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Suyin Beifong - Blog Posts
The idea of when the GAang is grown up and they all have little mini-me's running around, they still hang out a lot so their kids are all friends.
Like imagine all of them running around the Fire Nation royal palace giggling as they play tag and none of them are scared of getting in trouble for hiding in closets or behind tapestries or running circles around their parents as they try to get away from whoever's it, or them having snow ball fights that always end with them under a giant pipe of furs while in the South Pole.
I saw this tiktok of a little boy hiding under his mothers dress to get away from his dad or something, and I can't stop thinking of Izumi running to Fire Lord Zuko and hiding under his robes just before Kya (who just got tagged) runs into the room and asks Zuko if he's seen Izumi and he just shrugs and says "I think she went that way" as his daughter holds back giggles.
Also, Tenzin is the kid that cried when he got out first in a game.
People always say they want complex characters. They ask for nuance, for gray areas, for emotional depth and realistic growth. But when a character starts feeling too real, so much so that they stop acting like someone in a story and start feeling like someone you could actually meet – that's when the discomfort kicks in. That's when admiration often turns into criticism. And very few in The Legend of Korra walks that tightrope quite like Suyin Beifong.
Su doesn’t follow the typical “lesson of the week” formula. She doesn’t get handed a tidy moment of reckoning, followed by an instant transformation. Her arc isn’t flashy or obvious. It’s slow, subtle, and sometimes contradictory. Just like real people. Because the truth is, most of us don’t change overnight. We grow a little here, slip back there. We learn something, but that doesn’t mean we always apply it in every situation. That’s Suyin in a nutshell.
Look at how she changes as a mother. At first, she tries to micromanage Opal’s choices out of fear, mostly, and a need to protect her. But eventually, she lets Opal go and lets her live her life without trying to control her path. That’s a win. That’s real growth. But then Baatar Jr. betrays the family, and Su reacts by putting him under house arrest. It’s easy to point at that and call it hypocrisy, but that misses the bigger picture. Her deepest fears for her kids came true with Baatar, and so, of course, she tries to regain some kind of control in the aftermath. And yet, she doesn’t try to rope Opal back in. She lets her stay free. That shows her earlier growth wasn’t erased, just complicated by pain.
This is the part people tend to ignore. They rush to call her a hypocrite without stopping to think about what hypocrisy really is. People are full of contradictions. We want conflicting things. We act on emotion. We stumble. We grow unevenly. No one is morally consistent all the time. Su isn’t some moral failure she’s just human. And that’s what unsettles people. They want characters who get what’s coming to them or learn the “right” lesson. But Su doesn’t fit into that framework. She just keeps going, flaws and all.
That’s also what makes her so compelling. She’s not a straightforward hero or a satisfying villain. She’s a complicated woman trying to balance power, family, control, and identity in ways that are messy and real. When people critique her, it’s often not because she doesn’t make sense, but because she makes too much sense.
She’s too familiar. Too human.
Everyone says they want nuanced characters... until they’re faced with someone like Suyin. Someone who holds up a mirror. And when that reflection hits a little too close to home, people tend to look away. But it’s in that raw honesty where her character really shines.
LMAOAO
atla and tlok incorrect quotes 🫡
