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Now my favorite thing is how the other actor (who plays with Brad Dourif in the same scene) reacts to his… usually emotional acting.
(“How does someone around me react when I start talking about Braddy” or “How does someone around me react when I just open my mouth” kinda thing).
Was watching rules of acquisition today (the episode with Pel) and when Julian Bashir showed up at the very end of the episode I was actually stunned by his beauty because I had seen so many ferengi for 45 minutes. I forgot he was kind of gorgeous. Ferengi fuckers do not come for me. I am on your side
Brad Dourif in Rage of Angels: The Story Continues (1986)
most relatable character ➣ Julian Bashir STAR TREK: DEEP SPACE NINE (1993-1999)
When I was first scrounging around for Bradthirst material, I came across these pieces by @anonmarleighdourif (humanpincushion on DeviantArt). They have an incredible talent for capturing his likeness, especially the eyes.
So lush, these are a huge inspiration for me. I just want to stare at them all day long.
"But you can't go through life trying to avoid getting a broken heart. If you do, it'll break from loneliness anyway."
Digital Portrait of Julian Bashir by me c:
brad dourif - el muchacho de los ojos tristes fancam
Learning your Types is a crucial element of psychic defense
Writing smut fics is a release valve for toxic attraction
All the time I spend looking at beautiful villains is Healthy and Necessary 👍
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Modern AU Cesare.
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While fawning over BD’s supernaturally gorgeous eyes, I had to pick just a few gifs to illustrate That Thing where directors highlight him from an off-angle so they seem to glow internally. You know something's about to go down when they bust out this trick.
Problem: The X-Files alone is chock-full of this effect, and there are a gajillion more from other media. So: a dedicated post!
Starting with the ole one-eye highlight — they usually pick the right one, which is a little lifted and turned (I'm calling it his cat-eye):
Cue the lightning!!!
Sometimes it makes an iridescent crescent shape. I know it's meant to be scary, but he's such a terribly pretty boy:
Getting creative with some uplighting and a rare left eye (it's nice to see her getting some attention)...
...And some more extreme angles. How does this even work?!
It's just... captivating. I'm gonna go lie down now. (Think I actually stole all the gifs from @exdeputysonso this time. I'm basically a recycler for all their hard work and tbqh I'm fine with that)
SoHo News (Vol. 9, No. 8 November 25 - December 1, 1981).
Thank you so much again @exdeputysonso for finding this article 😊
from the “Boys” dourif-hottie supercut music video:
I’d love to see an artist break this down!
For now, let me write you a novel about Brad's spectacular eyes...
(Skip if you want to preserve the mystery.) BD's right eye is placed a little higher, and turned up as if tugged from the outer corner. I think it's part of that subtle something that immediately sets him apart. This unique, catlike, romantic asymmetry snatches your attention.
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His striking, chameleonic blues capture light — even in B&W — which directors loooooove to exploit by lighting him obliquely:
It's a great way to crank up the eerie vibe of any scene, and I respect Star Trek for trashing that option outright with all-black contacts. (Of course, he still served an incredibly compelling outsider.)
(Edit: I put up a post just about this effect because they seriously do it all the damn time) (...because it's awesome)
He has hooded eyes, deep-set and accentuated by heavy eye bags. The shadows and textures draw you in toward those luminescent irises, like picture frames that amplify each motion of his eyes.
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Sometimes he pops them wide open, creating these huge, expressive magnets...
...Or squints lopsidedly...
...Or interrogates, challenges, threatens — alert but defensive, like a prey animal on the edge of lashing out.
He’s said he chooses roles that "turn him on" (pretty clearly in an artistic sense); many of these blend menace and vulnerability, and our boy dumps emotion into every. single. line. This can manifest as an intense, wary, combative look, with eyes wide under neutral or furrowed brows:
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...And that's all before we mention the tears. He cries, of course, at will and liberally, and his eyes go red-rimmed and wet, highlighting them even more as he pins someone's soul to the wall with his gaze.
When he hovers right on the edge, they seem to shine in the dark.
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At times, his fair eyelashes almost vanish, compounding his unusual look with a birdlike or reptilian tinge.
Obviously, the shaved brows in LOTR add to this effect.
A couple more things you'll notice here: he'll hold his eyes wide open for much longer than normal, drawing out these moments and making him seem even more alien.
And when he gets up-close in someone's face (which is often), he's constantly switching his gaze between their eyes — totally fixated, as if scanning for emotional feedback. In my opinion, it adds to that vulnerability: to the object of his attention, he must seem like a predator freezing them in place... but it's also desperate, like a prey animal trying to decipher the other person's intent, all senses tuned to pick up their slightest signal. (Gríma Wormtongue and Jack Dante especially have this pathetic air about them: grasping at sources of warmth while lashing out at the harsh, unintelligible world around them, allying themselves with uncontrollable destructive forces in an attempt to establish a place for themselves........)
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The eyes — and how he uses them — are the standout scrungly feature, the main reason we can’t look away from this unforgettable weirdo.
The cat-eye asymmetry pulls focus;
His ice-blue irises are light traps, framed in textured shadow;
His full-bore emotional commitment ramps up the anguish and torment to an aching crescendo that's impossible to ignore.
Eventually I'll follow up on other contributing factors, but for now, I'll leave you with a couple of article snippets about The Eyes:
Imagi-Movies: Vol 1 No 2 — Winter 1993/94. Pages 11-13: "Traumatic - Brad Dourif". Link
SoHo News: November-December 1981. "Tension and mercy - Brad Dourif glowers for our sins" (an article all about his eyes! But they don't mention the asymmetry.)
[Gifs were mostly stolen from the GOAT, @exdeputysonso — with some of my own, mostly the square ones. Shout-out to @dragonsbloodsnowcone for inspiring this word vomit.]
Thanks for reading!
Boys with huge tragic eyes 😮💨
Brad Dourif, Rami Malek, Buster Keaton, Lakeith Stanfield, Rufus Sewell, Roger Taylor (Queen)
Another excuse to stitch together all his pretty shots with zero regard for plot :v
(Mad props to @exdeputysonso for putting together the supercut I trimmed down for this)
Is it just me or does Brad Dourif channel Buster Keaton sometimes
That eyeroll, lord have mercy
Buster Keaton in The Cook (1918)