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Big Tragic Eyes Club - Blog Posts

1 month ago
Now My Favorite Thing Is How The Other Actor (who Plays With Brad Dourif In The Same Scene) Reacts To
Now My Favorite Thing Is How The Other Actor (who Plays With Brad Dourif In The Same Scene) Reacts To
Now My Favorite Thing Is How The Other Actor (who Plays With Brad Dourif In The Same Scene) Reacts To
Now My Favorite Thing Is How The Other Actor (who Plays With Brad Dourif In The Same Scene) Reacts To
Now My Favorite Thing Is How The Other Actor (who Plays With Brad Dourif In The Same Scene) Reacts To
Now My Favorite Thing Is How The Other Actor (who Plays With Brad Dourif In The Same Scene) Reacts To
Now My Favorite Thing Is How The Other Actor (who Plays With Brad Dourif In The Same Scene) Reacts To
Now My Favorite Thing Is How The Other Actor (who Plays With Brad Dourif In The Same Scene) Reacts To
Now My Favorite Thing Is How The Other Actor (who Plays With Brad Dourif In The Same Scene) Reacts To
Now My Favorite Thing Is How The Other Actor (who Plays With Brad Dourif In The Same Scene) Reacts To

Now my favorite thing is how the other actor (who plays with Brad Dourif in the same scene) reacts to his… usually emotional acting.

(“How does someone around me react when I start talking about Braddy” or “How does someone around me react when I just open my mouth” kinda thing).


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2 months ago

Was watching rules of acquisition today (the episode with Pel) and when Julian Bashir showed up at the very end of the episode I was actually stunned by his beauty because I had seen so many ferengi for 45 minutes. I forgot he was kind of gorgeous. Ferengi fuckers do not come for me. I am on your side


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5 months ago

TalkieTuesday - Buster Keaton talking about why he never smiled on stage or in his films, "One of the first things I noticed was whenever I smiled or let the audience suspect how much I was enjoying myself they didn't seem to laugh as much as usual."


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7 months ago
Most Relatable Character ➣ Julian Bashir STAR TREK: DEEP SPACE NINE (1993-1999)
Most Relatable Character ➣ Julian Bashir STAR TREK: DEEP SPACE NINE (1993-1999)
Most Relatable Character ➣ Julian Bashir STAR TREK: DEEP SPACE NINE (1993-1999)
Most Relatable Character ➣ Julian Bashir STAR TREK: DEEP SPACE NINE (1993-1999)
Most Relatable Character ➣ Julian Bashir STAR TREK: DEEP SPACE NINE (1993-1999)
Most Relatable Character ➣ Julian Bashir STAR TREK: DEEP SPACE NINE (1993-1999)
Most Relatable Character ➣ Julian Bashir STAR TREK: DEEP SPACE NINE (1993-1999)
Most Relatable Character ➣ Julian Bashir STAR TREK: DEEP SPACE NINE (1993-1999)
Most Relatable Character ➣ Julian Bashir STAR TREK: DEEP SPACE NINE (1993-1999)
Most Relatable Character ➣ Julian Bashir STAR TREK: DEEP SPACE NINE (1993-1999)

most relatable character ➣ Julian Bashir STAR TREK: DEEP SPACE NINE (1993-1999)


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8 months ago

brad dourif fanarts by humanpincushion

When I was first scrounging around for Bradthirst material, I came across these pieces by @anonmarleighdourif (humanpincushion on DeviantArt). They have an incredible talent for capturing his likeness, especially the eyes.

As Luther Lee Boggs, with oily black chains binding him in his red prison jumpsuit, his hands skeletal and black with oil or slime.
A skeletal Martin Klamski, in a tattered greatcoat, holding a cigarette with smoke wafting around. The look (as with most of these) is red and black on a tan base, with Victorian vampire vibes.
Brad's face with a beatific expression, atop a skeletonized, disintegrating torso
Brad in Spontaneous Combustion, with a half-melted face and expression of resigned pain and confusion.
As Raymond in Blue Velvet, holding a knife to Jeffrey's (Kyle's) throat. Both have fairly neutral expressions, Raymond with a faint tinge of menace, while Jeffrey accepts his fate.
Charles Lee Ray, mostly intact in his suit and coat, but with entrails spilling out, which he grasps along with a giant red jeweled pendant.
Skeletonized again, as Billy Bibbit looking dolefully off to the side while hugging himself, pulling a piece of flesh from his own neck.
As Robert McEvoy from The Gardener's Son, wide-eyed and wild-haired, clutching the noose around his neck, whose rope winds around his torso, binding his arms.
As Tucker Cleveland from Graveyard Shift, clutching at his own face and neck, leaving bloody finger marks. A live rat is on his shoulder, and a skeletal one climbs his hand. Style is more modern, sketchy, and abstract, on white instead of tan.

So lush, these are a huge inspiration for me. I just want to stare at them all day long.


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9 months ago
Digital portrait of Julian Bashir from Star Trek deep space nine. He is on a while background with a red heartbeat monitor graphic behind him. The portrait itself shows him in a slightly exasperated expression and it is painted in a blue/green hue.

"But you can't go through life trying to avoid getting a broken heart. If you do, it'll break from loneliness anyway."

Digital Portrait of Julian Bashir by me c:


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9 months ago

brad dourif - el muchacho de los ojos tristes fancam


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9 months ago

Learning your Types is a crucial element of psychic defense

Writing smut fics is a release valve for toxic attraction

All the time I spend looking at beautiful villains is Healthy and Necessary 👍


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9 months ago
⬛⬜⬛⬜⬛⬜⬛

⬛⬜⬛⬜⬛⬜⬛

Modern AU Cesare.

⬜⬛⬜⬛⬜⬛⬜


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10 months ago

brad dourif: shit's getting real when they pop the headlights

X-Files: the crown jewel shot of Brad leaning in through a sideways light source, both eyes gleaming impossibly, as though lit from within

While fawning over BD’s supernaturally gorgeous eyes, I had to pick just a few gifs to illustrate That Thing where directors highlight him from an off-angle so they seem to glow internally. You know something's about to go down when they bust out this trick.

Problem: The X-Files alone is chock-full of this effect, and there are a gajillion more from other media. So: a dedicated post!

Starting with the ole one-eye highlight — they usually pick the right one, which is a little lifted and turned (I'm calling it his cat-eye):

Tales from the Crypt: being shaken around by his brother after making several Very Bad calls
Death Machine: some close-up eeriness from our greasy hacker boy Jack Dante
Wildling: slowly peering up at you over his specs, through a tangle of eyebrows. The visual equivalent of the THX Deep Note
Hittin' em with that old-man eye in Death & Cremation
Fatal Beauty: some wide-eyed side eye. He appears to be "telling it like it is"
Sworn to Justice: heavy breathing and a defensive posture in his fancy little business outfit

Cue the lightning!!!

Charles Lee Ray, doing a occult, lightning flashing in his right eye
Urban Legend: ranting old damp man with a terrible warning that he can't seem to spill

Sometimes it makes an iridescent crescent shape. I know it's meant to be scary, but he's such a terribly pretty boy:

Istanbul: "You. Go out there and play." Such a little asshole
Graveyard Shift: some truly uncanny one-sided iris highlighting in a close-up, during his Vietnam rant
Hazing: just a slow zoom out from an older Dourif's eyeballs. A hint of moustache
Moonlighting: not scary, just a luckless priest in a layman's windowpane-striped shirt, confronting his future
Feral cat-eye in Fatal Beauty: a hunted look

Getting creative with some uplighting and a rare left eye (it's nice to see her getting some attention)...

Critters 4: Al Bert leans dramatically into some upward shafts of light
Brad in the 2024 Chucky TV show. One of the most intense examples, with bright white light shining onto him in a darkened room... still got it!

...And some more extreme angles. How does this even work?!

Final Judgment: light bouncing off the back scenery, illuminating a priestly Dourif's profile and catching in his right eye, which is almost perpendicular to the camera.
Mississippi Burning: in extremis, with Gene Hackman all up in his face and shakin' him, covered in shaving cream and regret, and where the hell is that light coming from, it's literally reverberating around in the lens somehow, how is that happening

It's just... captivating. I'm gonna go lie down now. (Think I actually stole all the gifs from @exdeputysonso this time. I'm basically a recycler for all their hard work and tbqh I'm fine with that)


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10 months ago
SoHo News (Vol. 9, No. 8 November 25 - December 1, 1981).
SoHo News (Vol. 9, No. 8 November 25 - December 1, 1981).
SoHo News (Vol. 9, No. 8 November 25 - December 1, 1981).
SoHo News (Vol. 9, No. 8 November 25 - December 1, 1981).
SoHo News (Vol. 9, No. 8 November 25 - December 1, 1981).
SoHo News (Vol. 9, No. 8 November 25 - December 1, 1981).

SoHo News (Vol. 9, No. 8 November 25 - December 1, 1981).

Thank you so much again @exdeputysonso for finding this article 😊


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10 months ago
Brad Dourif in Istanbul (1985): scrungling with tortured eyes, gritted teeth, claw fingers, and a bloody nose.

brad dourif scrungly feature analysis: eyes

from the “Boys” dourif-hottie supercut music video:

tags added by DragonsBloodSnowCone: #BRAD #why does he look so weird, needs to be studied #what are the elements

I’d love to see an artist break this down!

For now, let me write you a novel about Brad's spectacular eyes...

The Strangeness

(Skip if you want to preserve the mystery.) BD's right eye is placed a little higher, and turned up as if tugged from the outer corner. I think it's part of that subtle something that immediately sets him apart. This unique, catlike, romantic asymmetry snatches your attention.

Promo shot from Ragtime, B&W, with a little bowtie and straw boater
Brad looking up in Group Portrait With A Lady, with glasses on
Brad looking at the camera somewhat straight-on, from Max Italian Magazine, May 1989

.

The glow

His striking, chameleonic blues capture light — even in B&W — which directors loooooove to exploit by lighting him obliquely:

Brad leans into a light source, highlighting his eye. From Toto – Stranger in Town
Istanbul (1985): an almost demonic Dourif invites you to play some games, holding up a wine glass and nibbling his thumb while a crescent of light gleams in one iris
London Kills Me gif: Brad in a dapper red suit
Spontaneous Combustion gif, in the school doctor's office

It's a great way to crank up the eerie vibe of any scene, and I respect Star Trek for trashing that option outright with all-black contacts. (Of course, he still served an incredibly compelling outsider.)

(Edit: I put up a post just about this effect because they seriously do it all the damn time) (...because it's awesome)

Set in shadows

He has hooded eyes, deep-set and accentuated by heavy eye bags. The shadows and textures draw you in toward those luminescent irises, like picture frames that amplify each motion of his eyes.

Istanbul (1985): peering about, with a languid cigarette
Ragtime, crowd shot, leaning forward to the camera

.

Contrast

Sometimes he pops them wide open, creating these huge, expressive magnets...

Ragtime, in the planning meeting
Vengeance (Tony Cimo): popping his eyebrows at someone offscreen as he explains something

...Or squints lopsidedly...

Istanbul: squinting in perplexity at a fruit vendor
London Kills Me: telling a Youth not to mess with him

...Or interrogates, challenges, threatens — alert but defensive, like a prey animal on the edge of lashing out.

He’s said he chooses roles that "turn him on" (pretty clearly in an artistic sense); many of these blend menace and vulnerability, and our boy dumps emotion into every. single. line. This can manifest as an intense, wary, combative look, with eyes wide under neutral or furrowed brows:

Cypress Edge: pressing the Senator for information, leaning in with bright animalistic eyes
Impure Thoughts: in a cozy red sweater, questioning someone
Istanbul: anticipating The End with a suspicious sidelong glance
Cuckoo's Nest: under pressure from Nurse Ratched, glancing around for support

.

Cry, baby

...And that's all before we mention the tears. He cries, of course, at will and liberally, and his eyes go red-rimmed and wet, highlighting them even more as he pins someone's soul to the wall with his gaze.

X-Files: twisting a piece of cloth, vibrating and staring as a tear trickles down his cheek
Cypress Edge: "She's got you haunted now"
Graveyard Shift: Clammy exterminator Tucker Cleveland recounts hideous war stories
Exorcist III: bright eyes, teardrops, bloody nose, a sad wet boy yet oddly insistent

When he hovers right on the edge, they seem to shine in the dark.

Alien: Resurrection, Dr. Gediman looks apprehensively over his shoulder
Graveyard Shift: Tucker just wants to finish the job and go home. Calling Moxie the dog to come back

.

Bared

At times, his fair eyelashes almost vanish, compounding his unusual look with a birdlike or reptilian tinge.

Miami Vice: the series protagonist is getting the Dourif staredown
The Equalizer: an uncertain head-wiggle — I don't know, detective.

Obviously, the shaved brows in LOTR add to this effect.

Gríma Wormtongue's stare bores into Éowyn, offscreen

A couple more things you'll notice here: he'll hold his eyes wide open for much longer than normal, drawing out these moments and making him seem even more alien.

And when he gets up-close in someone's face (which is often), he's constantly switching his gaze between their eyes — totally fixated, as if scanning for emotional feedback. In my opinion, it adds to that vulnerability: to the object of his attention, he must seem like a predator freezing them in place... but it's also desperate, like a prey animal trying to decipher the other person's intent, all senses tuned to pick up their slightest signal. (Gríma Wormtongue and Jack Dante especially have this pathetic air about them: grasping at sources of warmth while lashing out at the harsh, unintelligible world around them, allying themselves with uncontrollable destructive forces in an attempt to establish a place for themselves........)

.

TL;DR

The eyes — and how he uses them — are the standout scrungly feature, the main reason we can’t look away from this unforgettable weirdo.

The cat-eye asymmetry pulls focus;

His ice-blue irises are light traps, framed in textured shadow;

His full-bore emotional commitment ramps up the anguish and torment to an aching crescendo that's impossible to ignore.

Eventually I'll follow up on other contributing factors, but for now, I'll leave you with a couple of article snippets about The Eyes:

To date, the unfortunate priest in ABC-TV’s I, THE DESIRE (1982) is his only bloodsucker. How is it possible that this beautiful actor, with his patrician profile and cat-slanted eyes, has never been cast as a gothic vampire? “No one ever asked me," he sighs. “You have no idea how much I'd love to do one." Overall, howev-
Czech accent: "There is an inner tension about him. He is the only actor I know who can think with his eyes. No other actor I know possesses these unique qualities." That Milos. He cast Brad first for Cuckoo's Nest and feels like 90 percent of his job is proper casting. ... Brad Dourif is all over Ragtime, thinking with his eyes. If he isn't thinking about get-

Imagi-Movies: Vol 1 No 2 — Winter 1993/94. Pages 11-13: "Traumatic - Brad Dourif". Link

SoHo News: November-December 1981. "Tension and mercy - Brad Dourif glowers for our sins" (an article all about his eyes! But they don't mention the asymmetry.)

[Gifs were mostly stolen from the GOAT, @exdeputysonso — with some of my own, mostly the square ones. Shout-out to @dragonsbloodsnowcone for inspiring this word vomit.]

Thanks for reading!


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10 months ago

Boys with huge tragic eyes 😮‍💨

Brad Dourif, Rami Malek, Buster Keaton, Lakeith Stanfield, Rufus Sewell, Roger Taylor (Queen)

Brad Dourif in The Exorcist III, looking up at you with a bloody nose and tears running down from his massive blue eyes
Rami Malek squints at you beguilingly, shields half-lowered over his huge dreamy orbs
Buster Keaton looks at you, his ludicrous globes somehow turning his deadpan expression doleful
Lakeith Stanfield looks away (sorry), highlighting the lachrymose allure of those captivating eyeballs
Rufus Sewell glowers off to the right, irises swimming in his gigantor peepers
Roger Taylor judges you, dressed in a huge frilly collar, his stare beaming out from twin celestial spheres

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10 months ago

Another excuse to stitch together all his pretty shots with zero regard for plot :v

(Mad props to @exdeputysonso for putting together the supercut I trimmed down for this)


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11 months ago

Is it just me or does Brad Dourif channel Buster Keaton sometimes

That eyeroll, lord have mercy

Is It Just Me Or Does Brad Dourif Channel Buster Keaton Sometimes
Buster Keaton In The Cook (1918)
Buster Keaton In The Cook (1918)

Buster Keaton in The Cook (1918)


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