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Outis projected so hard in this Canto. Everyone thought she and Gregor were the oldest but no, it’s Don Sancho Quixote Second Kindred. The youngsters these days have no effect on her.
Imagine the conversation going something like this once Don snaps at the Sinners
“Anyone would be uncomfortable with such strong light right in their face. I’ve been out in sunlight plenty of times with the lot of you. No garlic doesn’t matter. We all know that coffin is far from safe put it away. The Christ imagery is one way for the religious to comfort themselves. And for the love of the Outskirts- PUT AWAY THE WATER!”
Oh boy, I sure can't wait for Intervallo 7.5, where the gang goes on yet another wacky roadtrip while the gang goes to Hong Lu's home district and learn about his extremely complex family dynamic and the many many references to the original novel, it's multiple remakes, and/or the series adaptation.
The next Walpurgis is most likely the Safety Team with Netzach as the next Announcer; and the next LobCorp IDs might connect to Abnormalities of denial, blissful ignorance, or the constricting force of family (Queen of Hatred, Queen Bee, Void Dream).
Even if the Sinners adjust to the fact that one of their members is a Second Kindred Bloodfiend, everyone keeps eyeing Outis just in case she tries to kill Don mentally or physically. She's still salty about the "betrayal" of having a definite threat in their ranks and were possibly waiting to backstab them at any moment (...Did something happen with Eurylochus, Outis?).
And even if she's also adjusting to a modernish life without the fanatic belief in Fixers, Don Sancho Quixote the Second reads them the riot act on their multiple attempts to prove she's a "real vampire" and committing elder abuse: shining light in her eyes or putting her in direct sunlight, putting garlic in her food, Dead Butterfly's coffin and Hundred Sins cross mace in her face cause Christian symbol or possible vamp bed, chasing her with a water bottle or spray bottle, so much water, so much water...
An attempt to draw Sancho from Limbus Company. I’m trying out a more simplified style for this one. I can’t do expressions at the moment, sadly, but advice on that (or just general art advice tbh) would be appreciated.
More stream-of-thought rambling under the cut.
Maybe it’s the text placement, but for some reason this gives me “live laugh love” vibes. Also apologies for the bad cursive. I was taught it in primary school but haven’t used it in over a decade. A few weeks ago, the thought came to me to try using it again, so I started doing that. Still not good at it.
I just finished the Time Killing Event, it was awesome, love our trio of detectives. There are just some things I want to ramble about:
Spoilers below:
Tw: suicidal thoughts, suicidal behaviour (even if it is not stated as this and that it may not be to that extent, I prefer to put this in case, so if you’re uncomfortable with these subjects, don’t go past the photo and stay safe)
Just wanted to start with, it was an event so funny, I really liked the comical situations and the story.
I loved all the illustrations (there were so many, it was so nice)
loved the interactions between the members of the bus
loved the focus we got on Rodya and also the bit of focus we got on Ryoshu (it was super nice to see that she had warmed up to the other sinners)
Dante please go talk to Ryoda, she needs to tell someone how she feels and put off her mask for the moment of a conversation
But I have to just ask: Hong Lu, are you okay?
Because like 60% of the time Hong Lu spoke I was like: wait what
I know, we knew Hong Lu’s past was probably as messed up as his family, and this event really confirmed it. But the way he talked about it, the way he talked about the first time (implying that there was others times) his siblings tried to kill him, how he proposed himself to be a bait to this time killing distortion, it was so unsettling but also kind of sad ‘cause Hong Lu clearly doesn’t care about his end or even, in a certain way, himself. And the fact that he understood them wanting him dead, either because Hong Lu also wishes to be dead, or (and that’s probably more this case) Hong Lu understood their hate for him because Hong Lu knows how to read people and how to understand them at a, sometimes, really deep emotional level. We saw it with Yi Sang, we saw it many times, Hong Lu is capable of very profound empathy.
Okay, sometimes he said things that are very off with what the sinner usually meant and so it passes as something pretentious or said by a rich guy who never had to live a hard life but sometimes those lighthearted comments also convey a form of truth or clue for the others to understand.
Hong Lu gave so much the impression that he wouldn’t mind dying or at least doing something akin to dying. And the fact that he just want to experience a lot of things before having to go back to his family I guess, is still concerning for me because even though it seems that his family agreed on having Hong Lu going on a trip, I can’t help but getting the impression that Hong Lu is a teenager who allegedly ran away from home following a crisis with his family. And I know Hong Lu never phrased it like that and everything is pointing toward him going on a little trip with his family’s authorisation , but I can’t shake off this impression that that’s not the case …
And this sentence about the world staying unchanged, what does this mean??? Of course, it made me think about the book, but I don’t know yet how to put it together yet. You see, if I get it right, one of the thing The Dream of Red Chamber tackles is this notion that nothing is truly unchanging, even more, that things are constantly changing and so never the same, never a fix thing/identity. And these changements are something that Jia Baoyu has to learn and recognise as being a part of his mortal life in “our” world. And there is more and more to this theme but I am not going to dwell on this now…
Bref, Hong Lu made it clear that he lived through the Hunger Games when he was with his family and that there are many things wrong with this latest and Hong Lu’s past and everything surrounding it…
Still no mentions of Lin Daiyu, I keep wondering where will she fit in all of this…
Hong Lu also mention his second oldest aunt which could be Lin Daiyu’s mother (Jia Min) or Xue Pan and Xue Baochai’s mother (Aunt Xue) and Baochai is the one who ends up marrying Jia Baoyu in the book …
Anyway, I am also glad that this event highlighted once again that fact that Hong Lu knows how to read people on an emotional level.
On another note, the story of Hong Lu’s new identity was nice because once again it proves that Hong Lu knows how to observe and analyse others and details but his left eye was not mentioned… so idk what to think because is it it hidden between the lines ? Is his left eye not involved in this ? Or is this a reference to the book? See, for the third option, which I find interesting, it reminded me of the fact that even though the jade with which Baoyu was born is recognise as something precious and magical, its existence is not really questioned nor are his magical powers. Nobody really question how, why Jia Baoyu comes to be born with a jade in his mouth, its just a fact.
I just finished Chapter IV and my god what an emotional journey, I think this is my favorite Canto so far. I'm still so emotional that I need to share the details that stood out to me the most or touched me the most:
Something else; I'm sure the role each sinner held in Yi Sang's memories was not a coincidence, kind of as if depending on each sinner's affinity; the most appropriate role had been assigned to them and therefore a lot of things to analyze if this is the case.
I didn't think I was going to see or needed the Hong Lu / Yi Sang friendship but my god their interactions were so cute and touching I really liked this development between the two. The ending image was really the cherry on the cake when I saw that Hong Lu was the one who came to keep Yi Sang company. In short, I love their friendships and I can't help but think of this very funny meme that illustrated the two visions of nihilism using the characters lmao, two opposites that attract each other. Wholesome.
This is why I immediately want to emphasize the role of Outis in the memories: she was not the traitor in Yi Sang's memories since Dongrang was there and therefore played his role, but I still find it suspicious that 'she was the only one of the sinners (apart from Yi Sang but these are his memories) to have dialogue when the traitor is revealed.
The final boss song is just extraordinary, not to mention the OST which was just to die for but the end song! Mili has really surpassed herself.
I HATE Gubo because even though he "protected" (and again this is a big word) Yi Sang and seems to care about him, I only see that as manipulation and a way to exploit Yi Sang by taking advantage of his unstable mental state for his own benefit. Worst of all he locked Yi Sang up to work while putting him on drugs. It's really awful.
Speaking of the captivity and role of Yi Sang I can’t help but think that Yi Sang and Yosano from Bungou Stray Dogs look alike — in the sense that they are born prodigies (Yi Sang because of his genius and Yosano because of her gift) who have been exploited for their talent and kept at one point in a white room)
Speaking of genius I wonder if the lyrics in the song Lament “If you wanted me to carry on our dreams. Why’d you curse me with “you’re a natural born genius” refers directly to Yi Sang? Because it fits him so much.
But fortunately Yi Sang has found a new home. And oh boy I smile so much when Yi Sang admitted the bus and the Sinners were his new home and mates. It’s so touching seeing that Yi Sang walked without goal in mind or a place to return to, he just walked until he finds a new place where to belong and it happens to be the bus I am so emotional right now because it’s screaming found family and I love that!
In Conclusion awesome Canto I can’t wait for the next one!
Side note: Rodya, Don and Sinclair are so cute together on the end credit image! She looks so much like their mom.
+ I am sorry but at the end Dante is such a parent commenting on how the sinners are eating.