumbles. You give him a dainty nod, dodging away from the hand that tries to snatch up your wrist. âFine,â he snaps, spirit finally broken by your own stubbornness.Â
âBut if this donât work,â his hand drifts down to the revolver holstered on his hip. âI got somethinâ that will.â When will men learn there are better ways of getting what they want than whipping out their pistols?
âWhat?â You deadpan, âYouâre gonna shoot every man you see until you get your answers?â
He shrugs his shoulders, stalking past you and towards the entrance. âMaybe.â
âOh,â you scoff and pick up your skirts, rushing to keep up with his easy stride. âCome on you stubborn fool,â you grouse.Â
Right before you both reach the entrance, you clear your throat. He pauses, turning around with a glare. âI do believe itâs ladies first,â you remind him. His lips purse and he takes one reluctant step back. âThank you,â you use your prissiest voice just to rub some salt in the wound.
âI hate this already,â he grumbles, glaring daggers at your back.Â
âHush,â you bite your lip to stifle the laughter threatening to surface. You must admit, youâre getting a bit of a power rush being able to command him around like this. Youâre so used to taking orders that youâve forgotten what it feels like to give them out. You had once run your house until your husband took over. Itâs been a long while since you fell into this role.Â
Taking in a deep breath, you straighten up your shoulders and close your eyes. Remembering the vanity that comes along with a role like this, you smooth out your skirts and open the door to the saloon. The chatter and cigar smoke bring you back to memories of sitting in your fatherâs office while he filled out his reports. He was so cruel if youâd made too much noise while he was working. His favorite thing to tell you was always, âThe proper way of the lady is to be seen and not heard. Women are something to be admired, not understood.â
Looking around at the men in this room, you know theyâd tell you the same thing. Women arenât wanted here unless the men have a hand up their skirts or a business deal with their husbands. Even after all your time with the gang, you still find yourself being cowed. You almost want to turn back around and leave. But itâs Jackâs life on the line and you canât let his mother down simply because you got scared.Â
You pull a wad of cash out of the beaded purse on your arm and lead Arthur toward the poker table. After haggling with Dutch for an hour, youâd manage to convince him to hand over some of the camp's funds. He didnât need to know how much of it you were planning on pocketing for yourself.Â
The men around the table glance at you suspiciously out of the sides of their eyes. But they donât say anything to you until you start to pull a seat out. âWoah, little lady,â one of the men raises his hand and quickly grabs the arm of the chair, jerking it from your grip. He chuckles patronizingly and shakes his head, âIâm afraid thereâs no women allowed at this table.â
âWell,â you give him a sickly sweet smile. âItâs a good thing Iâm not playing.â Arthur comes to stand beside you and the manâs face pales. With the brim of his hat just barely blocking his eyes, the only thing they can see of him is the revolver on his hip and the nasty looks heâs sending them. He grabs the back of the chair and jerks it out of the manâs grip, nearly sending him flying.Â
âMy escort, here, will be playing for me.â Arthur takes his seat without another word and you slide the bills into his hand. Leaning over the edge of his chair, you whisper in his ear, âTry not to lose all my money, sweetheart.â
He tugs a cigar out of his vest and lights it up. He puffs silently on it and you spot the way his lips curl slightly at the edges. You can tell heâs doing his damnedest not to laugh at the little show youâre putting on for him.
âHow are we doinâ today, gentlemen?â Arthur addresses the men at the table, voice rough and you can already see them getting antsy just being near him. He should have no trouble getting what he wants from them. He doesnât even have to wave his gun around, he just needs to sit there and look terrifying.Â
You leave him to play his part and move towards the bar at the back of the saloon. There are a few men sitting around, but you have to be careful about who you choose. Someone too drunk wonât be of any use to you. And someone stone-cold sober is going to get very suspicious of a friendly woman who isnât a whore asking them too many questions.Â
Rounding the tightly packed poker tables, you stand by the edge of the counter. Thereâs no point trying to order, they wonât serve a woman. Unless youâre one of the ladies employed by the establishment, you wonât be getting much service. You hop onto one of the stools, taking in the men slumped against the bar.Â
One of them is clearly a laborer who wandered into the wrong bar and was too embarrassed to leave. A few others arenât too drunk, but theyâre talking amongst themselves. Youâd nearly left when you saw how crowded the place was, you wonât be able to handle a whole group on your own. The rest, except for one at the end of the bar, look like theyâre about to tip right off their stools.Â
The man at the end is well dressed, his suit finer and clearly more expensive than any of the others in here. Heâs nursing his glass of whisky, the bottle by his elbow and only a quarter-empty. He holds a cigar between his fingers, the smoke curling up into the air around his head. The expression on his face isnât particularly inviting, but he seems like the best shot you have at finding something that makes this whole trip worth it.Â
Slipping from your spot, you drift towards his side, keeping only a stool between the both of you. The goal is to not draw too much attention to yourself. You only need something small for him to notice you, it canât be obvious that youâre trying. Experience has taught patience in letting them come to you, not the other way around. Reel them in too early and everything falls apart.Â
âExcuse me,â you call out to the bartender, a small tilt to your lips as you give him a dainty wave. The man beside you only gives you a brief look before turning back to his drink. But you notice the way heâs turned slightly towards you, most likely intrigued by what a lady like yourself is doing in a place like this.Â
The bartender glances towards you with a nearly affronted expression. âCould I get a drink?â You force the pitch of your voice higher yet softer than it normally would be. You know the appeal of innocence and virtue to men like this, as disgusting as it is, it works.Â
The bartender shakes his head, voice gruff, âDonât serve women here. Youâll have better luck somewhere else.âÂ
âWell,â your shoulders slump and your face falls as you feign disappointment, âThatâs a shame.â You feel the stranger watching you and turn like youâve just noticed him. âI canât exactly leave,â you explain to him. His brows perk, an invitation to continue even as he remains silent.Â
Waving behind yourself, you point out Arthur. âIâve stolen my daddyâs favorite toy. I canât leave until heâs won me enough money for this pretty necklace I saw the other day.â There was a time when you actually spoke like this, even thought like this. It almost feels simpler, those days when the most important thing was having the prettiest dress in the room. Given the option, though, you would never go back. Not now that you can see the world so much more clearly.Â
Youâre entertaining him if nothing else. Thereâs a quirk to his lips as he listens to you talk. He doesnât truly care what you have to say, but he likes the company. Turning towards the bartender he snaps and grabs his attention once more. âA drink for the signora,â your brows furrow together at the thick Italian accent.Â
Youâd heard once, through your husband, that more Italian immigrants seemed to be moving to bigger cities like St. Denis. Italian mobsters seemed to flourish here. You just hadnât expected to find one in this bar.Â
The bartenderâs shoulders stiffen, his hands freezing in their idle movements of drying out a glass. You drop the ditzy look from your face for a moment, eyes narrowing in on the odd interaction. The bartender puts a glass before you, his hand trembling as he does. The Italian man watches it all with an eagle-eyed smirk. You canât help but feel like youâre witnessing some show of dominance.Â
The Italian man waves him away and he pours some of his whisky into your glass. âItâs bold of you,â he tells you, not offering further explanation.Â
âWhat is?â
He smirks and takes a deep drag of his cigar. The smoke billows from his mouth like a cloud, wafting over your face and smothering the air around you. Your teeth dig into your lips hard enough to hurt as you struggle not to cough.Â
His eyes rove over you and you feel like a diamond under the scrutinizing eye of a jeweler, being checked for flaws and value. âComing in here unmarried and without your father knowing.â
âOh,â you wave him off and giggle, your hand drifting towards the back of his arm. He looks smug at the touch like heâs won something. The hair on the back of your neck stands up and you feel as though youâre being watched. Risking a glance over your shoulder you see Arthur already staring back at you. His eyes are practically slits when he sees the hand you have on the Italianâs arm.
You clear your throat and quickly take your eyes off of him. âDo you see how big my escort is?â You ask, practically talking down to him. âI donât have to worry much when Iâve got him standing beside me. Itâs just too bad,â you trail off as you reach for the glass beside you. Â
âWhat?â He prods, straightening up as you take your hand off him. You take your time answering, pressing your lips to the rim slowly and taking a long drink. It tastes of bog and burns the whole way down, and you have to turn away to hide your pinched as you struggle to swallow it. Still, when you turn back to him you manage to look pleased.Â
âTo be quite honest, heâs touched. Got kicked in the head by a mule a few years back and isnât good for much more than fighting and labor.â God, Arthurâs going to kill you if he hears any of this. You canât risk looking back at him again, though. Right now, heâs nothing more than a prop.Â
âStill, an unclaimed, beautiful,â he adds as though that makes you sound any less like a piece of land, âwoman out and about like this. I canât imagine your fatherâs pleased.âÂ
You titter, batting your lashes and shrugging. âWhat daddy doesnât know wonât hurt him. Besides, Iâve got serious business to deal with in the city.â
âRight, your pretty necklace?â His tone is familiar, youâve been hearing it all your life. Heâs not listening to you, he doesnât care what you have to say, heâs just imagining what youâd look like on his arm. Or under him. It makes your skin crawl but youâre not so stupid that you donât use his attraction to your advantage.Â
An Italian man who can terrify a bartender with a single word, lurking in the dark corners of St. Denis. He seems like just the man youâre looking for. You play into what he wants, making your voice lighter, younger than it is, and leaning so he can see the way your corset perks up your cleavage.Â
âWell, beyond the necklace. Though, that is just as important. I have this friend, Abby. Poor thing got born on the wrong side of life and had to do awful things for a living. Then, some no-good outlaw gets her pregnant. So, sheâs stuck traveling with him now. And if thatâs not bad enough, her poor little boy got stolen from her a few days back. I was hoping I might help her out somehow. Maybe send her a pretty dress.â
You shrug noncommittally as though it truly means nothing to you. He hums under his breath, putting his cigar out on the tray beside him. âI think I can help you out, signora. Iâm having a party at my home tonight. I know a lot of,â he trails off, tongue licking across his lips like a hyena lapping at its maw. âInfluential people,â he finishes. âIf youâre willing, you can attend,â youâre about to agree when he adds one little stipulation. âAs my date.â
âOh, well,â you glance over your shoulder at Arthur now. Heâs talking to some of the men around him but heâs still got one eye trained on you. When he sees you looking he frowns, turning to face you fully.Â
You want to say no so badly. You donât want to deal with another man like this for the rest of your life. In fact, youâd be much happier going back to camp and pretending none of this ever happened. But he might have the connections you need, not just for helping Jack, but possibly to help the whole gang. You swallow down your discomfort and force your most flattered smile.Â
âIâd love to.â You answer, feigning a dreamy lilt in your voice. He pulls a fountain pen out of his jacket pocket and writes something down on a napkin. He slides it over to you and stands, taking your hand in his own he bends to press a kiss to your gloved knuckles.Â
âMy estate, signora, eight oâclock.â You watch as three men in different parts of the saloon all get to their feet and surround him. He nods forward and they march like proper soldiers, your eyes drift toward the guns on their hips and you let out a rough sigh.Â
You take a glance at the napkin and see that heâs written an address on it. Wonderful, youâve just gotten yourself a date with the mafia. You see Arthur out of the corner of your eye as he cashes out and gets to his feet. You bite your lip and frown, how in the hell are you going to explain this to him?
âThis is absolutely ridiculous,â Arthur snaps as you both walk into The St. Denis Tailor.Â
âArthur,â you bite your tongue, holding back the insult dancing just on the tip of it. âIâve already told you that this is necessary.â He tilts his head with a disbelieving look and you throw your hands up in the air in defeat. âHe might know how to get Jack back.â
âYeah, but did you have to tell him I was your âdaddyâs simple servantâ?â He demands, taunting you with the rude words youâd used earlier.Â
You take in a deep breath, preparing yourself for a real and true argument, just as someone clears their throat behind you. Turning, you find a sheepish tailor standing behind the register. He waves slightly at the both of you, face flushed from hearing you bicker on your way into the store.Â
âCould I help you find something today?â You shoot Arthur a glare over your shoulder and approach the man with a tense smile.Â
âI need a suit and a gown for an event tonight.â You start pulling out the money from your bag as Arthur scoffs loudly behind you.Â
âA suit,â Arthur begins to protest.Â
âYes, a suit!â You snap, turning around and giving him a sharp look. âYou want me to go to this alone?â
He crosses his arms and sets you with an aggrieved look. âObviously I donât, woman. But if Iâm just your fool of an escort, why do I need to dress up?â He looks smug, as though heâs caught you in a trap of your own design.Â
âOh,â youâre close to stomping your foot like a child as you screw your face up at him. âYou are impossible, Arthur. Do you want to find Jack or not?â He doesnât answer you. Instead, he huffs and throws himself down on a seat by the door, refusing to meet your eye.Â
You turn back to the tailor with a strained smile and slam the bills down on the counter. âA suit and a gown,â you reiterate, already knowing this is gonna be hell to get through with Arthur.Â
The man takes the money, glancing between the both of you with trepidation. You pass him another ten and his face lights up. âOf course, madam, right this way.â He pulls back a curtain behind the counter and motions you both towards the fitting rooms.Â
The tailor wonât have time to make a custom dress for you tonight. Youâll just have to hope he has something close to your size. Still, you find yourself browsing through the fabrics and laces he has laid out in the front. Your fingers drift over the more expensive silks and it drags you back to the parties you used to attend with your family.Â
They were always filled with mindless drivel that was simply a cover for their true purpose. Conversations that always bored you were meant to probe your family for weaknesses. Being back here feels like throwing yourself back to the coyotes. Every face you pass, every conversation you hold, is carefully curated to present the image that person wants you to see. Thereâs nothing genuine about high society.Â
âI donât want that damn bow tie,â Arthur snaps at the tailor behind the curtain. You roll your eyes and take a seat near the fitting room. You should have just gotten Arthurâs size and picked the suit out yourself. You hadnât realized how difficult he would be about this.Â
Youâre certain heâs only mad about you going behind his back and getting an invite to the party. Not only have you involved yourself in the gangâs business, youâve placed yourself directly in the middle of it. Itâs not as though youâre eager to be getting involved like this.Â
Itâs just after what happened to Arthur, every time he leaves camp youâre starkly aware that thereâs no promise of his return. Perhaps itâs given you this itch to be closer to him than normal, but you feel as though itâs a perfectly natural reaction after painstakingly caring for him for weeks. You and the other women had been the only thing to stand between him and death, youâre not willing to let Dutch throw him back into danger without a care.Â
The curtain slides back and you straighten up, waiting for Arthur to come out. One shiny black shoe slinks out, slowly followed by his leg. âHonestly, Arthur, you act like this is a punishment,â you complain as he takes his sweet time coming out.Â
âWith the way this collar is choking me, it might as well be,â he snaps, finally stepping all the way through. Despite the way he roughly tugs at his bow tie, the suit fits him quite well. He could almost look like a gentleman if it werenât for the sour expression on his face.Â
Letting out a soft sigh you stand up and walk towards him, âYou look handsome, Arthur, really.â He shoots you a doubtful look and you send him a teasing smile, swatting his hands away from the collar. You loosen the bowtie for him and he gives you a grateful look.Â
A little bit of the tension ebbs away from you both, a bridge slowly rebuilding. âI feel ridiculous,â his tone contains just a tad less of the irritation from earlier.Â
The problem between you is that each of you desires to protect one another. Arthur wants you as far as he can get you from the gang. You donât want to let him out of your sight. Neither of you are ever going to give in, itâs always going to be a constant push and pull of stubborn desires. Pockets of peace can be found in a simple moment like this, but you worry that thereâs always going to be a divide.Â
âYou certainly donât look ridiculous sir!â The tailor calls out cheerfully, eyeing his suit on Arthur with pride.Â
Arthur huffs out a small laugh, âAlright,â he relents, âguess Iâll take this one.â You pick a piece of lint off his shoulder and take a slow step back.Â
âYour turn, madam,â the tailor parts the curtain for you and you give Arthur one last brief smile before stepping behind it.
It doesnât take you long to find the dress you want. You donât have many options so you choose the one that will fit, and the one that will hurt Dutchâs pockets the most- a rather exuberantly-priced ruby red evening gown.Â
Red gossamer wraps around your shoulders and one of the more comfortable corsets youâve ever worn cinches your waist. Red silk ruches around your hips and back to give you more curves than necessary. It broaches the line of scandalous but itâs one of the only options the tailor has for you. Admittedly, it would better fit a lady of the night, but your goal isnât to make a good impression. You only need information tonight, what the people you speak to think of you means nothing.Â
You pull the heavy fabric of the curtain back as the tailor stares with pride at his creation. Pulling the white gloves up your elbows you walk towards Arthur. âWell?â You hold your arms out, excitedly spinning to show off the back of the gown. You tip your head over your shoulder, anticipating a look of awe, a compliment, maybe even a kiss that will leave the poor tailor scandalized. Â
Instead, Arthur looks you up and down, giving away nothing. You smile broadly at him, heart picking up the longer heâs quiet. The tailor peers around the curtain, brows furrowed as he glares at your companion. âSir?â He prods.Â
Arthur shrugs, âItâs a dress. Whaddya want me to say?â You hear the tailor gasp quietly in offense.Â
âWell,â your lips thin as you laugh, it doesnât quite mask the sting of rejection, but you try.Â
You turn and look at yourself in the mirror. The woman staring back at you in the mirror isnât someone you recognize. Circles under your eyes, wrinkles from squinting against the harsh sun, and skin thatâs been wind beaten. Itâs all so glaringly different to the woman you used to see. Months of muddy pants and cotton shirts have worn away the softer edges of your reflection, and this is the closest youâve been to feeling feminine since the mountains. Youâd been hoping for something less dismissive.Â
âYou sure know how to make a girl feel pretty, Mr. Morgan.â Your voice is sharpened by hurt and anger. His face slacks and he winces like heâs finally realized just how callous he sounded. You shake your head, whip the curtain closed, and step back. The heat of disappointment strikes hot in your chest. What did you expect? Outlaws donât know the first thing about courting ladies.
âYou look gorgeous, madam,â the tailor tells you as he hands you your other clothes. You force a weak smile in return. Compliments like his are weightless. What would they mean from someone like Arthur?
It wouldâve taken so little to spare you a kind word or even an appreciative glance. It makes you think of your husband, how kind he used to be before he grew tired of you. Heâd been a âproper gentlemanâ raised in the knowledge of how to court and care for ladies. That ended with him in the belly of animals.Â
A lady and an outlaw, worlds apart in what they need and understand. How could a story like that end?Â
You feel your throat tighten, stomach-churning, as too many fears hit you all at once. Youâre lightheaded and unsteady on your feet as you wonder if the divide between you both is too wide to cross.
Next Part
end. â I do not own the characters or the game Red Dead Redemption 1/2, but this writing is my own all rights reserved Š not-neverland06 2025. do not copy, repost, translate & recommend elsewhere.
Hell Hath No Fury Taglist: @buckysblondie @littlebirdgot @heloixe @summerdazed @committingcrimes-2047
@m1stea @pokiona @fleouris
Pairing Ë˰â˘*â⡠Arthur Morgan x fem!reader
Next Part - Hell Hath No Fury Series
Summary: Tensions rise as you continue to pull against Dutch's taut leash. You seem to be the only one who sees him for the trickster he is. Infuriatingly, that means you and Arthur butting heads about the man. But you don't expect your latest fight to end with him coming back to you nearly dead.
As much as youâd love to bask in the newness of whatever this is that you have with Arthur, the law has other plans. While the gang has grown comfortable, fat in their complacency, the Pinkertons have gotten closer. You are beginning to realize just how rare these moments of peace are in the life of an outlaw.
âIâm gonna sell her, I swear,â you tell Arthur angrily as you try and get a stubborn Lady to obey your commands. You finally feel comfortable enough to head back into Valentine, you know the woman heâd been with is gone, Arthur told you as much. You doubt heâd have any reason to lie about something as silly as that. Â
Arthur laughs and leans down, smoothing over Diabloâs mane. âNo, you ainât, you like her too damn much.â
âYouâre right,â you acquiesce. âIâll sell her to a glue factory, instead,â Lady lets out a stubborn noise, flicking her head back and forth. âUnless you start to listen, you insolent little bastard.â Arthur brings Diablo to a slow trot while you relentlessly tug on Ladyâs reins to no effect.
He watches you struggle, laughing as he hitches up Diablo. When Lady comes to a sudden stop in the middle of the road, he lets out an amused sigh and comes forward to take her reins from you. You hand them over easily, nudging the horse with your spur in retaliation.
He hitches her next to Diablo and rounds her to stand at your side, holding his hand out for you. You take it in your own, relishing his touch as he helps you down from your saddle. Your movements are still clumsy but youâre starting to get a little bit better at riding her. Even if she still refuses to listen to you.Â
âIf you stopped insultinâ her, Iâm sure youâd get along better.â Arthur leads you towards the general store and you glare up at him.Â
âWhose side are you on, Mr. Morgan?â He chuckles and leans down, pressing a brief kiss to your cheek. Itâs chaste and near prudish, but you still find yourself flushing.Â
âNot on anyoneâs side, sweetheart. But if you want to start getting along with her, youâll just have to learn to trust her.â You nod, not listening to anything heâs saying, too busy admiring how handsome he looks.Â
He seems to realize what youâre doing, rolling his eyes and pushing you forward. A manâs voice booms through the air, interrupting the both of you. âWell, isnât this a pretty picture?â You pause, turning to face the man watching you from the porch of the hotel. Men with large guns move around the side of the store and come to stand in front of him.
Your brows furrow, eyes roving across the street, suddenly noticing the stark lack of people out and about. Youâd been so distracted by Lady that you hadnât realized just how dead Valentine was. Something glints in the sunlight on the roof beside the hotel. You narrow your eyes, peering through the glare and seeing a man with his rifle pointed at you and Arthur.Â
âIâm sorry,â the man calls out, sounding wholly unapologetic. Arthurâs hand tightens around yours and he drags you slightly behind himself. âI should introduce myself,â the man drawls.Â
You take note of his finely tailored clothes, and the way heâs not fully leaning against the wall because he doesnât want to dirty his suit. The pocket watch attached to his vest is real gold, something you havenât seen a whole lot of in Valentine. Heâs too prim and proper for a low-down town like this. He could easily have been one of the men from the city you grew up in, upper-class and elite. Heâs not from around here and he seems to, at least, vaguely recognize Arthur. You donât see this going any way but bad.Â
âLeviticus Cornwall, I believe youâve heard my name before.â
âGod dammit,â Arthur curses under his breath, he nudges you further back in the direction of the horses. Your foot freezes in the air as you hear the familiar click of a rifle being loaded right by your ear. Swallowing hard, you risk the slightest glance back and see another black-suited man with the tip of his rifle pointed squarely between your eyes.Â
Arthur sees him in his peripheral, but he doesnât take his eyes off Cornwall. âI know what you want,â Arthur calls out, one hand raised in surrender, the other still holding yours. âBut leave her out of it, sheâs got nothinâ to do with any of this.âÂ
Leviticus laughs and tilts his head patronizingly. âIf sheâs with your ridiculous little gang, then sheâs got something to do with what happened to my train.â Your eyes flutter shut, dread filling every crevice of your body as the realization finally sinks in. In your last days in the mountains, the men had gone off to rob a train.Â
Theyâd mentioned the same name a few times but youâd never cared to pay attention to it. It comes back to you now. Leviticus Cornwall. He was here to collect what theyâd stolen. Â
âI know you are your masterâs favorite little lapdog, so why donât you go fetch Dutch for me and I wonât have my men splatter your ladyâs brains against your boots.â Your nails dig into Arthurâs palms, body tensing with fear as you lean further into him.Â
Arthur gives your hand a reassuring squeeze, keeping you firmly tucked into him. âIâm afraid neither of those things is gonna happen, Mr. Cornwall,â Arthur calls out to him. He leans slightly towards you, voice lowered so even the man behind you canât hear, âWhen I tell you, make a run for the horses.âÂ
You so desperately want to look towards where you know Lady and Diablo are hitched by the saloon, but it would only give your plan away. Instead, you force yourself to focus on the man with the rifle pointed at you. You maintain eye contact with the barrel of his gun, refusing to look away.Â
You try and force your heart to be silent and still, hoping youâll be able to hear Arthurâs order over the rushing force of your blood. Arthur keeps a tight grip on your hand as the men begin to close in.Â
âIâll only say this once, Mr. Morgan. This will be your only chance to escape my wrath, alive.â
âRight,â Arthur moves you in front of him and you suck in a shuddering breath when you see just how many men surround you now. Theyâre everywhere, on the roofs of buildings, on horseback pacing the streets, and the worst of them have their guns trained right on you. âWell, Iâll say this,â he rips his hands out of yours and practically tosses you to the side. âRun!â
You donât think, just blindly follow his orders and take off towards the horses. The shots start going off instantly, mud flying up around you as bullets narrowly miss you. You run in a wild pattern, trying not to be such an easy target.Â
âThe times of outlaws is over, Mr. Morgan!â Leviticus calls from behind you, voice tainted with wrath as it penetrates the air. âThereâs no place for you anymore!â
Youâre running with the instinct of a prey trying to outwit a predator who's actively snapping their maw. It feels futile, though, when youâre so wholly surrounded. Arthur comes up behind you, hand snatching up the back of your shirt and dragging you faster behind him.Â
Your feet scramble to keep up with his pace as you make for the horses. The men seem to catch onto your plan faster than youâd hoped. One of them jumps in front of you but his body topples to the ground before he can say a word. When you turn, Arthurâs got his revolver out and the end of it is smoking.Â
Youâd barely even had time to process the threat before Arthur had shot him. Youâd never seen what a quick draw he was in person before. If you werenât feeling the breeze of bullets whistling past you, youâd have time to be impressed.Â
You reach Lady and sheâs already stomping and kicking her legs out, terrified by all the noise. You grab her reins, hands shaking as you try and keep yourself steady. You donât have time to let Arthur help you up. You place your foot in the stirrup and jump, youâre barely seated before she goes flying.Â
You lean forward, holding on tight as she moves like fireâs licking at her heels. âCome on, Lady!â You shout, not once looking back to see how many of them are after you. The sounds are getting closer and you swallow bile down as you risk a look over your shoulder.Â
Arthurâs just behind you, turned in his saddle, and shooting at as many of them as he can. Lady lets out an odd squeal and your brows furrow, glancing back at her. You see a streak of red across her side and feel your blood rush to your head.Â
Theyâd shot her. Theyâd shot your damn horse. You donât even like her all that much, but right now sheâs the only thing between you and a bullet through your head. Forcing yourself up, you slip the revolver out of your holster and turn like you watched Arthur do. Itâs disorienting, feeling your hips rocking forward while you try and keep a steady aim behind yourself.Â
Thereâs no way for you to know which of them actually managed to knick her. But if they can hit your horse, theyâre not far off from hitting you. You donât have time to take in deep breaths and settle yourself, you can only start wildly shooting and hope you hit one of them. You donât care to spare your bullets, firing off without any real aim and spotting a few drop from their saddles. You donât know if it's you or Arthur that claims the kills but they eventually start to slow down and the space between you all grows wider.Â
Arthur tucks his gun away and rides up closer. âWe need to get back to camp,â he shouts. You nod your head and follow along the path behind him. Your gaze drifts towards the wound across Ladyâs side and you run your fingers through her mane as she races back home.Â
You brush out Ladyâs coat as you wait for Arthur to finish up with Dutch. Hosea had promised that Lady would be fine, horses were sturdy but sheâd have to make it through a lot worse if she wanted to stay with the gang. You understood what he meant but you didnât appreciate it.Â
Itâs only as you finish up with her that you realize what happened on the way back. Youâd seen and, possibly, contributed to more killing and you hadnât felt a thing about it. Not only that, Arthur had seen you shooting at men with no remorse.Â
Your heart flips itself into a knot in your chest as you look over to where heâs speaking with Dutch. He was quiet on the ride back and youâd assumed it was because he was worried more people would show up. What if it was because you ruined your image for him? The only former lover of his you know about was a lady like you. But, now, he sees you as someone whoâs perfectly fine riding around and shooting at men without question. What if he doesnât want you now?
You swallow down the lump in your throat and try to get your fingers to still. Youâd been shaking from the adrenaline for the last few minutes. Your blood is still rushing so fast youâre getting dizzy standing still. You try to convince yourself that itâs just the nerves of the day getting to you, but youâre not so sure.Â
Arthur finally turns away from Dutch and heads back towards you. You give him a shaky smile but he doesnât return it. Instead, his brows are set with anger and heâs glowering at you.Â
You feel your stomach drop as you scramble for a way to explain why shooting at those men was so easy for you. âArthur, Iâm sorry-â
âWhy didnât you tell me?â He demands. Your face falls flat and you feel like you might throw up. Has he somehow found out about your husband? âI didnât realize theyâd hit you,â he reaches forward and you frown with confusion. His thumb brushes against your upper arm and you hiss.Â
Off instinct, you swat his hand away, fingers stinging at the force. You glance down and notice blood soaking the sleeve of your shirt. One of the bullets had done a little bit more than graze you, leaving a deep gouge in your arm. âSo you touch it?â You ask him, only now starting to feel the pain of the wound.Â
He stutters over a defense before rolling his eyes. âCome on,â he sighs and places a light hand over your back. He presses you forward, herding you towards his tent. âLetâs clean it up.â He sets you down on his cot and begins rummaging through the chest he keeps next to it with all his supplies. Glancing up at you, he asks âWhat were you apologisinâ for?âÂ
âOh, um,â you feel a bit silly now. You almost donât want to say it but that doesnât feel fair to lie straight to his face. âI feel sick that you saw me shoot at those men.â
His brows furrow and he pauses his rummaging. He glances around like heâs waiting for you to finish but you just shrug. âOh,â realization dawns on his face and he looks a little stunned. âThatâs it?â
âWell,â you stutter and stumble over your words as he walks over to you with a cloth and some alcohol. âYes,â you finally land on.
He tips the bottle over, soaking the cloth in the liquor. âDarlinâ, Iâve seen death more times than I can count to. I donât care about a little shoot-out. I only care about you beinâ alive.â
He presses the cloth to your wound and you jerk back, hissing in pain. He mutters small reassurances to you, soothing you like a bucking horse. âYou mean that?â You ask through gritted teeth.Â
He laughs a little, kneeling and smiling at you. âKill as many men as you like, sweetheart, just donât point that gun at me.â Despite the aching pain in your arm, you find yourself smiling back at him.Â
The new spot for camp isnât awful. The town nearby isnât much to write home about. Two families have been feuding here since before the war. They havenât seemed to fully accept this new society you live in. And youâre sure that their crops thrive on Braithwaite and Gray blood rather than water.
You werenât allowed to go into town with Arthur and the others. None of the ladies were. Dutch had said that the people here wouldnât react well to so many unmarried women. Especially not women like Karen. She hadnât appreciated the dig, but she hadnât argued with him.Â
You found it difficult to follow along blindly to Dutchâs whims. Sometimes it feels like you just traded one master for another. Your father, then your husband, and now you canât do anything without Arthur constantly running to Dutch to get his approval. As much as youâd like to pretend you have a newfound freedom, you know that Arthur will never leave the gang behind. Dutch has practically brainwashed him into a loyal soldier. So long as you love Arthur, youâre stuck under Dutchâs thumb- and he knows it.Â
âI said go and get another slab. How hard is that?â Pearsonâs voice carries through camp, his tone tight and irritated. Your brows furrow and you turn in your seat to see what heâs fussing about now.Â
âIt would be a lot easier if I wasnât havinâ to fight with a goddamn fool the whole time!â Sadie picks up a slab of deer meat and hurls it at the man. He throws his hands up, just barely managing to catch it in time.Â
You stifle a laugh, figuring you should have known what was causing him so much grief. Sadieâs been having to follow his every order ever since Dutch changed her over from Mrs. Grimshaw to Pearson. You know itâs driving her mad, same as you, to do nothing but cook and clean all day.Â
Even when she was married she had gone out hunting and fishing with Jake. Theyâd always taken care of your land, they were never house servants. She only knows how to cook because sheâd had a husband to take care of, not an entire camp.Â
You place your book down on the table before you and get to your feet. You figure you should step in before this gets nasty. Again. Youâre worried Sadie might actually stab the man. You can see them both considering it as you approach. Neither of them are happy with the arrangement. Pearson thought he was getting a quiet assistant and Sadie just plain hates him.Â
âMr. Pearson!â You call out before they can say anything else. You lift your hand in greeting and he grunts noncommittally. âIf you wouldnât mind, I need Sadieâs help with a task.â
Sadieâs lip curls up at him and he crosses his arms, leaning back like he has any power to hold over you. âOh, yeah? What would that be?â
You glance away, eyes down like youâre flustered. Your hand hovers over your stomach and you grimace, âIâm afraid it may be more feminine in nature.â His face blanches and he turns back to the slab of meat before him.Â
âGet.â He waves Sadie away and refuses to look at either of you.Â
You grin at her, holding your arm out and nodding towards the trees around camp. She chuckles slightly, looping her arm through your own and following alongside you. With Dutch and most other men out of camp today, you can afford to explore a little further than you might normally be allowed.Â
âHas he been giving you much grief?â
Sadie rolls her eyes with a scoff and sets you with a deadpan look. âWhat the hell do you think?â She doesnât actually give you a chance to answer and continues with an angered tone. âHe seems to be of the belief that women are of better use quiet and obedient.â
âWell,â you tilt your head in consideration and nod. âMost men think that. We havenât yet reached a point in society where women hold much power, Sadie. Do you expect a group of outlaws to be fighting for our rights?â
âI donât want none of them fightinâ for me. I just want to be able to take a ride, go huntinâ,â she throws her hands up and sighs, âsomethinâ.â
You realize you do have a slight bit more freedom than she does. Arthur often takes you into towns with him or, at the very least, on some rides for space away from everyone. Sheâs been holed up with all these strange people since they first rescued you. You purse your lips and give her a sympathetic look.Â
You lead her further towards the grove of trees and hope some new scenery will help her calm down.Â
Arthurâs white button-down shirt lay across your lap. Needle in hand, you check it over to make sure you didn't miss any holes or tears. Satisfied with your efforts, you get to your feet and walk towards Arthurâs tent.Â
You donât sew or fix anything up for the others unless theyâre willing to pay. You find yourself doing this naturally for Arthur, without telling him. You're not sure if itâs because your finishing school teacher had ingrained into you the good qualities of a wife, or itâs simply because you want to.Â
Part of you will always resent the fact that you canât recognize your own actions versus your training. You try to keep those thoughts at bay most days, but sometimes, when you do something like this, itâs a little more difficult.Â
Orange light glares into your eyes and you lift a hand to block it. Peering through one eye, you watch as the sinking sun sets against the horizon. Orange, red, and pink swirl and dance around each other to create a scene so perfect it almost doesnât feel real.Â
It makes you think of Arthur, of how he would draw it. Heâs incredibly gifted with art, even if he wonât admit it. Even with a piece of charcoal, he manages to capture the life of the animals he sees or the people around him.Â
After working a few odd jobs in camp, writing a letter for someone or doing some tailoring, you have some meager savings. Youâve been considering buying Arthur a proper drawing kit. Youâre sure it would be foolish to spend it all on him, but youâd think heâd like it.Â
The people in camp only think heâs good for shooting and providing muscle. As much as they care about him, they donât see the value in some of his finer skills. And you know it affects him. Anytime you catch a glimpse of one of his drawings he immediately starts tearing his work apart, always calling it trash and a waste of time. You wish that he could see the beauty of his creativity like you do. But a skill like that isnât rewarded around here and you know heâll never truly understand just how much more heâs capable of than what heâs been told.Â
Your gaze moves from the setting sun to the table in his tent. His journal rests on the edge and you frown. He doesnât normally leave it behind. Reaching forward, you snag it off the edge and tuck it under his pillow. There are a lot of nosy people in camp, you doubt heâd want anyone getting their hands on it. While you fuss with that, you notice the picture on his table. Or lack thereof.Â
Itâs been a while since youâve paid attention to the interior of his tent. Most of the time youâre here, youâre focused on him. But you canât help and snoop, just a little. The picture of his mother is still there, along with a folded-up one of the gang. But the picture he used to keep of his former lover is gone.Â
Curious, you take the shirt and turn towards the chest at the end of his cot. You bend over slightly, undoing the buckles and propping the edge up.Â
You lay the shirt flat, straightening out any wrinkles, and your hand accidentally slips toward the turned-over picture frames beside his clothes. You lift the first one and find another one of his mother. Pursing your lips, you debate if you should dig any further. Glancing over your shoulder, you donât notice anyone watching you or coming close. You bend over a little more and rifle through another frame.Â
There it is- the picture of the woman buried beneath the rest. You donât blame him for keeping it. You know how much she meant to him. Youâre just curious as to why he went so far as to bury it below the rest.Â
Someone clears their throat behind you and you let out a squeak, slamming the lid of the chest shut. You whip around and find Arthur leaning against the post of his tent. âArthur,â you're breathless as you clutch at your chest, not having even expected him back in camp yet. âI didnât hear you come up.â
âNo,â he lets out an amused huff, âI donât imagine you did.â He nods towards his chest and you flush with guilt. âWhatâre you doinâ in there?â
You tuck a stray piece of hair behind your ear and shrug innocently. âJust putting away a shirt I fixed up for you.â He moves away from the post and takes a slow step towards you.Â
âAnd thatâs all?â He looks completely serious, as though heâs about to start interrogating you, but you can hear the slight tease lingering at the end of his words.Â
âYes,â you lie, âthatâs all.â
âAlright,â he stops in front of you and chuckles a little. âIâll pretend to believe that. How âbout next time you want somethinâ, you just come to me?â You nod your head and he steps around you. He takes his hat off and places it on the table, running his hands through his hair.Â
âActually,â you grin at him as he turns around, âthere is somethin- wait, what is that?â You demand, pointing to the deputyâs badge on his shirt.Â
He glances down with a sigh and rolls his eyes. âBill went and got us deputized. Donât know how, but Dutch seems to think itâs best if we want to stay here.â You try not to sigh at the mention of Dutch. Heâs been getting stricter ever since the incident in Valentine and Arthurâs obeying him like a leashed dog. Itâs beyond frustrating.Â
âI canât believe they gave you all badges,â you canât help but laugh. The sheriff has got to be touched in the head to have looked at those men and thought they were anything but outlaws.Â
âBuncha fools,â Arthur grumbles. He sees the look on your face, the way you bite your lip to keep any more laughter from escaping, and sighs. âQuit laughinâ at me, woman. What was I supposed to do? Say no?â You shake your head mutely and he rolls his eyes. âWhat did you want?â
âRight,â you clear your throat and let out one last huff of laughter before straightening up. âI need you to do a favor for me. Sadieâs been itching to get away from camp, especially from that old bastard Pearson. Could you take her out for me, tomorrow, or sometime soon? Iâm worried sheâs going to drive a knife through his skull if we donât deal with this.
Arthur doesnât look convinced, eyes narrowed and head tilted in a way that makes you think heâs going to say no. You risk a step forward, taking his hand in your own and pulling him close. âOh, please, Arthur. It would mean the world to me.â
His eyes meet yours, and you widen them, giving him your best pleading look. He holds out for a minute longer than you thought he would before letting out a rough sigh. âAlright, alright, fine. But she better not cause any damn trouble, sheâs got a worse temper than Bill.â
You canât promise she wonât, so you just lean up and press a kiss to his cheek in thanks. He rolls his eyes and takes your chin between his fingers. He tilts your face up towards his, narrowing his eyes at you, âCome on, give me a real kiss,â you smile slightly and wind your arms around his neck, pulling him down to meet you halfway. You suppose there are worse ways to have to pay him back.Â
Arthur and Sadie were both out on a supply run before you even woke up. By the time youâre properly dressed and cleaned, you can see the wagon cresting over the hill. Your eyes widen with alarm when you see Sadie with the reins, driving the horses even worse than you do.Â
You know sheâs driven a wagon before. You think she might just be trying to give Arthur a heart attack. You can hear them shouting at each other from where you stand and you snicker. You wonder if those two were separated at birth or something, they get along about as bad as most siblings you know.Â
You go over to Arthurâs tent and rifle through his bullets until you find a few extra for the revolver in your holster. Eventually, youâll have to start buying your own supplies. But he doesnât seem to mind much. Either that or he hasnât caught on yet.
You load the bandolier on your hip and walk out to meet them as they return. Sadie doesnât quite park the wagon in time, nearly taking out Billâs tent as she drives them back into camp. âEnough!â Arthur barks, ripping the reins out of her hands. âI am never lettinâ you drive again.â
âDidnât know you were such a coward, Arthur,â she taunts, hopping out of the wagon. You find yourself grinning when you see the clothes sheâs sporting. Pants, a new hat, and some fresh boots. Youâre sure Dutch wonât appreciate her use of camp funds but you applaud her latest show of rebellion.Â
You round the horses to greet Arthur as he gives Sadie a bewildered look. She hauls a sack of flour out of the back and tosses it at Pearsonâs feet. âHave fun?â You ask airily as you greet him.Â
He whirls around on you and points an accusing finger towards you. âI said no trouble.â
âShe couldnât have been that bad,â you admonish, swatting his hand away.Â
He purses his lips in irritation and crosses his arms. âShe nearly killed me drivinâ back. Women canât drive!â You gape at him as he hops out of the wagon and begins storming towards his tent. âThey canât!â He shouts and you gasp, face twisted in a bewildered smile.Â
âArthur!â You admonish, chasing after him. He shakes his head, not looking at you.Â
He scoffs and shakes his head, looking for all the world like a madman. âThink I donât remember how you drove when we came down from the mountains?â
âYou broke the wheel,â you throw back at him. With his shoulders nearly up to his ears, he continues his stubborn march towards his tent. âOh, Arthur, come on.â You catch up with him and dart in front of him so he canât get around you. Â
âHow about a ride to calm you down?â He looks to Sadie and then back at the wagon with a sickened look and you laugh. âOn the horses,â you laugh and grab his arm, dragging him to Diablo and Lady. âSadie ainât the only one feeling cooped up,â you tell him.Â
His low sigh sounds a little apologetic but you hadnât meant anything against him. It was Dutch keeping you under lock and key. âI know, and Iâm sorry about that. But we canât risk too many of us beinâ seen.â
âDutch canât risk it, you mean,â you grab onto the saddleâs horn and swing up, glancing down at him.Â
He frowns, mounting Diablo with more grace than you can manage. âWhatâs that supposed to mean?â
You bat your lashes and shrug, leading Lady towards the edge of camp. âNothing really, just that it seems to be Dutch forcing us all to lay low.â You take the lead through the trees, ducking underneath a few low-hanging branches. âNo one else seems to be as worried, or even know whatâs going on out here.â
Arthur slows down and youâre forced to match his gait if you want to hear what he says. You turn back in your saddle and give him a questioning look. Heâs looking at you in a way youâve never seen before. Itâs distant like heâs gazing at someone closer to a stranger than a lover.Â
âYouâre doubtinâ Dutch?â His voice is low, tone giving nothing away to you.Â
âWell,â Lady shifts restlessly underneath you, seemingly sensing the change in your mood. âNot doubting per se. I just donât think things are as dangerous as he makes them out to be. It just seems to be-â
âDo I need to remind you how you got that scar on your arm?â Arthur snaps, pointing towards the slight bullet wound left behind by Cornwallâs men. You blanch as he nudges Diablo forward, quickly surpassing you.Â
âNo Arthur, I think I remember getting shot at pretty damn well.â Youâre getting angry now too, you really hadnât meant much by the comment. But he had to realize how out of proportion Dutch was making everything feel. The âthreatsâ surrounding you, the grand plan of escape, it was all too magnificent.Â
âLook, you canât be questioninâ Dutch like that. If we stop trustinâ each other or start turninâ on each other, itâs all gonna fall apart faster than you can blink.â He slows slightly so you can catch up with him but it doesnât seem as natural as it normally does.Â
âThatâs not what I was trying to imply Arthur. Iâve been in camp for too long. The world outside seems so distant to me. Itâs just hard to believe weâre in any real danger.â You try to downplay what you said. Pretend you hadn't been suggesting exactly what heâs accusing you of. Playing the ditzy little lady used to get you out of trouble in the past, but now, he sees right through you.Â
âWell, we are,â he snaps, âand youâd do your best to remember that. Just because you canât see it, donât mean itâs not real.â Thereâs a sense of finality to his words that tells you the conversationâs over. Whatever hope youâd had of a peaceful ride is gone.Â
Itâs a difficult pill to swallow, knowing no matter how much you care for Arthur, heâll always pick Dutch over you. And worse, heâll pick Dutch over saving himself. Heâll never understand just how much heâs worth, or how much he means to everyone around him. Heâs a martyr through and through. Always prepared to make a sacrifice, even when itâs not needed. Â
You tighten your grip around Ladyâs reigns, eyes cast down as you follow along silently beside him. He leads you onto the path towards town and you wonder if you should just head back. You could lie, say youâre feeling sick, and be done with him for now.Â
Youâre already upset by how the dayâs turned, no point in prolonging either of your misery. âArthur,â you call out. He hums, turning slightly, just barely facing you. âIâm going to go back to camp.âÂ
He pulls on Diabloâs reins, turning him around so he can properly face you. âI thought you wanted to get out?â He asks, sounding on edge and a little snappy.Â
You shrug dismissively, not bothering with an excuse. âChanged my mind-â
âTold you itâd be worth a pretty penny,â your brows furrow as a strong Irish accent starts talking a little further up the path. It sounds startlingly familiar.
âThose wagons are always worth the trouble,â Arthurâs quick to ride up beside you. He doesnât hesitate as he takes Ladyâs reins out of your hand and leads you both off the path. Youâre silent as you follow him off the safety of the trail. He tucks you both behind some trees. You have just enough coverage that they canât see you but you can still see them.Â
Thereâs a sharp pain slicing up and down your back the closer the Irishmen get. You hiss through your teeth, shifting uncomfortably as they continue to talk. Arthur keeps his head low, hat tilted down and you follow suit. They pass by without much fuss and Arthur picks his head back up to watch them go.Â
âOâDriscolls,â he curses and the painful familiarity suddenly makes sense. âWe need to tell Dutch,â he says, already making his way back to camp. You follow him without much argument, as eager to get back as he is.Â
Your heart sinks to your stomach, toiling in hurt the whole way. You know Dutch has instilled a paternal familiarity into Arthur but it hurts knowing the man you chose will always choose someone else.Â
Pearsonâs ambling back into camp just as you and Arthur arrive. Youâre tempted to just go back to your tent but you follow Arthur, knowing heâll probably need someone else to back up what he saw. âDutch!â He calls out, interrupting whatever scheming conversation heâd been having with Micah.Â
Dutch walks towards you both, Micah following slightly behind, coughing into the crook of his elbow. You grimace at the wet, choking noise. Heâs been looking worse and worse everyday. The circles under his eyes are so dark he looks like heâs been knocked across the face.
âSomething the matter, Arthur?â Dutch asks, eyes briefly darting to you before looking back at Arthur.Â
âSaw somethinâ out on the road.â You cross your arms, mind drifting as you wait to be called into the conversation. Youâre roughly jarred out of your reverie as a strong, clammy hand lands on your shoulder so suddenly youâre nearly dragged to the ground.Â
The smell of sweat and moonshine sours your nose and nearly makes you gag as Pearson leans against you. âGost âome news,â he slurs, eyes barely open as he gestures vaguely towards Dutch.Â
You struggle under his weight, doing your damndest not to fall into the mud. Arthur frowns and knocks Pearsonâs arm off your shoulder. âGet off âer, you damn fool,â he grabs him by the bicep, roughly jerking him straight and relying on his strength to keep them both upright.Â
âNow, Mr. Pearson, Mr. Morgan, I believe you both have news to share. Seeing as Mr. Pearson is close to toppling over into the mud, he can go first.â Arthurâs lips purse in irritation but he says nothing, only shakes Pearson to wake him back up.Â
âMet âome fine mens in the bar. Oâdurshels, wanna purl.â You narrow your eyes at him and your face twists with confusion. Youâre not the only one, the other men around you already look tired of having to deal with Pearsonâs inebriated state.Â
Sadly, years spent married to a drunkard means youâve learned the language of liquor quite well. âHe met some OâDriscolls in a bar, they want to parley,â you translate, looking to Dutch.Â
His brows set with something you donât recognize and Arthur scoffs. âItâs a damn trap.â
ââCourse it is,â Micah snaps. âDonât mean we canât use it to our advantage.â
Arthur drops Pearsonâs arm and the man goes tumbling face-first into the mud. He takes a menacing step towards Micah who only grins up at him. âWeâd be a bunch of fools to go anywhere near this.â
âArthur,â Dutch barks his name out like an order and Arthur pauses, still leering over Micah. âI believe Mr. Bell might be right.â
âOh,â you glare at him, smiling with disbelief. âYouâre kidding, arenât you? Those men are bastards,â you spit the word out with venom you didnât know you possessed and step towards Dutch. Micah darts forward, protecting him like youâd actually try something.Â
âArthur,â Dutch warns lowly, intense stare set on you. Your skin crawls with the weight of his gaze. You feel like heâs pulling you to pieces, digging around to see which parts of you are weakest. He doesnât have to say anything more, Arthur walks forward. Heâs gentle as he grabs your arm, but he leaves no room for argument as he leads you away from Dutch.Â
âArthur,â you admonish. âYou canât be thinking about this.â
âIâm not,â he mutters, glancing over his shoulder at Dutch. âBut I ainât got a choice.â
You laugh in disbelief and shake your head at him as he parks you beside his tent. âOf course you do. Youâve got the same choice as any of us. Just say no.â Youâre praying that he sees sense, that he doesnât go along with what is a clear trap.Â
He only shakes his head and turns back towards Dutch. You should have known. Even if he knows thereâs danger, heâll ride in headfirst so long as someone else doesnât get hurt. You feel something like disgust twisting you up and irritating the anger already present.Â
You look towards Dutch and heâs already got his eyes on you. He doesnât wear it plainly, but you see the satisfaction on his face as Arthur comes to stand beside him and leaves you. As if you were ever a threat to his authority.Â
You turn away from them all, unwilling to watch them ride off as you storm back toward your tent. If they want to go be a bunch of fools, so be it. Itâs not your business what mistakes men make with their freedom.Â
Itâs Sadie that wakes you, her hand on your shoulder, shoving you insistently. Your eyes are slow to flutter open, your mind racing to remember where you are and who youâre with. âWhat?â You slur, one eye open as you try to orient yourself.Â
âTheyâre back,â she hisses, tossing away the blanket and getting to her feet. You sit up slowly, hands landing in your lap as you let your head sink between your shoulders. You listen to Sadieâs rushed footsteps as she runs away from the tent.Â
Youâre moving slowly as you rub your eyes, trying to force yourself awake. Whose back?
You try to remember the events of the day and then the realization hits you like ice. Your heart palpitates as you scramble to get up. You chase after Sadie, feet bare in the mud as you run to the entrance of the camp. Youâre not looking to give Arthur a happy welcome back, you just want to make sure heâs okay.Â
You see The Countâs white head parting through the trees first, then Baylock. You come up behind Sadie, peering around her to see if you can spot Diablo through the trees. You know itâll be hard with his striking black coat, but you figure youâll manage some hint of him, even through the dark.Â
Dutch and Micah are slow as they amble up to you. Your brows furrow and thereâs an intuitive gnawing feeling in the back of your mind. John comes out of his tent at the sound of hooves, moving to stand beside you. A few others join the welcoming party but youâre not paying any attention to them.
You move away from Sadie and take a step closer to the men now broaching the perimeter of camp. Your hand balls into the fabric of your night dress and you suck in a sharp breath when you realize theyâre riding back alone.Â
Red-hot anger hits you like a hammer knocking a blade into place. You run towards Dutch, not even waiting for him to be fully off his saddle before you start hollering at him. âWhere is he? Did he have to stay behind? Whatâs going on?âÂ
Dutch holds his hands up, lips curled back in irritation as he skirts around you. âThere were some complications,â Micah snipes as he jumps down from his horse. His lips are twisted up, humor coating his rotten voice.Â
Your chest heaves with panic, heart tapping an odd pitter-patter as you try and process what the hell that means.Â
âComplications!â You shout, uncaring for the way the others are staring at you. âWhere the hell is Arthur?â Dutch tries to walk away from you, giving you a bewildered sort of look. Heâs looking at you like youâre some sort of ranting madman wandering in from the woods. You may be ankle-deep in mud, wearing nothing but a nightgown, but you are not crazy. And you will not let him treat you like you are.Â
You shoot forward and shove at the back of his shoulder. You catch him off guard and he stumbles slightly. You reach for him but Micah rushes forward, snatching up your left wrist before you can try again. You donât see anything but red as you whip around and snap your hand as hard as you can against his cheek.Â
You hear the sound your skin makes against his, see the bright burning mark on his face, but you feel no sting. You rip your wrist out of his hold and turn back towards Dutch. âYou wicked little-â
âYou left him, didnât you?â You interrupt Micahâs low-brow insult and wait for Dutch to answer. Heâs got a surprised look on his face as he takes you in. As if he hadnât expected you to do anything but sit back and obey.Â
His silence is the only answer you need as he tries to turn away from you again. âAfter everything heâs done for you! You just leave him!â You sound more heartbroken than he looks and itâs devastating. He left him to the mercies of OâDriscolls and he doesnât seem to care at all.Â
âWe didnât leave him!â Dutch shouts, voice cracking slightly. He snatches up your arm, dragging you away from Micah and trying to isolate you from the others. Heâs pulling you to his tent, trying to keep you silent so you donât cause a big scene in front of the rest of camp. You wonât let him do this, you refuse to let him keep his perfect mask of the unfaltering leader.Â
You dig your feet into the ground and feel the cold wet rush of mud filtering around your legs as he tries to drag you forward. âThis is childish,â he snaps, glaring at you and letting your arm go. You know thereâll be a nasty purple bruise where heâd held you but you could care less right now.Â
âYou didnât leave him? What the hell do you call this?â You gesture around wildly, not fully comprehending that this isnât just one bad dream. âYou donât understand the cruelty of those men. What you just left him to-â
âExcuse me?â Dutchâs voice is low now, no longer is he shouting. Instead, he stalks towards you in two easy steps.Â
âEasy,â John warns, coming up behind you both.Â
Neither of you pay him any mind. You take a step closer, nearly nose to nose with Dutch, refusing to be intimidated by him. âThis isnât your fight, Mrs. Rowe. These arenât your people, how dare you-â
âArthur is my people,â you interrupt, voice a deadly whisper. âHow dare you leave him. Fearsome Dutch Van der Linde,â you taunt and his nostrils flair at your impudence, âcanât even keep his people safe. Tell me, if youâre such a great leader, a man whoâs always got a plan- what is it? What is your great plan? How are you going to get my Arthur back from this?â
Dutchâs face blanches and itâs the first time youâve ever seen anything genuine appear. He almost looks concerned. And not for himself or his image, but for Arthur. It makes you hesitate for a moment, startling a step back from him with a furrow between your brows.Â
âIâve got a plan,â he whispers, eyes wide like heâs trying to convince himself. He turns and looks at the rest of the gang, most of them having woken up while youâd been shouting. âI have got a plan!â He yells, turning back towards his tent and storming off.Â
Micah follows behind him, shoulder slamming into yours as he passes. You grunt, tripping forward and glaring at his back. You wouldnât mind putting a bullet between that bastardâs eyes.Â
Your mind races with everything the OâDrsicolls had put you and Sadie through. Your skin crawls with the way their hands and weapons had felt against you. You swallow the bile in your throat and turn towards the horses.Â
John is right behind you, having been lurking at the edges of your and Dutchâs fight. âWhereâre you goinâ?â He asks with a tired sigh.Â
âWhere do you think?â You snap, reaching for Lady.Â
Charles calls out your name and you turn to see him standing behind John with Hosea. Out of everyone in camp, youâd think these would be the three men joining you, not trying to stop you like they clearly are.Â
You scoff in disbelief, a sardonic smile on your face. âThat's it?â you demand, a disgusted glare directed at each of them. âYouâre just going to abandon him too?â
âWeâre not abandoning him,â Hosea objects, taking a step closer. You flinch away from him and he frowns. âYou donât know these men-â
âThe hell I donât! Iâve got the scars from what they did to me. I barely survived it.â Hosea winces away from your words.Â
âDutch has a plan,â he tells you, but it doesnât even sound like he believes himself. âWe just need to wait.â
âWhatâre you going to do?â Charles adds, and it feels remarkably like theyâre circling you, herding you away from your horse. âYou donât even have a gun and youâre just going to ride into an OâDriscoll camp.â
âI will,â you tell him, all the sincerity in the world backing you up.Â
âAnd youâll get yourself killed,â John snaps. âI want them dead just as bad, but you are only going to get yourself hurt or caught. We only need some time, weâre not abandoning him. But we canât just go in guns blazinâ.â
âWhen has that ever stopped any of you?â You snap. You feel all your anger, all your determination, slip right out through the bottom of your bare feet. You know from their faces thereâs going to be no arguing with them. Theyâre just as bad as Arthur, just as blind.Â
They truly believe that Dutch has any clue what heâs doing. How could you possibly be the only one to see the truth of what he is? Heâs a conman, decorated as a friend, father, brother, leader. He takes whatever form he wants and he knows how to use it against those around him. Thereâs no plan, thereâs no grand escape to some tropical paradise.Â
âYouâre not leaving tonight,â Charles tells you and you wish you had the energy to cry. You want to weep for Arthur. Here stood the people he would sacrifice himself for, and they arenât going to kill a few OâDriscolls to save him.Â
You let them lead you back to your tent and look toward the horizon. Youâre not going to be allowed to leave this camp. And even if there was a plan to rescue Arthur, youâd never be told of it. All you can do is wait.Â
You stay up all night, sitting by the fire and forcing yourself to tolerate the feeling of Charles watching you the whole time. You donât know what it is that makes you look away from the flames and towards the trees, but something pulls at you.Â
As the sun crests the horizon, you place your cup of coffee down and turn. Over your shoulder, barely visible, a horse struggles along the path. You squint, head tilting this way and that so you might be able to better make out what it is. You get to your feet and hear Charles follow you.Â
âOh, god,â you gasp, making a run for the horse just as the rising sun illuminates it. Arthur is slumped over Diabloâs head, blood soaked through his shirt. You donât make it to him before he slips off the saddle and lands in the mud. Diablo stands over him, nosing at his neck and cheek.Â
Charles races behind you as you slide into the mud, hands roving over Arthurâs chest until you find the burned-over wound on his shoulder. You press your fingers to his throat, holding your breath while you pray to feel the beat of life within him still.Â
âOh, thank god,â you whisper when you feel the faintest thud against the tip of your fingers. Charles kneels beside you and you both throw an arm over your shoulders, lifting Arthur to his feet. âSusan!â You scream the old lady's name until you see her stumble out of her tent.Â
A few of the otherâs still awake all stand, Dutch included. âHe needs help!â You shout, Charles helping you drag him towards her.Â
âBring him over here!â She shouts, clearing off Arthurâs cot and motioning for you to lay him down. You stumble under Arthurâs weight, ankle rolling the wrong way as you struggle to keep up his limp body. Charles helps as much as he can but you can barely stay standing. Dutch runs over to you, you share a brief look before he slips Arthurâs arm off your shoulder and carries him the rest of the way to Mrs. Grimshaw.Â
You turn towards the tent of women and by now theyâre all up, watching everything with wide horrified eyes. âTilly, help me,â you demand, rushing towards the water boiling for Pearsonâs stew. She snaps into action, racing behind you and passing you a cloth to lift the scalding pot off the fire. You both carry it over to Mrs. Grimshaw and she barely spares you a glance, too focused on Arthur.Â
You canât look at him for too long, canât bear to face the way his eyes stare up at nothing. He looks too much like the corpses youâve seen. But you know you felt life inside him. You couldnât have made something like that up.Â
Mrs. Grimshaw slices through his shirt and hisses at what she sees. You move past Dutch and peer over her shoulder with Tilly. âOh, you fool,â she mutters. You shake your head when you see what heâs done to his shoulder. You know he did the best with what he had, but gunpowder is a risky move to close up a bullet hole.Â
If youâre not careful with how you treat his wound, itâs more than likely to get infected. Besides the gunshot, judging from the bruises on his body, you can tell he was beaten to within an inch of his life. Heâd barely been there a day and theyâd nearly killed him. If what theyâd done to you wasnât reason enough to want the OâDrsicolls dead, this was.Â
âSusan,â Dutch whispers and he sounds so disappointed, âsit by him. Take care of him. Keep him alive.â You refuse to look at Dutch, dipping a cloth into the purified water and wringing it out. You pass it to Susan who only nods her head.Â
Tilly draws the tent flaps closed, pushing Dutch the rest of the way out. Susan presses the cloth gently to the area around Arthurâs wound and his shoulder jerks slightly. âHeâs burned himself up,â Tilly mutters, rooting through his supply trunk and ripping up some of his clean shirts for extra cloth.Â
âClosed up the wound,â Susan mutters, âbut weâll need to watch for infection.â Her hand drifts down his chest, pressing down on one of the purple and yellow splotches along his ribs. His eyes shoot open for a moment, a pained groan coming from his cracked lips.Â
âBroken rib?â You ask, rooting around in his table for some of the ointment Hosea had made for him. She hums an affirmative and you hear Tilly rip up some more cloth for binding.Â
âItâs gonna be a long night, you best listen to every damn thing I tell you,â Susan snaps, not taking her eyes off of Arthur. You nod your head silently, pulling out the tin of salve and presenting it to her. Your eyes drift towards Arthur and you let out a shuddering breath, not willing to look at his broken form for more than a few moments.Â
Susan helped the most the first night Arthur was back. It was because of her that he made it. Tilly and you assisted her the best you could. But she had the knowledge only a doctor should as she staved the infection away from his wound.Â
She wasnât capable of a miracle, but this seemed damn close. Still, even with all the work youâd put in, someone had to stay by his side at night, make sure he didnât slip away quietly. You volunteered yourself, opting to let them watch him during the day while you slept.Â
His recovery was a slow one. You have to make sure his ribs are wrapped tight enough to encourage them to heal again. You need to ensure he doesnât flip around in his sleep and do any more damage to himself. More importantly, you have to do everything you can to keep his fever down.Â
Despite the heat of the day, it seems worse at night. Sweat soaks through his clothes and blankets, heâs constantly twitching with shivers. You try and make sure the cloth along his brow stays cool, but he seems to heat them up like a fire.Â
Thereâs no puckering green skin around his wound, none of you can figure out where the infection is stemming from. You donât have the medicine he needs to fight it, only sheer will and prayer.Â
You lean forward in your chair, pressing the back of your chilled fingers to his cheek. Same as the night before, itâs hot to the touch. Youâre surprised your skin doesnât sizzle as it touches his. His breaths come in short pants as you slip the cloth off his head and dip it into the bucket of water beside you. You wring it out and place it gently along his brow again.Â
Standing, you perch yourself on the edge of his cot and peel back the bandages on his shoulder. It sticks slightly to the skin, yellowed and bloody as the skin works to heal itself. Heâd done the best he could with the gunpowder, but all it had done was stop you from getting below the surface and healing what needed it.Â
Your eyes are fighting to stay open after being awake all night. You know the sun will rise soon, that youâll have an opportunity for rest. But you havenât been able to sleep well, not since he was brought back. You nearly drift off and then you think of him dying while youâre dozing away.Â
He might have made it through the first night, but there are no promises with things like this. Your hand slips into his and you let out a heavy sigh. You take in his sallow face, the gauntness of his cheeks, the circles under his eyes. His beard has grown longer than youâve ever seen it, his hair nearly reaches his shoulders. You donât recognize this beaten man below you. This isnât the Arthur you know.Â
You squeeze his rough hand in yours, âYou better not stop fighting, you stubborn bastard.â You feel a familiar burn in the back of your throat and look away from him, choking down your tears. You canât cry over him again. Youâve done it so often your eyes have run dry.Â
Just as youâre about to get up to leave, his hand twitches ever so slightly in yours. Your brows furrow and you glance down at his hold on you. It was nearly imperceptible, a barely there movement. You watch his arm carefully, seeing if anything else happens. When he doesnât move again you dismiss it as your mind playing tricks on you.Â
Again, almost as if he knows youâre going to leave him, his hand twitches. This time, you canât dismiss it as a reflex or simply something your addled brain has conjured up. The movement is deliberate, purposeful, as if heâs trying to hold on to you in every way he can. His fingers squeeze your palm weakly, and a sharp gasp escapes your lips.
âArthur?â you breathe, voice trembling as your heart skips a beat. You turn back to his face, ragged and pale, the shadow of the man he once was. But thereâs something in the faint wrinkle of his brow and the uneven parting of his lips. Itâs the most life youâve seen in him in days.
Youâre practically shaking as you move further up the cot. You stick yourself as close to his side as you can. âOh, Arthur?â you plead, leaning closer, searching desperately for any sign that heâs still fighting. A low mutter slips from his cracked lips, the sound so faint itâs almost lost in the silence. You freeze, straining to hear, your breath caught in your throat.
Youâre so close you can feel the shallow rise and fall of his chest against yours. His lips move again, his ribs quaking with effort. Itâs a whisper, barely audible, but you hear a cracked version of your name slip through his lips.Â
This is the most youâve gotten from him in days. There had been moments where, as hard as it was to accept, youâd begun to realize he could be dying. His lips move again and if you werenât watching him so intently, you might have missed it.
Your heart shatters and mends all at once. âArthur,â you choke, nearly crying with relief. Your body slumps over his with the relief that heâs not been lost to you yet. You clutch your hand in his as though sheer will can keep him with you. For a moment, the unbearable weight of your fear is lifted.
Tears spill down your cheeks, hot and unrelenting, as you press your forehead against his. âYouâre still here,â you whisper, more to yourself than to him. âJust keep fighting for me.â
He doesnât say anything else, doesnât have the strength, but his fingers twitch again, his grip just a little firmer. Itâs enough for you. You hold on to him like heâs your lifeline, and in a way, he is. You canât let him go, not now. âIâm here, Arthur,â you promise, voice shaking but just steady enough for him to understand you. âIâm not going anywhere. Just, donât leave me. Please.â
For the first time in what feels like forever, thereâs a flicker of hope in the darkness. Itâs fragile, so fragile, but itâs there.
It doesnât take long for Arthur to start coming back around. Most nights, heâs still groggy and spends more time asleep than awake, but the fever has broken, and thatâs enough for you.
You no longer go to sleep every night worrying he wonât be there in the morning. Now, when you check on his tent, you find him waiting for you, even if itâs with little more than a tired glance and a hoarse word or two. Tonight is one of those nights. He doesnât have much energy for anything beyond picking at some stew and lying down, but you donât mind.
You stay by his side, fussing over him as you fluff the pillows behind his head. Heâd teased you the other day, comparing your fretting to Mrs. Grimshaw. Youâd laughed, too relieved he felt well enough to joke to take offense. The memory makes you smile as you smooth the blankets over him.
âQuit,â he mutters weakly, swatting at your hands.
âOh, hush,â you retort, tone light as you sit back down in the chair by his cot.
His hand catches your wrist before you can settle. When you glance down, you find him peeking up at you through one half-lidded eye, a faint smile playing on his lips.
âCome on,â he mumbles, tugging gently.
âArthur, Iâm fine right here,â you reply, hesitating. His cot isnât exactly spacious, and youâre worried about jostling him or hurting his still-healing ribs.
He doesnât answer, just tugs again with what little strength he has.
âOh, alright.â You laugh slightly and shake your head. âYouâre so stubborn,â you grumble, but the smile tugging at your lips betrays you. Carefully, you climb onto the cot, curling into the space he makes for you on his good side. His head tucks into the crook of your neck, his arm settling around your waist like it belongs there.
You comb your fingers through his hair absentmindedly, thinking that maybe youâll cut it for him when heâs stronger. His breathing slows against you, his chest rising and falling in a steady rhythm. Heâs nearly asleep when he rasps out a question, voice muffled against your shoulder.
âWhy didnât they come?â He rasps against your shoulder, nearly asleep as he asks.
Your hands still in his hair, and the quiet around you feels suddenly heavy. His arm tightens around your waist, as though he senses your hesitation. You close your eyes and draw in a shaky breath.
How are you supposed to answer that?
You could tell him the same tired promises Dutch fed you, that there was a plan, that he was never really abandoned. But youâve been here, tending to him alone for days. Youâve watched Dutch only appear when Arthurâs too far gone to notice, his visits perfunctory and brief. And you know, deep down, what Arthur would never admit, if he keeps believing Dutchâs lies, itâll kill him.
You swallow hard and take his hand, threading your fingers through his. âArthur,â you whisper, voice trembling but firm enough to hold his attention. âYouâve given Dutch everything, and he left you there. He left you to die.â
You hear him exhale, a sound somewhere between a sigh and a groan. His grip on your hand loosens just slightly, but he doesnât pull away.
âIâm not saying this to hurt you,â you continue, leaning closer so your words sink in. âI just- I need you to know the truth. Heâs not the man you think he is. He never was. Please, Arthur, when youâre strong enough, tell me weâll get away. Weâll leave this all behind before itâs too late.â
You fall silent, letting your words settle in the quiet. He doesnât respond, his breaths deepening as sleep overtakes him again.
You tighten your hold on his hand and rest your forehead against his temple. âIâm sorry,â you murmur, your voice breaking. âYou deserve better.â
You doubt heâll remember this when he wakes, and maybe thatâs best. But you had to say something, you had to try. It feels wrong, though, to try and twist Arthurâs loyalty. Youâve barely had a chance to know either of them the way they know each other.Â
Still, you canât shake what youâve seen. Dutchâs words, his cleverly painted lies, they turn into nooses, and heâs got a rope around everyone in camp. You know his kind, once he sinks his claws into someone, thereâs no letting go.Â
You glance down at Arthurâs face, softened and unguarded in sleep, and your chest tightens. He deserves to be free of Dutch. At the very least, he deserves to see the truth and to live for himself instead of chasing someone elseâs dreams.Â
Doubt still creeps alongside you. Did you have a place to say anything at all?Â
You brush a hand through Arthurâs hair one more time, listening to his breaths as they even out. Curling closer around him, you drift to sleep with your heart heavy, praying he sees the truth when he wakes.Â
Next Part
end. â I do not own the characters or the game Red Dead Redemption 1/2, but this writing is my own all rights reserved Š not-neverland06 2025. do not copy, repost, translate & recommend elsewhere.
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Pairing Ë˰â˘*â⡠Arthur Morgan x fem!reader
Next Part - Hell Hath No Fury Series
A/N: my stupid poor-people photo editing app stopped working so now my cropping is all off and I'm sad. My aesthetic đ
Summary: Something brews between you and Arthur, but as always, the camp comes first. Despite the growing tension, Arthur must leave to rescue one of the gang who'd been separated in Blackwater. Jealously brews as a loud-mouth Irishman returns to camp and sets his sights on you.
Micahâs cough echoes through the camp and you wince at the sound. âHe needs to see a doctor before he gets the rest of us sick.â
Arthur shakes his head and sighs, âCaught somethinâ from the Downes fella in town.â He passes you some coffee which you take eagerly. Itâs part of a strange morning ritual youâd begun with him a few weeks ago. Just after the hunting trip, youâd taken to having breakfast with him if he happened to be in camp that morning. Itâs become your favorite way to start the day.
You smirk slightly and nudge his side. âYouâre welcome.â
He laughs and shakes his head at you, âIâm sorry?â
âWell,â you start with a teasing tone. âIf I hadnât needed a gentlemanly escort into town for some shopping, it would have been you calling in on those loans.â
He opens his mouth to argue but it stays hanging as you see the cogs turning in his head. He snaps his jaw shut with a reluctant sigh, âSuppose youâre right.â
âI always am,â you tell him like itâs the most obvious thing in the world. Arthur just laughs, passing you some bread. You hear a familiar set of footprints pacing outside the tent and roll your eyes, turning towards the entrance.Â
Sure enough, Mrs. Grimshaw paces around the perimeter of Arthurâs tent like a cougar. She sniffs when she catches your eye and turns her nose to the air, wholly pretending she hasnât been stalking you.Â
âShoo!â Arthur shouts, waving her off.Â
You let out a bewildered laugh, smacking his arm. âArthur, stop,â you hiss, but you donât sound very stern as you giggle at Mrs. Grimshawâs affronted look.Â
âGo on,â he keeps going, pushing her further. âGet,â he snaps like heâs talking to a wild animal. Mrs. Grimshaw says something you canât quite catch and stomps her foot once before running off.Â
You press a hand over your mouth, fingers pinching your lips to try and stop yourself from laughing. Arthur looks at you for approval and you only shake your head. âCome on,â he tries, âsheâs been botherinâ us all morninâ. What was I supposed to do?â
âSheâs not a dog, Arthur.â
âYou sure âbout that?â He teases and you swat at his arm again.Â
You shake your head, letting out a heavy sigh. âI truly think she hates me,â you whisper, pouring yourself a little more coffee.Â
âShe donât hate you,â he reassures. You tilt your head with a deadpan look and he chuckles. âWell, maybe just a little.â
You sigh and shake your head, âJust because I married rich doesnât mean I had an easy life.â
âI know that,â he objects.Â
You look up from your mug and furrow your brows. âDo you? You think I donât see the way you look at me? You see the same softness they do. I just canât figure out whether you like it or resent me for it.â
The playfulness of the morning is long gone. You seem to have a knack for ruining the moment. This question, though, has been haunting you for a while. Dutch is passive in his disdain for your upbringingâsnide comments here and there but nothing quite so obvious.Â
A few of the girls question you about the privileges of being a lady a little too long for comfort. Then, the conversation will end with one of them sniffing and saying, âMust have been a nice life. Too bad youâre stuck with us now.âÂ
There are always small moments like that to break the ridiculous idea youâve got in your head, that you belong. No matter how hard you try to tell them, they donât seem to understand that this freedom is better than anything money could have bought you. Your life hasn't been your own since the moment you were born. Sure, being on the run from the law and fighting for every penny wasnât fun. But moments like these with Arthur would never happen if you were back at your estate.Â
With the others, itâs easy enough to see their resentment. But Arthurâs better at keeping his cards close to his chest. It took a while for you both to settle into something easy like this. Most of the time you donât spend more than half an hour together a day. You donât have a good enough read on him to determine whether or not he holds your past against you.Â
Sometimes, you think you might see just a hint of bitterness when he catches a glimpse of the smooth skin of your palms. But you never know if thatâs real or something your paranoid mind has conjured up.Â
Arthur swirls his mug in his hand, a bit of the coffee splashing over the edge as it does. You squirm uncomfortably in your spot beside him. The sun has begun to heat up the canvas tent, but you know thatâs not why youâre sweating.Â
He gives you a gentle smile that eases some of the dread building up in your chest. âI donât care either way. And you shouldn't give a damn what the rest of these fools think. Itâs what youâve done with your life, with your money, that matters.â
You chuckle and shake your head, âYou mean my father's money, and then my husbandâs money. It was never mine. Thatâs why I care what they think. Iâm dealing with their judgments every damn day and they know nothing about the truth of it all. I was a commodity, practically cattle to those men.â
Arthurâs brows furrow in that familiar way they do whenever you talk about the men of your old life. It doesnât bother you to talk about them because youâre used to it and theyâre gone. But you know it makes Arthur angry to think about it.Â
Youâve grown comfortable with each other, but itâs still a cold shock when he casually touches you. You glance down, eyes wide, as you see his palm covering your own. You look back up with a soft smile. âYouâre smart, Arthur. Smarter than half the people here give you credit for. And far kinder than anyone Iâve ever met. " Your heart kicks up a beat when you see the way he refuses to meet your eye.Â
Youâll compliment him a million times a day if only to get him to start believing you. And maybe so you can keep watching that pink flush on his cheeks.Â
âThatâs enough of that,â his voice is gruff with something you canât quite name. Having enough sense to know when to stop you hold your hands up in surrender.Â
âOnly saying the truth,â but you never can seem to stop yourself from pushing just a little bit further. Arthur shoots you a sharp look and you bite your lip to keep from laughing at him. You can see him start to wind up and prepare yourself for the brief scolding youâre about to receive. Once heâs done with that, maybe youâll do what youâve wanted for so long and ask him to accompany you to Strawberry.Â
Youâve been trying to work up the nerve as your last two outings havenât gone wonderfully. Youâre hoping a redo might help the both of you grow just a little closer. Besides, being away from camp seems to be beneficial to you both.Â
Approaching footsteps bring your conversation to an awkward halt. Theyâre not the heavy foot of Mrs. Grimshaw. This is someone else, someone much more welcome. You turn and smile at Charles as he hovers at the entrance of Arthurâs tent. Arthur scoffs and mutters something under his breath that you donât quite make out, but it makes Charles grin.Â
Charles gives you a brief nod but his intentions are meant for Arthur. âWhaddya want?â Arthur snaps impatiently.Â
âTrelawney came back,â Charles answers shortly and your face pinches in confusion. Trelawney? You roll the name around in your mind but you donât think youâve ever heard anyone in camp mention him.Â
Arthurâs head perks up, the frown on his face softening just ever so slightly, but it's replaced by something more bitter. Curiosity or nosiness, youâre not sure, but rather than give in to the rules of common decency you donât leave them to finish their conversation alone. Â
You try to lean back, pretending youâre not there so theyâll keep talking. âThe hell did he want?â Arthur barks, tone still rudely short. You wonder what happened between him and Charles, they seemed to get along well enough a few weeks ago.Â
Charles's gaze darts briefly to you but he continues, âHeâs got news about Sean. Says he knows where to find him.â Now, that name you know, if only through vague mentions. You know Karen does her damndest to keep a mention of Sean out of everyoneâs mouths. And that he made it out of Blackwater alive but got separated from the rest of the gang. Other than that, you donât know much about him.Â
Arthur gets to his feet and Charles backs away a few paces, leaving the two of you relatively alone again. Arthur looks down at you, something like disappointment on his face. âYou need to go,â you assume before he can say anything.Â
He nods and you give him an expectant smile, âThen you better get moving, cowboy. Iâll be here when you get back.â He lingers for a moment like thereâs more he wants to say. But your mornings together have always been short, you canât imagine why that would have changed today.
He sucks in a sharp breath before nodding and heading towards Charles. You watch him go, your plans for the day being tucked away. Youâll ask him to town another time. As long as itâs anywhere but Valentine.Â
A prissy throat clears behind you and your head sinks between your shoulders with a heavy sigh. âTime to get movinâ,â Mrs. Grimshaw commands, with far too much glee in her voice.Â
Youâre sitting on an overturned bucket, running someoneâs pants across the washboard. You hate doing this, especially in the brisk of the early morning. Your fingers have already pruned up from the frigid water and you can barely feel them anymore.Â
Your gaze drifts to your right, where the heaping pile of laundry lies, and you consider running off with Lady. You know whatever other chores Mrs. Grimshaw would come up with in retaliation would be a million times worse, but it almost seems worth it at this point.Â
You dismiss the idea, deciding to honor the unspoken rule of ladies staying in camp, and continue scrubbing. You think this might be Arthurâs blue shirt. You notice a few fraying edges and holes and make a note to fix them up for him once itâs dry. You only hope you donât stumble across Uncleâs clothes while youâre doing this. That man has got stains in places that make you want to throw them in the fire, rather than wash them.Â
âNever gonna get used to a sight like this,â Sadie calls out as she walks up behind you. She kicks a crate over and throws herself down beside you.Â
âYou will soon enough,â you let out a bitter chuckle and shake your head, âMrs. Grimshawâs got some vendetta against me.â
Sadie shrugs and picks at some dirt under her nails. The sun seems to crest just perfectly over her head, almost making her blonde hair glow. She seems to be getting better. Sheâs put some space between her and the OâDriscolls and has found a place in camp just a little easier than you.Â
Still, you know sheâs struggling. She wants the freedom that your friendship with Arthur and Charles has granted you. You know sheâs feeling cooped up here at camp. Youâll have to invite her for a ride sometime and see if that will help ease some of her anxiety.Â
âNah, itâs not just you. That old hag hates me too. She thinks Iâve got ideas above my station.â You and Sadie turn, glaring at the back of Mrs. Grimshaw who is fussing at Lenny. You shake your head with a huff of laughter and turn back to the laundry in hand.Â
âI miss Jake,â Sadie suddenly blurts out. You freeze, hand still partially submerged in water as you debate how to approach this. Sadieâs always preferred the blunt way of going about life. You donât think she wants simpering sympathy right now.Â
âWhich parts of him do you miss?â You ask, trying to keep your tone light as you toss the shirt into the basket beside you.Â
âThe non-controlling parts.â Sadie nudges your side with a laugh, âRelax, Iâm not gonna start cryinâ on ya. I just miss runninâ my own house, not being bossed around by a son of a bitch like that,â she says, motioning vaguely towards Mrs. Grimshaw.Â
âSheâs not much better than my husband was,â you grouse, trying to drown out the womanâs voice.Â
âOoh,â Sadie groans, tone laced with long-held resentment. âForgive me for sayinâ it, but he was a real pain in my ass.â
You canât help the grin that curls at your lips as you straighten up, momentarily abandoning the laundry. âYouâre not my employee anymore, Sadie. Say whatever you want.â
âRight,â she shrugs, âHe was a real bastard and I hope he became wolf meat.â Your lips pull back into something resembling a smile, but it's not fully there. You imagine the blood of your husband on your hands and it doesnât fill you with the usually stifling nausea. Instead, itâs like a distant ache. Youâre either growing numb to it or finally accepting that youâve done the world a favor.Â
You suck in a deep breath and nod, âI hope the same.â Sadie lingers for a little while longer, not helping with the clothes, but keeping you company. You donât talk about anything of much substance. Mainly her irritations with everyone in camp and you echoing the sentiment. She doesnât like Pearson always trying to force her to cook with him and you hate being his taste tester. It doesnât matter how much seasoning he adds, he doesnât know how to make even half-decent stew.Â
When Sadie eventually leaves to finish her chores and youâre left all alone with your thoughts, you realize just how painfully slow the day passes by. You almost find yourself dragging the laundry out just to provide you some distraction from waiting for Arthur to come back.Â
Youâve both been lingering on the edge of something. You need to see if itâs all in your head or if there might actually be hope for the both of you yet.Â
You glare down at the basket of laundry at your feet and let out a heavy sigh. You reach for another shirt and begin scrubbing, keeping a careful eye on the campâs entrance.Â
Itâs not until the sky is illuminated with glowing swirls of orange and pink that Arthur and the others come riding back into camp. Youâd run out of chores a long while ago and had just been restlessly pacing since then. Every time you so much as approached Lady someone would come by and distract you with some meaningless task.Â
Youâd been sitting in the tent for the past hour, barely reading a book as you pray time moved faster. You stand now, hearing the cheers and whistles of the others. You move around the canvas, smiling when you see Arthur leading the men back into camp.Â
Thereâs a man on the back of Diablo, a loud-mouthed redhead that youâve never seen before. You can only assume this is the infamous Sean theyâd been after. Judging by the look on Arthurâs face, you imagine heâs been running his mouth the entire time since they rescued him.Â
He looks about ready to put a bullet in the young man as he drives him into camp. You see the others all taking notice of their return, Dutch being the loudest of them all. âSean MacGuire!â He approaches Arthurâs horse, giving the boy a hand down and grinning widely. âWelcome back, son!â
His thick Irish accent catches you off guard, âOh, âappy to be back, Dutch! âappy to be back,â he responds eagerly, a large smile on his face. Â
You hesitate by the fire, waiting for Dutch to finish before you go darting off towards Arthur. âI do think a return like this requires a celebration!â Dutch calls out to the rest of the gang. They whistle and cheer for him, Bill already rushing off to break out the alcohol. The gleefulness of the moment catches up to you, it eases away some of the anxiety balling up in your gut and you find yourself cheering along with the others.Â
Dutch keeps Sean tucked under his arm and begins to parade him through camp. You know this is a win for all of them. Even if someone here hadnât liked Sean, getting one over on some bounty hunters is always a morale booster. Whatever your opinions on Dutch may be, you have to admit that he knows how to lead his people.Â
Even if you happen to think manipulate is a better word for what he does.Â
You watch Sean interact with everyone in camp, drawn into the boisterous energy he wraps himself in. Itâs clear some of them are already beginning to find him a little annoying. But even his smart comments canât seem to put a damper on the spirits of the night.Â
Your mouth ticks up slightly when you see Lenny slug him in the shoulder, yelling at him for letting himself get caught. You divert your attention away from the interaction, looking for Arthur. You feel a little bit of the giddiness give way to disappointment when you realize youâve lost sight of him.Â
Heâs no longer by the horses, Diablo having been hitched long enough to already start grazing the grass. You peer around the womenâs tent and then take a few steps towards Arthurâs but heâs nowhere to be found.Â
Just as soon as you let yourself be disappointed by this, you also chastise yourself for becoming so infatuated. Youâve always had a bad habit of getting in your head and boosting your hopes up over something mundane. Youâve only just begun forming a friendship with the man and already youâre starting to fret over him. Youâre not a schoolgirl anymore, youâll have to grow out of this at some point.Â
You rub a tired hand over your face and suck in a deep breath. The aromas of camp rush over you in a wave. You can still smell the remnants of burnt morning coffee amidst the ever-present scent of the campfire and the fragrance of laundry that lingers on your hands. You can no longer tell if the mingling of odors comforts or irritates you.Â
You look up to the shining stars above and pray for a semblance of sense. Wrapping your shawl tighter around your shoulders you resolve to get over this infatuation with Arthur and just enjoy the night. If anything is meant to happen, it will do so naturally.Â
Dutch walks towards you as you begin to head towards the domino table. You force yourself to stop when you see the expectant look on his face. Sean trails along behind him now, already seeming to have found his way into some of the liquor.Â
 âMrs. Rowe!â Dutch calls out loudly, you give him a polite smile and he motions towards Sean. âI donât believe youâve met my good friend, Sean MacGuire. Mouthiest gunman in the west,â he adds with a smarmy grin.
You shake your head and hold your hand out to the boy. âCanât say Iâve had the pleasure. And please, no need to be so formal.â You give him your name, and he perks up. Stumbling forward and attempting to shake the drunkenness off, he turns your palm and kisses the back of your hand instead of shaking it.Â
You canât help but laugh a little at his performance. Molly suddenly calls for Dutch across camp and the three of you turn to face her. âDutch, over here for a moment!â She waves him forward and Dutch lets out a long-suffering sigh with an easy smile.Â
âDuty calls, I believe the two of you can entertain each other for a little while.â He turns towards Molly, arms wide as he calls out, âNow, Miss OâShea, what ever can I do for you?â
Sean quickly snags your attention again and you realize that heâs yet to let go of your hand. âNot a missus, eh?â He asks, his eyebrows waggling with what his drunken mind must think is seductiveness.Â
You stifle a giggle and shake your head no. ââFraid not. Heâs not been gone long, but Iâm happier for it.â
âOh, and so am I, fair lady.â You shake your head with amusement. Heâs nearly charming with all of his limitless swagger. âNow, Iâve just been cooped up in a camp with about fifty men with mugs nearly as ugly as these,â he motions towards the gang and you let out another unbidden laugh. âWould you care to dance with me?â
Your brows furrow, a disbelieving smile on your face. Leaning in, as though youâre sharing a secret, you tell him, âThereâs no music.â
He pulls a little bit back from you, meeting your eyes as your breaths mingle with proximity. âAre you sure?â He asks, a mischievous look on his face.Â
You find yourself frowning in confusion, and then, almost as though they had planned it, Dutch puts a record on. Itâs scratchy on his worn player, but the music fills the camp as he leads Molly into a sway.Â
Your lips part in astonishment and you forget for a moment just how close the two of you are. If anyone else saw, theyâd think you were going to kiss. âHow did you know he was going to do that?â
He waves you off and leans back. âMagician canât reveal and all that,â he dismisses. âNow, a dance?â
Youâre charmed by him, as much as you hate to admit it. Perhaps he doesnât have quite the same effect on you as Arthur. But heâs handsome in his own way. Besides, who are you to deny a magic man a dance?
You let him lead you towards the fire and he draws you close. Youâre surprised when his hand stays firmly on your waist and he keeps a nearly respectable distance between you both. Youâre still what modern society would call a scandal, but this is nothing for a gang of outlaws.Â
âIâm sure Iâve never met you before. Where did they find you?â Sean spins you out and then twirls you back into his arms with a flourish that makes you breathless. You almost ask him where he learned to dance before you remember to answer his question.Â
âUp in the mountains. Some OâDriscolls came through, killed my friendâs husband, and kept us in a cellar.â Youâre no longer surprised how easy it is for you to admit something like that. Youâve become desensitized to situations like your own the longer youâve been in camp.Â
âOâDriscolls,â Seanâs face twists up with distaste and he shakes his head. âNasty business.â
You scoff, âYouâre telling me.â Seanâs gaze drifts behind you and the little color on his pale skin drains. It makes the freckles speckling his cheeks stand out remarkably. âAre you feeling alright?â
âCutting in, MacGuire,â a rough voice calls out from behind you. Your feet still from where theyâd been following Seanâs lead and you risk a glance over your shoulder. Arthur paints a fearsome portrait against the night sky. Impassioned by the sight of him, with the brim of his hat tipped low and the fire casting shadows across him, you hastily drop Seanâs hands and step back from him. âIâd go find your lady if I were you,â Arthur instructs Sean.
Confusion swirls through you before you spot a very angry, very drunk Karen walking past. âRotten Irish bastard,â she mutters under her breath, shooting both you and Sean a nasty look. Sean chases, taking quick steps towards Karen without another word to you.Â
âKaren, it meant nothing, sweetheart. I only wanted a dance!â You let out a loud laugh as you watch him scramble after her.Â
âHeâs a damn fool,â Arthur says through a chuckle, walking closer towards you. You smile, turning around and flicking the brim of his hat up so he doesnât seem so imposing.Â
âYou stole my dance partner, Mr. Morgan.â You accuse lightly, pretending to be cross with him.Â
He rolls his eyes with an attitude you rarely see from him. âI did you a favor. You donât want to get involved with Sean.â
âNo,â you tell him, âof course I donât. I was only dancing. Canât do that anymore now, can I?â
Arthurâs mouth opens and closes before he lets out a huff. âWell, you two seemed awful close. I thought that-â he cuts himself off and you frown.Â
You were only teasing him. Had he actually thought you were interested in pursuing Sean? Youâd barely known the boy an hour. You pause, taking a step back and really getting a good look at Arthur. His shoulders are tense, though, not as tense as they had been a moment ago. The anger on his face, when he approached, had been real and not just the fire playing tricks.Â
The pieces connect one by one and you find yourself astonished. Arthur Morgan had been jealous over you.Â
That had to mean something. You couldnât be reading into something like this. You might be a little desperate, but you werenât a fool. You feel a flutter in your stomach and swallow down nerves. âDance with me?â You ask, in a breathy whisper, sounding much more confident than you are.Â
His eyes widen and he grimaces, rubbing the back of his neck. âI donât know, sweetheart. Iâm no good at stuff like that.â
You bite down your smile and lean forward, taking his hand in your own. Theyâre rough against the smooth surface of your palms but you relish in the feeling. âNeither am I. It was the one class I never managed to get the hang of in finishing school.â
You coax him forward slowly, drawing him into you and guiding his hand a little lower on your waist than you should. He takes your other hand in his own and leads you into a slow dance. Itâs barely anything more than a sway, but you still feel exhilarated.Â
Even with the warning, itâs still a little surprising how awful you both are at dancing. âEven if you're stepping on my toes Arthur, Iâm still much happier to be dancing with you,â you tell him, sincerity coating your throat like honey.Â
He looks away from you and sighs. âDonât have to say that.â
Your brows furrow and you tilt your head, catching his eye. âWhy would I lie?â He doesnât respond, caught off guard by the question.Â
âWell,â he starts slowly, finally facing you again. He laughs a little at himself and shakes his head, âI donât know why you would.â
âBecause I wouldnât,â you retort. âI donât want to dance with anyone else, Arthur.â You know that sometimes he doesnât always catch the hidden meaning, but youâre hoping he understands this time. You don't know if you could be any more brazen than you currently are.
His brows furrow and you can practically see the dots connecting when you begin to hear it. Low grunting noises, something almost like a whimper, slip out of the closed flap of Johnâs tent. You both pick up on it at the same time, movements slowing until you come to a complete stop. You stand, tucked into Arthurâs chest, and listen to what seems to be two people having a lot of fun.Â
âIs that-â
Youâre cut off by a very loud, âSean!â You gasp, hand covering your mouth as your eyes widen.Â
âOh, Karen,â he sounds on the verge of tears and you practically have to bite your tongue to not laugh. You bury your face in Arthurâs chest, feeling it shake as he lets out a loud chuckle. âIâve missed you so much!â You hear him begin to cry and force yourself to turn away before they hear you both laughing at them.Â
âOh,â Arthurâs face screws up with disgust but heâs still laughing. âThatâs just awful. Come on,â he keeps your hand in his, tucking you under his arm as he leads you away from the tent. He snags a bottle of something off a nearby crate as he guides you toward the trees bordering the camp.Â
âWhere are we going?â
âSomewhere we donât have to listen to that,â he mutters, nodding back toward the sinful tent. You clench your eyes shut, trying not to picture what the two of them are doing.Â
You feel your feet sink a little, mud lifting around the edges of your boot. You reach to lift your skirts, out of instinct, before you remember youâve got your new pants on. It makes you smile a little, living without the weight of your old clothes.Â
âArthur,â you stumble into his back as you trip over a branch and he quickly rights you. âWere you jealous?â You don't give much lead-up, hoping to shock the truth out of him.Â
He pauses and turns back to look at you. You smile a little impishly at him and he lets out a long-suffering sigh. âThis way, woman,â he grumbles, tugging you towards a thinner patch of trees. You find yourself squeezing his hand absentmindedly, liking the comfort of holding it.
The moon illuminates your path forward and you feel your heart jump up to your throat. Heâs led you to a small cliff face, a spot just large enough for the both of you, that feels incredibly intimate. The moon almost creates a halo around the area, lighting it up more than anywhere else in the forest.Â
Arthur lets go of you to tug off his coat. He places it on the ground and motions for you to sit. So used to fending for yourself and always being the last priority, something as simple as that has your heart skipping. âYou didnât answer my question,â you tell him as you take a seat.Â
He sits beside you, knee brushing against your thigh as he pops open the bottle of whiskey heâd swiped. He twirls it around in his hand for a moment before he places it down beside himself. Your stomach dips when he turns towards you, eyes intensely meeting your eyes.Â
You almost want to look away, the blue of them too intense to face. Thereâs honesty in his gaze and an intention you canât recognize that forms a lump in your throat. âYes. I was.â
Your lips twitch and you shake your head, slightly bewildered by how easily he admitted that. âIâm jealous every day I donât get to call you mine,â he adds.
You used to be someone elseâs. First, you were your fatherâs toy and then your husband's. When they called you theirs it was always with the intention of owning and using you. But it feels different with Arthur. It feels like handing him your bruised heart and knowing heâll keep it safe. He says those words, and finally, you know that someone other than yourself is looking out for you.Â
His hand comes up, gently brushing some hair off your cheek and drifting down to the nape of your neck. You lean forward, following his guidance, as his head dips down. Your lips meet, and the warmth emanating from him makes you realize this is truly happening.Â
Cold from the stone below you seeps through his jacket and chills your legs. The feeling only further intensifies the startling realization that this is real. This isnât one of your silly little fantasies. Heâs kissing you and you arenât doing anything. Â
You sit before him, stiff as a stone, not kissing him back or showing him any sign youâre enjoying this. He picks up on that and you can already taste the apology on his lips as he begins to pull back from you. So you dart forward, clumsily pushing your lips up against his before you completely ruin your chance.Â
He laughs against your eager lips, but you feel his relief in the way his shoulders slump and he relaxes back into you. One of his hands drifts down towards your waist, tugging you slightly closer, and you could melt into the feeling of him holding you.Â
He tightens his hold around you, drawing you back ever so slightly, his forehead resting against yours. âYou sure you want to get involved with me? It ainât gonna be easy.â
Unwilling to part for so long, you close the distance between the both of you and finally, let yourself give in to the sensations of this moment. His palm drifts into your hair and he tilts his head to deepen the kiss.Â
Perhaps due to his gruff outlaw exterior, youâd had the misguided notion that he wouldnât be a good kisser. Men like himself seem like the type not to enjoy something as simple as a kiss. Theyâre used to just getting right to the point. Youâre happy to discover just how wrong you were.Â
Those romance books Mary-Beth devours always describe something fleeting. Thereâs always fireworks going off as the two people youâve been reading about finally kiss. This isnât like that, there isnât a spark that reignites a cold heart. You feel safe and comforted, like youâre finally coming home. This feels real, not like some passionate moment shared between two people that will never last.
Arthur pulls back, reluctantly, and you both catch your breath. âWe should probably head back soon,â he whispers, eyes trained on your lips.
You nod your head, âProbably.â Neither of you goes to move, instead you tighten your hold on one another, basking in the moment of finally having what youâve been coveting for so long.
Next Part end. â I do not own the characters or the game Red Dead Redemption 1/2, but this writing is my own all rights reserved Š not-neverland06 2025. do not copy, repost, translate & recommend elsewhere.
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Pairing Ë˰â˘*â⡠Arthur Morgan x fem!reader
Next Part - Hell Hath No Fury Series
Summary: While the two of you might think whatever could have been is irreparable, one very meddling old man has other plans. Hosea sends Arthur and you on a hunting trip that ends with blood on your hands once more. Despite the mangled mess of it all, you still find yourself drawn to the hope of something more between you and Arthur.
Arthur stayed up most of the night, waiting for you and Charles to come stumbling back into camp. He expected drunken revelry, he thought he might have to corral you into bed. The same tedious tasks he went through with anyone who stayed out as late as you both did. He didnât expect both of you to be stone-cold sober and in different clothes. He hadnât paid too much attention to what Charles had been wearing, but he was certain that you had changed before you came back to camp.Â
He canât imagine what would have called for that or why you were both out so long. Heâs not sure he likes the few explanations he can come up with. Heâs got a nasty look on his face as he watches Charles lead you over to the ladies' tent. His hand hovers over your waist, nearly touching but not quite. His mouth is pressed to your ear, whispering a secret between the both of you.Â
Arthur wasnât jealous. That wouldnât make any sense. The two of you barely knew each other. And he was still recovering from what was the entire mess with Mary. He didnât think there was a part of him that was still capable of feeling like that. But heâs not comfortable with secrets in the camp, especially with newcomers. It just seems like bad luck. If you canât trust the gang, who can you trust?
Charles nods his head in a farewell and heads back to his own tent. Arthur watches as you rub your tired eyes. Your shoulders go up to your ears, back hunching over itself, and you have the countenance of a woman worn down. He frowns, eyes narrowed in suspicion as you collapse onto the bedroll beside Mary-Beth. John clears his throat as he walks past Arthur, giving him an odd look when he sees how intensely heâs glaring at your sleeping form. Arthur frowns at Marston, shooing him off and closing the flaps of his tent. He hadnât realized just how focused on you he had been.Â
The others donât share his suspicions. They only saw him making you cry earlier. In their minds, heâs probably no better than Micah. He hates that thought but heâs sure itâs not too far from the truth. Neither of them are good men, but Arthur would never hurt you. He would never willingly hurt any of the women. Heâs only worried about you.Â
He takes his hat off, tossing it beside the picture of Mary on his table. It knocks into the edge of the frame, sending it tumbling into the dirt. âDammit,â Arthur mutters. He bends, scooping it off the grass and checking for any cracks in the glass. He lets out a heavy sigh and brushes the dirt off the grooves of the frame.Â
Arthur pulls the picture back and stares down at it. Mary wasnât smiling in this one. Heâs sure he has another one of the two of them around somewhere. He knows theyâre smiling in that one. But after a while, he stopped liking to see himself in pictures and she stopped looking so happy. Arthur slumps down onto his cot and rubs a weary hand over his face. Maryâs stern eyes glare at him from the worn photo.Â
He canât do this again. He canât watch another bright woman lose their flame because they chose to love him. Loving him is always a mistake. First, it was his son and his mother, then it was Mary. He canât ruin you too. He wonât be able to live with himself if itâs your life in his hands.Â
Arthur places the picture back on the table. He flips the frame face-down so he doesnât have to sleep feeling eyes on his back. He rolls over and stares up at the canvas roof of his home. He wishes he could see the stars through the fabric. His fingers itch to draw the night sky, just from memory. But he forces himself still, makes himself sleep.Â
Arthurâs up before most of the camp, as he normally is. Dutch sits by his tent, reading, and just barely lifts his head in greeting before going back to his book. Pearson never seems to stop making that damn stew and Arthur doesnât think itâs ever improved in taste. Mrs. Grimshaw isnât even awake as he goes around camp. He canât imagine why heâs surprised that youâre still sound asleep.Â
He resents the little ache that festers in his stomach. It feels too much like disappointment. He canât imagine what he would say to you were you awake. Thereâs no apologizing for yesterday. Youâd made it clear how you feel about him and he should honor that.Â
Besides, he knows he needs to keep away from you. Heâd done both of you a favor by making it clear how much of a bastard he was so early on. He lets out a rough sigh and forces himself away from your tent. Heâs sure heâs got something he can find to occupy his time with.Â
Arthurâs cleaning his rifle when he hears her start huffing and puffing. Mrs. Grimshaw lingers by the edge of his tent, arms crossed and foot tapping faster than he can keep up with. âThinks sheâs so much better than the rest of us,â she grumbles under her breath. âJust because she married into money-â
âWhat are you talkinâ about?â Arthur demands, trying to suppress the amused smile on his face. Heâs sure he doesnât need her to see it, sheâs already in a mood, might as well not have it turn on him.Â
Mrs. Grimshaw throws her hands up in the air, whipping around and glaring at him like sheâs been waiting for him to ask the entire time. âThat,â she sucks in a sharp breath, clearly struggling to bite her tongue, âwoman,â she finally spits out. âMrs. Rowe,â Arthur straightens up at the mention of your name, eyeing her suspiciously.Â
Mrs. Grimshaw ignores him and turns back towards you. He gets up as she starts walking towards the barrel of water by Charles's tent. âShe thinks just because sheâs a lady, she can laze around and let the rest of us work for her?â She grabs a bucket and drops it in the barrel. Arthurâs sure the only reason she manages to heft it back out is because the woman runs off pure spite.Â
âWeâll see about that,â she snaps, marching towards you, arms poised to give you a cold awakening. Arthur chuckles a little, he follows behind her, prepared to stop her. But Charles steps out of his tent and catches on quickly to her plan. Before Arthur can intervene Charles is taking hold of Mrs. Grimshawâs wrist and tugging her back.Â
âLeave her alone,â he commands.Â
âExcuse me? This is my camp-â
âI wonât repeat myself,â he tells her, taking the bucket out of her hand. âLet her rest.â Mrs. Grimshaw wants to say more, they can both see it written plainly on her face. But she also wonât argue with one of the men in camp. She just throws her arms in the air in defeat and storms off, still grumbling under her breath as she goes.Â
Charles looks back at you and Arthur narrows his eyes at him. Something is tickling in the back of his mind, a thought thatâs taking too long to form. The answer for this odd kinship between the two of you is somewhere inside his head but heâs too stupid to work it out.Â
âWhatâs goinâ on?â Charles turns back towards Arthur with a questioning look and he nods towards you. âYou got a thing for her or somethinâ?â Arthur laughs but he knows Charles sees right through it. That insufferable look of his gives it away.Â
âDo you?â Charles asks, crossing his arms and smirking at Arthur. Arthur glares at him and rolls his eyes.Â
ââCourse not.â Charles doesnât say anything. Something lurks between the two men, a tension only shared by Arthur. After a moment of silence, neither of them willing to give in, Charles surrenders.Â
âYouâre an idiot, Morgan,â he walks past him, patting his shoulder and laughing under his breath. Arthur wasnât even sure the man was capable of smiling. But here he is, managing a laugh at Arthurâs expense.Â
It feels like the day is passing by incredibly slow. He feels like heâs been in camp for hours and itâs not even noon yet. Everyone seems to be avoiding him, either for how he acted last night or because of the way heâs pacing like heâs a caged lion.Â
Heâs not sure what heâs been waiting for all day until he hears it, âSorry, I hadnât meant to sleep so long.â Arthur damn nearly takes out Pearson and that god-awful stew with how fast he whips around.Â
Youâre sitting up, rubbing at your face and trying to shield your eyes from the sun as Sadie stands over you. âJust donât go botherinâ Mrs. Grimshaw, sheâs after you.â Your face screws up and you let out a heavy sigh.Â
âDammit, why didnât anyone wake me up?â
Sadie rolls her eyes with a huff and Arthur takes a step closer. âYouâve got a goddamn guard dog.â Arthur tenses up, thinking sheâs talking about him for a moment. Heâs gotten used to that comparison, especially when it comes to you. You had been pretty reliant on him for a while. Instead, she points to Charles.Â
Heâs trying not to hate the man but itâs getting hard.Â
Charles sits on a nearby boulder, fastening together some arrows and watching everyone out of the sides of his eyes. Arthur looks back at you and sees you smiling at your guard dog. âSorry, Sadie. Iâll do laundry tomorrow, howâs that?â
âDamn right,â she sniffs, nose pointed to the air and walks away. Shaking your head and closing the tent flaps, you come out a minute later in one of the outfits you must have bought last night. Arthur tries not to stare but it is odd to see one of the women in camp wearing pants.Â
Arthur runs through everything heâs wanted to say to you as you move closer to him. He goes through every shitty apology and winces when he realizes what a fool he's going to sound like. Itâs a stupid idea, to even try, but he just feels awful that youâd had to be on your own all day yesterday. You at the very least deserve a real explanation.Â
He half expects you to pivot at the last minute, to head towards Charles and ignore him the rest of the time youâre with the gang. But you keep coming towards him, something clutched in your hand that he canât quite see.Â
You stop a few feet away from him, arms tucked behind your back and lips pressed into a thin line. Arthur has an odd urge to close the distance. âArthur,â you say his name tersely and he tries not to let his disappointment show.Â
He might not want to be involved with you, but he likes you. Youâre smart, smarter than him, and youâre funny. He wouldnât hate being friendly with you. But he can tell, just from how youâre standing, that youâre not interested. âYes, Mrs. Rowe?â
âHere,â you hold something out to him but heâs more focused on the fact that you didnât even correct him on your name. Heâs got no chance with you now, thatâs for sure. You shake your hand impatiently and he finally bothers to look at what it is.Â
Itâs a bunch of crumpled bills, the same ones he gave you yesterday. Though, after your day of interrupted purchases itâs quite a bit lighter than it had been. âDont-â
âPlease,â you stop him before he tries to convince you to keep the money. You take a step forward and he matches you. You donât look too concerned by the proximity so he risks another step. You lean forward, take his hand and gently coax his fingers open. Your hands are warmer, softer than his own. A life of having servants and maids has kept you away from the harshness of work like his.Â
He doesnât know if he appreciates the softness you provide or resents you for it. âI feel guilty. I shouldnât have spent it so freely. Buying the horse was a foolish, impulsive purchase.â Your hand lingers on his a moment longer before you slowly pull away.Â
Arthur shakes his head but he puts the money back in his satchel. He knows, from the way youâre looking at him, heâs got no chance of getting you to keep this. âWasnât impulsive,â he argues. âThose damn OâDriscolls,â the mention of their name causes you to wince and he sighs. âThose men,â he corrects, âtook everything from you. And you needed the horse.â
âI suppose I did,â you concede but you donât sound sure of yourself. Still, Arthur will consider it a win. You look like youâre ready for the conversation to end but Arthur isnât sure he is.Â
âYou give her a name yet?â
Your brows furrow and you shake your head. âWhat do you mean?â
He laughs a little and nods towards the mare standing beside Diablo. Sheâs pretty big, not nearly as tall as his horse, but larger than some of the others in camp. âSheâs gotta have a name. Canât just go round callinâ her horse.â
You roll your eyes in indignation and Arthur shakes his head. He truly does not know why you hate horses so much. But considering itâs the only form of travel for a couple of hundred miles, he thinks itâs pretty ridiculous. âCanât I?â You sound so much like a petulant child, he has to bite his tongue not to laugh.Â
âReally donât like âem huh?â
The hardened look on your face softens slightly and you smile. âThat obvious?â
âLittle bit,â you chuckle and Arthur grins. âDoesnât have to be anything fancy,â he concedes.Â
âOh,â you toss your hands in the air, glancing around like someone might be holding up a sign with a name. âFine,â you sigh, âhow about Lady?â
âLady?â
âLady,â you growl the name out, glaring at him. âIâm not gonna come up with anything better than that.â
Arthur looks over at your mare and huffs out a laugh. She did look a little uppity. Nose in the air, looking away from the other horses hitched by her. She didnât even seem to want to eat the same grass as the others. âYeah, Lady works,â he chuckles, looking back over at you and trying to spot the similarities.Â
Itâs no secret you were used to a life of luxury. Sadie wasnât a friend, she was a former employee. Youâre used to wearing fine jewelry and finer clothes. This life, sleeping on the ground, shooting off bullets at anyone that pisses you off, isnât made for you. You donât seem like you should fit into this mold.Â
But heâs never seen you complain about your chores around camp. And you might not be happy about it, but youâve never tried to get anyone in the gang to turn away from their violent tendencies. You donât stick out like a Lady forced into rags, you could well have been born into this life if it werenât for that smooth skin of yours. He wonders why you seem to fit so well when so many others in your place have failed.Â
âRight,â the easy banter fades into a tense silence. You cross your arms behind your back, taking a step away from him and refusing to meet his eye. âIâve, um,â you trail off and Arthur takes a step towards you as you stumble away. âThank you, again.â You turn, refusing to let him speak as you rush towards Mrs. Grimshaw.Â
Arthur grimaces as she begins to lay into you, her voice carrying throughout the camp about not letting your former status get so far into your head. Youâd rather take a whooping from her than have to talk to him any longer.Â
Arthur takes his hat off, running a hand through his hair and glaring down at the mud under his boots. Heâs never going to be able to bridge this distance. And he shouldnât be trying to. You both know that nothing good can ever happen between you. Thereâs no point in torturing himself with something impossible.Â
He shoves his hat back on and storms towards the horses. A few people glance his way, but for the most part, they know to ignore him when he gets like this. He takes Diabloâs reins and leads him toward the forest. He doesnât have a destination in mind but he needs to see the stars tonight. He canât be stuck in the canvas tent anymore, heâs been cooped up for too long.Â
Itâs been a week since youâve killed your husband. A week since you fed his body to the hogs. And a week since youâve talked to Arthur. You canât meet his eye, too ashamed of what youâve done.Â
Youâre sure the man has killed more men than you can count on both your hands. Yet, youâre still worried heâll think less of you for what happened. Maybe itâs because you know how the others see you. Everyone else in camp thinks youâre soft. At least Sadie was a working woman before all this happened, she helped her husband keep up some rich employer's estate. And you were the rich employer.Â
They think that youâre soft, and better off than they are. They also seem to think that youâre constantly looking down your nose at them. Every time Dutch says, âI know youâre not used to having to live like this, Mrs. Rowe,â you feel like the entire camp turns and glares. Or anytime Mrs. Grimshaw yells at you not to let your former status get to your head, she has to remind you youâre just as bad as the rest of them now.Â
You donât judge them for how they live. You know they do it out of necessity, some for pleasure. You donât care. Outlaws have always been a part of this country and youâre not looking to fix that, but they donât seem to understand you. All they see when they look at you is the same type of person whoâs kept them down all their life.
You know that the second the rest of them find out what youâve done, youâll never hear the end of it. Itâll be held over your head for the rest of your time with the gang. And Arthur, you know heâll stop looking at you like youâre something to be protected.Â
You donât know if youâd love it or hate it. Youâd no longer be soft to him, wouldnât be this pretty new thing to play with. Youâd be like every other woman heâs surrounded by. And what does it matter? Heâs already got a proper lady.Â
You donât know how you missed it before. Youâve seen the pictures he keeps at his bedside. But part of you had always hoped it was a sister, or as wicked as it sounds, a dead lover. You feel like a proper fool. There was never any way this infatuation of yours was going to go that would be healthy for either of you.Â
You place your book to the side, something Mary-Beth had lent you that only makes your heart ache something fierce. You wished she had something other than romance. You hate reading about how happy they are at the end. It feels like a slap in the face to what your marriage had been and the thought of what you and Arthur might have been.Â
You need something to keep your mind busy. Youâre not confident enough to go on horseback alone. And no one in camp, except, of course, Arthur, is willing to take a woman out for a ride. They seem to think youâre all better off being cooped up here in camp. You donât have any chores left. Much to Mrs. Grimshawâs chagrin, she has nothing to hound you about today.Â
Your eyes dart back to the book but the thought of suffering through another sappy scene makes you leap to your feet. You pace around camp for a few minutes, trying to find anyone who looks like they could entertain you.Â
Tilly and Lenny are both playing Dominoes, but youâve never been a fan of the game. It wouldnât do anything but drive your mind further towards the outlaw youâre avoiding. You skirt around Dutchâs tent, not even wanting to attempt to speak with him. Heâs been growing bored of Molly, and youâve felt a little of his gaze drift towards you. Youâd rather not tempt him further.Â
Youâre considering just attempting a ride on your own when you spot Charles moving away from Pearsonâs table. He has new arrows in his hand and his bow is on his back. Heâs moving towards his horse like a man on a mission and you finally see your opening.Â
âCharles!â You shout, trying to catch him before he leaves. You draw a few eyes towards you but manage to ignore them for the most part. One pair feels particularly intense but you do your best not to meet it.Â
Heâs got one hand on Taima, slightly turned towards you as he waits for you to catch up. You slide to a stop in front of him, the sun glaring into your eyes over his shoulder. âWhat are you doing?â
âGoing hunting,â he answers bluntly, shifting slightly so youâre less blinded by the bright light of the early morning. Well, that had been obvious. But youâd been hoping for something more inviting.Â
âMind if I come?â You ask, rocking on the heels of your feet impatiently.Â
Charles doesnât usually mind you hanging around him. Youâre not sure if he likes it, but he certainly doesnât object. He seems less sure now, though. His face pinches and he tilts his head, already preparing to say no. You feel whatever hope youâd had sink to your feet. Itâs going to be another day of staring at a tree and hoping something interesting happens.Â
âCharles!â Hosea calls his name before he can tell you no. You both turn towards the old man, furrowed brows on your faces. âNeed your help with something today.â Charles sighs and shoots you a bothered look. You wince, mouthing an apology as he brushes past you. Youâre sure if he hadnât been held up by you he would already have been on his way.Â
âI was going hunting. Pearson needs more meat for camp.â Charles argues as he comes up to the fire. Hosea shakes his head, taking a long sip of his coffee. Something curls at the edge of his lips that feels remarkably familiar to you.Â
âDonât bother. Arthur will go.â Arthur looks up from his journal, flipping it closed and frowning as Hosea volunteers him. âAnd heâll take the lady with him.â
âNo-â
âWhy-â
You and Arthur both shoot each other sheepish looks, cutting each otherâs objections off. You know why youâre saying no, but it doesnât make his rejection sting any less. He wasnât exactly slow to protest against time alone with you.Â
Hosea holds his hands up, shooting both of you sharp glares. âI need Charles's help with some herbs,â Charles lets out a little huff but Hosea continues on. âArthurâs our next best hunter and I do believe Mrs. Rowe needs to learn how to hunt. Are you saying that you donât think she should know how to take care of herself, Arthur?â
Arthurâs jaw hinges and closes like a fish as he sets Hosea with a narrowed-eyed look. âNow, you know I ainât sayinâ that. Iâm just thinkinâ someone else can take her.â
You try not to let that hurt but it does. He has every reason to avoid you, you haven't exactly been welcoming. But it hurts to see how much youâve messed this all up. âI donât see any volunteers, Arthur.â Hosea pretends to search around camp but he just shakes his head and shrugs. âGoing to have to be you. I think you both can handle some time alone. Youâre adults arenât you?â
You and Arthur share a look over Hoseaâs head. One of shared suspicion that the old man has more than just simple hunting up his sleeve. You both grit out a reluctant, âFine.â
Hosea smiles and takes Arthurâs map. âWonderful, here, Iâve marked a spot on here for where you should go hunting.â
Arthur snatches it back and lets out a loud sigh. âHosea, this is gonna take us two damn days.â
âWell then, I guess you best get riding.â
You know Arthur wants to laugh at you. You donât blame him, youâre sure you look like a clown on top of Lady. Sheâs not working with you and youâre slipping and sliding along the saddle. You canât get comfortable, constantly fidgeting and lifting yourself up and down. Itâs making her twitchy.
You can see her flicking her tail in irritation every time you fidget. âComfortable?â Arthur calls out.Â
You look over at him and glare. Heâs so wonderfully content on top of his perfect Diablo. âJust fine,â you grit out, trying not to be jealous of how much more his horse likes him than yours likes you.Â
Lady seems to have been appropriately named. Sheâs got all the stuck-up makings of one. You shift again and she flicks her head, whinnying and nearly scaring you off her damn back. âYou need to calm down,â Arthur instructs, riding a little closer.Â
âIâm trying to get her to,â you argue, tone broaching the line between sharp and petulant.Â
âNot the horse,â he chuckles and reaches over, covering your hands with one of his own. He forces you to look up at him and youâre caught wholly off guard by how close he is. Youâre practically sharing breaths as he keeps up stride with you.Â
âYou need to calm down,â his voice is low in your ear, you can feel the rumble of it down your spine. âShe can tell you donât trust her,â he slowly releases your hands in favor of placing them on your back. âJust take a deep breath,â you have to fight the urge to close your eyes and lean into the warmth of his voice. âThere you go, good girl,â your eyes shoot open but heâs talking to the horse now.Â
Youâre ashamed to say youâre jealous of the damn horse.Â
He pulls Diablo back and nods towards Lady, âShe wonât trust you if you donât trust her.â
âHow am I meant to?â You grouse, but sheâs already calmed down a bit just from Arthur pacifying you.Â
âSometimes you just gotta open yourself up to something, even if it might hurt.â
You want to point out the irony of him telling you that but it doesnât feel appropriate. âThank you,â you mutter. You risk leaning forward slightly, running your hand through Ladyâs soft mane. You think she makes something of an appreciative noise but you canât be sure.Â
He nods his head, humming an affirmative and keeping his eyes strictly on the scenery around you. You try to think of something else to say to him, but every train of thought leads to confessing your guilt about your husband. Forced to keep your mouth shut, you train your eyes forward and keep your attention on calming Lady.Â
Above you, the sun peeks through the canopy of leaves, its golden light reflecting off the early morning dew. When you suck in a deep breath, you can still smell the rain in the air, remnants of the night before. Through columns and rows of light, the warmth of the sun manages to reach you.Â
Ignoring the tension between you and Arthur, this is possibly one of the most peaceful mornings youâve had since your home was turned over to the OâDriscolls. You canât help but appreciate the beauty and the freedom of the world around you.
You're on your own horse, wearing pants, without a chaperone as you ride beside a man. You donât have to sit here and fret over whether or not heâll still want you if you speak out of turn. Thereâs no society to be shunned from here. Itâs just you and nature. If you listen close enough you can hear mourning doves and the rustle of creatures in the underbrush beyond you.Â
Lady keeps her steady trot, letting you leisurely take in all you can. Youâre not sure how long youâll stay with the gang. You donât know how long before Dutch will decide youâre dead weight. But you know that life will never get any simpler than this. Anything you manage to find outside the gang will just be the same suffocating, dull monotony of your past life.Â
You have to appreciate the beauty of moments like these while you still have them.Â
âHow are you likinâ it?â Arthurâs rough voice breaks the tranquility of the moment. You open your eyes from where youâd been absorbing the warmth of the sun and turn towards him. Your brows furrow in question and he smiles slightly, though it seems strained. âThe life of an outlaw,â he clarifies, arms out as he gestures to the world around you.Â
You laugh a little and shrug. âI donât know. Itâs a little more boring than I had expected,â except of course for you murdering your husband.Â
He barks out a laugh and it makes a smile spread over your cheeks. Heâs got a contagious laugh, youâve discovered. It fills your stomach with a warmth that makes your legs tingle. âOh, yeah?â
âYeah, I mean, for the most part, all youâre doing is sitting around camp. You just wait for something to happen.â You stretch your truth, teasing him a little to try and get another loud laugh out of him.Â
Sadly, he only shakes his head with a little amused huff of breath. âSuppose itâs easy to think like that when weâre like this.â
âHunting?â
He shakes his head and gazes off at something you canât see in the distance. âOn the run, laying low. Weâre not exactly goinâ to run around robbinâ branks when weâre tryinâ to keep the law off our back.â His voice grows quieter, more sentimental, âNot when weâve already lost too much.â
You feel something like shame clogging your throat and wish youâd never said anything at all. It was easy to forget just how much loss theyâd all experienced. They didnât wear it on their sleeves like others might. Just carried it with them in their heavy hearts.Â
Youâd noticed that Arthur, especially Arthur, tended to turn it all inwards. He blamed himself for any loss or death that occurred within the gang. He never actually blames the person who truly deserves it. You wish you could help him, but you canât keep trying to fix broken things; you only end up cutting yourself in the process.Â
âWeâre gettinâ close,â he speaks before the silence can reach any further. His voice is a little rougher now, slightly closed off from you. He turns towards a thicker grove of trees and you try and nudge Lady to follow him.Â
She keeps going straight and you tug a little harder on the reins. âCome on,â you mutter, trying to tilt her towards Arthur. You look over your shoulder and see heâs already hitched Diablo and is retrieving his bow from the saddle. âOh, this is just embarrassing, you wicked beast.â
She knickers in discontent and you roll your eyes. Of course, out of all the horses you picked, it had to be the most stubborn one. You nudge your heel into her ribs and she comes to a complete stop. Her tail flicks with irritation and you throw your hands up in defeat. âI absolutely despise you-â
A sharp whistle rings through the air and cuts you off. Both you and Lady whip towards the noise. Arthur is leaning against a tree, fingers still hovering over his mouth. He pauses, making eye contact with Lady, and whistles again.Â
You startle as she takes off in a trot. You grapple for the reins and glare down at her in confusion. âHow in the world did you do that?â You call out as Lady approaches Arthur. He chuckles and reaches for the reins in your hand. You give them over willingly, not wanting to try and reason with the stubborn bastard any longer.Â
âGot years of wranglinâ these things under my belt. Youâll get there one day.â He comes back around to your side of the saddle and holds his hands out for you.Â
âIâm not sure I want to,â you grouse as you slip your hands in his. He eases you off of Ladyâs saddle and helps you gently onto the soft grass below.Â
Arthur pulls out his map and turns towards the clearing a little way before you. You hear the rushing of water in the distance and figure this is where the deer come for a reprieve from the day. You donât have to imagine how exhausting it is to always be running from predators. You know what itâs like living your life by taking soft steps and trying to make sure youâre never seen. Youâd never go back to that if you had the choice.Â
âThe place Hosea wanted me to look at isnât too far out. Couple minutes walk, probably.â
Arthur starts off without looking back and you frown at him. âHey,â you call out, âshouldnât I have a bow, too?â
Arthurâs brow quirks up and heâs silent for a moment before he barks out a loud laugh. You roll your eyes and let out a heavy sigh. Heâs got a big grin on his face thatâs making it hard to actually be mad, but youâre trying.Â
âYou ever shot a bow before?â
You tuck your tongue in your cheek and frown. Youâve used rifles and pistols plenty of times. Of course, then you had really just been shooting at bottles. But you canât say youâve ever experienced a bow. Youâre slow to answer, âNo.â
âHow âbout we see how you do today? Iâd rather not have you shoot my damn eye out.â
He starts walking back towards you and you practically stomp your foot. âOh, Arthur, thatâs ridiculous-â
He cups your elbow in his hand and forces you forward. âTrust me, sweetheart, Iâve seen it happen. It ainât pretty.â You canât find it in yourself to argue anymore. Youâre too caught off guard by how tender heâd sounded when heâd called you that.Â
Sweetheart. You wonder if he ever calls Mary that.
The thought leaves a sour taste on your tongue. You jerk your arm out of his hold and do your best to ignore the surprised look he sends you. He should be more careful how he acts around you, especially if heâs got a woman of his own.Â
You and Arthur drift into another tense silence, one of your own creation, yet again. You follow along whatever path Hoseaâs created on his map and let your mind drift away. You try not to linger on any passing thoughts. Instead, you want to focus on the world around you.Â
You take in the sounds of bird song and try to memorize the melody. You never want to lose this feeling of being so wholly encapsulated by the world around you. Walking along quietly behind Arthur feels like youâve become just another slinking animal in the forest.Â
A sound breaks through your thoughts of nothing. Something like the wet squelch of blood. It reminds you of how your husbandâs brain had sounded under your boot. You come to a stop that goes unnoticed by Arthur. He continues ahead but youâre stuck in a memory.Â
Thereâs a low growl like the click of your gunâs hammer as youâd pulled it back. A fierce bark rings through the treetops like a gunshot. You whip around to face the sound and find nothing but the bright green of the forest.Â
As though pulled forward by a rope, you find yourself walking without thought. You step carefully over roots and push through brambles. You follow a red trail dotting along the leaves on the ground until you manage to push your way into a small clearing.
The trees are thinner here. They carry less leaves and occupy less space. They give you just enough room to see what has drawn you forward like a sirenâs call.Â
A wolf dangles from another wolfâs bloody maw. Sheâs panting, eyes practically red with bloodlust as she crunches down on the neck of the wolf beneath her. Thereâs a pathetic whimper, quickly followed by the low gurgle of death. The second wolf hangs limply from her jaws and youâre reminded even more of your marriage.Â
But youâre not the bleeding, weak, shadow of a creature on the ground. Youâve turned into the hunter, the defiler. You wonât ever let yourself be cowed by someone weaker than you are. Youâve forced yourself into the role of an animal, blood on your maw and righteous fury in your eye.Â
The wolf hasnât noticed you yet, but you feel as though youâve seen this animal before. A shadow pacing before your homeâs door. The howl outside the camp in the dead of night. Sheâs haunted you for so long and has only allowed you this one glimpse now. Why?
Something clamps down on your shoulder, heavy, hard, and calloused. It takes everything in you to tamp the scream in your throat down. âWhat the hell were you thinkinâ? Could you stop runninâ off all the damn time?â
Arthur glares down at you. He hasnât seen the wolf yet, heâs only just found you. Your eyes widen and you turn slightly towards her. His brows furrow in confusion but he follows your gaze and you watch as his face pales. His hand immediately drifts to the revolver on your hip but you lunge forward, stopping him before he can fully grab it.Â
âWhatâre you doinâ?â
âStop,â you plead, voice heavy with emotions heâll never truly understand. âDonât.â
His eyes dart between you and the wolf. You can see the battle waging within him. He doesnât want to upset you but he canât risk turning his back and having the wolf on him. You squeeze his hand, eyes big and pleading as you stare up at him. Finally, he relents with a sigh, grip going lax on the handle of the revolver.Â
You let out a breath of relief and he takes your hand in his, tugging you back a little. The wolf doesnât feast on her kind, she just stands over him, lips curled back and ears pinned. You keep your eyes firmly on her as Arthur guides you both out of the clearing.
Once youâre safely out of earshot, Arthur starts grumbling under his breath. âShouldnât have done that,â he says vaguely. You frown and catch up with him, shrugging your shoulders in confusion. âThereâs plenty of prey in the area,â he clarifies. âIt shouldnât be killinâ its own.â
You look over your shoulder, as though you might see the wolf again, but she doesnât come back. âMaybe she had to,â you muse. âMaybe he had it coming.â
You donât miss the odd look Arthur gives you and you donât blame him. You donât quite understand yourself sometimes. But you do know you were meant to see that. Whether as a reminder of your sin or a confirmation you did the right thing, you donât know.
Youâre crouched behind a fallen tree as Arthur shows you how to properly nock an arrow. A herd of deer graze along the grass only a few feet ahead. Arthurâs got his sights set on the biggest one and you can already feel your stomach squirming at the thought of watching the beast hit the ground.Â
Youâd just seen a wolf ripping another wolf to shreds, but the thought of a buck dying makes you nauseous. You need to get your priorities straight.Â
Arthur lifts the bow and pulls the string back. Heâs facing away from the herd for now, still trying to get you to understand the basics. âAlright, you want your arm level, one finger above the arrow,â he wiggled one of his fingers on the string and you smiled slightly, âtwo below.â He brought the bow back down and shrugged. âAinât too hard, youâll have to get used to the effort of keeping the string back. Beyond that, point and shoot.â
You roll your eyes with a scoff, âReally? Itâs that easy?â
âWell,â he smiles slightly and shakes his head. âNah, itâ ainât that easy. You gotta consider the wind, how far the arrow needs to travel, and you gotta be steady.â He pauses and runs his tongue over his lips, struggling for words. You tilt your head in question, letting him find them. âYou havenât been steady in a while, sweetheart.â
Thereâs that name again. Youâd be pleased if it werenât for what he just said. âSteady?â
âCalm,â he clarifies. âYou canât even ride your horse.â
âI donât like horses,â you try and defend yourself but it sounds weak, even to you.Â
âYou and I both know itâs not just that.â He moves a little closer. He leans over you, blue eyes imploring you to just tell the truth. You want to, every part of you is screaming just to give in, but you canât.Â
âArthur, not now, please,â youâre practically begging. You canât meet his eye any longer, looking at the ground instead and praying he just drops it.Â
He lingers behind you for a moment longer before letting out a low breath. âAlright, fine. Weâll just hunt. I mean it, though, eventually youâll just have to let go of whatever it is thatâs bugginâ you.â
That wonât be happening anytime soon, but thereâs no point in telling him that. Instead, you turn back to the herd of deer. Itâs thinned slightly, a few of them having run towards the fields beyond. But the big one remains, antlers decorated with moss as he cranes his lithe neck for a drink in the river.Â
Arthur passes you the bow and you shoot him a concerned look. âJust give it a try, like I showed you.â When you donât move, he wraps his palms around yours and forces the bow and arrow into your hands. He lifts them, leveling your arm with your chin and pulling it back until the string is just by your ear. âCome on, youâve got it,â the whispered instructions should have you melting into him but you canât. You canât bring yourself to loose the arrow.Â
Your arms drop to your sides and you shake your head. âI canât,â you utter, sounding completely defeated. âI canât shoot.â
Arthur mistakes your reluctance for insecurity and smiles slightly. He slips behind you, his chest pressed against your back, and lifts your hands again. ââCourse you can,â he encourages. âIâll help you.â
Once more, he guides you into the right position. Except, this time, he doesnât let go. He keeps his palms firmly wrapped around your fists and guides you until your aim is just right. He waits for the breeze to stop blowing, forcing you to keep your tight grip even as your bicep begins to tremble with strain.Â
âHold on,â he mutters, eyes narrowed as he focuses on the buck. Your heart kicks up a beat the longer you watch it move. As much as youâd like to relax into Arthurâs warmth, you canât. Youâre watching this animal move and live its life. And youâre about to kill it like itâs nothing. What right do you have to claim itâs blood?
âThere,â Arthur lets you go before you can stop him. Your hands naturally follow his guidance and the arrow whistles through the air. The deer notices it too late. You can hear the thud as it embeds into his neck. It lets out a loud, dying, bleat that alerts the rest of the herd of danger. They jump around for a moment before racing off.Â
Your arms sink to your sides and Arthur squeezes your shoulders. âThere ya go! Told you, you could do it!â He grins down at you, waiting for you to celebrate along with him. You canât, all you hear is that awful noise the animal had let out as you killed it.Â
Arthur pauses, finally seeing the downtrodden expression on your face. âHey,â he cuts himself off as the first tear falls. You canât help it. Itâs like a dam has burst with that deerâs death. You crumple into yourself, hands rubbing your eyes raw as you try and stem the tears. âDammit,â he hisses, âhow do I keep doinâ this?â
You laugh wetly at that, sniffling as you wipe your nose against your sleeve. âItâs not you,â you promise him.Â
âThen whatâs wrong?â His voice has lost any tenderness it once held. Itâs rough, and commanding, as he tries to force some answers out of you. You donât blame him for being upset. Heâs right, you really arenât steady right now.Â
âI canât-â
He cuts you off with a rough shake of his head. His hands find their way on your shoulders and he forces you to turn towards him. You try and slip out of his grip but he grabs your chin and ticks your face up. âLook, I know you and Charles are hidinâ somethinâ. I may be a fool but Iâm not blind. Iâve also never seen someone cry so hard over a damn deer. You gotta give me somethinâ here.â
You canât tell him the truth, you know that much. Besides, youâd be implicating Charles in your crime as well. You donât need to drag him down along with you. But Arthur seems so desperate. You know, deep down, that all he wants is to help, to finally get you to stop crying. And you suppose you owe him something after breaking down on him so many times.Â
âI did something,â you whisper, staring down at your hands and for a moment seeing blood on them. âSomething awful, and I donât know if Iâll ever be forgiven for it.â
Arthurâs brows furrow and he rubs the back of his neck. âForgiven by who?â
You shouldnât be surprised that he didnât ask what you did. You know heâs used to all sorts of awful things in his life. You suppose he probably thinks your definition of awful is simply killing a deer- not the man youâd promised the rest of your life to.Â
âI donât know,â you shrug and attempt to collect yourself. âGod. Myself. I feel like Iâm tainted,â you clench your hands shut and take in a shuddering breath. âLike Iâll never be able to cleanse myself of this.â
Arthurâs silent for a while and you worry that youâve lost him. Thereâs a shuffle of feet and you force yourself to finally look up.Â
Arthur's eyes soften with concern, but his face is still tainted with a slight suspicion. âLook, I donât know what happened and I wonât pry. But youâre a good person. I havenât known you very long,â he amends, a little sheepishly. âBut I know you well enough to see just how kind you are. Thereâs a lot of good inside of you. A lot more than whatâs left in me or any of the rest of the gang.â
You sniffle, wiping away a stray tear, and offer him a shaky smile. âYou sell yourself too short, Arthur Morgan. Youâre a good man, one of the finer ones Iâve met, thatâs for sure.â
You swear you almost see a blush on his cheeks as he looks away. âAh, I wouldnât go that far. Canât seem to stop makinâ you cry, anyway.â You laugh a little at that and he finally looks at you again. He gets to his feet and holds his hand out, âCome on, itâll be dark soon, we gotta get a move on.â
You nod, slipping your hand in his and letting him help you to your feet. He doesnât let go of you right away, instead, he lets you lean on him as he leads you forward. You appreciate his strength and, as selfish as it is, you relish in the feeling of his body against yours as you walk together.Â
You try not to think of his lady or your husband or even the dead buck ahead of you. Instead, you hold onto Arthurâs words. If he believes thereâs good left, then maybe there is.Â
Arthur told you the ride back would be too long and that you probably wouldnât do well with Lady at night. Youâre sure heâs right but part of you thinks heâs just not ready to be back at camp yet. You canât blame him, youâre not either.Â
Itâs nice to get away from the noises of others. Surrounded by the tranquility of nature is the sort of calming environment you need right now. You hadnât realized just how frayed your nerves had been until you broke down on Arthur for the second time.Â
Arthur finally gets the tent set up and comes to sit beside you on the ground. You throw another branch onto the fire and watch as the sparks float up towards the stars. You donât know why the thought of his woman flits into your mind again. It could be because of how close you both are or simply because sheâs lingered in your thoughts since you discovered her.Â
You find yourself prying into a man youâre sure would be happier left alone. âHow do you think your lady would feel about you sitting so close to me?â You try to give him a teasing smile but you know it only seems strained.Â
Arthurâs face drops before it pinches quickly in confusion. He lets out a very ungraceful, âHuh?â And you canât help but snort slightly in laughter. âThe hell are you talkinâ âbout woman?â He demands, turning towards the fire and tossing some more sticks on it.Â
âThe woman in Valentine,â you clarify, still laughing a little. âOh, Iâm sure you remember abandoning me in town for her,â you remind him airily. He lets out a heavy sigh but you keep on. âDoubt sheâd appreciate us being so close.â
âNo,â he rubs the back of his neck and gives you a sardonic smile. âShe wouldnât, but it donât matter much now. We havenât been together for a while.â
âOh,â you keep your face schooled but thereâs a little bit of giddiness bubbling in your gut. But that doesnât make any sense. âWhy would you leave me in town alone to go be with her all day if youâre not together?â
âI-â he starts and stops himself a few times before giving you a defeated shrug. âSuppose I owe her. I dragged her down into this life, tainted her with my love, I guess I owe her a few favors.â
âTainted her?â You scoff and wave him off. âI doubt a day goes by where she doesnât count herself lucky to have been loved by you.â
His face takes on that familiar flush you saw earlier. It could easily be dismissed as heat from the fire but you know better. Heâs not used to such blatant honesty, especially not when it compliments him. âReally?â He scoffs and shakes his head. You roll your eyes, already knowing what heâs going to say.Â
âI doubt it,â he drawls, rubbing the back of his neck with a stubborn refusal to meet your gaze. You know itâs only because he wouldnât be able to handle the truth staring back at him. âWhat about you then, what about your husband?â He easily deflects, throwing you for a curve as you rip your eyes off him.Â
You focus on the flames of the fire until it makes your eyes burn. You know he doesnât know anything about the truth, but you still have to be careful about what you accidentally let slip. âOh,â you let out a short dismissive chuckle. âNeither of us were lucky. Certainly not me.â
âWhy not?â Arthur sounds genuinely curious, not the sort of patronizing inquisitiveness youâve heard from others in camp. You realize that youâve not talked about your marriage much. Youâve done your damn best to keep it off the minds of everyone in camp. Starting a new life means not constantly dredging up the old one. But you suppose you owe Arthur just a little bit of honesty.Â
âHe never loved me the way a man is supposed to love his wife. I count myself lucky to have gotten away from him.â
âHe wasnât kind to you?â Arthur asks, but you both know the answer.Â
You finally let your gaze drift off the fire and shake your head. âNot in any aspect of the word. The only part of our marriage that was real was the papers. And now heâs lost and so are they.â You suck in a deep breath and force a smile, turning to face him once more. âIâm finally a free woman.â
Arthur meets your eyes with a startling intensity. Thereâs something pinched on his face, a thought thatâs just taking too long to form. You see the internal battle with himself as he debates whether or not to open his mouth. Your fingers dig into the softened material of your pants, fidgeting as you wait restlessly for his question.Â
âWould you ever want that again?â He asks slowly. âNot marriage, but to be with someone like that.â
You look off to the edge of the clearing youâre camping in. The trees provide you both with a thick cover, the tips of them nearly reaching the stars. Youâre used to a clear view like this from your home in the mountains. But you never realized just how much you were missing being locked up in that house. There are so many things you thought youâd never have the chance for, so many new opportunities to make.Â
âI used to think to myself that if I ever got away from him, I would never be involved with a man ever again.â You wonder if you make up the way his shoulders stiffen slightly. âI had thought they were all just as cruel, just as useless as he was.â His gaze rips away from you and he stares pointedly towards the wildflowers in front of you. You let out a breathy laugh and lean back on your hands, shrugging. âIâm starting to think I might have been wrong.â
Arthur turns towards you and you wonder if youâre imagining the hope in his gaze. Is it just a projection of your own wishes, or is it the truth? âWhat about you?â You deflect, not willing to hold the weight of the conversation anymore.Â
âWith the right person. With someone who understood that this is just who I am.â Someone who wonât try to change him, you finish his unspoken thought and nod your head. He hesitates for a moment on his next question. âYou think youâll ever find the right man?â You feel your cheeks pull up unwittingly. Your fingers drift across the grass, just barely brushing against his. He doesnât pull away from you or frown at the touch. Instead, you feel the warmth of his palm covering your hand. âI think I might be starting too.â
Next Part
end. â I do not own the characters or the game Red Dead Redemption 1/2, but this writing is my own all rights reserved Š not-neverland06 2025. do not copy, repost, translate & recommend elsewhere.
Hell Hath No Fury Taglist: @buckysblondie @littlebirdgot @heloixe @summerdazed @committingcrimes-2047
@m1stea
Pairing Ë˰â˘*â⡠Arthur Morgan x fem!reader
Next Part - Hell Hath No Fury Series
Summary: Your husband was supposed to be dead. It's what bastards like him deserve after abandoning their wives in the middle of a blizzard. But he's here, haunting you even when you finally thought you were rid of him. No one can know.
Despite how sobering seeing your husband felt, it didnât miraculously purge the whiskey running through your veins. You stumble towards the stairs of the saloon and stumble on the first step. âDamn,â you curse, blaming a loosened floorboard that doesnât exist. Your fists clenches around the banister, relying on it to keep you standing.Â
With each step, the warm air from the upstairs presses down against you. Your head spins with the effort it takes to keep moving forward. The heat of grinding bodies from the bedrooms seeps through the cracks of the doors. Sweat beads along your temple as you make it up the last few steps and you fight against the urge to pass out.Â
Just as you pull yourself onto the landing, you manage to spot your husbandâs form turning down the hall opposite of you. He and the whore disappear from view, âShit,â you mutter, pushing yourself forward faster. Your legs pump as quickly as they can but the booze has numbed them. You feel nothing more than an almost pleasant tingle as you try and get them moving.Â
A man stumbles towards you, grinning like a drunken fool. You donât manage the grace to avoid bumping into him and his hands immediately rove your body, mistaking you for a working woman. You grunt nonsense at him, swatting his arms away and paying no heed to the insult he hurls at you. Your only focus now is the spot where your husband disappeared. Youâve nearly caught up with him when you feel your stomach roll unpleasantly. You latch onto the banister and curl over it, trying to keep your booze down.Â
You suck in a sharp breath through your nose, clenching your eyes shut as you force the bile down before it can rush up your throat. You clamp a clammy palm over your mouth and turn your eyes toward the balcony on your right.Â
Only an orange glow, fading against the horizon, remains of the day. The sun has long since disappeared from the sky. You were wondering why you felt so horrible. Youâd drank the entire day away without realizing it. Not only that, but youâd been on your own all day. The cogs in your head are slow to turn through the sluggish mush that has become your brain. You know you had someone waiting on you, or you were waiting on them. You canât seem to remember which.Â
But there was something else you were doing, besides trying to remember why you were so drunk and in a saloon all alone. You push off the banister, stumbling back a few steps, and think as hard as you can. Your gaze drifts to your left ring finger, to the pale line of a missing ring. âHusband,â you whisper, âno good husband thatâs supposed to be dead.â
A man shoots you a worried look as you pass by him but you just send him a watery smile. He shakes his head with a sigh, âNever shouldâve started lettinâ women in here.â
You roll your eyes but the motion just makes you dizzy and you have to lean on a wall for a moment to get your bearings back. By the time you do, the man is gone and youâre all alone on the second floor.Â
You have to use the wall to keep yourself balanced, but you do eventually manage to make your way towards the bedrooms. Youâre not sure how youâll know which one your husband is in. Thereâs always the option of simply busting down the doors until you find him, but that will draw too much attention.Â
With your ear pressed to the walls like some kind of pervert, you pass by three bedrooms before you think youâve found the right one. Slightly ajar, the door lets lamplight seep out into the hallway. Whoever is in there had been in a rush and hadnât bothered taking the proper, mannerly, precautions. It seems like something your husband would do.Â
With as light feet as you can manage drunk, you make your way towards the door. You hover in front of it, listening for a moment to soft sighs and creaking bedsprings before you peer inside. You only see the back of the woman at first, red curls falling over her shoulders, dress hastily pushed beneath her breasts. Sheâs bouncing atop a man who's wearing a pair of boots that look far too familiar to you.Â
Reaching forward, you press the door open just the slightest bit more. Her grinding motions no longer block the man sheâs with. Your throat tightens, heart souring, as you see your husbandâs face turned up in glee. He lays below her, grinning like a fool, hands caressing her hips in ways heâd never done with you. She couldnât look more tired of him, gaze constantly drifting towards the crumpled-up cash on the table beside them.Â
You feel something white hot and angry strike through you. Itâs callous, and unrestrained as you slip your hand across the revolver on your hip. You slide through the door with more grace than you should be currently capable of. You keep your eyes solely on the woman. You recognize the glazed look of your husbandâs eyes, heâs too drunk to realize a gunâs being pointed at him, but sheâs sober, she could scream and everyone would know youâre up here.Â
âYouâre so beautiful,â he slurs and itâs like something inside you splits and snaps open. He hasnât called you beautiful in years, he hasnât even tried to sleep with you since your first year of marriage. Heâd bluntly told you that heâd rather cut off his cock than get you pregnant with his children. And here he was, laving this whore with compliments like he wasnât paying her to make him happy.Â
Righteous fury makes a fool out of you. You think of every bad night, all the moments youâd curled up in your room covered in bruises after heâd had too much to drink. You pull the revolver out, cock the hammer back, and point it at the back of the womanâs head. Her movements still, hips hovering in the air as she peers ever so slightly over her shoulder.Â
âWhatâre you doinâ?â Your husband slurs, slapping roughly at her hips. You see her jolt and listen to the smack echo through the room as her pale skin reddens. Your eyes burn with unshed tears and you nod towards the money on the dresser.
âTake the money. Get out,â you motion with your gun towards the door. She stays completely still, eyes so wide you can practically see the whole of them. Your finger twitches towards the trigger and she leaps up, nose flaring like a terrified rabbit. âDonât make me say it again.â
She grabs the money, not even bothering to fix her clothes, and runs out the door. You figure after having to deal with your husbandâs whiskey dick, she could use the compensation. She hastily slams the door shut behind her and you listen to the sounds of her rapid footsteps disappearing down the hall.Â
You should be worried sheâll tell someone or get the sheriff, but you doubt she will. Youâre sure sheâs been threatened by plenty of angry wives in her time here. Youâre probably just one of the rare few who bring a gun to drag their wily husbands out of a whoreâs bed. Sheâll dismiss you as nothing more than an irate woman taking her husband back home.Â
Or, perhaps, youâre just drunk and confident enough to believe you can get away with this without any consequences.Â
Vinceâs pants are jerked lazily to his knees, he leaves himself exposed to you as he gets up on his elbows. You can almost smell the whiskey on his breath as youâre reminded of your disaster of a wedding night. Heâd looked just like this then. Foolish, drunk, and like the biggest mistake of your life.Â
Heâd told you he was so nervous to lay with you that heâd practically drank the whole bar at your wedding. You hadnât been able to do anything that night except stay up to make sure he didnât drown in his own vomit. Youâd even spent the next day nursing him so he wouldnât suffer too much from the consequences of what heâd done.Â
Heâd been so sheepish, so horribly ashamed of his behavior as he apologized to you. Youâd thought it be a silly story to share with your children one day. Or even one to just keep to yourself and laugh at, occasionally. You hadnât thought it would become your everyday. You hadnât thought the apologies would stop.Â
His eyes roam lazily over you, tongue licking at his cracked lips in appreciation. A wet chuckle leaves him when he spots the gun in your hand. He grins at you, that familiar smile that always used to make you feel small. âCalm down, thereâs more than enough of me to go around, honey.â
It hits you, then. As he laughs and smiles at you like this is all a joke. He doesnât recognize you. Youâre a bottle of whiskey deep yourself and youâd been able to tell the back of his head from every other bastard down there. But standing right before him he doesnât even know who you are.Â
He doesnât even have the decency to realize youâre his wife. âWhatâre you looking at, right now?â You demand, letting the gun drop a little.Â
He shrugs, âI donât know,â you grimace as he lets out a belch. âOne wild woman, thatâs for sure.â
You laugh but thereâs no humor in the sound, only the acceptance that there was no part of him that ever cared about you. Even before things went bad, when you were still young and naive. You never meant anything to him and he had been your whole word. The gun hangs limply by your side, âYouâre seeing,â you tell him slowly, âthe wife you left for dead. Iâm standing right in front of you, Vince, what does that mean?â
He blinks slowly and you watch as the thought forms. Eventually, the realization dawns on him. His jaw hinges open and closed, just the barest bit of sobriety shining through his reddened eyes. You tilt your head, face expectant, as you wait for him to say anything to you. Prove thereâs any part of him worth redeeming.Â
His brows furrow, lips turned down, and you wonder what heâll say. âHelp-â He starts to holler and you lunge forward. If anyone hears him or sees you standing in his room with a gun, youâll be hanged. Maybe not before, you could have lied and said you were only an angry wife looking to scare him. But you travel with outlaws now, heâll get you killed. Heâll get them all killed. Â
You grab the closest thing you can and drag a pillow over his face. If this were any other day, heâd have you on the floor, his hands would already be tight around your throat. But heâs weak and heâs drunker than you. He has nothing to motivate him to stay alive but spite. And you have your grief and your rage and you use it to keep the cotton pressed firmly against his mouth.Â
âI thought you were dead, you fucking bastard,â you hiss at him. He canât respond, not with the way youâre shoving the pillow down his throat. His hands grab at your arms, squeezing your biceps so tight you feel like the bone might snap. But you donât let go, not even when he rakes his nails down your arms and takes skin with him. You cry out in pain, watching as blood beads from his deep scratching.Â
You put as much of your body weight against the pillow as you can, but he refuses to give up. He kicks his legs out wildly, bucking like a bronco and nearly throwing you off of him. His arms start swinging every which way. He manages to catch you in the nose and your head goes swinging painfully to the side. Even drunk, heâs still packing a hell of a punch.Â
The pillow slips from your grasp as you clutch at your bleeding nose. He throws it across the room and starts to sit up. You can already hear his gasping voice, struggling to call for help after what youâd put his throat through. You spot the revolver on the ground, still where youâd dropped it.Â
You donât look at him as you pick it up, donât listen to his pathetic whimper. You scoop it off the cracked wood and turn towards him. He only has the briefest moment to see what youâve got in your hand, to realize the threat is real. You only get one second to revel in the wide-eyed, pleading look on his face before his head is snapping back and his brain splatters against the wall.Â
Your ears ring as the shot echoes through the, now, starkly quiet room. The adrenaline still rushes through you, heart pounding and knees knocking together as you take in the mess. His head dangles off the side of the bed and if you stay standing just where you are, you can almost pretend thereâs no hole in it.Â
Your arms buzz from the recoil, hands shaking so badly that the gun nearly slips from your grip. Your blood covers your arms and hands, but his douses the entire room. You press a hand against your chest, stumbling back a few steps and gasping.Â
Youâre going to have a heart attack. A heart shouldnât be able to pound against your rib cage like this. Your blood shouldnât be clawing at your veins and trying to escape. You turn away from his body and clench your eyes shut, trying to breathe normally.Â
The barrel of the revolver is still warm from the bullet, the last bits of smoke eeking out of the tip. The smell of gunpowder and blood is overwhelmingly nauseating. You rush towards the window in the room, throwing the gun to the side and ripping at the pane until it lifts enough for fresh air to flow through.Â
The body behind you canât be your husband. Itâs too still, to limp. He was wild and raging, full of life in the worst possible way. How is it possible that youâre responsible for taking that from him? It canât be. You canât have done this.
You try not to listen to the steady drip of blood. But itâs impossible not to taste the iron in the air. Your head tips out the window and the contents of your stomach burn as they rush out of you. It lands in the bushes below, rustling the leaves slightly.Â
The sounds of the saloon are so loud that they drift into the night. People scream and shout at each other and you hear what sounds like a chair being thrown. How lucky for you. You shoot your husband and a fight breaks out so no one can hear it.Â
You fall away from the window and sink onto the cool wooden floor. Forcing yourself to look at the corpse on the bed, you bite back a sob. You just killed your husband and the idea is slow to settle. A part of you can only see a corpse, with his head still hanging off the other side of the bed you can pretend it didnât happen.Â
Arthur sees Mary to the train station just as the sun begins to set. Heâd like to linger in the ache of her absence, but he can only think about how he promised you itâd just be an hour. He canât imagine how irate youâre going to be that heâd been gone the whole day.Â
Hunting down Maryâs brother had been much more tedious than he thought it would be. Heâd joined some turtle-worshipping cult and Arthur doesnât even know where to begin explaining himself to you. Youâll probably think he's just making it all up.Â
He pushes Diablo forward, the horse nickering below him like heâs giving him hell too. He doesnât even know where to start looking for you. But, he figures in a town this small, if anyone had information theyâd be in the only half-decent place they got. He nudges Diabloâs sides and turns him towards the saloon.
He takes his time walking to the saloon. Heâs in no big rush to have you yelling at him for leaving you alone all day. He tries to prepare a half-decent explanation, maybe mentioning Mary and their history might ease some of the tension. Youâd at least know why he felt like he had to help her. Or maybe that would only make you more mad.Â
He didnât know how to handle women, especially when they were angry. He figured no matter what he came up with, he wouldnât be absolved from this. He looks around the saloon, trying to spot you anywhere but itâs crowded with smoke and bodies. Heâs got better luck just asking the barkeep.Â
âAinât got food here,â the man behind the counter warns as Arthur approaches. He doesnât look up, too focused on scrubbing some blood off the wood.Â
Arthur shakes his head, âDonât need that. Need a woman.â
The old man scoffs and gestures behind him, âTake your pick.â Arthur turns and finds five working ladies smiling at him. One of them waves and he shakes his head with a grimace.Â
âNot like that,â he grouses. âI was with a lady, had to leave for a little while. She might have come through here, you seen âer?â
âGeez mister, with a description as detailed as that Iâm surprised you havenât found her,â the old man grumps. Arthur glares, leaning further onto the counter and pushing the revolver on his hip out. The man rolls his eyes with a huff. âOnly one lady been through here on her own. Sat here drinking the better part of the day away and stumbled upstairs. Havenât seen her since, I swear.â
Not once has Arthur seen you drink more than a sip of liquor since youâve been at camp. He sees the way your face screws up whenever Javier tries to pour you some more, he knows you donât like the taste. He knows being on your own all day probably had you bored, but he canât imagine you drinking so much for no reason.Â
He gives the old man a doubtful look but heâs already back to cleaning up. Sighing, Arthur glances up the stairs and frowns. Itâs not like heâs got anything else to go on. Maybe youâd just used his money to rent a room so you could sleep. He heads towards the stairs, calling out your name as he goes.Â
It almost seems empty until a door slams up ahead and a redheaded woman comes rushing out. Sheâs wide-eyed, face so white he can see the blue of her veins. She slams right into him, nearly falling on her ass as she gapes up at him.Â
âOh,â she forces a smile, âsorry mister.â She looks suspiciously disturbed and it has Arthurâs stomach flipping uncertainly. She tries to slip past him but he reaches out, snagging her shoulders and turning her around before she can get far.Â
âIâm lookinâ for a lady,â he tells her lowly, the tone of his voice a threat. He describes you as best he can, not once taking his eyes off her face. It twitches now and again, her eyes darting every which way. âYou seen her?â
She opens and closes her mouth rapidly, shaking her head like she doesnât know. âUm,â she clears her throat and Arthurâs eyes narrow. What has she got to hide? âSure, ran out of here like a cat on fire a few minutes ago.âÂ
âYou know why?â He asks in that same tone and she just shakes her head again. She shifts like she wants to leave and Arthur tightens his grip. Thereâs clearly something sheâs not sharing and heâs going to get to the bottom of it. Realizing this, she lifts her foot and slams her heeled boot down on his toes.Â
âShit,â he hisses, letting her go as he jumps back in surprise. She bolts towards the terrace, sliding around the corner and disappearing down the back set of stairs. Arthur runs after her, one foot dragging slightly behind the other. âHold on a minute!â He shouts as she disappears into the alley beyond the saloon.
She runs him in circles, dragging him between every building in Valentine before he finally lands right back in front of the saloon. He canât find a trace of her anywhere, their footsteps overlapping in the mud and making it impossible for him to track her.Â
 âGod dammit, whereâd you go?â He mutters to himself. He lets out a heavy sigh and tries hollering your name again. He doubts it will help at all but he feels useless just standing in the middle of the road.Â
Heâs properly worried now, not sure why you would have run off. Heâd given you that gun to protect yourself with, he canât imagine you would get much trouble on your own with that on your hip. He still fears that a drunken patron in the saloon might have mistaken you for the wrong type of woman. Maybe you were handled improperly before you could pull the trigger.Â
Arthur doesnât want to linger long on a thought like that. He canât imagine something like that happening to you. It makes his stomach tense with more guilt as he walks back towards Diablo.Â
â-I swear, she looked insane.â Arthurâs ears perk up as the hotel ownerâs voice drifts towards him. He turns and sees two men talking out on the porch. âShe ran through here with what looked like blood all over her. â
It could be any woman. Hell, it could be the prostitute heâd just chased down like a madman. But thereâs a chance that the man is talking about you and he canât take the chance. He stalks towards him and the patron the ownerâs talking to spots him. His eyes widen and he scrambles back just as Arthur barrels forward.Â
He grabs the owner by the collar before he can turn around and shoves him into the wall of the hotel. âWhereâd she go?âÂ
âWhat- Who- Sir, please-â He sputters, eyes wide with fear while he looks like he might spoil himself.Â
Arthur shakes him a little harder, shoving him further up the wall. âYou know damn well who Iâm talkinâ about,â he growls, fists clenching so tight in the manâs shirt it starts to tear. âThe woman, whereâd she go?â
He canât answer, heâs gone so pale Arthur can practically see through him. He also looks like he might pass out. But the patron heâd been talking to shoots to his feet, backing away from Arthur while he points to the barn across from them. âHe said she went to the stables, I swear.â
Arthur lets the other man go with a rough sigh. He didnât need to threaten him, the man was only a witness to your escape, not an accomplice. Still, heâs angry he even has to interrogate him at all.Â
Arthur rushes towards the stables and slams the doors open. The older man inside practically jumps out of his skin as Arthur glares from the doorway at him.Â
âThe woman who came by?â Arthur demands. Heâs got no time to explain himself now. If you got a horse, thereâs no telling where you might have run off. And the way people keep describing you, you sound like you were drunk and out of sorts, possibly even hurt. You might not even remember the way back to camp.Â
Arthur had promised Hosea heâd take care of you. He couldnât have messed up this badly just because he was busy trying to rustle up a rich boy.Â
âOh, well, she came in lookinâ all sorts of wound up. She grabbed one of my mares, gave me the money, and went running. Gave me more than she was supposed to, I donât think she was in her right mind.â
âWhereâd she go?â Arthur barks out, impatient of his doddering story.Â
The man shrugs, eyes wide with surprise. âWell, I donât know. Think she mentioned something about an overlook, but Iâm not quite sure. Is she in some kind of trouble?â
Arthur doesnât answer the man. He whistles Diablo forward and hastily climbs the horse. He rides him harder than he should, driving him faster even when he knows he wants to slow down. He doesnât see your bleeding body anywhere along the path as he races to camp and he has to be slightly grateful for that.Â
He canât help but feel slightly irritated at you, though. Why didnât you just wait for him? He knows that he took longer than he said he would. But just leaving town altogether was beyond stupid. The roads are dangerous at night, even if you do know how to work a gun, you donât have any chance against an ambush.Â
He digs his spurs further into Diabloâs side, ignoring the way the horse huffs and puffs as they make their final stretch through the woods. He ignores Charlesâs greeting as he rides in and practically leaps off the horse as he runs into camp.Â
He doesnât have to go far to find you. Youâre in a new dress, staring over the fire with this odd sort of wide-eyed look. He doesnât see any paint or blood, just a few nasty scratches on your arm. Seeing you standing there acting like nothingâs wrong and you didnât worry him half to death gets him beyond angry. Â
He bears down on you, grabbing you by the shoulders and flipping you around to face him. âWhat the hell were you thinkinâ, leavinâ like that?â He knows he needs to be mindful of his tone. Heâs not exactly easy on the eyes, heâs sure itâs not much better when heâs shouting in your face. But heâd thought you were dead or worse. Â
Hosea notices the commotion, standing up from the domino table as Tilly turns towards you both. Arthur doesnât have eyes for anyone but you. Youâre staring up at him, all glassy-eyed and trembling. But youâre not speaking and itâs making the anger in his mind gnaw away at any common sense.Â
âAnswer me, dammit! What the hell were you thinkinâ?â Â
You open your mouth and Arthur thinks you better have a damn good answer for this. Instead of words, all that comes out is a shuddering sob that has you shaking in his hold. âIâm sorry,â you blubber, head bowed as tears start streaming.Â
Arthurâs eyes go wide and he slowly releases your arms. âOh,â he trails off, hands hovering over you in an almost-touch. You wipe desperately at your tears but they wonât stop coming and heâs worried you might fall over with the force of your heaving.Â
âIâm so sorry,â you cry out. He doesnât have a moment to react before you turn around and run off towards the trees. Arthur watches this all happen with a slack-jawed, awed kind of expression. He looks around and sees half the camp watching him.Â
âI didnât mean to,â he argues weakly, trying to think of some defense. He moves to go after you but Mary-Beth shakes her head.Â
âDonât, Arthur. Leave her be, you have no idea how terrifying you get sometimes.â She shakes her head in disappointment and walks over to her tent.Â
Arthur feels his heart sink to his stomach, tongue-tied with all kinds of excuses. No matter how hard he tries to be good, he just canât do it right.Â
Thereâs no light but the moon to guide you as you trip your way through the underbrush. A few fallen branches snag at the hem of your dress but you keep moving. Your chest heaves as you try and catch your breath. You rub painfully at your eyes, trying to stem the flow of tears that just wonât stop coming.Â
The tip of your boot catches on a stray rock and you fly forward. Your hands sink into soft grass and you feel wet patches forming on your knees. So much for your clean new dress. You stay where you are, curled up on the forest floor feeling like a pathetic wretchÂ
You canât get the blood off your hands. Even after washing it off in a pond on the way to camp. You still feel it soaking through your clothes and staining your skin. Somewhere inside yourself, you know that this is just shock. Youâll be fine soon enough.Â
But for now, youâre stuck in an endless cycle of watching the death of your husband play out over and over again. You see his chest blowing out the last bits of air in his lungs. You feel the heavy weight of his limp body in your arms as you drag him into the wardrobe. The squish of his brain under your foot as you made a run for it.Â
You curl into yourself, and one last, hard sob rips through you before you feel your chest begin to silently fill in and out. The tears come a little slower as you place your hands over your face and force yourself to breathe.Â
âWhoâs there?â You recognize Charlesâs voice but you donât have the wherewithal to answer, still trying to calm yourself. âWhoâs there?â He demands again, louder. His question is accompanied by the cock of a gun, but thatâs all you hear. Heâs near silent as he makes his way through the forest. You open your eyes only to find yourself staring down the barrel of his rifle, no warning of his approach.Â
He says your name, his tone tinged with worry. âWhat are you doing out here?â
You wipe your face off, take in a shuddering breath, and open your mouth. Nothing more than a wheeze comes out. You donât know what to say to him. You donât even know how to begin to approach this.Â
He kneels before you, his hand landing on your shoulder and then running gently across your arm. Your brows furrow as he starts petting you, almost, like a dog. âWhat the hell are you doing?â You ask, barking out a wet, incredulous laugh.Â
He lifts his hand, a slight tilt to his lips, âSeeing if youâre injured. Is that not whatâs wrong?â
You shake your head, biting your lower lip and scrubbing a hand down your face. âNo,â you whisper.Â
âWhat happened?â His voice is so gentle and soft that youâre lulled into a feeling of security. You donât see him shouting at you the way Arthur did. You imagine him listening with that stern expression of his and not saying anything at all.Â
âI killed him,â you mutter, staring down at your balled-up hands. âI killed him and I stuffed him in a wardrobe.â You look up at Charles and if heâs shocked, heâs doing a damn good job of not showing it. âI ran, threw my clothes in a lake, and came back to camp. I didnât know what to do,â your voice is a hushed whisper, words coming out faster than you can think of them as you begin to unload on him.Â
âStop,â he interrupts before you can confess any more of your sins. âWho did you kill?â
You hesitate and he gives you a stern look that forces the words out. âMy husband. I saw him in the saloon, he had a woman with him and I just got so mad,â your nails bite into the palms of your hands and he reaches down, forcing you to uncurl them.Â
âYou stuffed him in a wardrobe?â You nod your head rapidly and he sighs, getting to his feet. âDid anyone see you?â
You think back on it, trying to think of a witness. Youâd been pretty drunk at the time, itâs hard to recall much before you pulled the trigger. âThe woman,â you whisper, head bowed with shame as you remember her. âThere was a woman with him and I kicked her out.â
âGet up,â he tells you, tone short and commanding as he starts to walk off.Â
You feel your heart drop to your heels, scrambling to your feet and chasing after him. You nearly barrel into his back in your attempt to catch up. âWhere are we going? Are you turning me in?â
He shakes his head with a low laugh. âNo. But we need to get rid of the body. If weâre lucky, no one will have gone in there yet. If weâre not, weâll need to deal with that woman.â
You blanch at the idea of having to shoot someone else but Charles doesnât give you much time to stomach the thought. He walks back into camp, tossing his rifle at an unsuspecting Lenny. âHey, it ainât my turn tonight!â Lenny argues with Charles retreating back.Â
âIt is now,â he calls over his shoulder. He leads you back to the horses and itâs like heâs got you on a leash. You follow blindly behind him, just needing someone to tell you what to do. You climb the mare youâd impulsively bought. You hadnât even really processed what youâd done.Â
Itâs not until now, that youâre sitting on her, that you take in anything about her. Sheâs pretty enough, an Ardennes with white coloring and an odd grey speckling on her back legs. You like the feathering on her hooves and how soft her mane is when you run your hand over it. But youâre most thankful for the fact that she got you back to camp as fast as she did.Â
Charles starts to pull out of camp when someone approaches your horse. You glance down, focus still split between what youâve done and what youâre about to do. You find Arthur staring up at you, hands bracketing the saddle so you canât leave. He looks around you, glancing at Charles before turning back.Â
âWhatâre you doinâ?â He asks, voice having lost some of the edge from earlier. You can still see the tension in his shoulders but it's clear heâs trying to keep his tone in check.Â
You look over your shoulder, leaning on Charles for guidance. Itâs not like youâve ever murdered someone before, youâre not even sure how to lie about it. You just know that you donât want Arthur to ever learn about what you did. You donât want any of them too.
Itâs a gang of outlaws, liars, murderers, and jackasses and youâre terrified that if they ever found out about this, theyâd start looking at you like youâre one of them. âNothing important, just taking her for a ride,â Charles answers. His horse kicks at the ground impatiently, wanting to get a move on and you can feel your own mare getting restless.Â
Arthurâs eyes narrow with something like suspicion. His jaw sets and you have a sinking feeling in your stomach that you know what heâs going to say. Heâll call your bluff, say heâs coming with you. Then youâll be forced to tell the truth. Heâll know you killed your husband.Â
You play a dirty card, staring down at him with wide, wet eyes and sniffling. âI just need to be away from camp, Arthur. I got so scared earlier.â The because of you goes unsaid but you know he hears it nonetheless.Â
His face slacks with something like guilt and he takes his hands off your horse, backing off. âLook, about that, Iâm real sorry, alright? I got worried because you werenât in town-â
âYou said an hour,â you snap. A sudden wave of irritation takes hold of you. Not only is he stopping you from cleaning up your mess but heâs trying to make it out like you leaving wasnât his own damn fault. âYou left me on my own until sunset. What the hell did you expect me to do? I thought you were just going to leave me there.â You scoff, shaking your head and looking down at your hands. âWouldnât be the first time a man abandoned me.â Itâs low, comparing him to the husband you just killed, but you need to play every card you have to make sure he stays away.Â
His brows furrow and you see the brief flash of hurt on his face before it disappears. With a heavy sigh, you lead your horse towards Charles. âJust leave me be,â you snap, taking off before he can say anything else.Â
Youâll stew in that guilt later, for now, you need to go get rid of your husband's body.Â
âHeâs in there?â Charles motions towards the saloon and you nod your head. âAlright, hitch the horses over here. We donât want people seeing us.â He leads you to the gunsmith across the way and you both get off your horses.Â
Charles stops you from going in the front and takes you around the back of the saloon. He leads you to a set of back stairs that almost gets you exactly where you need to be. Youâre on the upper floor but the room your husband is in is on the other side of the building.Â
Charles looks at you expectantly and for a moment youâve forgotten that itâs your murder youâre cleaning up. Youâve just been obeying him blindly like a beaten dog, needing someone to tell you everything will be alright. âOh, right,â you whisper, leading him around the banister and towards the hallway your husband is in.Â
Youâre nearly at the door when another couple starts walking towards it. âShit,â you hiss, âthatâs it.âÂ
Charles looks around your shoulder to the slightly ajar door and lets out a loud sigh. âYou didnât even close the door?â
You turn and glare at him, âI was a little distracted,â you snap quietly. He only shakes his head, grabbing your hand and running towards the room before the couple can get to it. You nearly slam into the woman in your haste to get inside.Â
Charles slams the door closed behind you both and you hear her laugh as she moves down the hall. âYoung love,â she muses to the man sheâs with for the night.
You sink against the door, letting out a breath of relief. When you open your eyes again you find Charles standing in the middle of the room. He almost looks a little shocked. When he turns back to you heâs got an astonished expression on his face.Â
âWhat did you do?â He demands lowly and you flush.Â
âI- I,â you stutter and take a hesitant step towards him. âI shot him and stuffed him in the wardrobe,â you rush out, motioning towards the closed wardrobe beside him. You stand next to him, finally getting a good look at what heâs seeing.Â
You grimace in disgust. You suppose in your haste to hide the body and leave you hadnât wholly taken in the gore of the room. Thereâs a puddle of blood soaked into the bed and a trail of it leading to the wardrobe. Youâre pretty sure thereâs a pile of your sick in the middle of the floor. Besides that, itâs like a bomb of feathers and brains splattered across the wall and floor. You can even see a bootprint where youâd stepped in a pile of mush.Â
âOh, god,â you mutter, stomach flipping. âThis is bad.â Youâre grateful youâd already thrown up earlier, you donât need Charles seeing you get sick. Heâs already seeing you at your worst, that would just be salt in the wound.Â
Charles lets out a heavy sigh and moves towards the wardrobe. âItâs fine, we only need to rid of the body.â
âThe body?â You take in a deep breath, lowering your voice and giving him an incredulous look. âWhat about the blood?â You canât help your shrill tone of voice as you motion towards the innards everywhere. God, had you painted the walls with it? How the hell did it get this bad?
âBlood doesnât matter if they canât find the body,â he tells you with a deadpan expression. He pops the wardrobe open and your husband comes tumbling out. He lands at your feet with a wet thud and you grimace.Â
Charles grabs the sheet off the bed and hands you one end. âWhat are we doing?â
âWeâre gonna wrap him up. Then, youâll go outside and make sure no one sees as I toss him off the balcony.â
âWhat-â Your eyes go wide as you help him lift your husband onto the sheet.Â
âThereâs a pig pen nearby. Weâll toss him in and the hogs will have taken care of everything by morning. As long as no one knows the man who was killed in here was your husband, it canât be brought back around to you.â He speaks about this with such casualness youâd think he was deciding what he wanted for dinner. He tucks the sheet and starts to roll your husband, you blink a few times and force yourself to help him.Â
When heâs fully wrapped Charles hoists him over his shoulder with a groan. âDownstairs,â he commands and you take off running. You leave the room and take care to close the door this time. You head down the hall and make your way towards the back stairs.Â
Just as you open the balcony doors someone comes through them. She stumbles into you with a groan. âWatch it-â She cuts herself off, jaw clicking shut as she gives you a wide-eyed stare. This is the woman whoâd been with your husband.Â
You hold your hands up, âHold on-â
âYou killed him. I heard the gun.â Your face drops, hand instinctually going to the gun on your hip. She notices this and quickly stammers out a rushed sentence. âUsually the women beat on me.â
Your brows furrow and you shake your head. âWhat?â You glance around her, wondering if anyone would see you kill her. Hiding a body isnât a leisure activity, you need to get downstairs and sheâs in the way. You should just shoot her or hit her over the head and drag her towards the hogs too.Â
When did you get so comfortable thinking like this?
âThey just go after me, the wives. Yank on my hair, kick me, sometimes they spit too. They donât never go after their husbands. Iâll be honest, I thought you were finally gonna be the one to do me in.â She laughs to herself and you force yourself to join along, not sure if sheâs leading into turning you in or not. âBut, no, you paid me for my time and let me go.â She winks and grins, âI wonât say nothinâ if you donât.â
She walks off without another word and you stay firmly rooted in your place. Your eyes are narrowed in confusion, jaw slack as you try and process a whore casually agreeing to not turn you in for murder. You knew outlaw life was different than the way you lived as a proper lady. But this is simply astonishing. Is your life now just full of absolute psychopaths and madmen?Â
Turning back towards the balcony, you rush down the stairs and nearly fall on your ass as you run to stand under the open window above you. Your eyes dart every which way, checking that no witnesses will spot your illicit activities. Thereâs a dark howling forest at your back and lightless houses surrounding you, no one to see what youâre going to do. Â
You whistle and a blanket-wrapped lump drops from the window. You jump back before it can land on you. When it hits the ground with a thump you run forward and roll it into the bushes under the window. Charles's head peers over and disappears in a second.Â
Youâre paranoid, head whipping in every direction at every gust of wind and rustle of leaves. At any moment you think someone is going to jump out of a bush and cry âMurderer!â
It only takes two minutes for Charles to join you and in that time you feel like youâve aged ten years. He comes down the stairs calmly, in no rush at all. He nods towards the body and you both roll it back out of the bushes.Â
You take the feet sticking out of the blanket and he grabs the shoulders, nodding his head backward. âPenâs this way.â
You both stumble along behind the shops. Pausing every so often when you see the glow of lamplight or the chatter of voices gets too close. âWhy didnât we take the horses?â You grunt, readjusting the feet in your hold for the nth time. Your arms are screaming with overuse as you struggle to keep a hold of your husband.Â
Charles smirks and keeps walking backward, looking for all the world like heâs completely at ease. âConsider this a lesson the next time you plan on killing someone.â
Your jaw gapes and you narrow your eyes at him. âYouâre punishing me?âÂ
âYou think this is how I wanted to spend my night?â You clench your jaw shut, keeping quiet as the squealing of pigs gets closer. âNearly there,â he mutters. You can see it coming up now, the wooden fencing is nearly at your fingertips.Â
âAlright, come on.â You scuttle along behind him, shuffling until your hip hits the wood. You prop the feet on your knee, groaning as you heave the body up to your shoulder. âToss him,â Charles instructs and you use the last of your remaining strength to send the body over the fence.Â
The hogs lift their noses to the air, already curious by the smell of blood. Charles jumps over the wood and undoes the blanket, he slices open another cut on the body, enticing them further. He jumps back over just as the animals come trotting forward.Â
âTheyâll really eat him?â You ask, doubt flooding your voice.Â
Charles hums and nods his head. âTheyâll eat anything if they smell the blood.â Your stomach churns as you see one take the first bite, the others quickly following. You whip around, putting your back to the scene. Charles crosses his arms, glaring down at you. âThink youâve learned your lesson?â
You tug the revolver out of the holster on your hip and hold it out to him. âNever again,â you swear. He chuckles and takes the handle from you. âSure as hell never trying whiskey again.â
âI wouldnât go that far,â he corrects, smiling down at you.Â
You sink against the fencing, ignoring the sounds of the pigs feasting. Mud soaks the hem of your dress and blood covers your hands once more. But itâs not as awful as it was a few hours ago. At least youâre not alone now. And you know Charles wonât tell anyone the truth of what happened tonight.Â
Still, you canât help but worry that theyâll find out somehow. Dutch wonât risk having a liability around and thatâs all you made yourself tonight. You could have gotten caught, you could have hanged for this. The bastard getting eaten behind you certainly isnât worth all the trouble.Â
But thereâs no mistaking that with him gone, thereâs a weight off your shoulders. An empty spot in your heart is filled with the knowledge that heâll never hurt you again.
Next Part end. â I do not own the characters or the game Red Dead Redemption 1/2, but this writing is my own all rights reserved Š not-neverland06 2024. do not copy, repost, translate & recommend elsewhere.
Hell Hath No Fury Taglist: @buckysblondie @littlebirdgotÂ
Pairing Ë˰â˘*â⡠Arthur Morgan x fem!reader
Next Part - Hell Hath No Fury Series
Summary: Hosea's meddling has you and Arthur heading into the local town of Valentine. You're on a mission to get some clothes of your own. And Arthur's looking to help some woman named Mary. You don't know who she is, but she must be important for him to leave you all on your own in a strange town for the whole day. One thing is certain, you're not forgiving Mr. Morgan for this anytime soon.
You feel Arthurâs worried stare boring into the side of your head and let out a heavy sigh. âI am perfectly capable of driving a wagon, Mr. Morgan.â You turn towards him with a frown and his face falls flat. Like he hasnât just been drilling holes into you for the past five minutes.Â
âI know, I know.â His brows furrow and he shoots you a worried look. âStill, you donât have much experience.â
âOh,â you huff and glare at him, tugging the reins a little to the right on accident. âWould you calm down?â
âTree,â he says, eyes darting forward. You shake your head and he rips the reins out of your hand, âTree, woman!â He doesnât exactly shout at you, but you still feel like youâre being yelled at. Finally turning forward you see what he was saying.Â
âOops,â you whisper, watching him direct the horses back onto the trail and away from the trees. âWell, itâs not my fault these ridiculous things donât know not to walk into trees,â you argue, motioning at the horses.Â
âHey,â he chuckles, âdonât blame the horses.âÂ
You see Hosea lean forward from the back of the wagon. He peers between you both with a smile. âHaving fun up here?â He asks you, nodding towards an overbearing Arthur.Â
You roll your eyes with a faux pout, âNot really. Arthur here canât seem to wedge that stick out of his ass.â Arthur turns to glare at you and you nudge his calf with your foot playfully, giving him a sly grin. He fights it, but you see the way the corners of his lips twitch up.Â
Hosea glances between you both, something mischievous playing on his face. âWhatâre you up to?â You ask, suspicion brewing as you practically see a plan forming in his head.Â
Hosea sends you a smile that does nothing to assuage your reservations. âNothing, nothing. Arthur,â he chides, turning towards the man, âlet her try for a while.â
Arthur sighs through his nose, you see him glance out the side of his eye at you with a perturbed expression. You donât know why heâs so adamant about not letting you drive. You only crashed the wagon once and that wasnât your fault. The horses got spooked by a cougar as you were going down the mountain. Still, he hasnât let go of it.Â
You know heâs not used to denying Hosea, but he takes too long to relent. Just as heâs starting to hand the reins over, the wagon bumps into something. The left side of it flies up, sending you sliding down the bench towards Arthur. His hand shoots out, bracing you so you donât tip out of the wagon. You canât help but flush at the feeling of his arm around you, caught off guard by the reaction.Â
You push that down, deciding to address it later. The left side dips down now and the horses come to a bumpy stop. You let out a rough sigh, turning around and glancing behind the wagon. Arthur drove you all into a large rock, knocking the wheel off the wagon.Â
You canât help but bark a laugh at his expense. âWell, Mr. Morgan, looks like Iâm not the only one in need of some driving lessons.â
He takes his hat off, running his hands through his hair and glaring at you. âEnough,â he grouses. He jumps down from the bench, walking off to fetch the wheel. Hosea climbs to the front of the wagon, taking a seat beside you.Â
âI suppose once he gets that fixed, I should take over.â
You laugh, grinning at Arthur as he props the wagon up. âI think that would be best.â
His head snaps up and he glares at you both, âShut up, both of ya.â You canât help but laugh a little harder at his grumpy tone.Â
Mary-Beth helps you set up your few belongings beside the tent alongside the other womenâs trunks. You glance over your shoulder, watching Arthur pitch his tent and rifle through his satchel. A part of you is going to miss the solace of having Arthur beside you at night.Â
It was comforting, having such a strong man to watch over you while you slept. Especially while you healed. You supposed you were healed now, though, and you didnât have much more of an excuse to be near him. Not like you did before.Â
A part of you is surprised by this sudden attachment to him. You should have seen it coming, though, this sudden onslaught of feelings. It has been so long since youâve been around any truly decent man.Â
Your husband had been good to you at first, but they always are, arenât they? You hadnât had some great love story. But youâd been lucky for two people of high status to get along as well as you had. You suppose that success changes every man. For some, they turn into a miser. They want to keep their money as close to their chest as they can.Â
Your husband had been the opposite. Heâd flaunted his wealth in every way he could. Placed larger bets than was smart. Let people borrow from him and never collected. And then he got into it with some bad men who set him down the wrong path. They made it so he was their cash cow, milking him for what he was worth and turning him against you all the same. They couldnât risk any words of wisdom getting him to think about what he was doing.Â
There was no sharp pain in your chest when you thought about your husband lying dead in the snow somewhere. You didnât want to lay down and weep. You didnât even miss the ring on your finger. The one that those OâDriscoll bastards had stolen. If you didnât remember every bad night with him then you could almost pretend that youâd never been married at all.Â
Since he had turned down that path, you hadnât met a man you thought was worth knowing. Until Arthur. He could say what he wanted about himself, but youâd never had a man treat you as gently as he has. Maybe itâs creating some warped sense of admiration. It could explain the coying urge to want to repay him and be near him at every chance.Â
You almost wished you werenât healed. If only so you could make up an excuse to see him. Now, youâre not sure what youâre going to do. You think he might have only spoken with you because he felt a sense of responsibility towards you. Alive and well, heâs got nothing to say to you.Â
âMy, I think I see hearts in your eyes.â
Your head snaps up and Mary-Beth grins at you. âOh,â you catch the teasing glint in her eye and frown. âHush, you. Youâre reading too many of those damn books.â
You help her haul a crate up, pretending to look busy as Miss Grimshaw passes by. âUh uh,â she argues. âI might fill my head with too many love stories, but Iâm no fool. Youâve got it bad.â
Before you can object Tilly walks up. âYou talkinâ âbout Arthur?â
You frown, brows furrowed as you drop the act of unpacking anything. âHowâd you know?â
Mary-Beth and Tilly share a knowing look, both of them giggling slightly. You canât help but feel like itâs at your expense. âIâve just never seen a lady so attached to him. Hard to stomach the smell sometimes,â Tilly teases.Â
âHey, he doesnât smell that bad,â itâs a weak argument and an even worse deflection but it makes them laugh harder. You canât help but laugh along, cheeks aching with a smile. Youâre not too much older than them, having been married to your husband at a young age. You find yourself enjoying the company of women your own age more than you thought you would.Â
Someone clears their throat behind you all and you turn around to find a very upset-looking Miss Grimshaw. The three of you straighten up, scrambling for something to fix. Itâs not until she shakes her head and walks away that you start cracking up again. Tilly shoots you a look, turning up her nose and mocking the woman.Â
You smile, throwing your shoulders back and trying to adopt her haughty walk. It makes Mary-Beth snort so loud that Arthur turns towards you all. He sends you a questioning look and you canât help but flush, turning around and busying yourself with anything other than him.Â
âKnew it,â Mary-Beth whispers behind you as she walks away. You roll your eyes and sigh but you know sheâs right. Clearly, youâre feeling something for him. But it feels wrong too. Too fast and too soon for you to be feeling anything but lucky to be alive.Â
A few days later, once youâre all settled and Miss Grimshaw is finally satisfied with the campâs state, you all gather around the fire. Youâre late to join the others, having to change your dress after Uncle spilled whiskey all over the other one.Â
You walk towards the glowing firelight and the sounds of Javier strumming lightly on his guitar. Heâs not singing yet but youâre sure a few more drinks for everyone and the whole county will hear your hollering.Â
You try to find an opening among everyone but most of the seats have already been taken. Just as you go to sit beside Charles, Tilly throws herself down on the log. She doesnât look at you, just fiddles with the hem of her dress and slurps loudly on her drink. Your eyes narrow suspiciously but you donât call her out.
Instead, you roam the faces of those around you, seeing a spot beside Sadie. She nods her head at you but before you can go claim it, Hosea grabs her attention. He sits beside her, asking her about some nonsense you canât hear from where you stand. And just like that, it seems everywhere you look any open spot was gone. Someone either slid over or stole it. It left you with just one place left.Â
Arthur looks up from his cup as you approach. âYou mind?â You ask, lingering by the log, unsure of whether or not he wants your company.Â
He slides over easily, ââCourse not.â You let out a small breath of relief and sit beside him. You donât know if itâs divine interference or a few nosy campmates, but it feels too coincidental that the only open spot is beside him.Â
There are a few moments of stilted silence between you. It might all be in your head. Youâve messed yourself up, putting too much thought into how you feel about him. Now, you donât even know how to talk to him. You just stare into the fire, and watch the shadows play across the other's faces.Â
Arthurâs voice breaks you out of your concentration. âYou been feelinâ okay?âÂ
Youâre surprised by the genuine concern in his voice. He really cares and itâs such a strange idea to you- meeting a man so attentive. âIâve been a little sore from the ride, but nothing too bad.â When you turn towards him youâre surprised to find him already looking at you.Â
Itâs easy, to just stare into his eyes and pretend itâs just the two of you by the fire. It casts a comforting glow across the both of you, makes the dark night look a little warmer. Eases the chill of the night and lulls you into a place where you finally let the anxiousness that plagues you melt away.Â
âHow âbout you, Arthur, you okay?â
He chuckles quietly, nodding his head and glancing down at his lap. âYeah, Iâm alright.â
The soft way he speaks to you lures you into a false sense of security. You wonder if it would really be so bad to say what youâre thinking. Heâs so kind to you, youâre sure even if he doesnât feel the same he wouldnât be cruel.Â
âWould it be odd if I said I miss bunking with you?â You laugh a little at yourself, trying to downplay just how much you truly mean that.
You seemed to have made a horrible mistake though. Being around the woman of the camp has allowed you the comfort of a loose tongue. Judging by the way his whole body stills and he wonât meet your eyes, you think you might need to tighten it once more. âOh,â you sigh, rubbing an embarrassed hand down your face. âIâm sorry, forget I said anything.â
âNo, no,â Arthurâs quick to stop you. He glances around, making sure no one else is listening. âNothing wrong with that. I just think,â he pauses and lets out a huff. Your face pinches and you bite your tongue, trying to stop yourself from shouting at him to just spit it out. He sucks in a deep breath and turns to you with a pained look. âThere are better men than me out there, Mrs. Rowe. I think youâd be better off goinâ after them.â
âWhat-â He gets to his feet before you can object. Youâd like to tell him what a fool he is. How heâs a perfectly fine man and you can choose well enough for yourself.Â
âGood night,â he tilts his hat down, ambling off towards his tent and leaving the warmth of the fire behind.Â
You look down at your lap with a frown. âOh,â you whisper, âYouâre such a fool, Arthur Morgan.â You watch him slip into his tent and feel like a stone has replaced your heart. You feel heavy now, wanting nothing more than to sleep the sting of rejection off. You quietly slip away from the fire and head towards the womenâs tent.Â
You ease onto the rocky ground and pull a blanket over your shoulders. Youâd never thought youâd long for the rotted floorboards of that shed in the mountains but you crave that comfort more than ever.Â
Arthur adjusts his hat and steps out of his tent. He adjusts to the bright morning light and finds his gaze drifting toward the tent the other women are sleeping in. Youâre not there, your bed roll fussed up like youâd just gotten up. Thereâs a split second where he worries you might have changed your mind about the outlaw life and left.Â
Heâs not happy with the stomach-dropping feeling that leaves him with. He shouldnât care whether or not you stay. Still, he isnât satisfied until he looks around and sees you sharing some coffee with Hosea.Â
He debates walking over to you both when Pearson ambles towards him. âArthur,â he barks out. He holds a white slip of paper in his hands and you turn away from Hosea to glance back at him. âA woman brought this by for you.â
He tries to wave at you but you whip around when you hear Pearson speak, avoiding meeting his eye. Hosea leans in and whispers something to you, but you just shake your head. His eyes narrow at the two of you, wondering when you got so cozy.Â
âWho was it?â Arthur asks.Â
âI donât know,â Pearson grouses, walking off with a shrug. Arthur flips the paper over and sighs. He didnât even need to ask. He knows this handwriting about as well as he knows his own. Mary.Â
Heâs not sure he even wants to read this. Thereâs the chance that heâll either have to deal with her father again or heâll just feel the guilt of what she thinks could have been. Sighing, he turns away from you and Hosea. He flips the letter open, skimming it. Heâs not ready to dive so deep into the past this morning but it could be urgent.Â
Most of it is pretty vague. Brief mentions of her father devolving past the fool he already was and something about her brother needing help. She asks him to meet her in Valentine and he tucks the letter in his satchel. He doubts anything good would come of going to see her.Â
Half the time they just have these quiet sort of non-arguments about how he canât change and how she never gave him the chance to. They keep going back to each other and keep pretending they're different people than they actually are. She has it in her head that he would never abandon this outlaw life for her. And he thinks that she would never be able to truly accept him as he is.Â
They go round and around each other endlessly. Never quite meeting in the middle. These occasional meet-ups have just started to feel like a punishment for himself. But thereâs a part of him that always feels the need to hear her out, to see her one last time. He hates that part of himself sometimes.Â
He turns to head towards the horses when an eager voice stops him. âOh, Mr. Morgan!â Strauss stands up from his stool, walking over to Arthur with a large black book in his hand. âJust the man I was looking for.â Thereâs something in his tone that makes Arthur bristle. He has a feeling whatever heâs about to ask for is going to be something he doesnât like.Â
âWhat?â Arthurâs short with him, never having been a huge fan of the man. He hates that heâs the one Strauss comes to for collections. He understands the necessity of the money for camp. But half the time the people are just desperate families trying to keep a roof over their heads. If Strauss targeted the rich, maybe he wouldnât mind roughing the debtors up so much.Â
âI just need a favor from you. Iâve got some collections that need to be taken. A few reminders to be sent,â he laughs a little. The noise is empty and grates on Arthurâs already frayed nerves.Â
âWeâve barely been here a week. Youâre tellinâ me youâve already got lives to ruin?â
Strauss's eyes narrow into slits before he forces on another thin smile. âMr. Morgan, Iâm sure I donât need to remind you of the loss our camp funds suffered in Blackwater. We need everything we can get. Surely you understand this is for the good of the camp, yes?â
Arthur lets out a rough sigh. He looks down at the list of people in Straussâs hand. He knows that heâs always going to choose the gang over anyone else. But it doesnât make this feel any better. âFine,â he snaps, snatching the paper from him.Â
âThank you, Mr. Morgan.â Arthur shakes his head, ignoring the smug lilt of Straussâs accent. He shakes his head and turns away, walking towards the horses.
â-well, Uncle ruined my only other good dress. Iâll need to buy some new ones,â Arthur looks over as you speak to Hosea. You motion sadly to a large brown stain on the front of your dress and he rolls his eyes, thinking of Unlcle spilling something on you. Maybe he could pick something up for you while heâs in town. Youâve got hardly anything to your name, you could at least use a new pair of boots.Â
Heâs nearly to his horse when Hosea calls him over. Is he going to get anything done today, or does everyone need something for him?
He lets out an irritated sigh and walks back over. You donât look up at him and that only further sours his mood. âWhat are you doing?â Hosea asks, the suspicious expression on his face only makes Arthurâs hackles raise further.
âWas gonna head to Valentine but Strauss has got me doinâ collections.â Your eyes lift at the mention of collections and he doesnât miss the slight grimace that passes across your face before youâre looking away again.Â
Something hot boils in the pit of his stomach but he shoves it down, trying to ignore it. Hosea shakes his head, waving him off. âNo, I need you to escort Mrs. Rowe to Valentine. Micah will handle the collections,â he tells him firmly, not leaving much room for argument.Â
âBut-âÂ
Hosea cuts him off with a frown, âNo âbuts,â the lady needs some new clothes, Arthur. You canât let her go into town without a proper escort. Imagine what could happen.â
Your face drops at that. You roll your eyes with a scoff, âI most certainly do not need-â
You trail off, sentence falling short as Hosea shoots you a sharp look. You throw the rest of your coffee into the fire and get to your feet. âRight, well I clearly donât get much of a say in this.â
âNeither of you do,â Hosea responds. Heâs got a look that means heâs far too pleased with himself. Arthur glances over at you, feeling a little guilty at the perturbed expression you wear. He doesnât blame you for not wanting to spend time with him. He knows he could have been kinder to you last night, but all heâd been thinking about was stopping another situation like Mary from happening.Â
âCome on Mr. Morgan,â you call out, walking past him and heading towards the horses.Â
Arthur lingers behind for a moment, shooting Hosea a glare. âIâm gettinâ tired of your games, old man,â Arthur grouses before reluctantly following after you. Hosea just laughs, taking a long, pleased, sip of his coffee.Â
Arthur turns around and heads towards the hitching posts. Youâre already waiting there for him, arms crossed while you examine the horse. âSomethinâ wrong?â You jump slightly, turning around to face Arthur as he walks up.Â
Your lips purse and he can tell youâre debating whether or not you want to speak with him. Arthur stops walking, standing just a little ways back and giving you no other choice but to talk. Rolling your eyes, you force the words out. âYour horse is too damn tall.â
Arthur glances between you and the shire, laughing a little under his breath. âAlright, come on.â He comes up in front of you, hovering his hands over your waist until you give him a reluctant little nod. He takes you by the waist and lifts you onto the back of the horse. His hands drift down to your knees, squeezing once before he forces himself to back off. âComfortable?â
You glare down at him, but he can see a little bit of sheepishness in the look you give him. âFine as Iâll ever be, sitting like this.â
He swings up on the saddle and glances back at you. âWeâll see if we canât get you a horse while weâre in town.â Your face lights up at that and it unravels a bit of the knot in his chest.Â
âI think Iâd like that,â you tell him, turning slightly to wrap your arms around his waist. He does his best to ignore the warmth you provide. But all he can focus on is how soft you feel against him compared to the harshness he deals with every day. He doesnât say anything else, leading his horse out of camp and heading to town. He doesnât know what heâs more stressed about, seeing Mary or having you see her.Â
He lets out a rough sigh and shakes his head. Women, theyâre not worth the damn trouble.Â
The ride into Valentine isnât too slow, but you know Arthur isnât going as fast as he wants so that you feel more comfortable on the back of the horse. Youâre still getting used to the finicky beasts, not quite having bonded with them like the others in camp. Still, youâd rather swallow your pride and get one of your own than have to keep riding side-saddle like this.Â
Sitting on the back of the horse is damn near impossible to get comfortable on. And you know the animals donât like it any more than you do. You think itâs only making them dislike you more. You adjust yourself again and hear Arthur sigh in front of you. His chest heaves under your grip and you realize just how tight youâve been squeezing him this whole time.Â
âSorry,â you mutter, undoing your arms and stretching them out. Youâre surprised the poor man can still breathe.Â
âItâs fine,â he responds, but you can hear the strain in his voice as he finally sucks in a full breath. You grimace, wondering how youâre gonna handle your own horse if you can barely deal with this one. Arthurâs is the least temperamental of the bunch at camp and you still canât bring yourself to trust it.Â
Arthur passes by the train station and you straighten up, a little bit of relief forming when you realize how close you are to finally being able to walk around on your own two feet. Arthur brings the horse to a slower pace, pulling on the reins as townspeople begin to walk by more frequently.Â
Youâre not sure what you were expecting of the town. Itâs certainly not glamorous. But itâs not as backwoods as you had been expecting. The people seem friendly enough, at least to you. Theyâll nod their heads with a polite, âMaâam,â but they donât seem very warmed to Arthur.Â
âYou already been through here?â You ask, a little bit of a tease lingering on the edge of your words.Â
Arthur stiffens under your grip, tilting his head back towards you before looking forward. âWhaddya mean?â
âI donât know,â you hum, âthese people seem a little wary of you, thatâs all.â
Arthur lets out a heavy sigh, âNot my fault,â he mutters, his voice barely audible. âHe called me a pretty boy, what was I supposed to do?â You barely catch the words before he brings the horse to a stop and gets down.Â
âPretty boy?â You question, a grin curling at the edge of your lips. His eyes narrow and he shakes his head.Â
âForget it,â he demands. He holds his hand out towards you and you hesitate. You could just jump down, you'll probably roll your ankle, but you could do it. But youâd be lying if you said you didnât like how wholly Arthurâs hand envelops yours, even if heâs made it clear he doesnât think heâs good enough for you.Â
You slide your hand into his and he brings his other one up to your waist. He eases you down onto the ground but your boot slips into a bit of mud. You tilt forward, off-kilter, and catch yourself against his chest.Â
Your eyes widen when you feel the bulk lurking underneath his tattered shirt. You clear your throat, backing up quickly and straightening out your skirt. Even after a few weeks, youâre still not used to touching another man whoâs not your husband. Especially not so brazenly.Â
Arthur laughs at your behavior but you see the nervous way he rubs the back of his neck. He ducks his head down, hat blocking his pretty eyes. You know that you have an effect on him. In the same way, a simple touch from him sends heat racing through you, you can see it happen to him.Â
Youâre not some lovesick fool whoâs blinded by your desire. You may be naive when it comes to relationships, but you know want in a manâs eyes when you see it. If only he werenât so damn stubborn.Â
âIâve got some business to deal with in town,â your face falls as he speaks. Youâd almost forgotten about the letter Pearson had brought to him. The one that a woman had dropped off. You hope itâs his aunt or some withered old lady who just needs an outlawâs help. As unlikely as that is, you still pray for it.Â
He reaches into his saddle bag and your eyes double in size as he holds out a holstered revolver. You stare at it, eyes darting between him and the gun. âYou know how to shoot donât ya?â
You scoff in indignation. âIâve spent my entire adult life in the mountains. Of course, I know how to shoot. But why would I need to?â
He looks amused by your attitude and it only makes you narrow your eyes at him in irritation. âJust take it, would you? Youâre traveling with a gang of outlaws, itâs not smart to go around without anythinâ to protect yourself with.â He nudges the gun towards you once more and you snatch it from him.Â
You bring it to your side, attaching it to your belt as you chew on his words. You hadnât thought of that before, mainly because you havenât left the camp since you made it out of the mountains. But youâre so used to being seen as a lady that you forget youâre now just as much of a criminal as the rest of them. If only by association.Â
âFine,â you relent.Â
âHere,â he reaches into his satchel and tugs out a few bills. âTake this, for the dresses or whatever it was ya needed.â
You stare down at the money and shake your head, âOh, no, Arthur, I couldn't.â Heâs already done so much for you and the camp. You donât feel comfortable taking from him further. But he wonât let it go, he takes your wrist and forces your palm open, placing the money in your hand.Â
âYouâre not gonna steal the clothes are ya?â
âNo, but-â
ââNough fussinâ, just take it would ya, woman?â You tuck the money in your waistband and glare at him. Heâs being awful pushy this morning.Â
He grabs the horn of the saddle, pulling himself back up and glancing down at you. âHow long am I gonna be expected to look after myself?âÂ
âOnly about an hour, Iâll be back soon enough.â
âYou better,â you chide. He only chuckles, tilting his hat towards you before riding off past the shops and towards the houses behind the town. You let out a heavy sigh, fiddling with the money and looking around town. You donât imagine youâll find much here, but you figure the general store is probably a good place to start.Â
It isnât until youâve bought yourself a few new outfits that you realize just how much money Arthur has given you. You could probably buy two horses with all this. Youâre sure Dutch would be irate if he learned Arthur funded your shopping trip and not the camp lockbox.Â
You walk out of the general store with your box of goodies tucked under your arm. You hide the rest of your money away in the top of your corset like youâve seen Karen do before. You look around the shops, trying to spot Arthurâs giant shire hitched somewhere. When you donât see the horse you frown, deciding to do a quick lap around to see if heâs somewhere else.Â
It turns out to be fruitless, despite promising to be back within an hour, you canât find him anywhere. You figure that his âbusinessâ just ran on longer than he thought it would and try and think of a way to pass the time. You debate going to the stables and getting your own horse but it seems rude to just spend his money so cavalierly.Â
Besides, you figure you should get his opinion before you commit to one of the erratic creatures. He seems to speak their language. You figure he could help you find one that wonât send you flying if it gets spooked.Â
With no other way to pass the time, you take a seat on the bench outside the general store. You pick up a discarded newspaper and figure youâll just wait for him here. Of course, you only make it about three sentences into a report on a train robbery before you toss the paper to the side.Â
Youâve never been very good at waiting. Living the life of a proper lady has left you spoiled and youâre starting to get antsy. Jumping up from the bench you walk around the back of the shop towards the houses Arthur had ridden towards.Â
Thereâs a brief moment of intelligence where you think about the consequences of bugging him. He is an outlaw and for all the manners and grace heâs shown you, youâve seen the bounty. You know heâs a known criminal and a murderer. Who's to say he wonât get upset at you for interrupting and just shoot you?
Still, the thought of him getting so mad he starts firing off rounds makes you laugh more than it makes you scared. You just canât picture Arthur in that way.Â
It isnât hard to figure out which house he went to. All you have to look for is the giant black horse grazing in the grass outside. You pick up your pace when you see Diablo roaming in front of a particularly nice house. Itâs probably the biggest one around and the most well-kept. You wonder who he could be meeting out here, in Valentine being ârichâ doesnât mean much.Â
You notice the front door of the home opening, but you know they canât see you past the large tree in front of you. You see Arthur first, the brim of his hat, and then his boot as he walks out the door. He turns around, talking to whoeverâs inside and shaking his head vehemently.Â
You take another step towards them but your foot hovers in the air as the person heâs talking to follows after him. So much for a withered old lady. You feel your stomach drop as the beautiful woman heâs talking to reaches forward and takes his hands in hers. You canât hear them speaking, but you can see the familiarity in the way they dance around each other.Â
Sheâs got a pleading look on her face and heâs got the expression of a man about to give into whatever she asks of him. You turn around as quick as you can, marching yourself right back to town. You never should have even gone looking for him. One hour or two, you should have just kept your happy ass where it was. At least then you wouldnât be dealing with the racing thoughts going through your head.Â
You had a suspicion that there was once a woman in his life. In fact, it would be odd for there not to be. Heâs traveled for so long and heâs so different than other men you met that it wouldnât make sense for him to have not caught the eye of a pretty woman. But you hadnât expected her. She seemed so much likeâŚ
You.Â
She reminded you of yourself before your husband had abandoned you and you started traveling with the gang. Hair done up prim and proper, clothes tailored perfectly to her body. Even the way she carried herself was straight out of the proper lady training book. She most certainly came from money.Â
You just didnât know how Arthur knew her. Or what their relationship was. It certainly wasnât familial. You knew that much from the longing in her eyes. Oh, this was just awful. Arthur didnât reject you because he thought he wasnât good enough for you. He just didnât want you. He had a woman of his own, of course he did. You feel like such a fool, getting your hopes up over something that could never happen.Â
You trudge back into town, heading straight for the saloon. Youâve never had the stomach for alcohol, but youâre sure you can make an exception tonight. Just to ease the blade of hurt wedging itself in your chest.Â
You toss your box of clothes on the counter of the bar and the barkeep gives you a startled look. His eyes narrow before he slides a glass over to you. âLooks like you need a whiskey.â
âMake it a double,â you slip him a few more bills than necessary and he whistles. Instead of pouring he just places the bottle in front of you. He leaves you on your lonely end of the counter and scrubs up a drunken spill.Â
You use a heavy hand to pour and bring the glass to your lips, ticking your head back and downing as much as you can. The acrid, bog-like taste doesnât comfort you. But it does make your tongue feel fuzzy and begin to soften the harsh edges of your mind. About a bottle later, you can barely remember Arthurâs name, much less why youâre drinking.Â
Youâre debating entering a very risky poker game when you see it. Just out of the corner of your eye, a man goes stumbling up the stairs with a whore. Itâs not out of the usual, itâs been happening the whole time youâve been here. But thereâs something familiar to you about the back of his head.Â
Stumbling to your feet, you rub at your eyes and blink a few times. You squint, trying to make out how you know this man when he finally turns slightly. Like a bucket of cold water being tossed over you, the whiskey seems to leave you for a moment.Â
Your husbandâs glazed eyes pass over you and he laughs at a drunk man falling face-first to the floor. Your heart pounds so harshly against the cage of your chest you can hear nothing else but your blood rushing. He stumbles the rest of the way up the stairs and you stand there, completely dumbfounded and confused.Â
Your husband isnât just alive. Heâs here and heâs about to go fuck a whore like he didnât leave you for dead.
Next Part
end. â I do not own the characters or the game Red Dead Redemption 1/2, but this writing is my own all rights reserved Š not-neverland06 2024. do not copy, repost, translate & recommend elsewhere.
Hiii! I saw on your pinned that youâre a fan of RDR2, so for your alphabet challenge, would you please write NSFW letter X for Arthur Morgan? Thank you!
ohhhh anon you have TASTE. iâd be DELIGHTED to write this for you.
warnings: explicit sexual content, nudity, detailed anatomical description, language consistent with 1800s setting, voyeuristic focus on male body, light exhibitionism, use of second person pov, erotic fixation on physicality, unprotected sex implication, emotionally intimate context, mild praise kink undertones
tags: @destinedtobegigi, @pittsick, @bambiangels, @talsorchard, @angeldoll1e, @itachisank, @tennisprincess, @lexiiscorect, @esotericgirlwannabe, @lovefaist, @won-every-lottery, @zionna
notes: hey angels just a lil noteâi absolutely love writing for challengers and the bear, and iâll always be down to explore more of that, but if you ever feel like sending in asks for other fandoms too, please do! it really helps me stretch my creativity and explore new voices/vibes. writing for arthur morgan was such a joy, and iâd love to dive into more worlds like that. donât be shy! okay iâm gonna stop because my hands hurt, i wrote a lot today đ enjoy!
The room in Valentine is nothing specialâwood-paneled, narrow, scuffed floors and faded wallpaper peeling at the edgesâbut it doesnât matter. The second Arthur strips off his coat, it ceases to be a hotel room. It becomes a cathedral. A shrine. A holy place built around the gravity of his body. And for the first time, you get to see him not as heâs dressed for the worldâlayered in denim and dust and gunsâbut raw. Bared.
It starts simple: the shrug of that trail-worn coat from his shoulders, the soft thud as it drops over the back of the chair, the flick of fingers undoing buttons down his shirt. But thereâs nothing simple about the man himself. Arthurâs frame commands the space like it was built to worship him. Broad. Thick. Weather-hardened and sun-fed. His shoulders stretch the fabric of every shirt he owns, and once he peels it offâslow, like itâs never occurred to him someone might want to watchâit becomes impossible to look away.
Heâs built like the frontier. Rugged. Untamed. A map of sweat and sun and scars. His skin is the color of oak bark in summer, golden and burnished with the kind of tan that doesnât fadeâitâs in him. Part of him. A deeper warmth than just skin-deep. His chest is massive, pelted with a coarse dusting of tawny-blond hair that gathers dense across the sternum, softens as it trails down his stomach in a thick line. His pectorals are full, heavy, not sculpted like a statueâs but lived-inâflesh formed from years of labor, from chopping wood, breaking horses, dragging bodies.
The hair down the center of his chest glows golden in the angled light, catching the color of the sunset leaking through the curtains. It creeps over his collarbones, softens the harsh ridge of old scars. One scar slices diagonally across his left pectoral, paler than the rest of him, like a whip cracked hot against the skin long ago. Another curls near the hip, a jagged crescent hidden in the shadow beneath his ribs.
And then the suspenders fall. The belt buckle clicks. He kicks off his boots, and his pants sag low on his hips. Wide hips. Solid hips. Built for carrying weightâsaddlebags, corpses, the weight of guilt he doesnât speak of. When he pushes those pants down, slow and unceremonious, he steps out of them like a man shedding his sins.
He is naked in the truest sense. And itâs devastating.
Arthur Morganâs cock hangs thick between his thighs, flushed deep red at the head, darker toward the base where the hair thickens into a coarse nest of dirty blond. Itâs big even soft. Long enough to demand respect. Heavy, veined, the foreskin resting back just enough to tease the slick pink of the glans beneath. A single bead of precum shines there, like heâs been holding back too long. And you know he has.
As you stareâopen, shamelessâhe twitches. His cock thickens slowly, like itâs waking, like itâs watching you as much as youâre watching it.
Arthur notices. His smile is shy, but crooked, a hint of self-deprecating charm. âAinât exactly a prize hog,â he says, scratching the back of his neck, but you can see itâthe flush crawling down from his cheeks to his chest. He likes being seen. Even if he doesnât know how to say it.
His thighs are thick and wide-set, dusted with blond hair, dappled with fading bruises, knotted muscle flexing under skin every time he shifts his weight. Thereâs a line of scabbing down his shin from a ride through bramble or a botched dismount. His calves are strong, veined, the kind only years of walking, climbing, riding could build. Everything about him is earned.
And that stomachânot flat, not soft, but strong in a way thatâs real. A faint curve over the belt-line. Muscles beneath the skin, not gym-trained but carved by work. Heâs got a fine dusting of hair there, too, curling tighter below the navel, guiding the eye downward toward the dark root of his cock.
His arms are worth their own chapter. Thick biceps that stretch the seams of his shirts, veins standing prominent, forearms like sculpted stone. His hands? Massive. The kind that wrap around the butt of a rifle like itâs nothing. The kind that grip reins and throats and thighs with the same ease. Theyâre calloused and dirt-streaked and holy.
And the more you look, the more detail unfolds. His neck is thick, corded with sinew, shadowed by stubble. Thereâs always a touch of sweat just at his temples, the scent of him musk-heavyâleather and iron and firewood smoke, cut with the faint sweetness of molasses if you get too close to his throat. His beard is full, well-kept but untrimmed, flecked darker around the chin and mouth, soft-looking despite the thickness. And then thereâs his hairâmessy, sun-lightened, curls catching at the nape like heâs been riding all day with his hat off.
Heâs staring now, too. Watching you watch him. That stormy gaze softened around the edges with something quiet. Something almost vulnerable.
âI know Iâm rough,â he says low, voice catching like wind in a canyon. âAinât got much polish to me. But⌠well. I clean up all right, donât I?â
And you want to laugh. Want to cry. Because this manâthis towering, muscle-bound, scar-splattered outlawâis standing bare before you, cock heavy and leaking, chest heaving just a little from the weight of your gaze, and still he wonders if heâs enough. If heâs worth looking at.
Heâs more than enough. Heâs obscene in his beauty.
You reach for him like gravity pulls you there. Your hands span his hips, your fingers brushing the wiry curls at the base of his cock, and he shivers. That flushed cock jumps against his stomach. The skin there is so hot it burns, a furnace under your palm. You drag a thumb over the slick head and he grits his teeth, groans low and deep, a sound pulled from somewhere in the belly of him.
âFffffuck, sugar,â he gasps, shoulders flexing like a draft horse under harness. âThatâsâsâtender. Been thinkinâ about this too long.â
But you donât stroke. Donât tease. You just look.
You memorize the shape of him. The texture of his skin. The way every part of himâfrom the pink of his nipples to the curl of his toesâis alive with anticipation. And when he leans back on the bed, thighs wide, cock resting against his stomach and glistening, one arm propped behind him to hold his weightâhe looks like a goddamn vision. Like something carved out of the dirt and sun and blood of the West itself.
Arthur Morgan, in full.
And nothingâs ever looked better.