If I Had A Nickle For Every Time Lan Wangji Actively Cut Off A Cultivator's Arm/hand, I'd Have Two Nickles.

CRISIS CORE FINAL FANTASY VII REUNION (2022) dev. Square Enix ↳ ✨ MOOGLE POWER ✨

I’m gonna be a complete nerd and say that the whole “Vincent Valentine doesn’t have a phone” thing in Advent Children is actually more than comedy.

Because why does he not have a phone? He thinks nobody would call him / he would not have to call anyone.

Because who is left? He spent thirty years in a coffin. The woman he loved, the guys he worked with – dead and gone, or moved on. Who would he need to call? Who would want to reach out to him in turn?

And then he goes “Where can I buy a phone?” (yes at the most impossible time ever but this is Vincent)

Because Marlene would have needed a phone, and he couldn’t provide one when she needed it.

Because Cloud couldn’t reach him to call for backup.

Because his allies couldn’t reach him when they needed him.

This is not Vincent realizing he’s behind on technology and now wants to catch up. This is not even really funny.

This is just Vincent realizing there’s still people who need to be able to reach him. People he wants to help when they need it.

So if he’s gonna have to buy a damn phone, he’s gonna buy a damn phone so that next time, he’s there to provide backup on time.

Crisis Core (2008) | Platform: PlayStation Portable

Look, I love the Castlevania series and the Netflix adaptation made 3 great seasons ("Um there are 4 seasons" LIKE I SAID, 3 GREAT SEASONS), but we have got to talk about how disappointing it is that the main trio never met or even knew the existence of Hector and Isaac - or honestly, that entire half of the plot. I will forever find it weird that the show set up two related but never intersecting plot threads (and arguably a third, go figure during the worst season).

It's sweet and empowering that both of them found their own ways to live before and after Dracula's death, with Isaac being a total badass and even progressing to a better person despite seeing how unfair, cruel, and rude the world is - to the point that he defeats Carmilla not JUST because she was partly responsible for Dracula's death but because he actually wanted to make the world a better place. But even though Isaac could arguably be founding an entire empire and generation of peace, he and Hector don't even seem to know about Alucard's existence or contributions, let alone Trevor and Sypha.

We can debate Hector and Lenore's fucked up relationship all day, but in the end the two of them DID end up bonding through all the lies and deceit. They were able to actually talk to one another and have the other listen; in the end, both of them were just born in different worlds on different sides. Lenore genuinely seemed to want to settle things peacefully, but she got left behind in a world that valued only overwhelming strength; she decides she can't live as a prisoner even though Hector was no doubt stronger than her for enduring his own imprisonment and subjugation, but I think Lenore was already on her way to losing herself. Despite what she did to Hector, she wanted to at least believe she understood him; even though she was a sympathetic vampire, she still believed knowing enough to control someone was the only way they could be friends - so when it turns out Hector was plotting the downfall of Carmilla and her buddies, unfortunate Lenore had to be betrayed as well. Even if Hector wanted her to live, she was a living contradiction. A vampire who is physically very strong and intimidating, but a woman who other male vampires have looked down upon, and even male humans. A creature who feeds on humans, but one who wants to settle things peacefully. She absolutely had a role in Carmilla's gang of women just surviving, but in Carmilla's mad conquest, she was useless at best and a hindrance at worst.

In the end, Lenore was one of the few vampires that might have been sympathetic to the human side of the argument, but she physically couldn't live like that. I believed Lenore genuinely wasn't capable of turning her whole worldview upside down and aiding humanity in any way - being beneath them. Dracula opened himself up to one human and it destroyed him; he saved Hector and Isaac, but he also sacrificed himself and forced Isaac away, that was the extent of his personal affairs with them. I think it's fundamentally difficult for vampires to adopt human ideologies and empathy, making Alucard the only vampire ally we really have in the series - because he's only half. Unlike Alucard, she is a full vampire. She has a divide that she can't just bridge like he can.

Imagine if Alucard got to meet the only other humans beside his mother who genuinely looked up to and cared about his father. What would Isaac and Hector have to say to the son of the man they had admired and then lost as well? Imagine Alucard meeting another human who may have even fallen in love with a vampire, but who understands how far their worlds pulled each other apart. Or maybe Sypha can relate to having her eyes opened to a world outside her Speaker family. Imagine a discussion with Lenore about what it means to be caught between wanting to make peace with humans and knowing how much harm they cause - her actually getting a sympathetic vampire perspective from someone like Alucard who wouldn't look down on her.

Imagine the tension that could come from Trevor meeting a Forgemaster, Isaac trying to explain his control over Night Creatures and his ability to even make them fight for a sympathetic cause. Both Isaac and Trevor have experience being the outcasts, understanding how awful humans can be, but they both found their way to still fighting for the right thing. Trevor understands why killing Dracula's wife would make him want to purge the world in retribution, but he still knows humans are worth fighting for. Isaac fully abandoned his faith in humanity and believed in Dracula completely, and even THEN he managed to find the good amongst the rabble. Is it right to make Night Creatures from the dead, even if they were bad people? Even if it's to champion a good cause? Even if Hector and Isaac have full control over them without a potential for any sort of rebellion?

What I'm saying is, I love the idea of a new Castlevania series, but nothing will beat the OG season 1 and 2, and season 3 should have been answering questions and tying up loose ends - not going off on at least 3, 4 tangents that were just meant to come out of nowhere and make things shitty again after our happy ending and I guess they're kinda related but not really, so now we can fix the new shitty stuff and have ANOTHER happy ending and avoid showing anything resembling resolutions, just teaser after teaser for the fanfics to finish up.

Anyway so I'm going to the fanfics and if I don't come back, tell the Final Fantasy rants I love them-

I need an absolutely CHONKY computer, lifting it will be the only cardio I get, you feel me? Gimme all my ports and connectors back, and I need to be able to spill my drink all over that keyboard and NOTHING will happen to it. I wants all the RAM and all the storage, you don't understand - or do you?

You know what, fuck it, I don't *want* some frivolous, artisanal, lighter-than-air computer with no customizability, no upgradeability, no reparability, no ports, and a lifetime of *maybe* 3 years if you're lucky. I want a fucking great BEAST of a computer that's designed to last a minimum of 50 years, with ports up the wazoo and optional drives for every kind of media! I want modular components that you can drop in a bog for a year, dry them off, and have them still work fine! I want them to make a noise like "ker-chunk!" when you slide them into place! I want a switch that you pull to turn it on! And I don't want software that constantly forces you to get a pointless, cosmetic "upgrade" every few months either! I want durability! I want longevity! I want satisfying haptics! I want Silicon Valley to go fuck itself!

Yeeeeeesss look at that, gimme all the great quotes

I do think there is a balance in the message though. These people who ascend or fall are human, but how much of their humanity do they lose? Over hundreds of years, how much do they change, try to leave behind - or remember, or vow to never, ever forget, to never let go of?

Just the ability to choose to hold onto or let go of things, of beliefs or obsessions, that's so human of them - but humans aren't supposed to be eternal. Xie Lian has to suffer things that regular humans never do, to live through death (or fatal injuries), through generations of change, through the rise and fall of kingdoms, through his own strengths but also his very many weaknesses.

Jun Wu and Hua Cheng have held onto and lived consumed by their resentment and devotion respectively, having to actively fight off anything that would contradict these things. A single lifetime of living with betrayal and heartbreak can break a person, but Jun Wu's resentment is so powerful that it essentially reshapes the entire world because of how it grew and amassed and never stopped tormenting him. Hua Cheng's devotion was so powerful that he gained an actual foothold to reshape the world almost as effectively as Jun Wu - enough to oppose his reign. These kinds of devotion are impressive specifically because they lasted so long, enduring so much, enduring things that shouldn't be human.

Xie Lian, Hua Cheng, Jun Wu, and many of the other gods have held onto who they are without any desire to change - regardless of the right or wrongess of these beliefs they refuse to change. It takes a great deal of effort, but in the end Jun Wu is the one who has to stop, who has to change after 2000 years of obsession. Even after he remade the heavens and got revenge on everyone, he still went this far.

It's natural to want to stay a certain way out of habit, because staying the same is comforting, but even so the world moves on without you and you inevitably change despite your efforts. But these gods spend hundreds and thousands of years without change. Jun Wu got everything he wanted but he continued hating even when there was no one left to hate - in fact he seemed to foster another round of gods to continue hating, just now they're under his thumb.

These people are fundamentally human at heart, but how much of that humanity remains once they've lived lives that can't be called fully human anymore? They are human, but they also can't be, but they can choose to try to stay human, or they can choose to be warped into something else.

And when they find out they chose wrong, they can choose again - but only if they remember that they are human, and humans have the power to keep chosing and changing.

Totally random but, as much as I generally love the TGCF fandom, I’ve noticed that it always mildly annoys me when people refer to, say, Hua Cheng or Xie Lian as not being human, when it’s kind of a major thing that they are still human. Maybe I’m being annoying here but, there’s a reason one of my favourite quotes from TGCF is ‘When humans ascend, they are still human; when they fall, they are still human’. I kinda feel especially strongly about this in regard to some of the ghosts because, well, you wouldn’t look at a human corpse and say “No! That’s not a human! It’s a corpse!”, yeah, obviously it’s a corpse, but it doesn’t cease to be human just because it’s dead, it’s just a dead human.

Chapters: 14/24 Fandom: Original Work, Norse Religion & Lore, Prose Edda (Norse), Poetic Edda (Norse), Völsunga saga | Saga of the Volsungs - Anonymous Rating: Teen And Up Audiences Warnings: Graphic Depictions Of Violence Characters: Áslaug (Norse Religion & Lore), Fáfnir | Frænir | Fafnir (Norse Religion & Lore), Svanhild/Svanhildr, Svanhildr Sigurðardóttir, Svanhild Gjúkingar, Brynhildr (Norse Religion & Lore), Sigurðr | Sigurd (Norse Religion & Lore), Heimr of Hlymdalir, Bekkhild of Hlymdalir, Grani - Character, Finnegan Descendus Sliochd, Fionn of the Wild Hunt, Merida Descendus Sliochd, Gwyn ap Nudd, Kayraen of the Wild Hunt, Iian Briar, Elli (Old Age), Frau Gauden, Frau Holle, Fionn Flann, Lorcán the Fierce, Dearil/Renna Kingsdöttær, Kieran, Caelum, cathan, Nuallán, Duibhín, Ai-Laau Series: Part 3 of Saga of the Sigurða (The Völsunga Saga Continued) Summary:

Aslaug is a Volsunga. So far, it has been nothing but a burden. She has had a voice in her head, tempting her to be a monster at every moment and never giving her peace; she has lost her father, then her mother, for reasons she has yet to fully understand; she has no idea what she wants to do or what she is destined for, but she does know she's going to have to figure it out on her own.

When she has a chance encounter with her soulmates, Aslaug's destiny truly begins to unfold, and her journey to discover who she is and what she will do begins. Her first task: locate her father's treasure, the legacy of the great Sigurd Fafnesbane. The only thing standing in her way? Her half-sister, Svanhild Volsunga, who is determined to live a life beyond just a woman doomed to die at the hands of a family curse.

Aslaug must choose where her loyalties lie, what path she wishes to follow when all of them lead to nothing but tragedy, and admit that perhaps she might just be a hero - all while the curse of the Andvaranaut begins to test her ability to lose what little she holds dear.

mdzs x 微博会员 + official illustrations! ❤💙🐇

Well a whole 2 people asked for it and who am I to deny the masses?

I....it'll be a happy ending eventually. Maybe

It's hit 1200 pages guys I am not okay

Very underrated dramatic moment you see, but I'm just distracted by the fact that Jin Guangyao has lost his right hand at this point so I'ma assume the novel image is mirrored for dramatic effect.

There that's better.

I need more "Lan Xichen gets a happy ending" fics is what I'm saying. Should I post a 900 page fanfic that I've invested too much of my time into?

"But forever is not forever.

"I move and you react and both of us break the other. But broken is only a moment in time."

"You let me move and I slam the door, but that is not the end, and both of us must face our partner once again. The barbs twist deeper, but they do not have to."

"To change is to hold the potential to rise above. Would you limit yourself to what you are now, or would you like to see what you might become tomorrow?"

One of the ending monologues that stuck with me the most, the way the Witch and the Opportuntist are dancing around one another but stuck in place because they're more focused on being wary of the other instead of bettering themselves.

You actively have to go along with the dance in order to bring the Witch to Shifty, to play along and pretend, wary of each other but still going along with things until you can go out of your way to betray to one another. You have to trust in order to be betrayed, even if that trust is pretend. Attacking the Witch openly and directly, no lying or dragging it out, or even trying to abandon her and avoid the dance, smashes you into the Wild. Proving your sincerity even at the cost of your life brings you to the Thorn.

The Witch (like most Chapter II routes of course) is what happens when you don't learn from your mistakes and change the strategy. The Princess and the LQ decided that the endless revolving was what they wanted, nothing better, nothing worse.

And the way it all feeds back into the final confrontation where the Shifting Mound shows the Long Quiet the futility of revolving, because there are no victors if you choose to keep dancing in circles - the two of them absolutely CAN just keep spinning, but they'll always end up equally hurting one another and rejecting the paths of being straightforward or giving up. It's actively torturing themselves and choosing the self-destructive option to keep doing the dance, but I mean it's an option! All opinions are valid. It's just *chef's kiss*

What's ironic is that in all the ways you bring the Witch to Shifty, the two of you still have to face each other after the betrayal. Either you both broke your backs together on the stairs and have to stare each other down hoping the other is suffering just as much as you, or the LQ erases the cabin and the door she slammed in your face disappears too so oops this is awkward, no hard feelings right? :3 They always do face the consequences of being a prick even if they got the betrayal they wanted, "not sorry you did the bad thing, just sorry you got caught" style.

Witch and Opportuntist are such a funny duo, they're both such gremlins, they know what they're doing is selfish and sneaky and potentially the downfall of them both, and they're happy about it, they're vibing

"A trick behind your back, and a trick behind mine. We dance, revolving and revolving around each other, but forever stuck in place. We both move and yet we both don't, for each of us watches the other instead of ourselves."

---

Anyone order the Witch? I've got quite a few old drawings of her, she is such a silly :]

All I ask in return is to please ignore how I used to draw the Long Quiet (pictures 2 & 4), I could not figure out how I wanted to draw him, and I also was (still am) bad at drawing birds/beaks 😭That's why I eventually gave up and joined the no-beak-TLQ crowd lol

[Throwback | Scheduled post | Drawings finished : January 25th - 26th, 2024]

[Find my Slay the Princess art here] [Princess art] [TLQ art] [Voices art]